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Principles of Musical Form
MUSC 100
keyboard_arrow_downFundamental materials and processes of music - rhythmic, melodic, textural and harmonic - and how they create small-scale structures in a variety of styles. Compositional and analytical applications.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Lecture | T, Th | 8:30 - 9:30 | Van Handel, Leigh | ||||
| T01 | 2 | Tutorial | M | 11:00 - 12:00 | Van Handel, Leigh | ||||
| T02 | 2 | Tutorial | M | 13:00 - 14:00 | Van Handel, Leigh | ||||
| T03 | 2 | Tutorial | M | 14:00 - 15:00 | Van Handel, Leigh |
Principles of Musical Form
MUSC 100
keyboard_arrow_downFundamental materials and processes of music - rhythmic, melodic, textural and harmonic - and how they create small-scale structures in a variety of styles. Compositional and analytical applications.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Lecture | T, Th | 8:30 - 9:30 | Van Handel, Leigh | ||||
| T01 | 2 | Tutorial | M | 11:00 - 12:00 | Van Handel, Leigh | ||||
| T02 | 2 | Tutorial | M | 13:00 - 14:00 | Van Handel, Leigh | ||||
| T03 | 2 | Tutorial | M | 14:00 - 15:00 | Van Handel, Leigh |
Principles of Musical Form
MUSC 100
keyboard_arrow_downFundamental materials and processes of music - rhythmic, melodic, textural and harmonic - and how they create small-scale structures in a variety of styles. Compositional and analytical applications.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Lecture | T, Th | 8:30 - 9:30 | Van Handel, Leigh | ||||
| 002 | 2 | Lecture | T, Th | 15:00 - 16:00 | Van Handel, Leigh | ||||
| T01 | 2 | Tutorial | M | 11:00 - 12:00 | Van Handel, Leigh | ||||
| T02 | 2 | Tutorial | M | 13:00 - 14:00 | Van Handel, Leigh | ||||
| T03 | 2 | Tutorial | M | 14:00 - 15:00 | Van Handel, Leigh | ||||
| T04 | 2 | Tutorial | M | 10:00 - 11:00 | Van Handel, Leigh | ||||
| T05 | 2 | Tutorial | M | 12:00 - 13:00 | Van Handel, Leigh |
Principles of Musical Form
MUSC 100
keyboard_arrow_downFundamental materials and processes of music - rhythmic, melodic, textural and harmonic - and how they create small-scale structures in a variety of styles. Compositional and analytical applications.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| D05 | 1 | In-Person | Discussion | M | 14:00 - 15:00 | Van Handel, Leigh | |||
| D02 | 1 | In-Person | Discussion | M | 11:00 - 12:00 | Van Handel, Leigh | |||
| D01 | 1 | In-Person | Discussion | M | 10:00 - 11:00 | Van Handel, Leigh | |||
| D03 | 1 | In-Person | Discussion | M | 12:00 - 13:00 | Van Handel, Leigh | |||
| D04 | 1 | In-Person | Discussion | M | 13:00 - 14:00 | Van Handel, Leigh | |||
| 001 | 1 | In-Person | Lecture | T, Th | 08:30 - 09:30 | Multiple instructors | InstructorsBergeron-dumaine, Holly | Van Handel, Leigh | ||
| 002 | 1 | In-Person | Lecture | T, Th | 15:00 - 16:00 | Multiple instructors | InstructorsBergeron-dumaine, Holly | Van Handel, Leigh |
Principles of Musical Form
MUSC 100
keyboard_arrow_downExplain rhythmic, melodic, textural, and harmonic materials and processes of music, and how they create small-scale structures. Fluency with music notation advised. B.Mus. and B.A. Music students with a strong background in music theory may test into MUSC_V 101.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Lecture | T, Th | 08:30 - 10:00 | Bergeron-dumaine, Holly | Public NotesThis course is intended for BMUS students. For non-BMUS students interested in the course (e.g. students pursuing a Major/Minor in Music, students looking to take the course as an elective), please join the waitlist and also complete an online form to express your interest (https://musc.air.arts.ubc.ca/waitlist/). Students will be admitted in the weeks leading up to the course. This course will only have lectures, but in order to complete your registration, make sure you sign up for the discussion (again, which will not be an extra commitment). | ||
| D01 | In-Person | Discussion |
Diatonic Harmony and Voice Leading
MUSC 101
keyboard_arrow_downHarmonic and linear functions of diatonic chords; common progressions and sequences; introduction to tonal hierarchy and prolongation; simple modulation. Compositional and analytical exercises.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Lecture | T, Th | 11:00 - 12:00 | Poudrier, Eve | ||||
| T01 | 1 | Tutorial | M | 11:00 - 12:00 | Poudrier, Eve | ||||
| T02 | 1 | Tutorial | M | 12:00 - 13:00 | Poudrier, Eve | ||||
| T03 | 1 | Tutorial | M | 13:00 - 14:00 | Poudrier, Eve |
Diatonic Harmony and Voice Leading
MUSC 101
keyboard_arrow_downHarmonic and linear functions of diatonic chords; common progressions and sequences; introduction to tonal hierarchy and prolongation; simple modulation. Compositional and analytical exercises.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Lecture | T, Th | 11:00 - 12:00 | Poudrier, Eve | ||||
| T01 | 1 | Tutorial | F | 11:00 - 12:00 | Poudrier, Eve | ||||
| T02 | 1 | Tutorial | F | 13:00 - 14:00 | Poudrier, Eve | ||||
| T03 | 1 | Tutorial | F | 14:00 - 15:00 | Poudrier, Eve |
Diatonic Harmony and Voice Leading
MUSC 101
keyboard_arrow_downHarmonic and linear functions of diatonic chords; common progressions and sequences; introduction to tonal hierarchy and prolongation; simple modulation. Compositional and analytical exercises.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Lecture | T, Th | 11:00 - 12:00 | Komaniecki, Robert | ||||
| T01 | 1 | Tutorial | F | 11:00 - 12:00 | Komaniecki, Robert | ||||
| T02 | 1 | Tutorial | F | 13:00 - 14:00 | Komaniecki, Robert | ||||
| T03 | 1 | Tutorial | F | 14:00 - 15:00 | Komaniecki, Robert |
Diatonic Harmony and Voice Leading
MUSC 101
keyboard_arrow_downHarmonic and linear functions of diatonic chords; common progressions and sequences; introduction to tonal hierarchy and prolongation; simple modulation. Compositional and analytical exercises. Prerequisite: One of MUSC 100, MUSC 110.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Lecture | T, Th | 11:00 - 12:00 | Komaniecki, Robert | |||
| D03 | 1 | In-Person | Discussion | F | 14:00 - 15:00 | Komaniecki, Robert | |||
| D01 | 1 | In-Person | Discussion | F | 11:00 - 12:00 | Komaniecki, Robert | |||
| D02 | 1 | In-Person | Discussion | F | 13:00 - 14:00 | Komaniecki, Robert | |||
| 002 | 2 | In-Person | Lecture | T, Th | 08:30 - 09:30 | Komaniecki, Robert | |||
| D06 | 2 | In-Person | Discussion | F | 14:00 - 15:00 | ||||
| D04 | 2 | In-Person | Discussion | F | 11:00 - 12:00 | ||||
| D05 | 2 | In-Person | Discussion | F | 13:00 - 14:00 |
Diatonic Harmony and Voice Leading
MUSC 101
keyboard_arrow_downHarmonic and linear functions of diatonic chords; common progressions and sequences; introduction to tonal hierarchy and prolongation; simple modulation. Compositional and analytical exercises. Prerequisite: One of MUSC 100, MUSC 110.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| D01 | In-Person | Discussion | |||||||
| 001 | 2 | In-Person | Lecture | T, Th | 08:30 - 10:00 | Komaniecki, Robert | Public NotesThis course will only have 2 scheduled lecture times, but in order to complete your registration, make sure you sign up for the discussion (again, which will not be an extra commitment). |
Introduction to the Theory of Music
MUSC 103
keyboard_arrow_downConcepts of rhythm, pitch, timbre, and texture. Notation and aural recognition of rhythmic and pitch patterns. Basic principles of melody and form. This course is not applicable to the B.Mus.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Lecture | M, W, F | 13:00 - 14:00 | Konoval, Michael Brandon | ||||
| 002 | 1 | Lecture | M, W, F | 10:00 - 11:00 | Reimer, Sarah | ||||
| 1W1 | 1 | Waiting List | M, W, F | 13:00 - 14:00 | Konoval, Michael Brandon |
Introduction to the Theory of Music
MUSC 103
keyboard_arrow_downConcepts of rhythm, pitch, timbre, and texture. Notation and aural recognition of rhythmic and pitch patterns. Basic principles of melody and form. This course is not applicable to the B.Mus.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Lecture | M, W, F | 13:00 - 14:00 | Konoval, Michael Brandon | ||||
| 002 | 1 | Lecture | M, W, F | 10:00 - 11:00 | Reimer, Sarah | ||||
| 1W1 | 1 | Waiting List | M, W, F | 13:00 - 14:00 | Konoval, Michael Brandon |
Introduction to the Theory of Music
MUSC 103
keyboard_arrow_downConcepts of rhythm, pitch, timbre, and texture. Notation and aural recognition of rhythmic and pitch patterns. Basic principles of melody and form. This course is not applicable to the B.Mus.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Lecture | M, W, F | 13:00 - 14:00 | Konoval, Michael Brandon | ||||
| 002 | 1 | Lecture | T, Th | 13:00 - 14:30 | Komaniecki, Robert | ||||
| 1W1 | 1 | Waiting List | M, W, F | 13:00 - 14:30 | Konoval, Michael Brandon |
Introduction to the Theory of Music
MUSC 103
keyboard_arrow_downConcepts of rhythm, pitch, timbre, and texture. Notation and aural recognition of rhythmic and pitch patterns. Basic principles of melody and form. This course is not applicable to the B.Mus.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Lecture | M, W, F | 13:00 - 14:00 | Konoval, Michael Brandon |
Introduction to the Theory of Music
MUSC 103
keyboard_arrow_downConcepts of rhythm, pitch, timbre, and texture. Notation and aural recognition of rhythmic and pitch patterns. Basic principles of melody and form. Background in Western music theory or notation unnecessary. This course is inapplicable to the B.Mus. or B.A. Music.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Lecture | M, W, F | 13:00 - 14:00 | Konoval, Michael Brandon | Public NotesOPEN TO ALL STUDENTS. Not applicable to the BMUS or to BA Major or Minor in Music. |
Aural Skills I
MUSC 105
keyboard_arrow_downSight singing; melodic and harmonic dictation; rhythm production; error detection; tuning; perception of harmony, form, and tonality; improvisation in set idioms. Restricted to B.Mus. students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Lecture | W | 12:00 - 13:00 | Paslawski, Gordon | ||||
| 110 | 1 | Tutorial | M, W, F | 9:00 - 10:00 | Paslawski, Gordon | ||||
| 111 | 1 | Tutorial | M, W, F | 9:00 - 10:00 | Paslawski, Gordon | ||||
| 120 | 1 | Tutorial | M, W, F | 10:00 - 11:00 | Paslawski, Gordon | ||||
| 121 | 1 | Tutorial | M, W, F | 10:00 - 11:00 | Paslawski, Gordon | ||||
| 130 | 1 | Tutorial | M, W, F | 11:00 - 12:00 | Paslawski, Gordon | ||||
| 131 | 1 | Tutorial | M, W, F | 11:00 - 12:00 | Paslawski, Gordon |
Aural Skills I
MUSC 105
keyboard_arrow_downSight singing; melodic and harmonic dictation; rhythm production; error detection; tuning; perception of harmony, form, and tonality; improvisation in set idioms. Restricted to B.Mus. students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Lecture | W | 12:00 - 13:00 | Parsons, Laurel | ||||
| 110 | 1 | Tutorial | M, W, F | 9:00 - 10:00 | Sawatzky, Grant | ||||
| 111 | 1 | Tutorial | M, W, F | 9:00 - 10:00 | Sawatzky, Grant | ||||
| 120 | 1 | Tutorial | M, W, F | 10:00 - 11:00 | Sawatzky, Grant | ||||
| 121 | 1 | Tutorial | M, W, F | 10:00 - 11:00 | |||||
| 130 | 1 | Tutorial | M, W, F | 11:00 - 12:00 | Sawatzky, Grant |
Aural Skills I
MUSC 105
keyboard_arrow_downSight singing; melodic and harmonic dictation; rhythm production; error detection; tuning; perception of harmony, form, and tonality; improvisation in set idioms. Restricted to B.Mus. students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 110 | 1 | Lecture | M, W, F | 9:00 - 10:00 | Parsons, Laurel | ||||
| 120 | 1 | Lecture | M, W, F | 10:00 - 11:00 | Parsons, Laurel | ||||
| 121 | 1 | Lecture | M, W, F | 10:00 - 11:00 | Parsons, Laurel | ||||
| 130 | 1 | Lecture | M, W, F | 11:00 - 12:00 | Parsons, Laurel |
Aural Skills I
MUSC 105
keyboard_arrow_downSight singing; melodic and harmonic dictation; rhythm production; error detection; tuning; perception of harmony, form, and tonality; improvisation in set idioms. Restricted to B.Mus. students. This course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 121 | 1 | In-Person | Studio | M, W, F | 10:00 - 11:00 | Parsons, Laurel | |||
| 120 | 1 | In-Person | Studio | M, W, F | 10:00 - 11:00 | Parsons, Laurel | |||
| 110 | 1 | In-Person | Studio | M, W, F | 09:00 - 10:00 | Parsons, Laurel | |||
| 130 | 1 | In-Person | Studio | M, W, F | 11:00 - 12:00 | Parsons, Laurel |
Aural Skills I
MUSC 105
keyboard_arrow_downSight singing; melodic and harmonic dictation; rhythm production; error detection; tuning; perception of harmony, form, and tonality; improvisation in set idioms. Restricted to B.Mus. students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 120 | 1 | In-Person | Studio | M, W, F | 10:00 - 11:00 | Parsons, Laurel | Public NotesRestricted to B.Mus. | ||
| 110 | 1 | In-Person | Studio | M, W, F | 09:00 - 10:00 | Parsons, Laurel | Public NotesRestricted to B.Mus. | ||
| 130 | 1 | In-Person | Studio | M, W, F | 11:00 - 12:00 | Parsons, Laurel | Public NotesRestricted to B.Mus. | ||
| 121 | 1 | In-Person | Studio | M, W, F | 10:00 - 11:00 | Parsons, Laurel | Public NotesRestricted to B.Mus. |
Aural Skills II
MUSC 106
keyboard_arrow_downContinuation of MUSC 105. Restricted to B.Mus. students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 002 | 2 | Lecture | W | 12:00 - 13:00 | Paslawski, Gordon | ||||
| 210 | 2 | Tutorial | M, W, F | 9:00 - 10:00 | Paslawski, Gordon | ||||
| 211 | 2 | Tutorial | M, W, F | 9:00 - 10:00 | Paslawski, Gordon | ||||
| 220 | 2 | Tutorial | M, W, F | 10:00 - 11:00 | Paslawski, Gordon | ||||
| 221 | 2 | Tutorial | M, W, F | 10:00 - 11:00 | Paslawski, Gordon | ||||
| 230 | 2 | Tutorial | M, W, F | 11:00 - 12:00 | Paslawski, Gordon | ||||
| 231 | 2 | Tutorial | M, W, F | 11:00 - 12:00 | Paslawski, Gordon |
Aural Skills II
MUSC 106
keyboard_arrow_downContinuation of MUSC 105. Restricted to B.Mus. students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Lecture | W | 12:00 - 13:00 | Parsons, Laurel | ||||
| 002 | 2 | Lecture | W | 12:00 - 13:00 | Parsons, Laurel | ||||
| 110 | 1 | Tutorial | M, W, F | 9:00 - 10:00 | |||||
| 210 | 2 | Tutorial | M, W, F | 9:00 - 10:00 | Parsons, Laurel | ||||
| 220 | 2 | Tutorial | M, W, F | 10:00 - 11:00 | Parsons, Laurel | ||||
| 221 | 2 | Tutorial | M, W, F | 10:00 - 11:00 | Parsons, Laurel | ||||
| 230 | 2 | Tutorial | M, W, F | 11:00 - 12:00 | Parsons, Laurel |
Aural Skills II
MUSC 106
keyboard_arrow_downContinuation of MUSC 105. Restricted to B.Mus. students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 210 | 2 | Lecture | M, W, F | 9:00 - 10:00 | Parsons, Laurel | ||||
| 220 | 2 | Lecture | M, W, F | 10:00 - 11:00 | Parsons, Laurel | ||||
| 221 | 2 | Lecture | M, W, F | 10:00 - 11:00 | Parsons, Laurel | ||||
| 230 | 2 | Lecture | M, W, F | 11:00 - 12:00 | Parsons, Laurel |
Aural Skills II
MUSC 106
keyboard_arrow_downContinuation of MUSC 105. Restricted to B.Mus. students. This course is not eligible for Credit/D/Fail grading. Prerequisite: One of (a) a score of 68% or higher in MUSC 105, or (b) pass the MUSC 105 Challenge Test. Students may register for MUSC 106 prior to meeting the pre-requisite but will be required to withdraw if the pre-requisite is not met by the first day of class.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 230 | 2 | In-Person | Studio | M, W, F | 11:00 - 12:00 | Parsons, Laurel | |||
| 210 | 2 | In-Person | Studio | M, W, F | 09:00 - 10:00 | Parsons, Laurel | |||
| 221 | 2 | In-Person | Studio | M, W, F | 10:00 - 11:00 | Parsons, Laurel | |||
| 220 | 2 | In-Person | Studio | M, W, F | 10:00 - 11:00 | Parsons, Laurel |
Aural Skills II
MUSC 106
keyboard_arrow_downContinuation of MUSC_V 105. Restricted to B.Mus. students. Prerequisite: a score of 68% or higher in MUSC_V 105. Students may register for MUSC_V 106 prior to meeting the pre-requisite but will be required to withdraw if the pre-requisite is not met by the first day of class.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 221 | 2 | In-Person | Studio | M, W, F | 10:00 - 11:00 | Parsons, Laurel | Public NotesRestricted to B.Mus. | ||
| 210 | 2 | In-Person | Studio | M, W, F | 09:00 - 10:00 | Parsons, Laurel | Public NotesRestricted to B.Mus. | ||
| 220 | 2 | In-Person | Studio | M, W, F | 10:00 - 11:00 | Parsons, Laurel | Public NotesRestricted to B.Mus. | ||
| 230 | 2 | In-Person | Studio | M, W, F | 11:00 - 12:00 | Parsons, Laurel | Public NotesRestricted to B.Mus. |
Composition I - COMPOSITION I
MUSC 107C
keyboard_arrow_downAn introduction to musical composition.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Lecture | M, F | 10:00 - 12:00 | Multiple instructors | InstructorsButler, Jennifer | Carrabre, Thomas | Chang Bortolussi, Dorothy | Hamel, Keith | Morlock, Jocelyn
| ||||||||||||
| 002 | 1-2 | Lecture | F | 10:00 - 12:00 | Multiple instructors | InstructorsButler, Jennifer | Chang Bortolussi, Dorothy | Hamel, Keith |
Composition I - COMPOSITION I
MUSC 107C
keyboard_arrow_downAn introduction to musical composition.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Seminar | M, F | 10:00 - 12:00 | Multiple instructors | InstructorsButler, Jennifer | Carrabre, Thomas | Chang Bortolussi, Dorothy | Hamel, Keith
| ||||||||||||
| 002 | 1-2 | Lecture | F | 10:00 - 12:00 | Multiple instructors | InstructorsButler, Jennifer | Chang Bortolussi, Dorothy |
Composition I - COMPOSITION I
MUSC 107C
keyboard_arrow_downAn introduction to musical composition.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Seminar | M, F | 10:00 - 12:00 | Multiple instructors | InstructorsButler, Jennifer | Carrabre, Thomas | Chang Bortolussi, Dorothy | Hamel, Keith | Hwang, Serra
| ||||||||||||
| 002 | 1-2 | Lecture | F | 10:00 - 12:00 | Multiple instructors | InstructorsButler, Jennifer | Chang Bortolussi, Dorothy |
Composition I - COMPOSITION I
MUSC 107C
keyboard_arrow_downAn introduction to musical composition.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| C_002 | 1-2 | In-Person | Seminar | F | 10:00 - 12:00 | Butler, Jennifer | ||||||||||||
| C_001 | 1-2 | In-Person | Seminar | M, F | 12:00 - 13:00 | Butler, Jennifer |
|
Composition I - Composition I
MUSC 107C
keyboard_arrow_downAn introduction to musical composition.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| C_001 | 1-2 | In-Person | Seminar | M, F | 12:00 - 13:00 | Butler, Jennifer | Public NotesSection 001 for BMUS Composition Major students only.
