Partition Lattices in Twelve-Tone Music: An Introduction

Author: Kurth, Richard Publication details: Journal of Music Theory 43/1: 21-82 Weblink: https://www.jstor.org.ezproxy.library.ubc.ca

Two Sides of a Similar Coin: A Common Origin Hypothesis in Honam Region Percussion Band Music/Dance

Author: Hesselink, Nathan Publication details: Tongyang ŭmak [Asian Music] 21:175-200 (1999) Weblink: http://s-space.snu.ac.kr

Of Drums and Men in Chŏllabuk-do Province: Glimpses into the Making of a Human Cultural Asset

Author: Hesselink, Nathan Publication details: Korea Journal 38.3: 292-326 (1998)

Review of Composition with Pitch-Classes by Robert D.Morris

Author: Roeder, John Publication details: Music Theory Spectrum 11/2: 240 – 251 Weblink: www.jstor.org

Hypermetric and Metric Strategies in Schubert’s Instrumental Music

Author: Kurth, Richard Publication details: Colloque International Franz Schubert: L’Évolution du style instrumental de Schubert. Sorbonne, Paris

Soni Rerum Indices: Pierrot lunaire and ‘The Relationship to the Text’

Author: Kurth, Richard Publication details: Department of Music, University of Alberta, Edmonton

Review of Christopher F. Hasty, Meter as Rhythm

Author: Roeder, John Publication details: Music Theory Online 4.4: 1.1-5.7. Weblink: http://www.mtosmt.org

Music and Poetry, A Wilderness of Doubles: Heine–Nietzsche–Schubert—Derrida

Author: Kurth, Richard Publication details: 19th Century Music 21/1: 3-37 Weblink: www.jstor.org

Writing, Voice, and Illusion: Schumann’s Heine Song Am leuchtenden Sommermorgen

Author: Kurth, Richard Publication details: Annual Meeting of the American Musicological Society. Baltimore

Dis-regarding Schoenberg’s Twelve-Tone Rows: An Alternative Approach to Listening and Analysis for Twelve-Tone Music

Author: Kurth, Richard Publication details: Theory and Practice 21: 79-122 Weblink: www.jstor.org