Publications

Modelling Cognitive Distance in Twelve-Tone Music

Author: Kurth, Richard Publication details: CMI 99, Conference on Musical Imagery: VI. International Conference on Systematic and Comparative Musicology. University of Oslo.

Moments of Closure: Some Thoughts on Schoenberg’s Fourth Quartet and String Trio

Author: Kurth, Richard Publication details: Symposium in honour of David Lewin. Department of Music, Harvard University

An Introduction to Lattices in Twelve-Tone Music

Author: Kurth, Richard Publication details: Proceedings of ISAMA 99: First Interdisciplinary Conference of The International Society of The Arts, Mathematics and Architecture, ed. Nathaniel Friedman and Javier Barrallo. San Sebastian, Spain: University of the Basque Country, 311-318 Download: PDF

Partition Lattices in Twelve-Tone Music: An Introduction

Author: Kurth, Richard Publication details: Journal of Music Theory 43/1: 21-82 Weblink: https://www.jstor.org.ezproxy.library.ubc.ca

Two Sides of a Similar Coin: A Common Origin Hypothesis in Honam Region Percussion Band Music/Dance

Author: Hesselink, Nathan Publication details: Tongyang ŭmak [Asian Music] 21:175-200 (1999) Weblink: http://s-space.snu.ac.kr

Paul Hindemith, Gottfried Benn, and the Defense of the Autonomy of Art in the Late Weimar Republic

Paul Hindemith, Gottfried Benn, and the Defense of the Autonomy of Art in the Late Weimar Republic

Author: Fisher, Alexander Publication details: Hindemith-Jahrbuch 28 (1999): 11–53. Weblink: https://www.schott-music.com/en/hindemith-jahrbuch-no16696.html  

Of Drums and Men in Chŏllabuk-do Province: Glimpses into the Making of a Human Cultural Asset

Author: Hesselink, Nathan Publication details: Korea Journal 38.3: 292-326 (1998)

Review of Composition with Pitch-Classes by Robert D.Morris

Author: Roeder, John Publication details: Music Theory Spectrum 11/2: 240 – 251 Weblink: www.jstor.org

Hypermetric and Metric Strategies in Schubert’s Instrumental Music

Author: Kurth, Richard Publication details: Colloque International Franz Schubert: L’Évolution du style instrumental de Schubert. Sorbonne, Paris