The University of British Columbia
UBC - A Place of Mind
The University of British Columbia
School of Music
Faculty of Arts
School of Music
Faculty of Arts
  • Undergraduate
    • Bachelor of Music
    • Bachelor of Arts in Music
    • Courses
    • Admissions
    • Opportunities
    • Advising
    • Funding
  • Graduate
    • Master of Arts
    • Master of Music
    • PhD in Music
    • Doctor of Musical Arts
    • Admissions
    • Courses
    • Opportunities
    • Advising
    • Funding
  • Continuing Education
    • Admissions
  • People
  • Research
    • Areas of Study & Research
    • Publications
    • Recordings
  • News & Events
    • News
    • Events
    • High Notes
  • Student Ensembles
  • About
    • Alumni
    • Awards
    • Student Ensembles
    • Facilities
    • Book our Venues
    • Music Library
    • Job Opportunities
    • Donate
    • Contact
    • Internal
Home / Publications / Analytical Essays on Music by Women Composers: Concert Music, 1900-1960

Analytical Essays on Music by Women Composers: Concert Music, 1900-1960

Authors: Laurel Parsons with Brenda Ravenscroft, eds.

Publication details: Analytical Essays on Music by Women Composers. Vol. 1: Concert Music, 1900–1960, New York: Oxford University Press, 2022

Weblink: global.oup.com

Cover of publication. Green with white text.

Description: Through musical analysis of compositions written in the first half of the twentieth century, Analytic Essays on Music by Women Composers: Concert Music, 1900-1960 celebrates the achievements of eight composers: Alma Mahler-Werfel (1879-1964), Rebecca Clarke (1886-1979), Dame Ethel Smyth (1858-1944), Ruth Crawford (1901-53), Florence B. Price (1887-1953), Galina Ustvolskaya (1919-2006), J. M. Beyer (1888-1944), and Peggy Glanville-Hicks (1912-90). Written by outstanding music theorists and musicologists, the essays provide thought-provoking in-depth explorations of representative compositions, often linking analytical observations with questions of meaning and sociohistorical context. Each essay is introduced by a brief biographical sketch of the composer by editors Laurel Parsons and Brenda Ravenscroft.

This collection – Volume 2 in an unprecedented four-volume series of analytical studies on music by women composers – is designed to challenge and stimulate a wide range of readers. For academics, these thoughtful analytical essays can open new paths into unexplored research areas in the fields of music theory and musicology. Post-secondary instructors may be inspired by the insights offered in these essays to include new works in music theory and history courses at both graduate and upper-level undergraduate levels, or in courses on women and music. Finally, for soloists, ensembles, conductors, and music broadcasters, these detailed analyses can offer enriched understandings of this repertoire and suggest fresh, new programming possibilities to share with listeners.

School of Music
Faculty of Arts
6361 Memorial Road
Vancouver, BC Canada V6T 1Z2
Tel 604 822 3113
   
Contact Us
We acknowledge that the UBC Vancouver campus is situated on the traditional, ancestral, and unceded territory of the xʷməθkʷəy̓əm (Musqueam).
The University of British Columbia
  • Emergency Procedures |
  • Terms of Use |
  • Copyright |
  • Accessibility