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Adina par excellence: Eugenia Tadolini and the Performing Tradition of Donizetti’s L’elisir d’amore in Vienna
Author: Vellutini, Claudio Publication details: Nineteenth-Century Music 38, no. 1 (2014): 3-29 Weblink: http://ncm.ucpress.edu Abstract: Gaetano Donizetti’s L’elisir d’amore was subjected to a series of substantial modifications after its premiere in 1832. In this article I focus on the performing tradition of the opera in Vienna. The history of these performances and their reception allow us to examine […]
Music, Piety, and Propaganda: The Soundscapes of Counter-Reformation Bavaria
Author: Fisher, Alexander Publication details: The New Cultural History of Music. New York: Oxford University Press, 2014. Weblink: https://global.oup.com Abstract: Music, Piety, and Propaganda: The Soundscapes of Counter-Reformation Bavaria explores the nature of sound as a powerful yet ambivalent force in the religious struggles that permeated Germany during the Counter-Reformation. Author Alexander J. Fisher goes beyond a […]
Beopgo Changshin: New Music for Samul nori
Author: Hesselink, Nathan Publication details: Musicology in Korea, ed. Kim Sejung, 495-507. Seoul: Minsogwŏn, 2014
Wine Dark Sea
Ensemble: Couloir Artists: Heidi Krutzen harp and Ariel Barnes cello Recording details: Ravello Records, 2013 Works: Jocelyn Morlock (MMus’96, DMA’02) Three Meditations on Light Baljinder Sekhon Drifting Seeds Glenn Buhr (MMus’91) A monk, dancing Link
The Earth & I: New American Choral Music
Ensemble: Washington Master Chorale Recording details: Albany Records, December 2013 Works: Stephen Chatman Nature Songs i. Autumn Violets ii. The Voice of the Rain iii. On the Beach at Night Link
Thrash: Music for Saxophone and Electric Guitar
Artists: Christopher Creviston, saxophone; Oren Fader, electric guitar Featured Faculty Composer: Dorothy Chang, In Quiet Light (2013) Recording details: White Pine Music
Musical Imagination and Performed Listening: Aesthetics, Music Theory, and Analysis of Performance
Author: Kurth, Richard Publication details: UBC School of Music Graduate Colloquium Series
Rupture/Rapture: Alienation and Ecstasy in Arnold Schönberg’s Vocal Music, 1907-1922
Author: Kurth, Richard Publication details: Symposium Einschnitt 1914: Tage für Interpretation und Aufführrungspraxis. Hochschule für Music Saar, Saarbrücken, Germany
Aesthetic Experience and Musical Imagination: Implications for Music Theory and Analysis
Author: Kurth, Richard Publication details: Deutsche Gesellschaft für Musiktheorie, 13th Jahreskongress, 2013. Hochschule für Music und Theatre, Rostock, Germany
Kurtág and the Vocality of Silent Amazement
Author: Kurth, Richard Publication details: 9th International Conference of the International Association for Word and Music Studies. Senate House, University of London.