| |||||||||||
| C_002 | 1-2 | In-Person | Seminar | F | 10:00 - 12:00 | Butler, Jennifer | Public NotesSection 002 for students who are not in the Major in Composition. Interested students should contact Dr. Jennifer Butler (jennifer.butler@ubc.ca) and submit one or two representative scores for permission to register. Two years of university-level theory are recommended, but not required. |
Introduction to Contemporary Art Music
MUSC 108
keyboard_arrow_downContemporary music repertoire, emphasizing music from the past fifty years. Required of undergraduate Composition majors; open to other Bachelor of Music students by permission of instructor.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Seminar | Th | 13:30 - 15:00 | Multiple instructors | InstructorsButler, Jennifer | Top, Siemon Edward |
Introduction to Contemporary Art Music
MUSC 108
keyboard_arrow_downContemporary music repertoire, emphasizing music from the past fifty years. Required of undergraduate Composition majors; open to other Bachelor of Music students by permission of instructor. This course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Lecture | T | 14:30 - 16:00 | Multiple instructors | InstructorsButler, Jennifer | Chang, Dorothy |
Introduction to Contemporary Art Music
MUSC 108
keyboard_arrow_downContemporary music repertoire, emphasizing music from the past fifty years. Required of undergraduate Composition majors; open to other Bachelor of Music students by permission of instructor.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Lecture | T | 14:30 - 16:00 | Butler, Jennifer | Public NotesAn introductory repertoire course for composers. This course focuses on compositional issues and approaches in art music of the past fifty years. Coursework includes listening, score study, readings, quizzes and in-class presentations. Restricted to undergraduate composition majors; other BMus students may register by permission of the instructor.
|
Class Brasses and Percussion
MUSC 112
keyboard_arrow_downGroup instruction in music performance. Restricted to B.Mus. students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | M, Th, F | 12:00 - 13:00 | Multiple instructors | InstructorsGraham, Aaron | King, Sharman | Littleford, James | Whitney, Valerie | |||
| 1W1 | Waiting List |
Class Brasses and Percussion
MUSC 112
keyboard_arrow_downGroup instruction in music performance. Restricted to B.Mus. students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | M, Th, F | 12:00 - 13:00 | Multiple instructors | InstructorsBhate, Jaelem | Graham, Aaron | King, Sharman | Littleford, James | Whitney, Valerie | |||
| 1W1 | Waiting List |
Class Brasses and Percussion
MUSC 112
keyboard_arrow_downGroup instruction in music performance. Restricted to B.Mus. students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | M, Th, F | 12:00 - 13:00 | Multiple instructors | InstructorsKing, Sharman | Littleford, James | Whitney, Valerie | |||
| 1W1 | Waiting List |
Class Brasses and Percussion
MUSC 112
keyboard_arrow_downGroup instruction in music performance. Restricted to B.Mus. students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Workshop | M, Th, F | 12:00 - 13:00 | Multiple instructors | InstructorsGriffiths, Vern | King, Sharman | Littleford, James |
Class Brasses and Percussion
MUSC 112
keyboard_arrow_downGroup instruction in music performance. Restricted to B.Mus. students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Workshop | M, Th, F | 12:00 - 13:00 | Whitney, Valerie | Public NotesFor BMUS GSEM and BMUS GSSM majors only. |
Introduction to Music Technology
MUSC 119
keyboard_arrow_downPractical and theoretical training in technologies that support current artistic and academic practice, such as MIDI, podcasts/videocasts, websites, social media, and software for score notation, music education, and basic audio/video editing.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Lecture | M, W | 9:00 - 10:00 | Pritchard, Robert | ||||
| 1W1 | 2 | Waiting List | M, W | 9:00 - 10:00 | Pritchard, Robert | ||||
| T01 | 2 | Tutorial | F | 9:00 - 10:00 | Pritchard, Robert | ||||
| T02 | 2 | Tutorial | F | 10:00 - 11:00 | Pritchard, Robert | ||||
| T03 | 2 | Tutorial | F | 11:00 - 12:00 | Pritchard, Robert | ||||
| T04 | 2 | Tutorial | F | 13:00 - 14:00 | Pritchard, Robert | ||||
| T05 | 2 | Tutorial | F | 14:00 - 15:00 | Pritchard, Robert |
Introduction to Music Technology
MUSC 119
keyboard_arrow_downPractical and theoretical training in technologies that support current artistic and academic practice, such as MIDI, podcasts/videocasts, websites, social media, and software for score notation, music education, and basic audio/video editing.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Lecture | M, W | 9:00 - 10:00 | Pritchard, Robert | ||||
| 1W1 | 2 | Waiting List | M, W | Pritchard, Robert | |||||
| T01 | 2 | Tutorial | F | 9:00 - 10:00 | Pritchard, Robert | ||||
| T02 | 2 | Tutorial | F | 10:00 - 11:00 | Pritchard, Robert | ||||
| T03 | 2 | Tutorial | F | 11:00 - 12:00 | Pritchard, Robert | ||||
| T04 | 2 | Tutorial | F | 13:00 - 14:00 | Pritchard, Robert | ||||
| T05 | 2 | Tutorial | F | 14:00 - 15:00 | Pritchard, Robert |
Introduction to Music Technology
MUSC 119
keyboard_arrow_downPractical and theoretical training in technologies that support current artistic and academic practice, such as MIDI, podcasts/videocasts, websites, social media, and software for score notation, music education, and basic audio/video editing.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Lecture | M, W | 9:00 - 10:00 | Pritchard, Robert | ||||
| 1W1 | 2 | Waiting List | M, W | 9:00 - 10:00 | Pritchard, Robert | ||||
| T01 | 2 | Tutorial | F | 9:00 - 10:00 | Pritchard, Robert | ||||
| T02 | 2 | Tutorial | F | 10:00 - 11:00 | Pritchard, Robert | ||||
| T03 | 2 | Tutorial | F | 11:00 - 12:00 | Pritchard, Robert | ||||
| T04 | 2 | Tutorial | F | 13:00 - 14:00 | Pritchard, Robert | ||||
| T05 | 2 | Tutorial | F | 14:00 - 15:00 | Pritchard, Robert |
Introduction to Music Technology
MUSC 119
keyboard_arrow_downPractical and theoretical training in technologies that support current artistic and academic practice, such as MIDI, podcasts/videocasts, websites, social media, and software for score notation, music education, and basic audio/video editing. [2-0-1]
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | In-Person | Lecture | M, W | 09:00 - 10:00 | Howie, Will | |||
| L05 | 2 | In-Person | Discussion | F | 14:00 - 15:00 | Howie, Will | |||
| L04 | 2 | In-Person | Discussion | F | 13:00 - 14:00 | Howie, Will | |||
| L01 | 2 | In-Person | Discussion | F | 09:00 - 10:00 | Howie, Will | |||
| L03 | 2 | In-Person | Discussion | F | 11:00 - 12:00 | Howie, Will | |||
| L02 | 2 | In-Person | Discussion | F | 10:00 - 11:00 | Howie, Will | |||
| 002 | 2 | In-Person | Lecture | M, W | 10:00 - 11:00 | Howie, Will |
Introduction to Music Technology
MUSC 119
keyboard_arrow_downPractical and theoretical training in technologies that support current artistic and academic practice, such as MIDI, podcasts/videocasts, websites, social media, and software for score notation, music education, and basic audio/video editing. [2-0-1]
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| L03 | 2 | In-Person | Discussion | F | 11:00 - 12:00 | Howie, Will | |||
| L01 | 2 | In-Person | Discussion | F | 09:00 - 10:00 | Howie, Will | |||
| L02 | 2 | In-Person | Discussion | F | 10:00 - 11:00 | Howie, Will | |||
| 001 | 2 | In-Person | Lecture | M, W | 09:00 - 10:00 | Howie, Will | Public NotesPractical and theoretical training in technologies that support current artistic and academic practice, such as MIDI, podcasts/videocasts, websites, social media, and software for score notation, music education, and basic audio/videoediting. Select Music 119 Lecture + one Lab. |
History of Music I
MUSC 120
keyboard_arrow_downAn overview of Western music from antiquity through the Middle Ages and Renaissance, providing a framework for understanding musical styles and practices, and examining selected compositions in greater analytical and historical depth.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Lecture | T, Th | 9:30 - 11:00 | Fisher, Alexander John |
History of Music I
MUSC 120
keyboard_arrow_downAn overview of Western music from antiquity through the Middle Ages and Renaissance, providing a framework for understanding musical styles and practices, and examining selected compositions in greater analytical and historical depth.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Lecture | T, Th | 9:30 - 11:00 | Multiple instructors | InstructorsFisher, Alexander John | Hutten, Christina | |||
| 1W1 | 1 | Waiting List | T, Th | 9:30 - 11:00 | Fisher, Alexander John |
History of Music I
MUSC 120
keyboard_arrow_downAn overview of Western music from antiquity through the Middle Ages and Renaissance, providing a framework for understanding musical styles and practices, and examining selected compositions in greater analytical and historical depth.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Lecture | T, Th | 9:30 - 11:00 | Fisher, Alexander | ||||
| 1W1 | 1 | Waiting List | T, Th | 9:30 - 11:00 | Fisher, Alexander |
History of Music I
MUSC 120
keyboard_arrow_downAn overview of Western music from antiquity through the Middle Ages and Renaissance, providing a framework for understanding musical styles and practices, and examining selected compositions in greater analytical and historical depth.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Lecture | T, Th | 09:30 - 11:00 | Hutten, Christina |
History of Music I
MUSC 120
keyboard_arrow_downAn overview of Western music from antiquity through the Middle Ages and Renaissance, providing a framework for understanding musical styles and practices, and examining selected compositions in greater analytical and historical depth.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Lecture | T, Th | 10:00 - 11:30 | Hutten, Christina | Public NotesThis course is intended for BMUS students |
History of Music II
MUSC 121
keyboard_arrow_downThe development of Western music from circa 1600 to circa 1800.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Lecture | T, Th | 9:30 - 11:00 | Law, Sin Yan Hedy |
History of Music II
MUSC 121
keyboard_arrow_downThe development of Western music from circa 1600 to circa 1800.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Lecture | T, Th | 9:30 - 11:00 | Law, Sin Yan Hedy |
History of Music II
MUSC 121
keyboard_arrow_downThe development of Western music from circa 1600 to circa 1800.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Lecture | T, Th | 9:30 - 11:00 | Hutten, Christina |
History of Music II
MUSC 121
keyboard_arrow_downThe development of Western music from circa 1600 to circa 1800. Prerequisite: MUSC 120. Or permission of the instructor
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | In-Person | Lecture | T, Th | 09:30 - 11:00 | Hutten, Christina |
History of Music II
MUSC 121
keyboard_arrow_downThe development of Western music from circa 1600 to circa 1800. Prerequisite: MUSC 120. Or permission of the instructor
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | In-Person | Lecture | T, Th | 10:00 - 11:30 | Hutten, Christina |
Class Woodwinds
MUSC 122
keyboard_arrow_downGroup instruction in music performance. Restricted to B.Mus. students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | M, W, F | 14:00 - 15:00 | Multiple instructors | InstructorsChiang, Ingrid | Fedoruk, Brenda | Nolan, Julia | |||
| 1W1 | 1-2 | Waiting List | M, W, F | Multiple instructors | InstructorsChiang, Ingrid | Fedoruk, Brenda | Nolan, Julia | Reardon Maclellan, Christin |
Class Woodwinds
MUSC 122
keyboard_arrow_downGroup instruction in music performance. Restricted to B.Mus. students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | M, W, F | 14:00 - 15:00 | Multiple instructors | InstructorsChiang, Ingrid | Fedoruk, Brenda | Nolan, Julia | |||
| 1W1 | 1-2 | Waiting List | M, W, F | Multiple instructors | InstructorsChiang, Ingrid | Fedoruk, Brenda | Nolan, Julia | Reardon Maclellan, Christin |
Class Woodwinds
MUSC 122
keyboard_arrow_downGroup instruction in music performance. Restricted to B.Mus. students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | M, W, F | 14:00 - 15:00 | Multiple instructors | InstructorsChiang, Ingrid | Fedoruk, Brenda | Nolan, Julia | |||
| 1W1 | 1-2 | Waiting List | M, W, F | 14:00 - 15:00 | Multiple instructors | InstructorsChiang, Ingrid | Fedoruk, Brenda | Nolan, Julia | Reardon Maclellan, Christin |
Class Woodwinds
MUSC 122
keyboard_arrow_downGroup instruction in music performance. Restricted to B.Mus. students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details | |||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Workshop | M, W, F | 14:00 - 15:00 | Multiple instructors | InstructorsBortolussi, Paolo | Chernoff, Marea | Chiang, Ingrid | Fedoruk, Brenda | Nolan, Julia
|
Class Woodwinds
MUSC 122
keyboard_arrow_downGroup instruction in music performance. Restricted to B.Mus. students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Workshop | M, W, F | 15:00 - 16:00 | Bortolussi, Paolo | Public NotesFor BMUS GSEM and BMUS GSSM majors only. Term 1: Clarinet and saxophone on Monday and Wednesday, Flute on Friday Term 2: Oboe and Bassoon Monday and Wednesday, Flute on Friday Course Coordinator: Julia Nolan
|
Musical Rhythm and Human Experience
MUSC 128
keyboard_arrow_downA multi-disciplinary survey of musical rhythm in selected world traditions and genres, connecting it to ideas of time, evolution, history, anthropology, philosophy, and contemporary globalised culture.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Lecture | T, Th | 8:30 - 9:30 | Tenzer, Michael | ||||
| T01 | 1 | Tutorial | M | 14:00 - 15:00 | Tenzer, Michael | ||||
| T03 | 1 | Tutorial | M | 13:00 - 14:00 | Tenzer, Michael |
Musical Rhythm and Human Experience
MUSC 128
keyboard_arrow_downA multi-disciplinary survey of musical rhythm in selected world traditions and genres, connecting it to ideas of time, evolution, history, anthropology, philosophy, and contemporary globalised culture.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Lecture | T, Th | 8:30 - 9:30 | Tenzer, Michael | ||||
| T01 | 1 | Tutorial | M | 11:00 - 12:00 | Tenzer, Michael | ||||
| T02 | 1 | Tutorial | M | 13:00 - 14:00 | Tenzer, Michael | ||||
| T03 | 1 | Tutorial | M | 14:00 - 15:00 | Tenzer, Michael |
Music and Human Experience
MUSC 128
keyboard_arrow_downA multi-disciplinary survey of music in selected world traditions and genres, connecting it to ideas of time, evolution, history, anthropology, philosophy, and contemporary globalised culture.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Lecture | T | 8:30 - 9:30 | Tenzer, Michael | ||||
| 1W1 | 1 | Waiting List | T | 8:30 - 9:30 | Tenzer, Michael | ||||
| T01 | 1 | Tutorial | M | 11:00 - 12:00 | Tenzer, Michael | ||||
| T02 | 1 | Tutorial | M | 13:00 - 14:00 | Tenzer, Michael | ||||
| T03 | 1 | Tutorial | M | 14:00 - 15:00 | Tenzer, Michael |
Music and Human Experience
MUSC 128
keyboard_arrow_downA multi-disciplinary survey of music in selected world traditions and genres, connecting it to ideas of time, evolution, history, anthropology, philosophy, and contemporary globalised culture.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Lecture | T | 08:30 - 09:30 | Tenzer, Michael | |||
| D03 | 1 | In-Person | Discussion | M | 14:00 - 15:00 | Tenzer, Michael | |||
| D01 | 1 | In-Person | Discussion | M | 11:00 - 12:00 | Tenzer, Michael | |||
| D02 | 1 | In-Person | Discussion | M | 13:00 - 14:00 | Tenzer, Michael |
Music and Human Experience
MUSC 128
keyboard_arrow_downA multi-disciplinary survey of music in selected world traditions and genres, connecting it to ideas of time, evolution, history, anthropology, philosophy, and contemporary globalised culture.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| D01 | In-Person | Discussion | Tenzer, Michael | ||||||
| 001 | 1 | In-Person | Lecture | T, Th | 13:30 - 15:00 | Tenzer, Michael | Public NotesA multi-disciplinary survey of music in selected world traditions and genres, connecting it to ideas of time, evolution, history, anthropology, philosophy, and contemporary culture. Each week, students study online course materials on their own time and attend the in-person lectures. Coursework includes listening, a set of 5 transcription assignments using different kinds of notation (no prior experience necessary) and writing responses to questions in-class. BMUS students must take either this class or one of the World Music Ensembles (Music 165 A, B, C, or D) to satisfy the "Music and Human Experience" degree requirement. This course will only have 2 scheduled lecture times, but in order to complete your registration, make sure you sign up for the discussion (again, which will not be an extra commitment). |
Class Voice
MUSC 131
keyboard_arrow_downGroup instruction in music performance. Required of all first-time secondary voice students. Restricted to B.Mus. students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | Raftery, James |
Class Voice
MUSC 131
keyboard_arrow_downGroup instruction in music performance. Required of all first-time secondary voice students. Restricted to B.Mus. students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | Multiple instructors | InstructorsJun, Hyejung | Raftery, James |
Class Voice
MUSC 131
keyboard_arrow_downGroup instruction in music performance. Required of all first-time secondary voice students. Restricted to B.Mus. students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | Raftery, James |
Class Voice
MUSC 131
keyboard_arrow_downGroup instruction in music performance. Required of all first-time secondary voice students. Restricted to B.Mus. students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | In-Person | Workshop | Raftery, James |
Class Voice
MUSC 131
keyboard_arrow_downGroup instruction in music performance. Required of all first-time secondary voice students. Restricted to B.Mus. students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Workshop | W | 12:00 - 13:00 | Raftery, James Patrick | Public NotesRestricted to BMUS Education Stream students (GSEM; GSSM) only. Very limited enrolment; contact instructor for permission to register. |
Opera Repertoire I
MUSC 135
keyboard_arrow_downA musico-dramatic study and analysis of representative works in the international operatic theatre from 1600 to the present, through musical, literary and graphic sources. Each sequential year of study, the student is expected to show increased facility in musical and dramatic analysis as well as a greater understanding of the works under examination. Open to students outside the B.Mus. program by permission of the instructor.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Lecture | M, W | 11:00 - 12:00 | Epp, Richard Arthur |
Opera Repertoire I
MUSC 135
keyboard_arrow_downA musico-dramatic study and analysis of representative works in the international operatic theatre from 1600 to the present, through musical, literary and graphic sources. Each sequential year of study, the student is expected to show increased facility in musical and dramatic analysis as well as a greater understanding of the works under examination. Open to students outside the B.Mus. program by permission of the instructor.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Lecture | M, W | 11:00 - 12:00 | Grant, Andrea | ||||
| 1W1 | 1-2 | Waiting List | M, W | 11:00 - 12:00 | Grant, Andrea |
Opera Repertoire I
MUSC 135
keyboard_arrow_downA musico-dramatic study and analysis of representative works in the international operatic theatre from 1600 to the present, through musical, literary and graphic sources. Each sequential year of study, the student is expected to show increased facility in musical and dramatic analysis as well as a greater understanding of the works under examination. Open to students outside the B.Mus. program by permission of the instructor.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Lecture | M, W | 11:00 - 12:00 | Nakagawa, Stephanie | ||||
| 1W1 | 1-2 | Waiting List | M, W | 11:00 - 12:00 | Nakagawa, Stephanie |
Opera Repertoire I
MUSC 135
keyboard_arrow_downA musico-dramatic study and analysis of representative works in the international operatic theatre from 1600 to the present, through musical, literary and graphic sources. Each sequential year of study, the student is expected to show increased facility in musical and dramatic analysis as well as a greater understanding of the works under examination. Open to students outside the B.Mus. program by permission of the instructor.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Lecture | M, W | 11:00 - 12:00 | Barcza, Peter |
Opera Repertoire I
MUSC 135
keyboard_arrow_downA musico-dramatic study and analysis of representative works in the international operatic theatre from 1600 to the present, through musical, literary and graphic sources. Each sequential year of study, the student is expected to show increased facility in musical and dramatic analysis as well as a greater understanding of the works under examination. Open to students outside the B.Mus. program by permission of the instructor.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Lecture | M, W | 11:00 - 12:00 | Barcza, Peter | Public NotesWith MUSC 235. Restricted to BMUS OPER, or DMPS. Open to other students by permission of the instructor. |
Piano Repertoire I - PIANO REPERT I
MUSC 136C
