Music and Politics on the Korean Peninsula. Special Volume of The World of Music
Editor: Hesselink, Nathan Publication details: Berlin: Verlag für Wissenschaft und Bildung Weblink: http://www.journal-the-world-of-music.com Abstract: The collection of essays in this volume moves forward from the position that music and politics are always inextricably linked. The modern conceit of autonomous art fails to account for the historical and cultural embeddedness of music, that its creation and performance exist within […]
Music and Politics on the Korean Peninsula
Author: Hesselink, Nathan Publication details: The World of Music 49.3:7-12 (2008) Weblink: www.jstor.org
Celestial Sirens and Nightingales: Change and Assimilation in the Munich Anthologies of Georg Victorinus
Author: Fisher, Alexander Publication details: Journal of Seventeenth-Century Music 14, no. 1 Weblink: http://sscm-jscm.org Abstract: The Italianate sacred vocal concerto of the early seventeenth century was transmitted not least through the efforts of northern anthologists. Two anthologies of Georg Victorinus in Munich, Siren coelestis(1616) and Philomela coelestis (1624), containing 200 Latin sacred concertos, demonstrate not only the enthusiasm for the new style […]
Coming to the City: SamulNori and 1970s’ Korean Music Culture
Author: Hesselink, Nathan Publication details: Mandang Yi Hyegu paksa paeksu songch’uk nonmunjip (Essays on Music Offered to Dr. Lee Hye-ku in Honor of His Hundredth Birthday), ed. Hwang Junyeon et al, 661-91. Seoul: Minsogwŏn, 2008.
A transformational space for Elliott Carter’s recent complement-union music
Author: Roeder, John Publication details: Communications in Computer and Information Science (CCIS). Vol. 37, pp. 300-307 Weblink: http://download.springer.com Abstract: Elliott Carter’s recent music exploits a special combinatorial property of the all-trichord hexachord. I show how this property can be reconceived in terms of interesting and analytically significant musical transformations: three involutions on the pitch-class aggregate which constitute a […]
Elliott Carter: A centennial portrait in letters and documents
Author: Poudrier, Ève Publication details: Journal of the Society for American Music (2010) Volume 4, Number 1. Pp. 104–110 Weblink: https://www.cambridge.org
Vincent d’Indy’s theory of rhythm in the Cours de composition musicale (1902-1950): Sources, Reception, and Legacy
Author: Poudrier, Ève Presentation details: Joint Conference of the American Musicological Society (AMS) and Society for Music Theory (SMT), Nashville (TN), 7 November 2008
Combinatorial Modeling in the Chorus Movement of Cantata 24, Ein ungefärbt Gemüte.”
Author: Fisher, Alexander Publication details: About Bach, edited by Gregory G. Butler, Mary Dalton Greer, and George B. Stauffer, 35–52. Urbana and Chicago: University of Illinois Press, 2008. Weblink: https://go.exlibris.link/sGfYpfmy Abstract: That Johann Sebastian Bach is a pivotal figure in the history of Western music is hardly news, and the magnitude of his achievement is so […]
Review of Franck Jedrzejewski’s Mathematical Theory of Music
Author: Roeder, John Publication details: Journal of Mathematics and Music 1/3: 191-198 Weblink: http://www.tandfonline.com
SamulNori, Wŏn-Pang-Kak, and Cosmological Didacticism
Author: Hesselink, Nathan Publication details: Yearbook for Traditional Music 39:140-61 (2007) Weblink: www.jstor.org