Review of Composition with Pitch-Classes by Robert D.Morris
Author: Roeder, John Publication details: Music Theory Spectrum 11/2: 240 – 251 Weblink: www.jstor.org
Hypermetric and Metric Strategies in Schubert’s Instrumental Music
Author: Kurth, Richard Publication details: Colloque International Franz Schubert: L’Évolution du style instrumental de Schubert. Sorbonne, Paris
Soni Rerum Indices: Pierrot lunaire and ‘The Relationship to the Text’
Author: Kurth, Richard Publication details: Department of Music, University of Alberta, Edmonton
Review of Christopher F. Hasty, Meter as Rhythm
Author: Roeder, John Publication details: Music Theory Online 4.4: 1.1-5.7. Weblink: http://www.mtosmt.org
Music and Poetry, A Wilderness of Doubles: Heine–Nietzsche–Schubert—Derrida
Author: Kurth, Richard Publication details: 19th Century Music 21/1: 3-37 Weblink: www.jstor.org
Writing, Voice, and Illusion: Schumann’s Heine Song Am leuchtenden Sommermorgen
Author: Kurth, Richard Publication details: Annual Meeting of the American Musicological Society. Baltimore
Dis-regarding Schoenberg’s Twelve-Tone Rows: An Alternative Approach to Listening and Analysis for Twelve-Tone Music
Author: Kurth, Richard Publication details: Theory and Practice 21: 79-122 Weblink: www.jstor.org
Geisha, Kouta, and Karaoke
Author: Hesselink, Nathan Publication details: Kyoto Journal 32:18-23 (1996)
Changdan Revisited: Korean Rhythmic Patterns in Theory and Contemporary Performance Practice
Author: Hesselink, Nathan Publication details: Han’guk ŭmak yŏn’gu [Studies in Korean Music] 24:143-55 (1996) Weblink: www.dbpia.co.kr
Music and Poetry: A Wilderness of Mirrors
Author: Kurth, Richard Publication details: Interdisciplinary 19th Century Studies Colloquium Series, Green College, UBC, Vancouver