keyboard_arrow_downPerformance and discussion of the repertoire for string-keyboard instruments essential to the performer and teacher. Special attention to matters of structure, style, and performance practices. Required of piano performance majors and open to piano concentrators, space permitting. First term prerequisite to second term.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Lecture | Th | 15:00 - 17:00 | Hamm, Corey |
Piano Repertoire I - PIANO REPERT I
MUSC 136C
keyboard_arrow_downPerformance and discussion of the repertoire for string-keyboard instruments essential to the performer and teacher. Special attention to matters of structure, style, and performance practices. Required of piano performance majors and open to piano concentrators, space permitting. First term prerequisite to second term.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Lecture | Th | 15:00 - 17:00 | Hamm, Corey |
Piano Repertoire I - Piano Repertoire I
MUSC 136C
keyboard_arrow_downPerformance and discussion of the repertoire for string-keyboard instruments essential to the performer and teacher. Special attention to matters of structure, style, and performance practices. Required of piano performance majors and open to piano concentrators, space permitting. First term prerequisite to second term.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| C_001 | 1 | In-Person | Lecture | Th | 15:00 - 17:00 | Hamm, Corey | Public NotesRestricted to BMUS PIAN majors only. Offered in odd academic years (alternates with 236C). |
Class Piano I
MUSC 141
keyboard_arrow_downRequired of all first-time secondary piano students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Tutorial | M, W, F | 13:00 - 14:00 | Chen Chai, Susan M.c. | ||||
| 002 | 1-2 | Tutorial | M, W, F | 11:00 - 12:00 | Chen Chai, Susan M.c. |
Class Piano I
MUSC 141
keyboard_arrow_downRequired of all first-time secondary piano students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Tutorial | M, W, F | 13:00 - 14:00 | Chen Chai, Susan M.c. | ||||
| 002 | 1-2 | Tutorial | M, W, F | 11:00 - 12:00 | Chen Chai, Susan M.c. |
Class Piano I
MUSC 141
keyboard_arrow_downRequired of all first-time secondary piano students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Tutorial | M, W, F | 13:00 - 14:00 | Chen Chai, Susan M.c. | ||||
| 002 | 1-2 | Tutorial | M, W, F | 11:00 - 12:00 | Chen Chai, Susan M.c. |
Class Piano I
MUSC 141
keyboard_arrow_downRequired of all first-time secondary piano students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 002 | 1 | In-Person | Workshop | M, W, F | 11:00 - 12:00 | Aung, Helena | |||
| 001 | 1 | In-Person | Workshop | M, W, F | 13:00 - 14:00 | Aung, Helena |
Class Piano I
MUSC 141
keyboard_arrow_downRequired of all first-time secondary piano students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Workshop | M, W, F | 11:00 - 12:00 | Aung, Helena | Public NotesFor BMUS students only. | ||
| 002 | 1 | In-Person | Workshop | M, W, F | 13:00 - 14:00 | Aung, Helena | Public NotesFor BMUS students only. |
Collaborative Piano I
MUSC 149
keyboard_arrow_downSkills and performance practice with primary emphasis on voice/piano partnership principles and repertoire. Strong sight-reading skills essential. For Piano majors; open to others by audition.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Lecture | Th | 15:00 - 16:00 | Dawson, Terence |
Collaborative Piano I
MUSC 149
keyboard_arrow_downSkills and performance practice with primary emphasis on voice/piano partnership principles and repertoire. Strong sight-reading skills essential. For Piano majors; open to others by audition.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Lecture | Th | 15:00 - 16:00 | Dawson, Terence |
Collaborative Piano I
MUSC 149
keyboard_arrow_downSkills and performance practice with primary emphasis on voice/piano partnership principles and repertoire. Strong sight-reading skills essential. For Piano majors; open to others by audition.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Lecture | Th | 15:00 - 16:00 | Dawson, Terence |
Collaborative Piano I
MUSC 149
keyboard_arrow_downSkills and performance practice with primary emphasis on voice/piano partnership principles and repertoire. Strong sight-reading skills essential. For Piano majors; open to others by audition.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Workshop | Th | 15:00 - 16:00 | Wong, Lucas |
Collaborative Piano I
MUSC 149
keyboard_arrow_downSkills and performance practice with primary emphasis on voice/piano partnership principles and repertoire. Strong sight-reading skills essential. For Piano majors; open to others by audition.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Workshop | Th | 15:00 - 16:00 | Wong, Lucas | Public NotesRequired for BMUS Piano Majors. General Studies Piano Concentrators need to audition with the instructor, and also get permission from their piano instructor if they are interested in enrolling. |
Large Instrumental Ensemble - LRGE INST ENSEMB
MUSC 150A
keyboard_arrow_downSymphony Orchestra, Symphonic Wind Ensemble, or Concert Winds. May be repeated for credit in accordance with program requirements for B.Mus. or B.A. in Music. Open to other students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details | |||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | Multiple instructors | InstructorsGirard, Jonathan | Taylor, Robert | ||||||||||||||||||||
| T01 | 1-2 | Rehearsal | T, Th | 16:00 - 19:00 | Multiple instructors | InstructorsGirard, Jonathan | Taylor, Robert | ||||||||||||||||||
| T02 | 1-2 | Rehearsal | M, T, W, Th | 16:00 - 19:00 | Multiple instructors | InstructorsGirard, Jonathan | Taylor, Robert
|
Large Instrumental Ensemble - LRGE INST ENSEMB
MUSC 150A
keyboard_arrow_downSymphony Orchestra, Symphonic Wind Ensemble, or Concert Winds. May be repeated for credit in accordance with program requirements for B.Mus. or B.A. in Music. Open to other students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details | |||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | S | 16:00 - 19:00 | Multiple instructors | InstructorsBhate, Jaelem | Girard, Jonathan | Taylor, Robert | ||||||||||||||||||
| T01 | 1-2 | Rehearsal | T, Th | 16:00 - 19:00 | Multiple instructors | InstructorsBhate, Jaelem | Girard, Jonathan | Taylor, Robert | ||||||||||||||||||
| T02 | 1-2 | Rehearsal | M, T, W, Th | 16:00 - 19:00 | Multiple instructors | InstructorsBhate, Jaelem | Girard, Jonathan | Taylor, Robert
|
Large Instrumental Ensemble - LRGE INST ENSEMB
MUSC 150A
keyboard_arrow_downSymphony Orchestra, Symphonic Wind Ensemble, or Concert Winds. May be repeated for credit in accordance with program requirements for B.Mus. or B.A. in Music. Open to other students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details | |||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | Multiple instructors | InstructorsGirard, Jonathan | Taylor, Robert | ||||||||||||||||||||
| T01 | 1-2 | Rehearsal | T, Th | 16:00 - 19:00 | Multiple instructors | InstructorsGirard, Jonathan | Taylor, Robert | ||||||||||||||||||
| T02 | 1-2 | Rehearsal | M, T, W, Th | 16:00 - 19:00 | Multiple instructors | InstructorsGirard, Jonathan | Swaryandana Ichi Oka, Putu | Taylor, Robert
|
Large Instrumental Ensemble (Lower Years) - Large Instrumental Ensemble
MUSC 150A
keyboard_arrow_downSymphony Orchestra, Symphonic Wind Ensemble, or Concert Winds. May be taken twice for credit. Open to students by audition, with credit, as stipulated by their faculties. This course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details | |||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A_004 | 1 | In-Person | Recitation | M, T, W, Th | 16:00 - 19:00 | Multiple instructors | InstructorsGirard, Jonathan | Maclennan, Scott
| |||||||||||||||||
| A_003 | 1 | In-Person | Recitation | T, Th | 16:00 - 19:00 | Girard, Jonathan |
Large Instrumental Ensemble (Lower Years) - Symphony Orchestra
MUSC 150A
keyboard_arrow_downSymphony Orchestra, Symphonic Wind Ensemble, or Concert Winds. May be taken twice for credit. Open to students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Recitation | T, Th | 16:00 - 19:00 | Girard, Jonathan | Public NotesLarge Instrumental Ensemble - UBC Symphony Orchestra Open only to 1st and 2nd year undergraduate students (see MUSC 350A for 3rd and 4th year registration; 550A for graduate registration). ENSURE YOU'RE REGISTERED IN THE APPROPRIATE COURSE:
May be repeated for credit. Open to other students by audition, with credit, as stipulated by their faculties. While every effort is made to place students in appropriate ensembles based upon audition results, those taking this course as an elective are advised to have an alternate course ready in the unlikely case where an ensemble placement is not available. Entrance by audition each September. For more info: http://music.ubc.ca/student-ensembles IMPORTANT: Consent to Use Image or Recording
|
Large Instrumental Ensemble (Lower Years) - Symphonic Winds Ensemble
MUSC 150B
keyboard_arrow_downSymphony Orchestra, Symphonic Wind Ensemble, or Concert Winds. May be taken twice for credit. Open to students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details | |||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| B_001 | 1 | In-Person | Recitation | M, T, W, Th | 16:00 - 19:00 | Public NotesLarge Instrumental Ensemble - UBC Symphonic Winds Ensemble Open only to 1st and 2nd year undergraduate students (see MUSC 350B for 3rd and 4th year registration; 550B for graduate registration). ENSURE YOU'RE REGISTERED IN THE APPROPRIATE COURSE:
May be repeated for credit. Open to other students by audition, with credit, as stipulated by their faculties. While every effort is made to place students in appropriate ensembles based upon audition results, those taking this course as an elective are advised to have an alternate course ready in the unlikely case where an ensemble placement is not available. Entrance by audition each September. For more info: http://music.ubc.ca/student-ensembles IMPORTANT: Consent to Use Image or Recording
|
Large Instrumental Ensemble - LRGE INST ENSEMB
MUSC 150C
keyboard_arrow_downSymphony Orchestra, Symphonic Wind Ensemble, or Concert Winds. May be repeated for credit in accordance with program requirements for B.Mus. or B.A. in Music. Open to other students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | M, W | 18:00 - 20:00 | Amarshi, Imran |
Large Instrumental Ensemble - LRGE INST ENSEMB
MUSC 150C
keyboard_arrow_downSymphony Orchestra, Symphonic Wind Ensemble, or Concert Winds. May be repeated for credit in accordance with program requirements for B.Mus. or B.A. in Music. Open to other students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | M, W | 18:00 - 20:00 | Multiple instructors | InstructorsBhate, Jaelem | Taylor, Robert |
Large Instrumental Ensemble - LRGE INST ENSEMB
MUSC 150C
keyboard_arrow_downSymphony Orchestra, Symphonic Wind Ensemble, or Concert Winds. May be repeated for credit in accordance with program requirements for B.Mus. or B.A. in Music. Open to other students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | M, W | 18:00 - 20:00 | Bhate, Jaelem |
Large Instrumental Ensemble (Lower Years) - Large Instrumental Ensemble
MUSC 150C
keyboard_arrow_downSymphony Orchestra, Symphonic Wind Ensemble, or Concert Winds. May be taken twice for credit. Open to students by audition, with credit, as stipulated by their faculties. This course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| C_001 | 1 | In-Person | Recitation | M, W | 18:00 - 20:00 | Chen, Meijun |
Large Instrumental Ensemble (Lower Years) - Concert Winds
MUSC 150C
keyboard_arrow_downSymphony Orchestra, Symphonic Wind Ensemble, or Concert Winds. May be taken twice for credit. Open to students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| C_001 | 1 | In-Person | Recitation | M, W | 18:00 - 20:00 | Chen, Meijun | Public NotesLarge Instrumental Ensemble - UBC Concert Winds Open only to 1st and 2nd year undergraduate students (see MUSC 350C for 3rd and 4th year registration; 550C for graduate registration). Open to non-music majors and secondary concentrators who are performers on woodwinds, brass, or percussion. Open to other students by audition, with credit, as stipulated by their faculties. May be repeated for credit. The ensemble rehearses MW 6-8:00 and makes four performances each year, with the majority of rehearsals and concerts taking place in the Chan Centre. While every effort is made to place students in appropriate ensembles based upon audition results, those taking this course as an elective are advised to have an alternate course ready in the unlikely case where an ensemble placement is not available. Entrance by audition each September. For more info: http://music.ubc.ca/student-ensembles IMPORTANT: Consent to Use Image or Recording
|
University Singers - UBC SINGERS
MUSC 153A
keyboard_arrow_downMay be repeated for credit in accordance with program requirements for B.Mus. or B.A. in Music. Open to other students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | M, W, Th | 13:00 - 15:00 | Langager, Graeme |
|
University Singers - UBC SINGERS
MUSC 153A
keyboard_arrow_downMay be repeated for credit in accordance with program requirements for B.Mus. or B.A. in Music. Open to other students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | M, W, Th | 13:00 - 15:00 | Langager, Graeme |
| ||||||||||||
| 002 | 1-2 | Rehearsal |
University Singers - UBC SINGERS
MUSC 153A
keyboard_arrow_downMay be repeated for credit in accordance with program requirements for B.Mus. or B.A. in Music. Open to other students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | M, W, Th | 13:00 - 15:00 | Langager, Graeme |
|
University Singers (Lower Years) - University Singers
MUSC 153A
keyboard_arrow_downMay be taken twice for credit. Open to students by audition, with credit, as stipulated by their faculties. This course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Recitation | M, W, Th | 13:00 - 15:00 | Langager, Graeme |
|
University Singers (Lower Years) - University Singers
MUSC 153A
keyboard_arrow_downMay be taken twice for credit. Open to students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details | |||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Recitation | M, W, Th | 15:00 - 16:30 | Jun, Hyejung | Public NotesFor 1st and 2nd year undergraduates (see MUSC 453A for 3rd and 4th year registration; 553A for graduate registration). OPEN TO NON-MUSIC STUDENTS: How do I register for ensembles? For most ensembles an audition is required to secure your place. During the audition you play or sing a prepared piece for the conductor. Auditions for ensembles take place at the beginning of each academic year. http://music.ubc.ca/student-ensembles Students who wish to be notified when the audition details are updated should ensure they are on the waitlist. IMPORTANT: Consent to Use Image or Recording
|
University Choral Union - UBC CHORAL UNION
MUSC 154A
keyboard_arrow_downMay be repeated for credit in accordance with program requirements for B.Mus. or B.A. in Music. Open to other students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | T, Th | 17:00 - 19:00 | Langager, Graeme |
University Choral Union - UBC CHORAL UNION
MUSC 154A
keyboard_arrow_downMay be repeated for credit in accordance with program requirements for B.Mus. or B.A. in Music. Open to other students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | T, Th | 17:00 - 19:00 | Multiple instructors | InstructorsJun, Hyejung | Langager, Graeme |
University Choral Union - UBC CHORAL UNION
MUSC 154A
keyboard_arrow_downMay be repeated for credit in accordance with program requirements for B.Mus. or B.A. in Music. Open to other students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | T, Th | 17:00 - 19:00 | Jun, Hyejung |
University Choral Union (Lower Years) - University Choral Union
MUSC 154A
keyboard_arrow_downMay be taken twice for credit. Open to students by audition, with credit, as stipulated by their faculties. This course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Recitation | T, Th | 17:00 - 19:00 | Jun, Hyejung |
University Choral Union (Lower Years) - University Choral Union (Lower Years)
MUSC 154A
keyboard_arrow_downMay be taken twice for credit. Open to students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Recitation | T, Th | 17:00 - 19:00 | Jun, Hyejung | Public NotesFor 1st and 2nd year undergraduates (see MUSC 366A for 3rd and 4th year registration; 554A for graduate registration). OPEN TO NON-MUSIC STUDENTS: How do I register for ensembles? For most ensembles an audition is required to secure your place. During the audition you play or sing a prepared piece for the conductor. Auditions for ensembles take place at the beginning of each academic year. http://music.ubc.ca/student-ensembles Students who wish to be notified when the audition details are updated should ensure they are on the waitlist. IMPORTANT: Consent to Use Image or Recording
|
Vocal Chamber Ensembles - WOMEN'S CHOIR
MUSC 156A
keyboard_arrow_downMay be repeated for credit in accordance with program requirements for B.Mus. or B.A. in Music. Open to other students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | Th | 19:00 - 21:30 | Langager, Graeme |
Vocal Chamber Ensembles - WOMEN'S CHOIR
MUSC 156A
keyboard_arrow_downMay be repeated for credit in accordance with program requirements for B.Mus. or B.A. in Music. Open to other students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | Th | 19:00 - 21:30 | Langager, Graeme |
Vocal Chamber Ensembles - WOMEN'S CHOIR
MUSC 156A
keyboard_arrow_downMay be repeated for credit in accordance with program requirements for B.Mus. or B.A. in Music. Open to other students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | Th | 19:00 - 21:30 | Multiple instructors | InstructorsJun, Hyejung | Langager, Graeme |
Vocal Chamber Ensembles (Lower Years) - WOMEN'S CHOIR
MUSC 156A
keyboard_arrow_downMay be taken twice for credit. Open to students by audition, with credit, as stipulated by their faculties. This course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Recitation | Th | 19:00 - 21:30 | Multiple instructors | InstructorsJun, Hyejung | Langager, Graeme |
Vocal Chamber Ensembles (Lower Years) - Oriana
MUSC 156A
keyboard_arrow_downMay be taken twice for credit. Open to students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Recitation | Th | 19:00 - 21:30 | Public NotesFor 1st and 2nd year undergraduates (see MUSC 456A for 3rd and 4th year registration; 556A for graduate registration). OPEN TO NON-MUSIC STUDENTS: How do I register for ensembles? For most ensembles an audition is required to secure your place. During the audition you play or sing a prepared piece for the conductor. Auditions for ensembles take place at the beginning of each academic year. Additional information regarding auditions can be found here: https://music.ubc.ca/about/student-ensembles/ Students who wish to be notified when the audition details are updated should ensure they are on the waitlist. IMPORTANT: Consent to Use Image or Recording
|
Vocal Chamber Ensembles - MEN'S CHOIR
MUSC 156B
keyboard_arrow_downMay be repeated for credit in accordance with program requirements for B.Mus. or B.A. in Music. Open to other students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | Th | 19:00 - 21:30 | Langager, Graeme |
Vocal Chamber Ensembles - MEN'S CHOIR
MUSC 156B
keyboard_arrow_downMay be repeated for credit in accordance with program requirements for B.Mus. or B.A. in Music. Open to other students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | Th | 19:00 - 21:30 | Langager, Graeme |
Vocal Chamber Ensembles - MEN'S CHOIR
MUSC 156B
keyboard_arrow_downMay be repeated for credit in accordance with program requirements for B.Mus. or B.A. in Music. Open to other students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | Th | 19:00 - 21:30 | Multiple instructors | InstructorsJun, Hyejung | Langager, Graeme |
Vocal Chamber Ensembles (Lower Years) - MEN'S CHOIR
MUSC 156B
keyboard_arrow_downMay be taken twice for credit. Open to students by audition, with credit, as stipulated by their faculties. This course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| B_001 | 1 | In-Person | Recitation | Th | 19:00 - 21:30 | Multiple instructors | InstructorsJun, Hyejung | Langager, Graeme |
Vocal Chamber Ensembles (Lower Years) - Vox
MUSC 156B
keyboard_arrow_downMay be taken twice for credit. Open to students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| B_001 | 1 | In-Person | Recitation | Th | 19:00 - 21:30 | Public NotesFor 1st and 2nd year undergraduates (see MUSC 456B for 3rd and 4th year registration; 556B 002 for graduate registration). OPEN TO NON-MUSIC STUDENTS: How do I register for ensembles? For most ensembles an audition is required to secure your place. During the audition you play or sing a prepared piece for the conductor. Auditions for ensembles take place at the beginning of each academic year. Additional information regarding auditions can be found here: https://music.ubc.ca/about/student-ensembles/ Students who wish to be notified when the audition details are updated should ensure they are on the waitlist. IMPORTANT: Consent to Use Image or Recording
|
Vocal Chamber Ensembles - VOCAL CHBR ENSMB
MUSC 156C
keyboard_arrow_downMay be repeated for credit in accordance with program requirements for B.Mus. or B.A. in Music. Open to other students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | M, W | 16:30 - 18:00 | Langager, Graeme |
Vocal Chamber Ensembles - VOCAL CHBR ENSMB
MUSC 156C
