Ari Cohen Mann's New Album: VORTEX

Ari Cohen Mann’s New Album: VORTEX

Featured UBC Alumni: Ari Cohen Mann, Oboe (BMus ’12)

Release: 2025

Description:

The album features works by Kevin Day, Jennifer Higdon, Jocelyn Morlock, C. Tyler Nickel, and Rodney Sharman, and includes the world-premiere recording of Jean Coulthard’s The Enchanted Island.

You can pre-save VORTEX here: https://orchid-music.lnk.to/VORTEXem

Music videos including Kevin Day’s VORTEX and C. Tyler Nickel’s English Horn Sonata (third movement): https://www.youtube.com/@oboeari

Cris Derksen’s New Album: THE VISIT

Featured UBC Alumni: Cris Derksen, Cello (BMus ’07)

Released: November 6, 2025

Description: Cris Derksen, a Juno-nominated Indigenous cellist and composer, is internationally renowned for her genre-defying music that bridges the traditional and contemporary. Hailing from Treaty 8 territory in Northern Alberta, Derksen comes from a lineage of chiefs from the NorthTall Cree Reserve on her father’s side and strong Mennonite homesteaders on her mother’s. Her work intricately weaves together her classical training and Indigenous heritage with modern electronic elements.

Derksen’s unique sound began to take shape in 2006 when she started performing with Tanya Tagaq, using multi-effect guitar pedals to make the cello more relatable and innovative. Her debut album, “The Cusp,” remains a staple on national radio and is frequently licensed for television and film. A staple of the Canadian Folk Fest circuit since 2007, she has performed with her quartet and various indie rock bands. In 2016, she released “Orchestral Powwow,” blending symphonic elements with powwow music, a project performed with symphonies and arts festivals across Canada, marking her return to classical roots.

For more information, visit Cris Derksen’s site at https://www.crisderksen.com/music

Check out Derksen’s new album now available on Tidal and Apple Music.

Assistant Professor of Music Composition (Music Technology)

The UBC School of Music invites applications for a full-time, limited-term position in Music Composition (Music Technology) – non-tenure track. The anticipated start date will be September 1, 2026. This is a one-year position as Assistant Professor Without Review (i.e., non-tenure track), renewable for a maximum of two times, subject to the availability of funds and demonstration of excellence in research, teaching, and service.

We seek an accomplished and versatile composer-researcher specializing in music technology. Applicants must have a Ph.D. or DMA degree in Music Composition. Qualified candidates should also have a demonstrated record of research accomplishment, including high-level national and international performances and documented success of research grants, university-level teaching (of acoustic and electroacoustic music composition) and graduate supervision, as well as a commitment to advancing diversity, equity, and inclusion. Duties will include individual undergraduate and graduate composition lessons; teaching courses (which may include “Introduction to Music Technology,” “Electroacoustic Music,” “Computer Music,” and “Interactive Performance Systems”); supervision of masters and doctoral students, running and maintaining the Music Technology Lab, serving as Coordinator of the Applied Music Technology minor, other service on School and University committees, and active and ongoing performance/research activities consistent with successful teaching and productive service.

The UBC School of Music offers a full range of undergraduate and graduate programs in music, including M.Mus., M.A., DMA, and Ph.D. programs. For information about the School, visit
music.ubc.ca

Applications and all supporting materials should be received by November 21, 2025

Applicants should be prepared to provide:

  • letter of application that includes the names and contact information (incl. institutional affiliation, address, e-mail address) of three referees;\
  • curriculum vitae; \
  • a statement of major research accomplishments, and current and future research;
  • a statement of teaching/pedagogy philosophy; and a concise record of teaching experience, including evidence of teaching effectiveness >(e.g., evaluations and sample syllabi);
  • a statement addressing experience working with a diverse student body as well as past and potential contributions to creating/advancing a culture of equity and inclusion.

Referees for the candidates on the long list will be contacted to provide confidential reference letters. Long-listed candidates will be asked to provide samples of their compositions, including links to recordings and scores, and other relevant documented professional experiences. The expected pay range for this position is $8,333/month – $9,167/month; salary will be commensurate with qualifications and experience. This position is subject to final budgetary approval.

