Research Area

The African Imagination in Music. By Kofi Agawu

Author: Roeder, John Article: Music Theory Spectrum 40, no. 1 (Spring 2018): 154–159. Weblink: https://academic.oup.com Abstract: The author aims not only to scrutinize the continent’s rich musical practices, but also to confound entrenched prejudices and to promote a deeper appreciation of its musicians’ creativity and expression. While he takes measure of African imagination partly in […]

Fanny Tacchinardi-Persiani, Carlo Balocchino, and Italian Opera Business in Vienna, Paris, and London (1837-1845)

Author: Vellutini, Claudio Publication details: “Fanny Tacchinardi-Persiani, Carlo Balocchino, and Italian Opera Business in Vienna, Paris, and London (1837-1845).” Cambridge Opera Journal 30, nn. 2-3 (2018): 259–304. Weblink: https://cambridge.org Abstract: This article addresses several historiographical questions about narratives of nineteenth-century Italian opera by discussing the international career of prima donna Fanny Tacchinardi-Persiani during the 1830s […]

O Clap Your Hands

Composer: Stephen Chatman Publisher: Galaxy Music Corporation Purchase

Forever, Remember Me

Composer: Stephen Chatman Text author: Tara Wohlberg Publisher: Galaxy Music Corporation Purchase

Dawn of Night

Composer: Stephen Chatman Text author: Tara Wohlberg Publisher: Galaxy Music Corporation Purchase

Interactions of Folk Melody and Transformational (Dis)continuities in Chen Yi’s Ba Ban

Author: Roeder, John Publication details: Presented at the Society for Music Theory 40th Annual Meeting in Arlington, Virginia, 3 November 2017 Weblink: https://societymusictheory.org Abstract: Chen Yi’s Ba Ban (1999) for solo piano, like many works of Western-trained Chinese composers, situates fragments of evocative traditional folk melody within a post-tonal discourse that is well described by […]

How to Create Meter and Why

Author: Roeder, John Publication details: Presented at the Society for Music Theory 40th Annual Meeting in Arlington, Virginia, 3 November 2017 Weblink: https://societymusictheory.org

Harpocrates at Work: How the God of Silence Protected Eighteenth-Century French Iconoclasts

Harpocrates at Work: How the God of Silence Protected Eighteenth-Century French Iconoclasts

Author: Law, Hedy Publication details: The Oxford Handbook of Music Censorship, edited by Patricia Hall. New York, NY: Oxford University Press, 2017. Weblink: http://oxfordhandbooks.com Abstract: This article examines music censorship in the Old Regime France by focusing on the politics of theater. More specifically, it analyzes the politics of silence in eighteenth-century pantomime, a type […]