Listeners’ Perceived Emotions in Musical Excerpts with Ordered vs. Randomized Pitch and Register
Author: Poudrier, Ève, Bell, Bryan, Lee, Jason Yin Hei, and Sapp, Craig Stuart Publication details: 2023 4th International Symposium on the Internet of Sounds, Pisa, Italy, 2023, pp. 1-9. IEEE. Weblink: https://doi.org/10.1109/IEEECONF59510.2023.10335484 Abstract: The current study investigates the influence of pitch and register (ordered vs. randomized) on listeners’ ratings of five emotional dimensions (mood, energy, movement, […]
Listener’s perceived emotions in synthetic vs. human performance of rhythmically complex musical excerpts
Authors: Poudrier, Ève, Bell, B. J., Lee, J. Y. H., Sapp, C.S. Publication details: Proceedings of the 16th International Conference on Computer Music and Multidisciplinary Research (CMMR 2023), 13–15 November 2023, Tokyo, Japan, pp. 599–610. CMMR 2023 & Laboratory PRISM, Marseille, France. Weblink: https://doi.org/10.5281/zenodo.10076248 Abstract: Research on listeners’ perceived emotions in music draws on human and synthetic […]
Fifteen Feet Closer to the Sky
Artist: Adam Zitanelli, trumpet Recording details: Leaf Music Featured works: Dorothy Chang All That Glitters Link
Polyrhythm classification using the composite tool
Authors: Poudrier, Ève Publication details: 2nd International Conference Música Analítica, Interdisciplinary Approaches to Music Time, Centre for Interdisciplinary Studies, University of Coimbra, Coimbra, Portugal, 12-14 October 2023, p. 48. Weblink: https://www.uc.pt/site/assets/files/1190234/ma_abstracts_1.pdf Abstract: This paper proposes a definition of polyrhythm that affords classification of a wider variety of polyphonic textures along a set of characteristics derived from”composite rhythms,” […]
Tale Still Told
Artists: Carolyn Braus – alto, tenor, & baritone saxophone Molly Orlando – piano Featured Faculty Composer: Dorothy Chang, New Stories (2013) Recording details: Soundset Recordings Link
New Stories
Artists: Joseph Lullof, saxophone; Yu-Lien The, piano Featured Faculty Composer: Dorothy Chang, New Stories (2013) Recording details: Blue Griffin Recordings Link
Italian Opera in Vormärz Vienna: Bartolomeo Merelli, Gaetano Donizetti, and Habsburg Cultural Politics in the mid-1830s
Author: Vellutini, Claudio Publication details: In Italian Opera in Vormärz Vienna: Bartolomeo Merelli, Gaetano Donizetti, and Habsburg Cultural Politics in the mid-1830s: Re-Imagining Italianità, ed. by Axel Körner and Paulo Kühl, 96–112. Cambridge: Cambridge University Press, 2022. Weblink: https://cambridge.org
Polyrhythm Analysis Using the composite Tool
Authors: Poudrier, Ève, Sapp, C.S. Publication details: 9th International Conference on Digital Libraries for Musicology (DLfM2022), July 28, 2022, Prague, Czech Republic, pp. 65-73. ACM, New York, NY, USA Weblink: https://doi.org/10.1145/3543882.3543890 Abstract: We introduce a computational tool that allows comparison and classification of polyrhythms in notated music. By reducing different musical textures into unpitched rhythmic strands, […]
Soaring Spirits
Ensemble: UBC Symphony Orchestra, UBC Choirs Jonathan Girard, conductor Featured UBC composers: Dorothy Chang, Stephen Chatman, Keith Hamel Featured UBC artist: Paolo Bortolussi Recording details: Redshift Records, released October 1, 2021 Link
New Jewish Music, Volume 3 – Azrieli Music Prizes
Artist: Krisztina Szabó Singing 2020 Azrieli Prize Winner, Yotam Haber’s Estro Poetico Armonico III Recording details: Analekta, released October 1, 2021 Link