keyboard_arrow_downMay be repeated for credit in accordance with program requirements for B.Mus. or B.A. in Music. Open to other students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | M, W | 16:30 - 18:00 | Langager, Graeme |
Vocal Chamber Ensembles - VOCAL CHBR ENSMB
MUSC 156C
keyboard_arrow_downMay be repeated for credit in accordance with program requirements for B.Mus. or B.A. in Music. Open to other students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | M, W | 16:30 - 18:00 | Multiple instructors | InstructorsJun, Hyejung | Langager, Graeme |
Vocal Chamber Ensembles (Lower Years) - VOCAL CHBR ENSMB
MUSC 156C
keyboard_arrow_downMay be taken twice for credit. Open to students by audition, with credit, as stipulated by their faculties. This course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| C_001 | 1 | In-Person | Recitation | M, W | 16:30 - 18:00 | Multiple instructors | InstructorsJun, Hyejung | Langager, Graeme |
Vocal Chamber Ensembles (Lower Years) - Chamber Choir
MUSC 156C
keyboard_arrow_downMay be taken twice for credit. Open to students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| C_001 | 1 | In-Person | Recitation | M, W | 16:30 - 18:00 | Jun, Hyejung | Public NotesFor 1st and 2nd year undergraduates (see MUSC 456C for 3rd and 4th year registration; 556C 003 for graduate registration). OPEN TO NON-MUSIC STUDENTS: How do I register for ensembles? For most ensembles an audition is required to secure your place. During the audition you play or sing a prepared piece for the conductor. Auditions for ensembles take place at the beginning of each academic year. Additional information regarding auditions can be found here: https://music.ubc.ca/about/student-ensembles/ Students who wish to be notified when the audition details are updated should ensure they are on the waitlist. IMPORTANT: Consent to Use Image or Recording
|
Early Music Ensemble - EARLY MUSIC ENS
MUSC 157A
keyboard_arrow_downPerformance of early Western instrumental and vocal ensemble music. May be repeated for credit in accordance with program requirements for B.Mus. or B.A. in Music. Open to other students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | M, W | 13:00 - 15:00 | Multiple instructors | InstructorsFisher, Alexander John | Weimann, Alexander |
Early Music Ensemble - EARLY MUSIC ENS
MUSC 157A
keyboard_arrow_downPerformance of early Western instrumental and vocal ensemble music. May be repeated for credit in accordance with program requirements for B.Mus. or B.A. in Music. Open to other students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | M, W | 13:00 - 15:00 | Multiple instructors | InstructorsFisher, Alexander John | Hutten, Christina | Weimann, Alexander |
Early Music Ensemble - EARLY MUSIC ENS
MUSC 157A
keyboard_arrow_downPerformance of early Western instrumental and vocal ensemble music. May be repeated for credit in accordance with program requirements for B.Mus. or B.A. in Music. Open to other students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | M, W | 12:00 - 13:00 | Hutten, Christina |
|
Early Music Ensemble (Lower Years) - EARLY MUSIC ENS
MUSC 157A
keyboard_arrow_downPerformance of early Western instrumental and vocal ensemble music. May be taken twice for credit. Open to students by audition, with credit, as stipulated by their faculties. This course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Recitation | M, W | 13:00 - 15:00 | Multiple instructors | InstructorsHutten, Christina | Weimann, Alexander |
Early Music Ensemble (Lower Years) - Early Music Ensemble
MUSC 157A
keyboard_arrow_downPerformance of early Western instrumental and vocal ensemble music. May be taken twice for credit. Open to students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Recitation | M, W | 13:00 - 15:00 | Multiple instructors | Public NotesIncludes a variety of ensembles performing music of the Medieval, Renaissance, and Baroque periods. Includes the Baroque Orchestra Mentorship Programme, in partnership with Early Music Vancouver and the Pacific Baroque Orchestra. Students rehearse two hours per week. Alternative rehearsal times may be organized if necessary. For registration conflicts, please contact the instructor. For 1st and 2nd year undergraduates (see MUSC 457A for 3rd and 4th year registration; 557A for graduate registration). NON-MUSIC STUDENTS with relevant skill, knowledge, and experience may request permission of the instructor to register. An audition will be required at the beginning of term. Additional information regarding auditions can be found here: https://music.ubc.ca/about/student-ensembles/ IMPORTANT: Consent to Use Image or Recording
InstructorsHutten, Christina | Weimann, Alexander |
University Chamber Strings - UNIV CHMBR STRNG
MUSC 159A
keyboard_arrow_downMay be repeated for credit in accordance with program requirements for B.Mus. or B.A. in Music. Open to other students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | M, F | 16:00 - 18:00 | Wilson, Eric |
University Chamber Strings - UNIV CHMBR STRNG
MUSC 159A
keyboard_arrow_downMay be repeated for credit in accordance with program requirements for B.Mus. or B.A. in Music. Open to other students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | M, F | 16:00 - 18:00 | Wilson, Eric |
University Chamber Strings - UNIV CHMBR STRNG
MUSC 159A
keyboard_arrow_downMay be repeated for credit in accordance with program requirements for B.Mus. or B.A. in Music. Open to other students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | M, F | 16:00 - 18:00 | Wilson, Eric |
String Chamber Ensembles - STR CHAMB ENS
MUSC 160A
keyboard_arrow_downMay be repeated for credit in accordance with program requirements for B.Mus. or B.A. in Music. Open to other students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | M, W, F | 15:00 - 18:00 | Multiple instructors | InstructorsGillham, David | Thibeault, Marina | Wilson, Eric | Wood, Jasper | |||
| 1W1 | 1-2 | Waiting List | M, W, F | 15:00 - 18:00 | Multiple instructors | InstructorsGillham, David | Thibeault, Marina | Wilson, Eric | Wood, Jasper |
String Chamber Ensembles - STR CHAMB ENS
MUSC 160A
keyboard_arrow_downMay be repeated for credit in accordance with program requirements for B.Mus. or B.A. in Music. Open to other students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | M, W, F | 15:00 - 18:00 | Multiple instructors | InstructorsGillham, David | Thibeault, Marina | Wilson, Eric | Wood, Jasper | |||
| 1W1 | 1-2 | Waiting List | M, W, F | Multiple instructors | InstructorsGillham, David | Thibeault, Marina | Wilson, Eric | Wood, Jasper |
String Chamber Ensembles - STR CHAMB ENS
MUSC 160A
keyboard_arrow_downMay be repeated for credit in accordance with program requirements for B.Mus. or B.A. in Music. Open to other students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | M, W, F | 15:00 - 18:00 | Multiple instructors | InstructorsGillham, David | Wilson, Eric | Wood, Jasper |
String Chamber Ensembles (Lower Years) - STR CHAMB ENS
MUSC 160A
keyboard_arrow_downMay be taken twice for credit. Open to students by audition, with credit, as stipulated by their faculties. This course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Recitation | M, W, F | 15:00 - 18:00 | Multiple instructors | InstructorsDavis, Ryan | Wood, Jasper |
String Chamber Ensembles (Lower Years) - String Chamber Ensemble
MUSC 160A
keyboard_arrow_downMay be taken twice for credit. Open to students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Recitation | M, W, F | 15:00 - 18:00 | Multiple instructors | Public NotesAll BMUS ORIN Strings students must register in MUSC 160A in their lower years. The course focuses on small ensemble combinations (trios, quartets, etc.) which will be formed in September. A regular coaching time will then be assigned to each small ensemble during the indicated hours. Each ensemble should also schedule regular rehearsal time(s) during these hours. InstructorsDavis, Ryan | Wood, Jasper |
String Chamber Ensembles - GUITAR CHMBR ENS
MUSC 160E
keyboard_arrow_downMay be repeated for credit in accordance with program requirements for B.Mus. or B.A. in Music. Open to other students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | T | 15:00 - 17:00 | Pearson, Alec |
String Chamber Ensembles - GUITAR CHMBR ENS
MUSC 160E
keyboard_arrow_downMay be repeated for credit in accordance with program requirements for B.Mus. or B.A. in Music. Open to other students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | T | 15:00 - 17:00 | Pearson, Alec |
String Chamber Ensembles - GUITAR CHMBR ENS
MUSC 160E
keyboard_arrow_downMay be repeated for credit in accordance with program requirements for B.Mus. or B.A. in Music. Open to other students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | T | 15:00 - 17:00 | Pearson, Alec |
String Chamber Ensembles (Lower Years) - GUITAR CHMBR ENS
MUSC 160E
keyboard_arrow_downMay be taken twice for credit. Open to students by audition, with credit, as stipulated by their faculties. This course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| E_001 | 1 | In-Person | Recitation | T | 15:00 - 17:00 | Pearson, Alec |
String Chamber Ensembles (Lower Years) - Guitar Chamber Ensemble
MUSC 160E
keyboard_arrow_downMay be taken twice for credit. Open to students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| E_001 | 1 | In-Person | Recitation | T | 15:00 - 17:00 | Pearson, Alec | Public NotesFor 1st and 2nd year undergraduates (see MUSC 360E for 3rd and 4th year registration; 560E for graduate registration). OPEN TO NON-MUSIC STUDENTS: How do I register for ensembles? For most ensembles an audition is required to secure your place. During the audition you play or sing a prepared piece for the conductor. Auditions for ensembles take place at the beginning of each academic year. https://music.ubc.ca/about/student-ensembles/ |
Piano Chamber Ensembles - PIANO CHAM ENSEM
MUSC 161A
keyboard_arrow_downMay be repeated for credit in accordance with program requirements for B.Mus.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | M, W | 15:00 - 18:00 | Multiple instructors | InstructorsDawson, Terence | Fung, David | Hoy, Patricia | Mares, Michelle | Sharon, Rena | Wilkins, Miranda Ting Wai Wong |
Piano Chamber Ensembles - PIANO CHAM ENSEM
MUSC 161A
keyboard_arrow_downMay be repeated for credit in accordance with program requirements for B.Mus.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | M, W | 15:00 - 18:00 | Multiple instructors | InstructorsAnderson, Leonard | Dawson, Terence | Fung, David | Hamm, Corey | Sharon, Rena | Wilkins, Miranda Ting Wai Wong |
Piano Chamber Ensembles - PIANO CHAM ENSEM
MUSC 161A
keyboard_arrow_downMay be repeated for credit in accordance with program requirements for B.Mus.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | M, W | 15:00 - 18:00 | Multiple instructors | InstructorsAnderson, Leonard | Dawson, Terence | Fung, David | Sharon, Rena | Wilkins, Miranda Ting Wai Wong |
Piano Chamber Ensembles (Lower Years) - PIANO CHAM ENSEM
MUSC 161A
keyboard_arrow_downOpen to students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Recitation | M, W | 15:00 - 18:00 | Multiple instructors | InstructorsChan, Amanda | Sharon, Rena | Weng, Wayne | Wilkins, Miranda Ting Wai Wong | Wong, Lucas |
Piano Chamber Ensembles (Lower Years) - Piano Chamber Ensemble
MUSC 161A
keyboard_arrow_downOpen to students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Recitation | M, W | 15:00 - 18:00 | Multiple instructors | Public NotesBMUS PIAN students register in MUSC 161A. For 2nd year undergraduates (see MUSC 361A for 3rd and 4th year registration). Small ensemble combinations will be formed in September, and regular coaching times will then be assigned during the indicated hours. Each ensemble should also schedule regular rehearal time(s) during these hours. Students registered in MUSC 161A who also wish to register in MUSC 157 (Early Music Ensembles) or MUSC 163 (Contemporary Players) may do so, but will need to contact the Music Advisor (music.advisor@ubc.ca) for a registration override. Students needing additional chamber ensemble credit may be able to register for additional credit in September, pending approval from the Division. BMUS General Music students with a concentration in Piano may apply to enroll in MUSC 161A upon completion of MUSC 167 with a minimum grade of 88. Approval from the instructor of MUSC 167 and permission from solo piano instructor are also required. Final permission to enroll is not guaranteed, and will be given by the Chamber Music Coordinator (in consultation with the Director, as needed). Requests for admission should be sent to Professor Rena Sharon (rena.sharon(at)ubc.ca). General Music piano concentrators allowed to register in MUSC 161A will normally be permitted to take it only once, for 2 credits. They may apply to take MUSC 161A a second time if they have obtained a minimum grade of 88 in the course. InstructorsWeng, Wayne | Wong, Lucas |
Wind and Percussion Chamber Ensembles - WIND CHAMB ENS
MUSC 162A
keyboard_arrow_downMay be repeated for credit in accordance with program requirements for B.Mus. or B.A. in Music. Open to other students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | Multiple instructors | InstructorsFranch Ballester, Jose | Nolan, Julia |
Wind and Percussion Chamber Ensembles - WIND CHAMB ENS
MUSC 162A
keyboard_arrow_downMay be repeated for credit in accordance with program requirements for B.Mus. or B.A. in Music. Open to other students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | Franch Ballester, Jose |
Wind and Percussion Chamber Ensembles - WIND CHAMB ENS
MUSC 162A
keyboard_arrow_downMay be repeated for credit in accordance with program requirements for B.Mus. or B.A. in Music. Open to other students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | Franch Ballester, Jose |
Wind and Percussion Chamber Ensembles (Lower Years) - WIND CHAMB ENS
MUSC 162A
keyboard_arrow_downMay be taken twice for credit. Open to students by audition, with credit, as stipulated by their faculties. This course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | In-Person | Recitation | Multiple instructors | InstructorsBortolussi, Paolo | Franch Ballester, Jose |
Wind and Percussion Chamber Ensembles (Lower Years) - Wind Chamber Ensemble
MUSC 162A
keyboard_arrow_downMay be taken twice for credit. Open to students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | In-Person | Recitation | Multiple instructors | Public NotesWoodwind Chamber Ensembles. Open only to 1st and 2nd year students. See MUSC 362A for 3rd and 4th year registration. OPEN TO NON-MUSIC STUDENTS: How do I register for ensembles? For most ensembles an audition is required to secure your place. During the audition you play or sing a prepared piece for the conductor. Auditions for ensembles take place at the beginning of each academic year. https://music.ubc.ca/about/student-ensembles/ InstructorsBortolussi, Paolo | Franch Ballester, Jose |
Wind and Percussion Chamber Ensembles - BRASS CHAMB ENS
MUSC 162B
keyboard_arrow_downMay be repeated for credit in accordance with program requirements for B.Mus. or B.A. in Music. Open to other students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | T, Th | 13:00 - 15:00 | Multiple instructors | InstructorsBerkman, Jeremy | Whitney, Valerie |
Wind and Percussion Chamber Ensembles - BRASS CHAMB ENS
MUSC 162B
keyboard_arrow_downMay be repeated for credit in accordance with program requirements for B.Mus. or B.A. in Music. Open to other students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | T, Th | 13:00 - 15:00 | Whitney, Valerie |
Wind and Percussion Chamber Ensembles - BRASS CHAMB ENS
MUSC 162B
keyboard_arrow_downMay be repeated for credit in accordance with program requirements for B.Mus. or B.A. in Music. Open to other students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | T | 13:00 - 15:00 | Whitney, Valerie |
Wind and Percussion Chamber Ensembles (Lower Years) - BRASS CHAMB ENS
MUSC 162B
keyboard_arrow_downMay be taken twice for credit. Open to students by audition, with credit, as stipulated by their faculties. This course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| B_001 | 1 | In-Person | Recitation | T | 13:00 - 15:00 | Multiple instructors | InstructorsBerkman, Jeremy | Bortolussi, Paolo | Poirier, Andrew |
Wind and Percussion Chamber Ensembles (Lower Years) - Brass Chamber Ensemble
MUSC 162B
keyboard_arrow_downMay be taken twice for credit. Open to students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| B_001 | 1 | In-Person | Recitation | T | 13:00 - 15:00 | Whitney, Valerie | Public NotesBrass Chamber Ensembles. Open only to 1st and 2nd year students. See MUSC 362B for 3rd and 4th year registration. OPEN TO NON-MUSIC STUDENTS: How do I register for ensembles? For most ensembles an audition is required to secure your place. During the audition you play or sing a prepared piece for the conductor. Auditions for ensembles take place at the beginning of each academic year. https://music.ubc.ca/about/student-ensembles/ |
Wind and Percussion Chamber Ensembles - WIND CHAM ENS SX
MUSC 162C
keyboard_arrow_downMay be repeated for credit in accordance with program requirements for B.Mus. or B.A. in Music. Open to other students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | F | 15:30 - 17:00 | Nolan, Julia |
Wind and Percussion Chamber Ensembles - WIND CHAM ENS SX
MUSC 162C
keyboard_arrow_downMay be repeated for credit in accordance with program requirements for B.Mus. or B.A. in Music. Open to other students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | F | 15:30 - 17:00 | Nolan, Julia |
Wind and Percussion Chamber Ensembles - WIND CHAM ENS SX
MUSC 162C
keyboard_arrow_downMay be repeated for credit in accordance with program requirements for B.Mus. or B.A. in Music. Open to other students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | F | 15:30 - 17:00 | Nolan, Julia |
Wind and Percussion Chamber Ensembles (Lower Years) - WIND CHAM ENS SX
MUSC 162C
keyboard_arrow_downMay be taken twice for credit. Open to students by audition, with credit, as stipulated by their faculties. This course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| C_001 | 1 | In-Person | Recitation | F | 15:30 - 17:00 | Nolan, Julia |
Wind and Percussion Chamber Ensembles (Lower Years) - Saxophone Chamber Ensemble
MUSC 162C
keyboard_arrow_downMay be taken twice for credit. Open to students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| C_001 | 1 | In-Person | Recitation | F | 15:30 - 17:00 | Nolan, Julia | Public NotesSaxophone Chamber Ensemble Open only to 1st and 2nd year students. See MUSC 362C for 3rd and 4th year registration. OPEN TO NON-MUSIC STUDENTS: How do I register for ensembles? For most ensembles an audition is required to secure your place. During the audition you play or sing a prepared piece for the conductor. Auditions for ensembles take place at the beginning of each academic year. https://music.ubc.ca/about/student-ensembles/ |
Wind and Percussion Chamber Ensembles - WIND CHAM ENS PC
MUSC 162E
keyboard_arrow_downMay be repeated for credit in accordance with program requirements for B.Mus. or B.A. in Music. Open to other students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | T | 13:00 - 15:30 | Griffiths, Vern |
Wind and Percussion Chamber Ensembles - WIND CHAM ENS PC
MUSC 162E
keyboard_arrow_downMay be repeated for credit in accordance with program requirements for B.Mus. or B.A. in Music. Open to other students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | T | 13:00 - 15:30 | Griffiths, Vern |
Wind and Percussion Chamber Ensembles - WIND CHAM ENS PC
MUSC 162E
keyboard_arrow_downMay be repeated for credit in accordance with program requirements for B.Mus. or B.A. in Music. Open to other students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | T | 13:00 - 15:30 | Griffiths, Vern |
Wind and Percussion Chamber Ensembles (Lower Years) - WIND CHAM ENS PC
MUSC 162E
keyboard_arrow_downMay be taken twice for credit. Open to students by audition, with credit, as stipulated by their faculties. This course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| E_001 | 1 | In-Person | Recitation | T | 13:00 - 15:30 | Griffiths, Vern |
Wind and Percussion Chamber Ensembles (Lower Years) - Percussion Chamber Ensemble
MUSC 162E
keyboard_arrow_downMay be taken twice for credit. Open to students by audition, with credit, as stipulated by their faculties.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| E_001 | 1 | In-Person | Recitation | T | 13:00 - 15:30 | Public NotesPercussion Chamber Ensemble. Admission by audition only. Open only to 1st and 2nd year students. See MUSC 362E for 3rd and 4th year registration. OPEN TO NON-MUSIC STUDENTS: How do I register for ensembles? For most ensembles an audition is required to secure your place. During the audition you play or sing a prepared piece for the conductor. Auditions for ensembles take place at the beginning of each academic year. https://music.ubc.ca/about/student-ensembles/ |
Contemporary Players
MUSC 163
keyboard_arrow_downPerformance of contemporary music. An ensemble of variable size, including both instrumentalists and singers, will be formed to present several concerts of 20th-century music during the academic year. May be repeated for credit in accordance with program requirements for B.Mus. or B.A. in Music.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | M, W, F | 14:00 - 15:00 | Bortolussi, Paolo |
Contemporary Players
MUSC 163
keyboard_arrow_downPerformance of contemporary music. An ensemble of variable size, including both instrumentalists and singers, will be formed to present several concerts of 20th-century music during the academic year. May be repeated for credit in accordance with program requirements for B.Mus. or B.A. in Music.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | M, W, F | 14:00 - 15:00 | Bortolussi, Paolo | ||||
| 1W1 | 1-2 | Waiting List | M, W, F | Bortolussi, Paolo |
Contemporary Players
MUSC 163
keyboard_arrow_downPerformance of contemporary music. An ensemble of variable size, including both instrumentalists and singers, will be formed to present several concerts of 20th-century music during the academic year. May be repeated for credit in accordance with program requirements for B.Mus. or B.A. in Music.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | M, W, F | 14:00 - 15:00 | Bortolussi, Paolo |
Contemporary Players (Lower Years) - Contemporary Players (Lower Years)
MUSC 163A
keyboard_arrow_downPerformance of contemporary music. An ensemble of variable size, including both instrumentalists and singers, will be formed to present several concerts of 20th-century music during the academic year. May be taken twice for credit. This course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Recitation | M, W, F | 14:00 - 15:00 | Bortolussi, Paolo |
Contemporary Players (Lower Years) - Contemporary Players (Lower Years)
MUSC 163A
keyboard_arrow_downPerformance of contemporary music. An ensemble of variable size, including both instrumentalists and singers, will be formed to present several concerts of 20th-century music during the academic year. May be taken twice for credit.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Recitation | M, W, F | 14:00 - 15:00 | Bortolussi, Paolo | Public NotesFor 1st and 2nd year undergraduates (see MUSC 463A for 3rd and 4th year registration; MUSC 563A for graduate students). All students must be available for all three (3) weekly rehearsals throughout the entire year. OPEN TO NON-MUSIC STUDENTS: How do I register for ensembles? For most ensembles an audition is required to secure your place. During the audition you play or sing a prepared piece for the conductor. Auditions for ensembles take place at the beginning of each academic year. https://music.ubc.ca/about/student-ensembles/ IMPORTANT: Consent to Use Image or Recording
|
Jazz Ensemble
MUSC 164
keyboard_arrow_downPerformance techniques and repertoire. May be repeated for credit in accordance with program requirements for B.Mus. or B.A. in Music.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | T | 19:30 - 21:30 | Stride, Frederick |
Jazz Ensemble
MUSC 164
keyboard_arrow_downPerformance techniques and repertoire. May be repeated for credit in accordance with program requirements for B.Mus. or B.A. in Music.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | T | 19:30 - 21:30 | Stride, Frederick | ||||
| 002 | 1-2 | Rehearsal | T | 20:00 - 22:00 | Esson, Dennis |
Jazz Ensemble
MUSC 164
keyboard_arrow_downPerformance techniques and repertoire. May be repeated for credit in accordance with program requirements for B.Mus. or B.A. in Music.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | T | 20:00 - 22:00 | Henriques, Benjamin |
Jazz Ensemble (Lower Years) - Jazz Ensemble (Lower Years)
MUSC 164A
keyboard_arrow_downPerformance techniques and repertoire. May be taken twice for credit. This course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Recitation | T | 20:00 - 22:00 | Henriques, Benjamin |
Jazz Ensemble (Lower Years) - Jazz Ensemble (Lower Years)
MUSC 164A
keyboard_arrow_downPerformance techniques and repertoire. May be taken twice for credit.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Recitation | T | 20:00 - 22:00 | Public NotesOpen only to 1st and 2nd year students. See MUSC 464A for 3rd and 4th year registration. OPEN TO NON-MUSIC STUDENTS: How do I register for ensembles? For most ensembles an audition is required to secure your place. During the audition you play or sing a prepared piece for the conductor. Auditions for ensembles take place at the beginning of each academic year. https://music.ubc.ca/about/student-ensembles/ IMPORTANT: Consent to Use Image or Recording
|
World Music Ensembles - CHIN INSTRMTL EN
MUSC 165A
keyboard_arrow_downTraining on traditional instruments and their techniques, with emphasis on ensemble performance. Different sections focus on the music of different cultures, e.g., Bali, China, Ghana, Korea. May be repeated for credit in accordance with program requirements for B.Mus. or B.A. in Music, or when permitted in other programs.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | T, Th | 13:30 - 15:00 | Wong, Gloria Ngar-yan |
World Music Ensembles - CHIN INSTRMTL EN
MUSC 165A
keyboard_arrow_downTraining on traditional instruments and their techniques, with emphasis on ensemble performance. Different sections focus on the music of different cultures, e.g., Bali, China, Ghana, Korea. May be repeated for credit in accordance with program requirements for B.Mus. or B.A. in Music, or when permitted in other programs.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | T, Th | 13:30 - 15:00 | Multiple instructors | InstructorsWong, Gloria Ngar-yan | Yu, Zhimin |
World Music Ensembles - CHIN INSTRMTL EN
MUSC 165A
keyboard_arrow_downTraining on traditional instruments and their techniques, with emphasis on ensemble performance. Different sections focus on the music of different cultures, e.g., Bali, China, Ghana, Korea. May be repeated for credit in accordance with program requirements for B.Mus. or B.A. in Music, or when permitted in other programs.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | T, Th | 13:30 - 15:00 | Multiple instructors | InstructorsWong, Gloria Ngar-yan | Yu, Zhimin | |||
| 1W1 | 1-2 | Waiting List | T, Th | 13:30 - 15:00 | Yu, Zhimin |
World Music Ensembles (Lower Years) - CHIN INSTRMTL EN
MUSC 165A
keyboard_arrow_downTraining on traditional instruments and their techniques, with emphasis on ensemble performance. Different sections focus on the music of different cultures, e.g., Bali, China, Ghana, Korea. May be taken twice for credit. This course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Recitation | T, Th | 13:30 - 15:00 | Multiple instructors | InstructorsWong, Gloria Ngar-yan | Yu, Zhimin |
World Music Ensembles (Lower Years) - Chinese Instrumental Ensemble
MUSC 165A
keyboard_arrow_downTraining on traditional instruments and their techniques, with emphasis on ensemble performance. Different sections focus on the music of different cultures, e.g., Bali, China, Ghana, Korea. May be taken twice for credit.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Recitation | T, Th | 13:30 - 15:00 | Multiple instructors | Public NotesChinese Instrumental Ensemble For 1st and 2nd year undergraduates (see MUSC 466A for 3rd and 4th year registration; MUSC 565A for graduate students). OPEN TO NON-MUSIC STUDENTS: How do I register for ensembles? For most ensembles an audition is required to secure your place. During the audition you play or sing a prepared piece for the conductor. Auditions for ensembles take place at the beginning of each academic year. https://music.ubc.ca/about/student-ensembles/ IMPORTANT: Consent to Use Image or Recording
InstructorsWong, Gloria Ngar-yan | Yu, Zhimin |
World Music Ensembles - BALINESE GAMELAN
MUSC 165B
keyboard_arrow_downTraining on traditional instruments and their techniques, with emphasis on ensemble performance. Different sections focus on the music of different cultures, e.g., Bali, China, Ghana, Korea. May be repeated for credit in accordance with program requirements for B.Mus. or B.A. in Music, or when permitted in other programs.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | W, F | 13:00 - 15:00 | Tenzer, Michael |
World Music Ensembles - BALINESE GAMELAN
MUSC 165B
keyboard_arrow_downTraining on traditional instruments and their techniques, with emphasis on ensemble performance. Different sections focus on the music of different cultures, e.g., Bali, China, Ghana, Korea. May be repeated for credit in accordance with program requirements for B.Mus. or B.A. in Music, or when permitted in other programs.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | W, F | 13:00 - 15:00 | Tenzer, Michael |
World Music Ensembles - BALINESE GAMELAN
MUSC 165B
keyboard_arrow_downTraining on traditional instruments and their techniques, with emphasis on ensemble performance. Different sections focus on the music of different cultures, e.g., Bali, China, Ghana, Korea. May be repeated for credit in accordance with program requirements for B.Mus. or B.A. in Music, or when permitted in other programs.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | W, F | 13:00 - 15:00 | Multiple instructors | InstructorsSwaryandana Ichi Oka, Putu | Tenzer, Michael |
World Music Ensembles (Lower Years) - BALINESE GAMELAN
MUSC 165B
keyboard_arrow_downTraining on traditional instruments and their techniques, with emphasis on ensemble performance. Different sections focus on the music of different cultures, e.g., Bali, China, Ghana, Korea. May be taken twice for credit. This course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| B_001 | 1 | In-Person | Recitation | W, F | 13:00 - 15:00 | Multiple instructors | InstructorsOka, I Putu Swaryandana Ichi | Tenzer, Michael |
World Music Ensembles (Lower Years) - Balinese Gamelan Ensemble
MUSC 165B
keyboard_arrow_downTraining on traditional instruments and their techniques, with emphasis on ensemble performance. Different sections focus on the music of different cultures, e.g., Bali, China, Ghana, Korea. May be taken twice for credit.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| B_001 | 1 | In-Person | Recitation | W, F | 13:00 - 15:00 | Multiple instructors | Public NotesBalinese Gamelan Ensemble For 1st and 2nd year undergraduates (see MUSC 466B for 3rd and 4th year registration; MUSC 565B for graduate students). OPEN TO NON-MUSIC STUDENTS: The gamelan is open to all without audition. IMPORTANT: Consent to Use Image or Recording
InstructorsOka, I Putu Swaryandana Ichi | Tenzer, Michael |
World Music Ensembles (Lower Years) - Korean Drumming Ensemble
MUSC 165C
keyboard_arrow_downTraining on traditional instruments and their techniques, with emphasis on ensemble performance. Different sections focus on the music of different cultures, e.g., Bali, China, Ghana, Korea. May be taken twice for credit.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| C_001 | 1 | In-Person | Recitation | T, Th | 15:30 - 17:00 | Hesselink, Nathan | Public NotesKorean Drumming Ensemble For 1st and 2nd year undergraduates (see MUSC 466C for 3rd and 4th year registration; MUSC 565C for graduate students). OPEN TO NON-MUSIC STUDENTS: How do I register for ensembles? The course is open to all without audition. This course represents the year-long practical study of the Korean tradition of folk drumming and dance known as p’ungmul. Composed of a core set of two gongs (soe/kkwaenggwari) and ching) and two drums (changgo and puk), the instruments are either held in the hand or are strapped to the body and played while the performers dance. In this class we will learn in the traditional manner, integrating the use of our voices (oral mnemonics), our hands (gong/drum strokes), and our bodies (dance). The course culminates in a public performance at the end of the school year. IMPORTANT: Consent to Use Image or Recording
|
World Music Ensembles - AFRICAN MUS/DANC
MUSC 165D
keyboard_arrow_downTraining on traditional instruments and their techniques, with emphasis on ensemble performance. Different sections focus on the music of different cultures, e.g., Bali, China, Ghana, Korea. May be repeated for credit in accordance with program requirements for B.Mus. or B.A. in Music, or when permitted in other programs.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | T, Th | 17:30 - 19:00 | Gbolonyo, Justice |
World Music Ensembles - AFRICAN MUS/DANC
MUSC 165D
keyboard_arrow_downTraining on traditional instruments and their techniques, with emphasis on ensemble performance. Different sections focus on the music of different cultures, e.g., Bali, China, Ghana, Korea. May be repeated for credit in accordance with program requirements for B.Mus. or B.A. in Music, or when permitted in other programs.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | T, Th | 17:30 - 19:00 | Gbolonyo, Justice |
World Music Ensembles - AFRICAN MUS/DANC
MUSC 165D
keyboard_arrow_downTraining on traditional instruments and their techniques, with emphasis on ensemble performance. Different sections focus on the music of different cultures, e.g., Bali, China, Ghana, Korea. May be repeated for credit in accordance with program requirements for B.Mus. or B.A. in Music, or when permitted in other programs.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | T, Th | 17:30 - 19:00 | Gbolonyo, Justice |
World Music Ensembles (Lower Years) - AFRICAN MUS/DANC
MUSC 165D
keyboard_arrow_downTraining on traditional instruments and their techniques, with emphasis on ensemble performance. Different sections focus on the music of different cultures, e.g., Bali, China, Ghana, Korea. May be taken twice for credit. This course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| D_001 | 1 | In-Person | Recitation | T, Th | 17:30 - 19:00 | Gbolonyo, Justice |
World Music Ensembles (Lower Years) - African Music and Dance Ensemble
MUSC 165D
keyboard_arrow_downTraining on traditional instruments and their techniques, with emphasis on ensemble performance. Different sections focus on the music of different cultures, e.g., Bali, China, Ghana, Korea. May be taken twice for credit.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| D_001 | 1 | In-Person | Recitation | T, Th | 17:30 - 19:00 | Gbolonyo, Justice | Public NotesAfrican Music & Dance Ensemble For 1st and 2nd year undergraduates (see MUSC 466D for 3rd and 4th year registration; MUSC 565D for graduate students). OPEN TO NON-MUSIC STUDENTS: How do I register for ensembles? The course is open to all without audition. This course/ensemble introduces drumming techniques, dances and other artistic expressions of Africa. Through the instruments, the voice, the dance movements and other visual art forms and paraphernalia, this class/ensemble brings to the stage a unique African theatrical experience. The course/ensemble may be repeated for credit. It will include public performances (concerts and lecture demonstrations). Also as a practical way of preparing for the main concert, students may be requested to participate in other performances on or off campus as the need may arise. IMPORTANT: Consent to Use Image or Recording
|
Introduction to Piano Chamber Music
MUSC 167
keyboard_arrow_downA survey of repertoire and performance issues.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | M | 14:00 - 15:00 | Dawson, Terence |
Introduction to Piano Chamber Music
MUSC 167
keyboard_arrow_downA survey of repertoire and performance issues.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | M | 14:00 - 15:00 | Dawson, Terence |
Introduction to Piano Chamber Music
MUSC 167
keyboard_arrow_downA survey of repertoire and performance issues.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | M | 14:00 - 15:00 | Dawson, Terence |
Introduction to Piano Chamber Music
MUSC 167
keyboard_arrow_downA survey of repertoire and performance issues.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Recitation | M | 14:00 - 15:00 | Wong, Lucas |
Introduction to Piano Chamber Music
MUSC 167
keyboard_arrow_downA survey of repertoire and performance issues.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Recitation | M | 14:00 - 15:00 | Wong, Lucas | Public NotesRestricted to BMUS students only - open to both General Studies (piano) and Piano Performance. General Studies piano concentrators should contact music.advisor@ubc.ca to request support with registration. |
Intensive Chamber Ensemble - INT CHMB ENS
MUSC 169A
keyboard_arrow_downIntensive coaching in chamber ensemble for advanced players. Performance of works prepared is expected.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Rehearsal | Multiple instructors | InstructorsGirard, Jonathan | Langager, Graeme | Nolan, Julia | Stride, Frederick | Taylor, Robert | |||||
| 002 | 2 | Rehearsal | Multiple instructors | InstructorsGillham, David | Langager, Graeme | Stride, Frederick | Taylor, Robert | Wilson, Eric |
Intensive Chamber Ensemble - INT CHMB ENS
MUSC 169A
keyboard_arrow_downIntensive coaching in chamber ensemble for advanced players. Performance of works prepared is expected.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Rehearsal | |||||||
| 002 | 2 | Rehearsal |
Intensive Chamber Ensemble - INT CHMB ENS
MUSC 169A
keyboard_arrow_downIntensive coaching in chamber ensemble for advanced players. Performance of works prepared is expected.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Rehearsal | |||||||
| 002 | 2 | Rehearsal |
Intensive Chamber Ensemble - INT CHMB ENS
MUSC 169B
keyboard_arrow_downIntensive coaching in chamber ensemble for advanced players. Performance of works prepared is expected.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Rehearsal | Girard, Jonathan | ||||||
| 002 | 2 | Rehearsal | Multiple instructors | InstructorsNolan, Julia | Stride, Frederick | Wilson, Eric |
Intensive Chamber Ensemble - INT CHMB ENS
MUSC 169B
keyboard_arrow_downIntensive coaching in chamber ensemble for advanced players. Performance of works prepared is expected.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Rehearsal | |||||||
| 002 | 2 | Rehearsal |
Intensive Chamber Ensemble - INT CHMB ENS
MUSC 169B
keyboard_arrow_downIntensive coaching in chamber ensemble for advanced players. Performance of works prepared is expected.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Rehearsal | |||||||
| 002 | 2 | Rehearsal |
Intensive Chamber Ensemble (Lower Years) - INT CHMB ENS
MUSC 169B
keyboard_arrow_downIntensive coaching in chamber ensemble for advanced players. Performance of works prepared is expected. May be taken twice for credit. Corequisite: Any small ensemble (MUSC 156-166) and permission of the instructor.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| B_002 | In-Person | Recitation | Jun, Hyejung |
Intensive Chamber Ensemble - INT CHMB ENS
MUSC 169C
keyboard_arrow_downIntensive coaching in chamber ensemble for advanced players. Performance of works prepared is expected.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Rehearsal |
Intensive Chamber Ensemble - INT CHMB ENS
MUSC 169C
keyboard_arrow_downIntensive coaching in chamber ensemble for advanced players. Performance of works prepared is expected.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Rehearsal | |||||||
| 002 | 2 | Rehearsal |
Intensive Chamber Ensemble - INT CHMB ENS
MUSC 169C
keyboard_arrow_downIntensive coaching in chamber ensemble for advanced players. Performance of works prepared is expected.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Rehearsal | |||||||
| 002 | 2 | Rehearsal |
Intensive Chamber Ensemble - INT CHMB ENS
MUSC 169D
keyboard_arrow_downIntensive coaching in chamber ensemble for advanced players. Performance of works prepared is expected.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Rehearsal | |||||||
| 002 | 2 | Rehearsal |
Intensive Chamber Ensemble - INT CHMB ENS
MUSC 169D
keyboard_arrow_downIntensive coaching in chamber ensemble for advanced players. Performance of works prepared is expected.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Rehearsal | |||||||
| 002 | 2 | Rehearsal |
Intensive Chamber Ensemble - INT CHMB ENS
MUSC 169E
keyboard_arrow_downIntensive coaching in chamber ensemble for advanced players. Performance of works prepared is expected.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 003 | 1-2 | Rehearsal |
Intensive Chamber Ensemble (Lower Years) - INT CHMB ENS
MUSC 169E
keyboard_arrow_downIntensive coaching in chamber ensemble for advanced players. Performance of works prepared is expected. May be taken twice for credit. Corequisite: Any small ensemble (MUSC 156-166) and permission of the instructor.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| E_002 | In-Person | Recitation | Langager, Graeme |
Lyric Diction
MUSC 170
keyboard_arrow_downA study of the basic phonetics and accepted principles of lyric diction of the four languages most commonly used in concert and operatic repertoire: French, German, Italian, and English.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Lecture | T, Th | 11:00 - 12:00 | Epp, Richard Arthur |
Lyric Diction
MUSC 170
keyboard_arrow_downA study of the basic phonetics and accepted principles of lyric diction of the four languages most commonly used in concert and operatic repertoire: French, German, Italian, and English.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Lecture | T, Th | 11:00 - 12:00 | Grant, Andrea |
Lyric Diction
MUSC 170
keyboard_arrow_downA study of the basic phonetics and accepted principles of lyric diction of the four languages most commonly used in concert and operatic repertoire: French, German, Italian, and English.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Lecture | T, Th | 11:00 - 12:00 | Grant, Andrea |
Lyric Diction
MUSC 170
keyboard_arrow_downA study of the basic phonetics and accepted principles of lyric diction of the four languages most commonly used in concert and operatic repertoire: French, German, Italian, and English.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Lecture | T, Th | 11:00 - 12:00 | Grant, Andrea |
Lyric Diction
MUSC 170
keyboard_arrow_downA study of the basic phonetics and accepted principles of lyric diction of the four languages most commonly used in concert and operatic repertoire: French, German, Italian, and English.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Lecture | W, F | 12:00 - 13:00 | Grant, Andrea | Public NotesRestricted to BMus-Voice & Opera. Open to BMus General studies voice concentrators, by instructor permission only. |
Music Performance (Secondary) - KEYBOARD INST'S
MUSC 171A
keyboard_arrow_downPrivate instruction, vocal or instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Tutorial | Dawson, Terence |
Music Performance (Secondary) - KEYBOARD INST'S
MUSC 171A
keyboard_arrow_downPrivate instruction, vocal or instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Tutorial | Dawson, Terence |
Music Performance (Secondary) - KEYBOARD INST'S
MUSC 171A
keyboard_arrow_downPrivate instruction, vocal or instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Tutorial |
Music Performance (Secondary) - KEYBOARD INST'S
MUSC 171A
keyboard_arrow_downPrivate instruction, vocal or instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | In-Person | Independent Study |
Music Performance (Secondary) - KEYBOARD INST'S
MUSC 172A
keyboard_arrow_downPrivate instruction, vocal or instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_762 | In-Person | Independent Study | Weng, Wayne |
Music Performance (Concentration) - String Instrument Private Instruction
MUSC 182C
keyboard_arrow_downPrivate instruction, vocal or instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| C_739 | In-Person | Independent Study | |||||||
| C_726 | In-Person | Independent Study | |||||||
| C_770 | In-Person | Independent Study |
Music Performance (Major) - WIND,BRASS&PERC
MUSC 193D
keyboard_arrow_downPrivate instruction, vocal or instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 739 | 1 | Tutorial | M | 8:00 - 9:00 |
Chromatic Harmony and Voice Leading
MUSC 200
keyboard_arrow_downHarmonic and linear functions of common chromatic chords; mixture; chords and progressions of linear origin; tonal plans. Compositional and analytical exercises.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Lecture | T, Th | 11:00 - 12:00 | Poudrier, Eve | ||||
| T01 | 2 | Tutorial | F | 11:00 - 12:00 | Poudrier, Eve | ||||
| T02 | 2 | Tutorial | F | 13:00 - 14:00 | Poudrier, Eve | ||||
| T03 | 2 | Tutorial | F | 14:00 - 15:00 | Poudrier, Eve |
Chromatic Harmony and Voice Leading
MUSC 200
keyboard_arrow_downHarmonic and linear functions of common chromatic chords; mixture; chords and progressions of linear origin; tonal plans. Compositional and analytical exercises.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Lecture | T, Th | 11:00 - 12:00 | |||||
| T01 | 2 | Tutorial | F | 11:00 - 12:00 | Poudrier, Eve | ||||
| T02 | 2 | Tutorial | F | 13:00 - 14:00 | Poudrier, Eve | ||||
| T03 | 2 | Tutorial | F | 14:00 - 15:00 | Poudrier, Eve |
Chromatic Harmony and Voice Leading
MUSC 200
keyboard_arrow_downHarmonic and linear functions of common chromatic chords; mixture; chords and progressions of linear origin; tonal plans. Compositional and analytical exercises.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Lecture | T, Th | 11:00 - 12:00 | Komaniecki, Robert | ||||
| T01 | 2 | Tutorial | F | 11:00 - 12:00 | Komaniecki, Robert | ||||
| T02 | 2 | Tutorial | F | 13:00 - 14:00 | Komaniecki, Robert | ||||
| T03 | 2 | Tutorial | F | 14:00 - 15:00 | Komaniecki, Robert |
Chromatic Harmony and Voice Leading
MUSC 200
keyboard_arrow_downHarmonic and linear functions of common chromatic chords; mixture; chords and progressions of linear origin; tonal plans. Compositional and analytical exercises. Prerequisite: [MUSC101]
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | In-Person | Lecture | T, Th | 11:00 - 12:00 | Komaniecki, Robert | |||
| D01 | 2 | In-Person | Discussion | F | 11:00 - 12:00 | Komaniecki, Robert | |||
| D02 | 2 | In-Person | Discussion | F | 13:00 - 14:00 | Komaniecki, Robert | |||
| D03 | 2 | In-Person | Discussion | F | 14:00 - 15:00 | Komaniecki, Robert |
Chromatic Harmony and Voice Leading
MUSC 200
keyboard_arrow_downHarmonic and linear functions of common chromatic chords; mixture; chords and progressions of linear origin; tonal plans. Compositional and analytical exercises. Prerequisite: [MUSC101]
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Lecture | T, Th | 08:30 - 10:00 | Komaniecki, Robert | Public NotesThis course is for BMUS and BA Major and Minor in Music. This course will only have 2 scheduled lecture times, but in order to complete your registration, make sure you sign up for the discussion (again, which will not be an extra commitment). | ||
| D02 | In-Person | Discussion | Komaniecki, Robert |
Aural Skills III
MUSC 205
keyboard_arrow_downContinuation of MUSC 106. Restricted to B.Mus. students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Lecture | W | 12:00 - 13:00 | Paslawski, Gordon | ||||
| 002 | 2 | Lecture | W | 12:00 - 13:00 | Paslawski, Gordon | ||||
| 110 | 1 | Tutorial | M, W | 9:00 - 10:00 | Paslawski, Gordon | ||||
| 120 | 1 | Tutorial | M, W | 10:00 - 11:00 | Paslawski, Gordon | ||||
| 230 | 2 | Tutorial | M, W | 11:00 - 12:00 | Paslawski, Gordon |
Aural Skills III
MUSC 205
keyboard_arrow_downContinuation of MUSC 106. Restricted to B.Mus. students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Lecture | W | 12:00 - 13:00 | Parsons, Laurel | ||||
| 002 | 2 | Lecture | W | 12:00 - 13:00 | Parsons, Laurel | ||||
| 110 | 1 | Tutorial | M, W | 9:00 - 10:00 | Sawatzky, Grant | ||||
| 120 | 1 | Tutorial | M, W | 10:00 - 11:00 | |||||
| 121 | 1 | Tutorial | M, W | 10:00 - 11:00 | |||||
| 230 | 2 | Tutorial | M, W | 11:00 - 12:00 |
Aural Skills III
MUSC 205
keyboard_arrow_downContinuation of MUSC 106. Restricted to B.Mus. students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 110 | 1 | Lecture | M, W | 9:00 - 10:00 | Parsons, Laurel | ||||
| 120 | 1 | Lecture | M, W | 10:00 - 11:00 | Parsons, Laurel | ||||
| 130 | 1 | Lecture | M, W | 11:00 - 12:00 | Parsons, Laurel |
Aural Skills III
MUSC 205
keyboard_arrow_downContinuation of MUSC 106. Restricted to B.Mus. students. Prerequisite: One of (a) a score of 68% or higher in MUSC 106, or (b) pass the MUSC 106 Challenge Test. Students may register for MUSC 205 prior to meeting the pre-requisite but will be required to withdraw if the pre-requisite is not met by the first day of class.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 110 | 1 | In-Person | Studio | M, W | 09:00 - 10:00 | Parsons, Laurel | |||
| 130 | 1 | In-Person | Studio | M, W | 11:00 - 12:00 | Parsons, Laurel | |||
| 120 | 1 | In-Person | Studio | M, W | 10:00 - 11:00 | Parsons, Laurel |
Aural Skills III
MUSC 205
keyboard_arrow_downContinuation of MUSC_V 106. Restricted to B.Mus. students. Prerequisite: One of (a) a score of 68% or higher in MUSC_V 106, or (b) pass the MUSC_V 106 Challenge Test. Students may register for MUSC_V 205 prior to meeting the pre-requisite but will be required to withdraw if the prerequisite is not met by the first day of class.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 130 | 1 | In-Person | Studio | M, W | 11:00 - 12:00 | Parsons, Laurel | |||
| 110 | 1 | In-Person | Studio | M, W | 09:00 - 10:00 | Parsons, Laurel | |||
| 120 | 1 | In-Person | Studio | M, W | 10:00 - 11:00 | Parsons, Laurel |
Aural Skills IV
MUSC 206
keyboard_arrow_downContinuation of MUSC 205. Restricted to B.Mus. students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Lecture | W | 12:00 - 13:00 | Paslawski, Gordon | ||||
| 002 | 2 | Lecture | W | 12:00 - 13:00 | Paslawski, Gordon | ||||
| 130 | 1 | Tutorial | M, W | 11:00 - 12:00 | Paslawski, Gordon | ||||
| 210 | 2 | Tutorial | M, W | 9:00 - 10:00 | Paslawski, Gordon | ||||
| 220 | 2 | Tutorial | M, W | 10:00 - 11:00 | Paslawski, Gordon |
Aural Skills IV
MUSC 206
keyboard_arrow_downContinuation of MUSC 205. Restricted to B.Mus. students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Lecture | W | 12:00 - 13:00 | Parsons, Laurel | ||||
| 002 | 2 | Lecture | W | 12:00 - 13:00 | Parsons, Laurel | ||||
| 130 | 1 | Tutorial | M, W | 11:00 - 12:00 | |||||
| 210 | 2 | Tutorial | M, W | 9:00 - 10:00 | Parsons, Laurel | ||||
| 220 | 2 | Tutorial | M, W | 10:00 - 11:00 | Parsons, Laurel | ||||
| 221 | 2 | Laboratory | M, W | 10:00 - 11:00 | Parsons, Laurel |
Aural Skills IV
MUSC 206
keyboard_arrow_downContinuation of MUSC 205. Restricted to B.Mus. students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 210 | 2 | Lecture | M, W | 9:00 - 10:00 | Parsons, Laurel | ||||
| 220 | 2 | Lecture | M, W | 10:00 - 11:00 | Parsons, Laurel | ||||
| 230 | 2 | Lecture | M, W | 11:00 - 12:00 | Parsons, Laurel |
Aural Skills IV
MUSC 206
keyboard_arrow_downContinuation of MUSC 205. Restricted to B.Mus. students. This course is not eligible for Credit/D/Fail grading. Prerequisite: One of (a) a score of 68% or higher in MUSC 205, or (b) pass the MUSC 205 Challenge Test. Students may register for MUSC 206 prior to meeting the pre-requisite but will be required to withdraw if the pre-requisite is not met by the first day of class.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 220 | 2 | In-Person | Studio | M, W | 10:00 - 11:00 | Parsons, Laurel | |||
| 210 | 2 | In-Person | Studio | M, W | 09:00 - 10:00 | Parsons, Laurel | |||
| 230 | 2 | In-Person | Studio | M, W | 11:00 - 12:00 | Parsons, Laurel |
Aural Skills IV
MUSC 206
keyboard_arrow_downContinuation of MUSC_V 205. Restricted to B.Mus. students. Prerequisite: One of (a) a score of 68% or higher in MUSC_V 205, or (b) pass the MUSC_V 205 Challenge Test. Students may register for MUSC_V 206 prior to meeting the pre-requisite but will be required to withdraw if the prerequisite is not met by the first day of class.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 230 | 2 | In-Person | Studio | M, W | 11:00 - 12:00 | Parsons, Laurel | |||
| 220 | 2 | In-Person | Studio | M, W | 10:00 - 11:00 | Parsons, Laurel | |||
| 210 | 2 | In-Person | Studio | M, W | 09:00 - 10:00 | Parsons, Laurel |
Composition II - COMPOSITION 2
MUSC 207C
keyboard_arrow_downContinuation of MUSC 107.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Tutorial | M | 12:00 - 13:00 | Multiple instructors | InstructorsButler, Jennifer | Carrabre, Thomas | Chang Bortolussi, Dorothy | Hamel, Keith | Morlock, Jocelyn | |||
| 002 | 1-2 | Seminar | M | 12:00 - 13:00 | Multiple instructors | InstructorsButler, Jennifer | Carrabre, Thomas | Chang Bortolussi, Dorothy | Hamel, Keith | Morlock, Jocelyn |
Composition II - COMPOSITION 2
MUSC 207C
keyboard_arrow_downContinuation of MUSC 107.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Tutorial | M | 12:00 - 13:00 | Multiple instructors | InstructorsButler, Jennifer | Carrabre, Thomas | Chang Bortolussi, Dorothy | Hamel, Keith | |||
| 002 | 1-2 | Seminar | M | 12:00 - 13:00 | Multiple instructors | InstructorsButler, Jennifer | Carrabre, Thomas | Chang Bortolussi, Dorothy | Hamel, Keith |
Composition II - COMPOSITION 2
MUSC 207C
keyboard_arrow_downContinuation of MUSC 107.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Tutorial | M | 12:00 - 13:00 | Multiple instructors | InstructorsCarrabre, Thomas | Chang Bortolussi, Dorothy | Hamel, Keith | Hwang, Serra | |||
| 002 | 1-2 | Seminar | M | 12:00 - 13:00 | Multiple instructors | InstructorsCarrabre, Thomas | Chang Bortolussi, Dorothy | Hamel, Keith | Hwang, Serra |
Composition II - Composition II
MUSC 207C
keyboard_arrow_downContinuation of MUSC 107. Prerequisite: [MUSC107] and permission of Composition Division based on submission of scores.
The credit value for this course will be determined in consultation with the student prior to the registration| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| C_001 | 1-2 | In-Person | Independent Study | M | 12:00 - 13:00 | Multiple instructors | InstructorsButler, Jennifer | Carrabre, T. Patrick | Chang, Dorothy | Hamel, Keith | Top, Siemon Edward | ||
| C_002 | 1-2 | In-Person | Independent Study | M | 12:00 - 13:00 |
Composition II - Composition II
MUSC 207C
keyboard_arrow_downContinuation of MUSC 107. Prerequisite: [MUSC107] and permission of Composition Division based on submission of scores.
The credit value for this course will be determined in consultation with the student prior to the registration| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| C_001 | 1-2 | In-Person | Independent Study | M | 12:00 - 13:00 | Multiple instructors | Public NotesRestricted to BMUS COMP majors only. InstructorsButler, Jennifer | Carrabre, T. Patrick | Chang, Dorothy |
History of Music III
MUSC 220
keyboard_arrow_downThe development of Western music from circa 1800 to circa 1900.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Lecture | T, Th | 9:30 - 11:00 | Vellutini, Claudio |
History of Music III
MUSC 220
keyboard_arrow_downThe development of Western music from circa 1800 to circa 1900.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Lecture | T, Th | 9:30 - 11:00 | Vellutini, Claudio |
History of Music III
MUSC 220
keyboard_arrow_downThe development of Western music from circa 1800 to circa 1900.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Lecture | T, Th | 9:30 - 11:00 | Vellutini, Claudio |
History of Music III
MUSC 220
keyboard_arrow_downThe development of Western music from circa 1800 to circa 1900. Prerequisite: All of MUSC 121, MUSC 100.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Lecture | T, Th | 09:30 - 11:00 | Vellutini, Claudio |
History of Music III
MUSC 220
keyboard_arrow_downThe development of Western music from circa 1800 to circa 1900. Prerequisite: All of MUSC 121, MUSC 100.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Lecture | T, Th | 10:00 - 11:30 | Vellutini, Claudio | Public NotesThis is an overview of Western art music and its cultural, historical, geographical, social, and political contexts in the long nineteenth century. We will focus on the development of music genres (both old and new) by looking representative works of major composers, and will explore key concepts and ideas (such as nationalism, exoticism, historicism, Romanticism, and realism). Students are expected to have taken MUSC 120 and 121, and to be familiar with score reading. |
History of Music IV
MUSC 221
keyboard_arrow_downThe development of Western music from circa 1900; an introduction to jazz and popular music and to music of selected non-Western societies.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Lecture | T, Th | 9:30 - 11:00 | Metzer, David |
History of Music IV
MUSC 221
keyboard_arrow_downThe development of Western music from circa 1900; an introduction to jazz and popular music and to music of selected non-Western societies.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Lecture | T, Th | 9:30 - 11:00 | Metzer, David |
History of Music IV
MUSC 221
keyboard_arrow_downThe development of Western music from circa 1900; an introduction to jazz and popular music and to music of selected non-Western societies.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Lecture | T, Th | 9:30 - 11:00 | Metzer, David |
History of Music IV
MUSC 221
keyboard_arrow_downThe development of Western music from circa 1900; an introduction to jazz and popular music and to music of selected non-Western societies. Prerequisite: All of MUSC 220, MUSC 100.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | In-Person | Lecture | T, Th | 09:30 - 11:00 | Komaniecki, Robert |
History of Music IV
MUSC 221
keyboard_arrow_downThe development of Western music from circa 1900; an introduction to jazz and popular music and to music of selected non-Western societies. Prerequisite: All of MUSC 220, MUSC 100.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | In-Person | Lecture | T, Th | 10:00 - 11:30 | Metzer, David | Public NotesMust read music. It is recommended that students who take this course have completed MUSC 101 and MUSC 220, or if not, get approval from the instructor. |
Opera Repertoire II
MUSC 235
keyboard_arrow_downSee MUSC 135.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Lecture | M, W | 11:00 - 12:00 | Epp, Richard Arthur |
Opera Repertoire II
MUSC 235
keyboard_arrow_downSee MUSC 135.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Lecture | M, W | 11:00 - 12:00 | Grant, Andrea |
Opera Repertoire II
MUSC 235
keyboard_arrow_downSee MUSC 135.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Lecture | M, W | 11:00 - 12:00 | Nakagawa, Stephanie |
Opera Repertoire II
MUSC 235
keyboard_arrow_downSee MUSC 135.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Lecture | M, W | 11:00 - 12:00 | Barcza, Peter |
Opera Repertoire II
MUSC 235
keyboard_arrow_downSee MUSC 135.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Lecture | M, W | 11:00 - 12:00 | Barcza, Peter | Public NotesRestricted to BMUS OPER, or DMPS students. Open to other students by permission of the instructor. |
Piano Repertoire II - PIANO REPTOIRE 2
MUSC 236C
keyboard_arrow_downContinuation of MUSC 136.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Lecture | Th | 15:00 - 17:00 | Hamm, Corey |
Piano Repertoire II - Piano Repertoire II
MUSC 236C
keyboard_arrow_downContinuation of MUSC 136.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| C_001 | 1 | In-Person | Lecture | Th | 15:00 - 17:00 | Hamm, Corey |
Class Piano II
MUSC 241
keyboard_arrow_downContinuation of MUSC 141.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Tutorial | M, W, F | 14:00 - 15:00 | Chen Chai, Susan M.c. | ||||
| 002 | 1-2 | Tutorial | M, W, F | 10:00 - 11:00 | Chen Chai, Susan M.c. |
Class Piano II
MUSC 241
keyboard_arrow_downContinuation of MUSC 141.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Tutorial | M, W, F | 14:00 - 15:00 | Chen Chai, Susan M.c. | ||||
| 002 | 1-2 | Tutorial | M, W, F | 10:00 - 11:00 | Chen Chai, Susan M.c. |
Class Piano II
MUSC 241
keyboard_arrow_downContinuation of MUSC 141.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Tutorial | M, W, F | 14:00 - 15:00 | Chen Chai, Susan M.c. | ||||
| 002 | 1-2 | Tutorial | M, W, F | 10:00 - 11:00 | Chen Chai, Susan M.c. |
Class Piano II
MUSC 241
keyboard_arrow_downContinuation of MUSC 141.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Workshop | M, W, F | 14:00 - 15:00 | Aung, Helena | |||
| 002 | 1 | In-Person | Workshop | M, W, F | 10:00 - 11:00 | Aung, Helena |
Class Piano II
MUSC 241
keyboard_arrow_downContinuation of MUSC_V 141.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Workshop | M, W, F | 14:00 - 15:00 | Aung, Helena | |||
| 002 | 1 | In-Person | Workshop | M, W, F | 10:00 - 11:00 | Aung, Helena |
Collaborative Piano II
MUSC 249
keyboard_arrow_downFurther development of skills and performance practice with primary emphasis on voice/piano partnership principles and repertoire. Strong sight-reading skills essential. For Piano majors; open to others by audition.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Lecture | W | 14:00 - 15:00 | Sharon, Rena |
Collaborative Piano II
MUSC 249
keyboard_arrow_downFurther development of skills and performance practice with primary emphasis on voice/piano partnership principles and repertoire. Strong sight-reading skills essential. For Piano majors; open to others by audition.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Lecture | W | 14:00 - 15:00 | Sharon, Rena |
Collaborative Piano II
MUSC 249
keyboard_arrow_downFurther development of skills and performance practice with primary emphasis on voice/piano partnership principles and repertoire. Strong sight-reading skills essential. For Piano majors; open to others by audition.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Lecture | W | 14:00 - 15:00 | Sharon, Rena |
Collaborative Piano II
MUSC 249
keyboard_arrow_downFurther development of skills and performance practice with primary emphasis on voice/piano partnership principles and repertoire. Strong sight-reading skills essential. For Piano majors; open to others by audition. Prerequisite: [MUSC149]
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Workshop | W | 14:00 - 15:00 | Sharon, Rena |
Collaborative Piano II
MUSC 249
keyboard_arrow_downFurther development of skills and performance practice with primary emphasis on voice/piano partnership principles and repertoire. Strong sight-reading skills essential. For Piano majors; open to others by audition. Prerequisite: [MUSC149]
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Workshop | W | 14:00 - 15:00 | Sharon, Rena | Public NotesFurther development of skills and performance practice related to vocal and instrumental collaborations for pianists. Emphasis on the study of several major song cycles as well as selected other repertoire. 1-hour Lecture plus individual coachings. |
Music Performance (Secondary) - KEYBOARD INST'S
MUSC 271A
keyboard_arrow_downPrivate instruction, vocal or instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Tutorial | Dawson, Terence |
Music Performance (Secondary) - Music Performance (Secondary)
MUSC 271A
keyboard_arrow_downPrivate instruction, vocal or instrumental. Prerequisite: One of MUSC 171, MUSC 172, MUSC 181, MUSC 182, MUSC 183, MUSC 191, MUSC 192, MUSC 193.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | In-Person | Independent Study | Anderson, L. Mark | ||||||
| A_776 | In-Person | Independent Study | Wilkins, Miranda Ting Wai Wong |
Music Performance (Secondary) - VOICE
MUSC 271B
keyboard_arrow_downPrivate instruction, vocal or instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 002 | 1-2 | Rehearsal | Hermiston, Nancy Jane |
Music Performance (Secondary) - VOICE
MUSC 271B
keyboard_arrow_downPrivate instruction, vocal or instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 002 | 1-2 | Rehearsal | Raftery, James |
Music Performance (Secondary) - VOICE
MUSC 271B
keyboard_arrow_downPrivate instruction, vocal or instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 002 | 1-2 | Rehearsal | Raftery, James |
Music Performance (Major) - VOICE
MUSC 292B
keyboard_arrow_downPrivate instruction, vocal or instrumental. Prerequisite: One of MUSC 171, MUSC 172, MUSC 181, MUSC 182, MUSC 183, MUSC 191, MUSC 192, MUSC 193.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| B_748 | In-Person | Independent Study | Gaetanne, Marisa | ||||||
| B_725 | In-Person | Independent Study | Gaetanne, Marisa |
Music Performance (Major) - STRING INST'S
MUSC 293C
keyboard_arrow_downPrivate instruction, vocal or instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 728 | 1-2 | Tutorial | W | 12:00 - 13:00 | Palmer, Dylan |
Music Performance (Major) - GUITAR,ETHN&HIST
MUSC 293E
keyboard_arrow_downPrivate instruction, vocal or instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 795 | 1 | Tutorial | M | 8:00 - 9:00 |
Compositional and Analytical Approaches to Post-Tonal Music
MUSC 300
keyboard_arrow_downConcepts essential to understanding and performing art music, since 1900, in which functional triadic harmony is absent or subsidiary to other musical processes. Detailed consideration of works of major composers up to the present, through analysis, composition, and musicianship exercises.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Lecture | T, Th | 11:00 - 12:00 | Sawatzky, Grant | ||||
| T01 | 1 | Tutorial | F | 13:00 - 14:00 | Sawatzky, Grant | ||||
| T02 | 1 | Tutorial | Th | 13:00 - 14:00 | Sawatzky, Grant | ||||
| T03 | 1 | Tutorial | Th | 14:00 - 15:00 | Sawatzky, Grant |
Compositional and Analytical Approaches to Post-Tonal Music
MUSC 300
keyboard_arrow_downConcepts essential to understanding and performing art music, since 1900, in which functional triadic harmony is absent or subsidiary to other musical processes. Detailed consideration of works of major composers up to the present, through analysis, composition, and musicianship exercises.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Lecture | M, W | 9:00 - 10:00 | Roeder, John Barlow | ||||
| T01 | 1 | Tutorial | F | 11:00 - 12:00 | Roeder, John Barlow | ||||
| T02 | 1 | Tutorial | F | 13:00 - 14:00 | Roeder, John Barlow | ||||
| T03 | 1 | Tutorial | F | 14:00 - 15:00 | Roeder, John Barlow |
Compositional and Analytical Approaches to Post-Tonal Music
MUSC 300
keyboard_arrow_downConcepts essential to understanding and performing art music, since 1900, in which functional triadic harmony is absent or subsidiary to other musical processes. Detailed consideration of works of major composers up to the present, through analysis, composition, and musicianship exercises.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Lecture | M, W | 9:00 - 10:00 | Maler, Anabel | ||||
| T01 | 1 | Tutorial | F | 11:00 - 12:00 | Maler, Anabel | ||||
| T02 | 1 | Tutorial | F | 13:00 - 14:00 | Maler, Anabel | ||||
| T03 | 1 | Tutorial | F | 14:00 - 15:00 | Maler, Anabel |
Compositional and Analytical Approaches to Post-Tonal Music
MUSC 300
keyboard_arrow_downConcepts essential to understanding and performing art music, since 1900, in which functional triadic harmony is absent or subsidiary to other musical processes. Detailed consideration of works of major composers up to the present, through analysis, composition, and musicianship exercises. Prerequisite: MUSC 200.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Lecture | M, W | 09:00 - 10:00 | Maler, Anabel | |||
| D01 | 1 | In-Person | Discussion | F | 11:00 - 12:00 | Maler, Anabel | |||
| D03 | 1 | In-Person | Discussion | F | 14:00 - 15:00 | Maler, Anabel | |||
| D02 | 1 | In-Person | Discussion | F | 13:00 - 14:00 | Maler, Anabel |
Compositional and Analytical Approaches to Post-Tonal Music
MUSC 300
keyboard_arrow_downConcepts essential to understanding and performing art music, since 1900, in which functional triadic harmony is absent or subsidiary to other musical processes. Detailed consideration of works of major composers up to the present, through analysis, composition, and musicianship exercises. Prerequisite: MUSC 200.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| D03 | In-Person | Discussion | Maler, Anabel | ||||||
| D01 | In-Person | Discussion | Maler, Anabel | ||||||
| 001 | 1 | In-Person | Lecture | M, W | 09:00 - 10:30 | Maler, Anabel | Public NotesThis course will only have lectures, but in order to complete your registration, make sure you sign up for the discussion (again, which will not be an extra commitment). | ||
| 002 | 2 | In-Person | Lecture | T, Th | 08:30 - 10:00 | Maler, Anabel | Public NotesThis course will only have lectures, but in order to complete your registration, make sure you sign up for the discussion (again, which will not be an extra commitment). |
Readings in Orchestral Repertoire
MUSC 305
keyboard_arrow_downA laboratory course for orchestral performance majors. Emphasis on reading a large cross-section of standard orchestral repertoire with further emphasis given to music currently being programmed by local professional orchestras. The course is restricted to Orchestral Instruments majors, except by permission of the instructor.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | F | 9:30 - 11:00 | Girard, Jonathan |
Readings in Orchestral Repertoire
MUSC 305
keyboard_arrow_downLaboratory course for orchestral performance majors. Emphasis on reading a large cross-section of standard orchestral repertoire, especially music currently being programmed by local professional orchestras. Restricted to Orchestral Instruments majors, except by permission of the instructor.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | F | 9:30 - 11:00 | Girard, Jonathan |
Readings in Orchestral Repertoire
MUSC 305
keyboard_arrow_downLaboratory course for orchestral performance majors. Emphasis on reading a large cross-section of standard orchestral repertoire, especially music currently being programmed by local professional orchestras. Restricted to Orchestral Instruments majors, except by permission of the instructor.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | F | 9:30 - 11:00 | Girard, Jonathan |
Readings in Orchestral Repertoire - Readings in Orchestral Repertoire
MUSC 305A
keyboard_arrow_downLaboratory course for orchestral performance majors. Emphasis on reading a large cross-section of standard orchestral repertoire, especially music currently being programmed by local professional orchestras. Restricted to Orchestral Instruments majors, except by permission of the instructor.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Recitation | F | 09:30 - 11:00 | Girard, Jonathan |
Readings in Orchestral Repertoire - Readings in Orchestral Repertoire
MUSC 305A
keyboard_arrow_downLaboratory course for orchestral performance majors. Emphasis on reading a large cross-section of standard orchestral repertoire, especially music currently being programmed by local professional orchestras. Restricted to Orchestral Instruments majors, except by permission of the instructor.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Recitation | F | 09:30 - 11:00 | Girard, Jonathan | Public NotesWith MUSC 506 and 606 |
Composition III - COMPOSITION III
MUSC 307C
keyboard_arrow_downContinuation of MUSC 207.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Tutorial | M | 12:00 - 13:00 | Multiple instructors | InstructorsButler, Jennifer | Carrabre, Thomas | Chang Bortolussi, Dorothy | Hamel, Keith | Morlock, Jocelyn | |||
| 002 | 1-2 | Seminar | M | 12:00 - 13:00 | Multiple instructors | InstructorsButler, Jennifer | Carrabre, Thomas | Chang Bortolussi, Dorothy | Hamel, Keith | Morlock, Jocelyn |
Composition III - COMPOSITION III
MUSC 307C
keyboard_arrow_downContinuation of MUSC 207.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Tutorial | M | 12:00 - 13:00 | Multiple instructors | InstructorsButler, Jennifer | Carrabre, Thomas | Chang Bortolussi, Dorothy | Hamel, Keith | |||
| 002 | 1-2 | Seminar | M | 12:00 - 13:00 | Multiple instructors | InstructorsButler, Jennifer | Carrabre, Thomas | Chang Bortolussi, Dorothy | Hamel, Keith |
Composition III - COMPOSITION III
MUSC 307C
keyboard_arrow_downContinuation of MUSC 207.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Tutorial | M | 12:00 - 13:00 | Multiple instructors | InstructorsCarrabre, Thomas | Chang Bortolussi, Dorothy | Hamel, Keith | Hwang, Serra | |||
| 002 | 1-2 | Seminar | M | 12:00 - 13:00 | Multiple instructors | InstructorsCarrabre, Thomas | Chang Bortolussi, Dorothy | Hamel, Keith | Hwang, Serra |
Composition III - Composition III
MUSC 307C
keyboard_arrow_downContinuation of MUSC 207. Prerequisite: [MUSC207] and permission of Composition Division based on submission of scores.
The credit value for this course will be determined in consultation with the student prior to the registration| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| C_001 | 1-2 | In-Person | Independent Study | M | 12:00 - 13:00 | Multiple instructors | InstructorsButler, Jennifer | Carrabre, T. Patrick | Chang, Dorothy | Hamel, Keith | Top, Siemon Edward | ||
| C_002 | 1-2 | In-Person | Independent Study | M | 12:00 - 13:00 |
Composition III - Composition III
MUSC 307C
keyboard_arrow_downContinuation of MUSC 207. Prerequisite: [MUSC207] and permission of Composition Division based on submission of scores.
The credit value for this course will be determined in consultation with the student prior to the registration| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| C_001 | 1-2 | In-Person | Independent Study | M | 12:00 - 13:00 | Multiple instructors | Public NotesRestricted to BMUS COMP majors only. InstructorsButler, Jennifer | Carrabre, T. Patrick | Chang, Dorothy |
Instrumentation
MUSC 309
keyboard_arrow_downThe study of string, woodwind, brass and percussion instruments; orchestral sections and scoring for various small ensembles. Activities include demonstrations of instruments, scoring projects, analysis and listening. For credit towards the B.Mus. and the B.A. in Music; not open to other students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Lecture-Laboratory | M, W | 13:00 - 14:00 | Chang Bortolussi, Dorothy | ||||
| 1W1 | 1 | Waiting List | M, W | 13:00 - 14:00 | Chang Bortolussi, Dorothy |
Instrumentation
MUSC 309
keyboard_arrow_downThe study of string, woodwind, brass and percussion instruments; orchestral sections and scoring for various small ensembles. Activities include demonstrations of instruments, scoring projects, analysis and listening. For credit towards the B.Mus. and the B.A. in Music; not open to other students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Lecture-Laboratory | M, W | 11:00 - 12:00 | Chang Bortolussi, Dorothy | ||||
| 1W1 | 1 | Waiting List | M, W | Chang Bortolussi, Dorothy |
Instrumentation
MUSC 309
keyboard_arrow_downThe study of string, woodwind, brass and percussion instruments; orchestral sections and scoring for various small ensembles. Activities include demonstrations of instruments, scoring projects, analysis and listening. For credit towards the B.Mus. and the B.A. in Music; not open to other students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Lecture-Laboratory | M, W | 11:00 - 12:00 | Chang Bortolussi, Dorothy | ||||
| 1W1 | 1 | Waiting List | M, W | 11:00 - 12:00 | Chang Bortolussi, Dorothy |
Instrumentation
MUSC 309
keyboard_arrow_downThe study of string, woodwind, brass and percussion instruments; orchestral sections and scoring for various small ensembles. Activities include demonstrations of instruments, scoring projects, analysis and listening. For credit towards the B.Mus. and the B.A. in Music; not open to other students. Prerequisite: MUSC 200. and completion of the second-year piano requirement.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Lecture | M, W | 11:00 - 12:00 | Sadaka, Ramsey |
Instrumentation
MUSC 309
keyboard_arrow_downThe study of string, woodwind, brass and percussion instruments; orchestral sections and scoring for various small ensembles. Activities include demonstrations of instruments, scoring projects, analysis and listening. For credit towards the B.Mus. and the B.A. in Music; not open to other students. Prerequisite: MUSC 200. and completion of the second-year piano requirement.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Lecture | M, W | 11:00 - 12:00 | Public Notes309 is open to BA music majors or other students, if they have completed MUSC 200. Second-year BMUS composition majors are exempt from the pre-requisites. Contact instructor if you have questions about your qualifications to register. To possibly fill any current or future vacancy in the class, please register for the waitlist. |
Orchestration
MUSC 310
keyboard_arrow_downThe study of orchestration through the analysis of orchestral works, listening and scoring projects. Activities also include choral arranging and scoring for stage band and wind ensemble.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Lecture-Laboratory | M, W | 13:00 - 14:00 | Top, Siemon Edward | ||||
| 1W1 | 2 | Waiting List | M, W | 13:00 - 14:00 | Top, Siemon Edward |
Orchestration
MUSC 310
keyboard_arrow_downThe study of orchestration through the analysis of orchestral works, listening and scoring projects. Activities also include choral arranging and scoring for stage band and wind ensemble.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Lecture-Laboratory | M, W | 13:00 - 14:00 | Top, Siemon Edward | ||||
| 1W1 | 2 | Waiting List | M, W |
Orchestration
MUSC 310
keyboard_arrow_downThe study of orchestration through the analysis of orchestral works, listening and scoring projects. Activities also include choral arranging and scoring for stage band and wind ensemble.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Lecture-Laboratory | M, W | 13:00 - 14:00 | |||||
| 1W1 | 2 | Waiting List | M, W | 13:00 - 14:00 |
Orchestration
MUSC 310
keyboard_arrow_downThe study of orchestration through the analysis of orchestral works, listening and scoring projects. Activities also include choral arranging and scoring for stage band and wind ensemble. Prerequisite: [MUSC309]
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | In-Person | Lecture | M, W | 13:00 - 14:00 | Top, Siemon Edward |
Orchestration
MUSC 310
keyboard_arrow_downThe study of orchestration through the analysis of orchestral works, listening and scoring projects. Activities also include choral arranging and scoring for stage band and wind ensemble. Prerequisite: [MUSC309]
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | In-Person | Lecture | M, W | 13:00 - 14:00 | Top, Siemon Edward | Public Notes310 is open to BA music majors or other students, if they have had two years of theory and MUSC 309. |
Fundamentals of Conducting
MUSC 311
keyboard_arrow_downBasic conducting techniques: patterns, cueing, dynamic shading, and physical presentation.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Rehearsal | T, Th | 10:00 - 11:30 | Bhate, Jaelem | ||||
| 002 | 1 | Rehearsal | M, W | 10:00 - 11:30 | Bhate, Jaelem | ||||
| 1W4 | 1 | Waiting List | Sparks, James |
Fundamentals of Conducting
MUSC 311
keyboard_arrow_downBasic conducting techniques: patterns, cueing, dynamic shading, and physical presentation.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Rehearsal | T, Th | 10:00 - 11:30 | Bhate, Jaelem | ||||
| 002 | 1 | Rehearsal | M, W | 10:00 - 11:30 | Bhate, Jaelem | ||||
| 1W4 | 1 | Waiting List |
Fundamentals of Conducting
MUSC 311
keyboard_arrow_downBasic conducting techniques: patterns, cueing, dynamic shading, and physical presentation.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Rehearsal | T, Th | 10:00 - 11:30 | Bhate, Jaelem | ||||
| 002 | 1 | Rehearsal | M, W | 10:00 - 11:30 | Bhate, Jaelem | ||||
| 1W4 | 1 | Waiting List |
Fundamentals of Conducting
MUSC 311
keyboard_arrow_downBasic conducting techniques: patterns, cueing, dynamic shading, and physical presentation. Prerequisite: MUSC 200. and completion of the second-year piano requirement.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Workshop | T, Th | 10:00 - 11:30 | Ip, Cheng Xin |
Fundamentals of Conducting
MUSC 311
keyboard_arrow_downBasic conducting techniques: patterns, cueing, dynamic shading, and physical presentation. Prerequisite: MUSC_V 200 and completion of the second-year piano requirement.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Workshop | T, Th | 10:00 - 11:30 | Ip, Cheng Xin | Public NotesConducting courses MUSC 311, MUSC 312, and MUSC 313 are required for BMUS students majoring in GSEM, GSSM, and COMP. For other students interested in taking the course: please sign up online to the waitlist. In late July, waitlisted students will receive an application form to fill out which includes rationale for taking the course. There will be very limited additional space in the course, so please ensure you have an alternative option. |
Instrumental Conducting
MUSC 312
keyboard_arrow_downThe relation of conducting gestures to instrumental sound; development of practical skills in directing ensembles and reading scores, considering instruments' special characteristics.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Lecture-Laboratory | T, Th | 10:00 - 11:30 | Multiple instructors | InstructorsGirard, Jonathan | Taylor, Robert | |||
| 1W4 | 2 | Waiting List | Multiple instructors | InstructorsGirard, Jonathan | Taylor, Robert |
Instrumental Conducting
MUSC 312
keyboard_arrow_downThe relation of conducting gestures to instrumental sound; development of practical skills in directing ensembles and reading scores, considering instruments' special characteristics.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Lecture-Laboratory | T, Th | 10:00 - 11:30 | Multiple instructors | InstructorsBhate, Jaelem | Girard, Jonathan | Taylor, Robert | |||
| 1W4 | 2 | Waiting List | T, Th | 10:00 - 11:30 | Multiple instructors | InstructorsGirard, Jonathan | Taylor, Robert |
Instrumental Conducting
MUSC 312
keyboard_arrow_downThe relation of conducting gestures to instrumental sound; development of practical skills in directing ensembles and reading scores, considering instruments' special characteristics.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Lecture-Laboratory | T, Th | 10:00 - 11:30 | Bhate, Jaelem | ||||
| 1W4 | 2 | Waiting List | T, Th | 10:00 - 11:30 | Multiple instructors | InstructorsBhate, Jaelem | Girard, Jonathan | Taylor, Robert |
Instrumental Conducting
MUSC 312
keyboard_arrow_downThe relation of conducting gestures to instrumental sound; development of practical skills in directing ensembles and reading scores, considering instruments' special characteristics. Prerequisite: MUSC 311.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | In-Person | Workshop | T, Th | 10:00 - 11:30 | Ip, Cheng Xin |
Instrumental Conducting
MUSC 312
keyboard_arrow_downThe relation of conducting gestures to instrumental sound; development of practical skills in directing ensembles and reading scores, considering instruments' special characteristics. Prerequisite: MUSC_V 311.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | In-Person | Workshop | T, Th | 10:00 - 11:30 | Ip, Cheng Xin | Public NotesConducting courses MUSC 311, MUSC 312, and MUSC 313 are required for BMUS students majoring in GSEM, GSSM, and COMP. |
Choral Conducting
MUSC 313
keyboard_arrow_downThe relation of conducting gestures to choral sound; development of practical skills in directing ensembles and reading scores; attendant issues of vocal technique and pedagogy.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Rehearsal | M, W | 10:00 - 11:30 | Sparks, James | ||||
| 1W4 | Waiting List | Sparks, James |
Choral Conducting
MUSC 313
keyboard_arrow_downThe relation of conducting gestures to choral sound; development of practical skills in directing ensembles and reading scores; attendant issues of vocal technique and pedagogy.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Rehearsal | M, W | 10:00 - 11:30 | Multiple instructors | InstructorsLangager, Graeme | Jun, Hyejung | |||
| 1W4 | 2 | Waiting List | M, W | 10:00 - 11:30 | Langager, Graeme |
Choral Conducting
MUSC 313
keyboard_arrow_downThe relation of conducting gestures to choral sound; development of practical skills in directing ensembles and reading scores; attendant issues of vocal technique and pedagogy.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Rehearsal | M, W | 10:00 - 11:30 | Jun, Hyejung | ||||
| 1W4 | 2 | Waiting List | M, W | 10:00 - 11:30 | Jun, Hyejung |
Choral Conducting
MUSC 313
keyboard_arrow_downThe relation of conducting gestures to choral sound; development of practical skills in directing ensembles and reading scores; attendant issues of vocal technique and pedagogy. Prerequisite: MUSC 311.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | In-Person | Workshop | M, W | 10:00 - 11:30 | Jun, Hyejung |
Choral Conducting
MUSC 313
keyboard_arrow_downThe relation of conducting gestures to choral sound; development of practical skills in directing ensembles and reading scores; attendant issues of vocal technique and pedagogy. Prerequisite: MUSC_V 311.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | In-Person | Workshop | M, W | 10:00 - 11:30 | Jun, Hyejung | Public NotesConducting courses MUSC 311, MUSC 312, and MUSC 313 are required for BMUS students majoring in GSEM, GSSM, and COMP. |