The University is committed to creating and maintaining an accessible work environment for all members of its workforce. Within this hiring process we will make efforts to create an accessible process for all candidates (including but not limited to disabled people). If you have any questions regarding accommodations or accessibility during the recruitment and hiring process or for more information and support, please visit UBC’s Centre for Workplace Accessibility website

The UBC – Vancouver Campus is located on the traditional, ancestral, and unceded territory of the hən̓q̓əmin̓əm̓-speaking Musqueam people. Equity and diversity are essential to academic excellence. An open and diverse community fosters the inclusion of voices that have been underrepresented or discouraged. We encourage applications from members of groups that have been marginalized on any grounds enumerated under the B.C. Human Rights Code, including sex, sexual orientation, gender identity or expression, racialization, disability, political belief, religion, marital or family status, age, and/or status as a First Nation, Métis, Inuit, or Indigenous person. All qualified candidates are encouraged to apply; however, Canadians and permanent residents will be given priority.

Deadline for applications: Friday November 21, 2025
Posting date: Monday October 20, 2025

Teaching Opportunities: Voice & Opera Division, 2025W Term 2

Term 2:  January 1, 2026 – April 30, 2026

The School of Music is pleased to advertise additional sessional teaching opportunities for Term 2 only (January – April 2026)

  • MUSC_V 131: Class Voice
  • MUSC_V 441: Vocal Techniques

Applications should include:

  • statement of interest indicating teaching competencies
  • curriculum vita (detailing post-secondary teaching experience)
  • evidence of teaching effectiveness (e.g. sample teaching evaluations)
  • names and contact emails of three referees
  • where applicable, the URL to a website that demonstrates your work

Positions are subject to final budgetary approval and contingent upon student enrolments. Sessional Lecturer appointments are governed by UBC’s Collective Agreement, Part 7 “Conditions of Appointment for Sessional Lecturers.” Within the School of Music, for Sessional Lecturers whose principal duties comprise private music lessons, studio classes or equivalent, pay shall be calculated as set out in the Collective Agreement, Part 2, Appendix F.

Preference will be given to applicants with a Doctorate or Masters degree in Music, with previous teaching experience at the college or university level.

Equity and diversity are essential to academic excellence. An open and diverse community fosters the inclusion of voices that have been underrepresented or discouraged. We encourage applications from members of groups that have been marginalized on any grounds enumerated under the B.C. Human Rights Code, including sex, sexual orientation, gender identity or expression, racialization, disability, political belief, religion, marital or family status, age, and/or status as a First Nation, Métis, Inuit, or Indigenous person. All qualified candidates are encouraged to apply; however, Canadians and permanent residents will be given priority.

Deadline for applications: Monday October 27, 2025
Posting date: Friday October 10, 2025

 

Beethoven, Medtner & Schumann: Piano Works

Featured UBC Alumni: Jaeden Izik-Dzurko, piano (MMus ’23)

Label: Steinway & Sons

Description: Steinway & Sons is proud to present an album by one of Canada’s most exciting young talents, pianist Jaeden Izik-Dzurko. Winner of the 2022 Hilton Head International Piano Competition and the 2024 Leeds International Piano Competition, Izik-Dzurko’s playing has been praised for its exemplary precision & clarity, exceptional artistic maturity, and deep musicality.

Recorded May 2-3, 2023 at Sono Luminus Studios, Boyce, Virginia.

Producer: Dan Merceruio

Engineer: Joshua Frey

Mixing and Mastering: Daniel Shores

Executive Producers: Eric Feidner, Jon Feidner, Vivian Chiu

Art Direction: Jackie Fugere

Design: Cover to Cover Design, Anilda Carrasquillo

Photography: Waldy Martens

Product Coordinator: Renée Oakford

Piano Technician: John Veitch

Piano: Steinway Model D #590904 (New York)

 

Sustenance

Featured UBC Alumni: Iman Habibi (BMus ’08, MMus ’10)

Featured Track: Offering of Water (2023) for violin and piano

1. of life
2. yasna
3. purify
4. it shall flow if from tears
5. to life

Label: Spektral Records

Recording details: