Beopgo Changshin: New Music for Samul nori
Author: Hesselink, Nathan Publication details: Musicology in Korea, ed. Kim Sejung, 495-507. Seoul: Minsogwŏn, 2014
Musical Imagination and Performed Listening: Aesthetics, Music Theory, and Analysis of Performance
Author: Kurth, Richard Publication details: UBC School of Music Graduate Colloquium Series
Rupture/Rapture: Alienation and Ecstasy in Arnold Schönberg’s Vocal Music, 1907-1922
Author: Kurth, Richard Publication details: Symposium Einschnitt 1914: Tage für Interpretation und Aufführrungspraxis. Hochschule für Music Saar, Saarbrücken, Germany
Aesthetic Experience and Musical Imagination: Implications for Music Theory and Analysis
Author: Kurth, Richard Publication details: Deutsche Gesellschaft für Musiktheorie, 13th Jahreskongress, 2013. Hochschule für Music und Theatre, Rostock, Germany
Kurtág and the Vocality of Silent Amazement
Author: Kurth, Richard Publication details: 9th International Conference of the International Association for Word and Music Studies. Senate House, University of London.
Review of Sabine Feisst, Schoenberg’s New World: The American Years
Author: Kurth, Richard Publication details: Journal of the American Musicological Society 66, no. 2 (2013): 576-84. Weblink: https://jstor.org
Materialität und Vocalität in György Kurtágs Attila József Fragmente für solo Sopran, op. 20
Author: Kurth, Richard Publication details: Hochschule für Music Saar, Saarbrücken, Germany
A Geometry of Music: Harmony and Counterpoint in the Extended Common Practice
Author: Roeder, John Publication details: Journal of Music Theory 57, no. 1 (2013): 159–191 Weblink: https://dukeupress.edu
Can musicians track two different beats simultaneously?
Author: Poudrier, Ève, Repp, B.H. Publication details: Music Perception: An Interdisciplinary Journal 30, no. 4 (2013): 369-90. Weblink: http://cogsys.ubc.ca Abstract: The simultaneous presence of different meters is not uncommon in Western art music and the music of various non-Western cultures. However, it is unclear how listeners and performers deal with this situation, and whether it is […]
Radiohead’s ‘Pyramid Song’: Ambiguity, Rhythm, and Participation
Author: Hesselink, Nathan Publication details: Music Theory Online 19, no. 1 (March 2013). Weblink: http://mtosmt.org Abstract: This article demonstrates how the confluence of ambiguity and rhythm in a pop/rock song creates a powerful force for audience participation. Focusing on Radiohead’s “Pyramid Song” (2001) as a case study, I document in detail the myriad ways listening audiences have made sense […]