Artist: Columbus State University Wind Ensemble
Featured Faculty Composer: Dorothy Chang, Sunan Dances
Recording details:
Summit Records, 2005
Mussorgsky & Stravinsky: Music for Two Pianos
Artists: Mark Anderson and Tamariko Siprashvili
Recording details:
“These are very fine performances with plenty of virtuosity and a lovely burnished tone”— JAMES LEONARD, ALLMUSIC (ALLMUSIC.COM)
Nimbus Records, 2004
Rhythmic Process and Form in Bartók’s ‘Syncopation’
Author: Roeder, John
Publication details: College Music Symposium, Vol. 44 (2004), pp. 43-57
Weblink: http://www.jstor.org
Preserving authentic interactive digital artworks: case studies from the InterPARES project
Author: Roeder, John
Publication details: International Cultural Heritage Informatics Meeting: Proceedings from ichim04 (Berlin). CD-ROM. Toronto: Archives & Museum Informatics.
Weblink: http://www.interpares.org
Landscape and Soundscape: Geomantic Spatial Mapping in Korean Traditional Music
Author: Hesselink, Nathan and Petty, Jonathan
Publication details: Journal of Musicological Research 23.3/4:265-88 (2004)
Weblink: www.tandfonline.com
Abstract:
It is known that music perception maps musical parameters against a cognitive template derived from physical spatial perception such that music is experienced in terms of space. Recent research suggests that the spatial dimension of music is gen- eral, but varies according to the way different societies construct different shared cultural spaces. The culturally specific East Asian spatial template of geomancy (feng shui in Chinese, p’ungsu in Korean) can be related to the structures of several genres of Korean music, with geomantic influences exerted on the constructions of Korean performance spaces, rhythmic patterns, and pitch sets. Knowing how such practices penetrated and spatialized aspects of Buddhist, Confucian, Shaman, and even secular musical activity alike provides a powerful new interpretive tool for understanding Korea’s multifaceted soundscape.
Samul nori as Traditional: Preservation and Innovation in a South Korean Contemporary Percussion Genre
Author: Hesselink, Nathan
Publication details: Ethnomusicology 48.3:405-39 (2004)
Weblink: www.jstor.org
Music and Religious Identity in Counter-Reformation Augsburg, 1580–1630
Author: Fisher, Alexander
Publication details: St. Andrews Studies in Reformation History. Aldershot: Ashgate Publishing, 2004.
Weblink: https://www.routledge.com
20th Century Piano Album
Featured Faculty Composer: T. Patrick Carrabré
Track 6. Scherzo No.2, The Elemental Wind
Recording details:
Alexander Tselyakov, piano
José Maceda and the Paradoxes of Modern Composition in Southeast Asia
Author: Tenzer, Michael
Publication details: Ethnomusicology 47/1: 93-120
Weblink: http://www.jstor.org
Kil kunak ch’ilch’ae (Seven-Stroke Road Military Music) Rhythmic Pattern: P’ungmul and the Bridging of the North-South Divide
Author: Hesselink, Nathan
Publication details: Tongyang ŭmak [Asian Music] 25:111-27 (2003)