Author: Kurth, Richard
Publication details: Theory and Practice 20: 177-192
Weblink: www.jstor.org
Schoenberg’s Notes on Coherence: Theory or Prolegomena to the Twelve-Tone Method?
Schubert’s Der Doppelgänger: Reflections and Doubles-Entendues
Author: Kurth, Richard
Publication details: Music Colloquium Series, University of Western Ontario, London, Ontario
Brahms, Piano Concerto No.1, Dohnányi, Nursery Variations
Artists: Mark Anderson
Recording details:
“The American pianist Mark Anderson – winner of the third prize in the 1993 Leeds International Piano Competition – is the soloist. He gives a glittering performance of the Dohnányi, and a spontaneous one; he is superbly accompanied by Adám Fischer and the Hungarian State SO.” -Gramophone
Nimbus Records, 2008
Voice Leading as Transformation
Author: Roeder, John
Publication details: Musical Transformation and Musical Intuition: Essays in Honor of David Lewin. Ed. Raphael Atlas and Michael Cherlin. Roxbury, MA: Ovenbird Press. Pp. 41-58.
Weblink: https://books.google.ca
Interacting Pulse Streams in Schoenberg’s Atonal Polyphony
Author: Roeder, John
Publication details: Music Theory Spectrum, Vol. 16, No. 2 (Autumn, 1994), pp. 231-249
Weblink: http://www.jstor.org
Formal Functions of Hypermeter in the Dies iræ of Verdi’s Messa da Requiem
Author: Roeder, John
Publication details: Theory and Practice, Vol. 19 (1994), pp. 83-104
Weblink: http://www.jstor.org
An Introduction to the Music of Milton Babbitt by Andrew Mead (review-article)
Author: Kurth, Richard
Publication details: Integral 8: 147-182
Weblink: www.jstor.org
Kouta and Karaoke in Modern Japan: A Blurring of the Distinction between Umgangsmusik and Darbietungsmusik
Author: Hesselink, Nathan
Publication details: British Journal of Ethnomusicology 3:49-61 (1994)
Weblink: www.jstor.org
Schoenberg and Combinatoriality: Another Perspective
November 1993. “Schoenberg and Combinatoriality: Another Perspective.” Annual Meeting of the Society for Music Theory. Montreal.
Author: Kurth, Richard
Publication details: Annual Meeting of the Society for Music Theory. Montreal