Electroacoustic Music - ELECTROAC MUSIC
MUSC 319A
keyboard_arrow_downStudy of acoustics, audio technology, and electroacoustic composition. Composition of original works using the UBC Electroacoustic Music Studio or students' own software/hardware.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Lecture | M, W, F | 14:00 - 15:00 | Garbet, Brian |
Electroacoustic Music - ELECTROAC MUSIC
MUSC 319A
keyboard_arrow_downStudy of acoustics, audio technology, and electroacoustic composition. Composition of original works using the UBC Electroacoustic Music Studio or students' own software/hardware.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Lecture | M, W, F | 14:00 - 15:00 | Multiple instructors | InstructorsGarbet, Brian | Pritchard, Robert | |||
| 002 | 1 | Lecture | M, W, F | 11:00 - 12:00 | Multiple instructors | InstructorsGarbet, Brian | Pritchard, Robert |
Electroacoustic Music - ELECTROAC MUSIC
MUSC 319A
keyboard_arrow_downStudy of acoustics, audio technology, and electroacoustic composition. Composition of original works using the UBC Electroacoustic Music Studio or students' own software/hardware.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Lecture | M, W, F | 14:00 - 15:00 | Pritchard, Robert |
Electroacoustic Music - Introduction to Electroacoustic Music
MUSC 319A
keyboard_arrow_downStudy of acoustics, audio technology, and electroacoustic composition. Composition of original works using the UBC Electroacoustic Music Studio or students' own software/hardware. Prerequisite: MUSC 119 and one of MUSC 100, MUSC 103. Permission of instructor is also required.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_002 | 1 | In-Person | Lecture | M, W, F | 11:00 - 12:00 | Howie, Will | |||
| A_001 | 1 | In-Person | Lecture | M, W, F | 10:00 - 11:00 | Howie, Will |
Electroacoustic Music - Introduction to Electroacoustic Music
MUSC 319A
keyboard_arrow_downStudy of acoustics, audio technology, and electroacoustic composition. Composition of original works using the UBC Electroacoustic Music Studio or students' own software/hardware. Prerequisite: MUSC 119 and one of MUSC 100, MUSC 103. Permission of instructor is also required.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Lecture | M, W, F | 10:00 - 11:00 | Howie, Will | Public NotesPrerequisite: MUSC 119 and one of MUSC 100 or MUSC 103. No permission from instructor is required, so please register directly into the course or waitlist. |
Computer Music
MUSC 320
keyboard_arrow_downThe study of computer applications to music, focusing on digital synthesis techniques and languages, methods of algorithmic composition, and the design of music editors.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Lecture-Laboratory | M, W, F | 14:00 - 15:00 | Hamel, Keith |
Computer Music
MUSC 320
keyboard_arrow_downThe study of computer applications to music, focusing on digital synthesis techniques and languages, methods of algorithmic composition, and the design of music editors.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Lecture-Laboratory | M, W, F | 14:00 - 15:00 | Hamel, Keith |
Computer Music
MUSC 320
keyboard_arrow_downThe study of computer applications to music, focusing on digital synthesis techniques and languages, methods of algorithmic composition, and the design of music editors.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Lecture-Laboratory | M, W, F | 14:00 - 15:00 | Hamel, Keith |
Computer Music
MUSC 320
keyboard_arrow_downThe study of computer applications to music, focusing on digital synthesis techniques and languages, methods of algorithmic composition, and the design of music editors. Prerequisite: [MUSC319] or permission of instructor.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | In-Person | Lecture | M, W, F | 14:00 - 15:00 | Hamel, Keith |
Computer Music
MUSC 320
keyboard_arrow_downThe study of computer applications to music, focusing on digital synthesis techniques and languages, methods of algorithmic composition, and the design of music editors. Prerequisite: [MUSC319] or permission of instructor.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | In-Person | Lecture | W, F | 10:00 - 11:30 | Public NotesNo permission from instructor is required, so please register directly into the course or waitlist. |
History of Popular Music
MUSC 323
keyboard_arrow_downGenres of popular music from 1950 to the present and their changing aesthetic, social, cultural, and historical dimensions. Prior experience with music notation and terminology is not required. This course is not acceptable for credit toward the B.Mus., or toward the B.A. major, honours, or minor in Music.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Lecture | T, Th | 9:30 - 11:00 | Metzer, David | ||||
| 1W1 | 1 | Waiting List | T, Th | 9:30 - 11:00 | Metzer, David |
History of Popular Music
MUSC 323
keyboard_arrow_downGenres of popular music from 1950 to the present and their changing aesthetic, social, cultural, and historical dimensions. Prior experience with music notation and terminology is not required. This course is not acceptable for credit toward the B.Mus., or toward the B.A. major, honours, or minor in Music.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Lecture | T, Th | 9:30 - 11:00 | Metzer, David | ||||
| 1W1 | 1 | Waiting List | T, Th | Metzer, David |
History of Popular Music
MUSC 323
keyboard_arrow_downGenres of popular music from 1950 to the present and their changing aesthetic, social, cultural, and historical dimensions. Prior experience with music notation and terminology is not required. This course is not acceptable for credit toward the B.Mus., or toward the B.A. major, honours, or minor in Music.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Lecture | T, Th | 9:30 - 11:00 | Komaniecki, Robert | ||||
| 1W1 | 1 | Waiting List | T, Th | 9:30 - 11:00 | Komaniecki, Robert |
History of Popular Music
MUSC 323
keyboard_arrow_downGenres of popular music from 1950 to the present and their changing aesthetic, social, cultural, and historical dimensions. Prior experience with music notation and terminology is not required. This course is not acceptable for credit toward the B.Mus., or toward the B.A. major, honours, or minor in Music.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Lecture | T, Th | 09:30 - 11:00 | Komaniecki, Robert |
History of Popular Music
MUSC 323
keyboard_arrow_downGenres of popular music from 1950 to the present and their changing aesthetic, social, cultural, and historical dimensions. Prior experience with music notation and terminology is not required. This course is not acceptable for credit toward the B.Mus., or toward the B.A. major, honours, or minor in Music.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Lecture | T, Th | 09:30 - 11:00 | Metzer, David | Public NotesThis is a course intended to increase students’ knowledge of popular music history, most particularly in North America from approximately 1900-present. In this course, students will learn not only of significant artists, bands, movements, genres, labels, etc., but also of music analysis. At the end of the course, students should be able to discuss with some fluency the social, political, cultural, and musical forces that have resulted in the current-day popular music landscape. Throughout the course, students will also learn some information about musical instruments, music production software, basic music theory, and other relevant concepts. Students are not required to have a musical background. All musical concepts will be introduced in class. This course cannot count towards the BMUS or the BA Major or Minor in Music. |
Music Appreciation - MUSIC APPRECIATN
MUSC 326A
keyboard_arrow_downAn introductory course for which previous musical background is helpful, but not required. Contents include a discussion of musical concepts, evolution of forms, style, and media and detailed study of selected works from the concert repertoire. Popular forms of music (jazz, folk, rock, etc) not included. Not for credit towards the B.Mus. or B.A. in Music.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Lecture | M, W, F | 13:00 - 14:00 | Konoval, Michael Brandon | ||||
| 1W1 | 2 | Waiting List | M, W, F | 13:00 - 14:00 | Konoval, Michael Brandon |
Music Appreciation - MUSIC APPRECIATN
MUSC 326A
keyboard_arrow_downAn introductory course for which previous musical background is helpful, but not required. Contents include a discussion of musical concepts, evolution of forms, style, and media and detailed study of selected works from the concert repertoire. Popular forms of music (jazz, folk, rock, etc) not included. Not for credit towards the B.Mus. or B.A. in Music.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Lecture | M, W, F | 13:00 - 14:00 | Konoval, Michael Brandon |
Music Appreciation - MUSIC APPRECIATN
MUSC 326A
keyboard_arrow_downAn introductory course for which previous musical background is helpful, but not required. Contents include a discussion of musical concepts, evolution of forms, style, and media and detailed study of selected works from the concert repertoire. Popular forms of music (jazz, folk, rock, etc) not included. Not for credit towards the B.Mus. or B.A. in Music.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Lecture | T, Th | 13:00 - 14:30 | Metzer, David | ||||
| 1W1 | 2 | Waiting List | T, Th | 13:00 - 14:30 | Metzer, David |
Music Appreciation - MUSIC APPRECIATN
MUSC 326A
keyboard_arrow_downAn introductory course for which previous musical background is helpful, but not required. Contents include a discussion of musical concepts, evolution of forms, style, and media and detailed study of selected works from the concert repertoire. Popular forms of music (jazz, folk, rock, etc) not included. Not for credit towards the B.Mus. or B.A. in Music.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 2 | In-Person | Lecture | T, Th | 13:00 - 14:30 | Konoval, Michael Brandon |
Music Appreciation - Music Appreciation
MUSC 326A
keyboard_arrow_downAn introductory course for which previous musical background is helpful, but not required. Contents include a discussion of musical concepts, evolution of forms, style, and media and detailed study of selected works from the concert repertoire. Popular forms of music (jazz, folk, rock, etc) not included. Not for credit towards the B.Mus. or B.A. in Music.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 2 | In-Person | Lecture | T, Th | 13:00 - 14:30 | Konoval, Michael Brandon | Public NotesFor Non-MUSC Majors. This course cannot count towards the BMUS or the BA Major or Minor in Music. |
Music Appreciation - Video Game Music (Non-Majors)
MUSC 326B
keyboard_arrow_downAn introductory course for which previous musical background is helpful, but not required. Contents include a discussion of musical concepts, evolution of forms, style, and media and detailed study of selected works from the concert repertoire. Popular forms of music (jazz, folk, rock, etc) not included. Not for credit towards the B.Mus. or B.A. in Music.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| B_001 | 2 | Lecture | M, W | 10:00 - 11:30 | Komaniecki, Robert |
Music Appreciation - Video Game Music (Non-Majors)
MUSC 326B
keyboard_arrow_downAn introductory course for which previous musical background is helpful, but not required. Contents include a discussion of musical concepts, evolution of forms, style, and media and detailed study of selected works from the concert repertoire. Popular forms of music (jazz, folk, rock, etc) not included. Not for credit towards the B.Mus. or B.A. in Music.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| B_001 | 2 | In-Person | Lecture | M, W | 10:00 - 11:30 | Komaniecki, Robert | Public NotesThis course is intended to increase not only students' knowledge of the various technological and creative factors involved in crafting music for video games, but also their ability to engage with the emerging field of ludomusicology—the study of video game music. Students will complete weekly readings, essays, and gameplay assignments aimed at deepening their engagement with music from various eras of video gaming. They will also be tasked with understanding many of the technological challenges and opportunities presented to early video game composers by the limitations of the hardware |
Cantonese Music
MUSC 327
keyboard_arrow_downA history of musical genres with Cantonese lyrics from the nineteenth century to the present. Topics include music and text relationships, major singers, major genres (narrative songs, Cantonese opera, Cantopop).
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Seminar | T, Th | 12:30 - 14:00 | Law, Sin Yan Hedy |
World Music Cultures - INTRO/WORLD MUSC
MUSC 328E
keyboard_arrow_downIntroduction to the principles of ethnomusicology and an examination of at least two contrasting musical traditions. May be repeated once for credit if different traditions are covered.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Seminar | T, Th | 9:30 - 11:00 | Peiris, Eshantha |
World Music Cultures - INTRO/WORLD MUSC
MUSC 328E
keyboard_arrow_downIntroduction to the principles of ethnomusicology and an examination of at least two contrasting musical traditions. May be repeated once for credit if different traditions are covered.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Seminar | T, Th | 9:30 - 11:00 | Gbolonyo, Justice |
World Music Cultures - INTRO/WORLD MUSC
MUSC 328E
keyboard_arrow_downIntroduction to the principles of ethnomusicology and an examination of at least two contrasting musical traditions. May be repeated once for credit if different traditions are covered.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Seminar | T, Th | 9:30 - 11:00 | Gbolonyo, Justice |
World Music Cultures - INTRO/WORLD MUSC
MUSC 328E
keyboard_arrow_downIntroduction to the principles of ethnomusicology and an examination of at least two contrasting musical traditions. May be repeated once for credit if different traditions are covered.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| E_001 | 1 | In-Person | Lecture | T, Th | 09:30 - 11:00 | Gbolonyo, Justice |
World Music Cultures - World Music Cultures
MUSC 328E
keyboard_arrow_downIntroduction to the principles of ethnomusicology and an examination of at least two contrasting musical traditions. May be repeated once for credit if different traditions are covered.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| E_001 | 1 | In-Person | Lecture | T, Th | 09:30 - 11:00 | Gbolonyo, Justice | Public NotesThis course introduces students to the music cultures of the world with emphasis on the similarities and differences in performance practices associated with each geo-cultural location. The course is a survey of the different music traditions of the world, in which music is explored as an expression of cultural identity and as an aesthetic experience. It is a flexible exploration of music in terms of its cultural, aesthetic, political, and economic dimensions - all concerns of Ethnomusicology. It employs a performance and functional approach to studying the diversity and contexts of different musical traditions focusing on topical issues including politics, performance, gender, ethnicity, and religion. The geo-cultural areas to be studied include Africa (Ghana. Mali, Zimbabwe), The Americas (Native North, Central and South America), Europe, and Asia (India and Indonesia). Musical genres include, but are not limited to, folk, court, ritual, popular, art/classical, and narrative traditions from selected music cultures of the above geo-cultural areas. The course intends to develop an understanding for a variety of music in the world through lectures, lecture demonstration and discussion, audio-visual presentations, workshops, and if possible, live performances. This course is open to all students, and may be taken for credit toward the B.Mus. and the B.A. in Music. |
Accompanying on the Harpsichord I
MUSC 333
keyboard_arrow_downBasic techniques and styles of continuo playing. Open to keyboard players with no previous harpsichord experience.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Lecture | M | 10:30 - 12:00 | Weimann, Alexander |
Accompanying on the Harpsichord I
MUSC 333
keyboard_arrow_downBasic techniques and styles of continuo playing. Open to keyboard players with no previous harpsichord experience.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Lecture | M | 10:30 - 12:00 | Weimann, Alexander |
Accompanying on the Harpsichord I
MUSC 333
keyboard_arrow_downBasic techniques and styles of continuo playing. Open to keyboard players with no previous harpsichord experience.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Lecture | M | 10:30 - 12:00 | Weimann, Alexander |
Accompanying on the Harpsichord I
MUSC 333
keyboard_arrow_downBasic techniques and styles of continuo playing. Open to keyboard players with no previous harpsichord experience.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Workshop | M | 10:30 - 12:00 | Weimann, Alexander |
Accompanying on the Harpsichord I
MUSC 333
keyboard_arrow_downBasic techniques and styles of continuo playing. Open to keyboard players with no previous harpsichord experience.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Workshop | M | 10:30 - 12:00 | Weimann, Alexander | Public NotesRestricted to BMUS students. Final approval of enrolment is subject to approval of instructor, Head of the Keyboard Division, and the Director. For questions about this course, students are welcome to contact Keyboard Division Head Mark Anderson or Professor Alexander Weimann. https://music.ubc.ca/people/ Please join the waitlist, and reach out to music.advisor@ubc.ca for details on steps to register. |
Opera Theatre Techniques I
MUSC 336
keyboard_arrow_downPerformance techniques associated with the musical theatre of various historical periods. Basic dance. Most operatic excerpts will be in English.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Lecture | M, W | 13:00 - 15:00 | Hermiston, Nancy Jane |
Opera Theatre Techniques I
MUSC 336
keyboard_arrow_downPerformance techniques associated with the musical theatre of various historical periods. Basic dance. Most operatic excerpts will be in English.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Lecture | M, W | 13:00 - 15:00 | Hermiston, Nancy Jane |
Opera Theatre Techniques I
MUSC 336
keyboard_arrow_downPerformance techniques associated with the musical theatre of various historical periods. Basic dance. Most operatic excerpts will be in English.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Lecture | M, W | 13:00 - 15:00 | Hermiston, Nancy Jane |
Opera Theatre Techniques I
MUSC 336
keyboard_arrow_downPerformance techniques associated with the musical theatre of various historical periods. Basic dance. Most operatic excerpts will be in English.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Recitation | M, W | 13:00 - 15:00 | Hermiston, Nancy Jane |
Opera Theatre Techniques I
MUSC 336
keyboard_arrow_downPerformance techniques associated with the musical theatre of various historical periods. Basic dance. Most operatic excerpts will be in English.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Recitation | M, W | 13:00 - 15:00 | Hermiston, Nancy Jane | Public NotesRestricted to BMUS. All others should contact Prof. Nancy Hermiston for permission to register (nancy.hermiston@ubc.ca). |
Opera Workshop I - OPERA WORKSHOP 1
MUSC 339C
keyboard_arrow_downParticipation in performances by the School. Open also to students outside Music without credit, after audition.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details | ||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Studio | M, T, W, Th | 12:00 - 15:30 | Hermiston, Nancy Jane |
|
Opera Workshop I - OPERA WORKSHOP 1
MUSC 339C
keyboard_arrow_downParticipation in performances by the School. Open also to students outside Music without credit, after audition.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details | ||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Studio | M, T, W, Th | 12:00 - 15:30 | Hermiston, Nancy Jane |
|
Opera Workshop I - OPERA WORKSHOP 1
MUSC 339C
keyboard_arrow_downParticipation in performances by the School. Open also to students outside Music without credit, after audition.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details | ||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Studio | M, T, W, Th | 12:00 - 15:30 | Multiple instructors | InstructorsGrant, Andrea | Hermiston, Nancy Jane
|
Opera Workshop I - OPERA WORKSHOP 1
MUSC 339C
keyboard_arrow_downParticipation in performances by the School. Open also to students outside Music without credit, after audition.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details | |||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| C_001 | 1-2 | In-Person | Workshop | M, T, W | 16:00 - 19:00 | Multiple instructors | InstructorsGrant, Andrea | Hermiston, Nancy Jane
|
Opera Workshop I - Opera Workshop I
MUSC 339C
keyboard_arrow_downParticipation in performances by the School. Open also to students outside Music without credit, after audition.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details | ||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| C_001 | 1-2 | In-Person | Workshop | M, T, W, Th | 16:00 - 19:00 | Multiple instructors | Public NotesRestricted to BMUS. All others should contact Prof. Nancy Hermiston for permission to register (nancy.hermiston@ubc.ca). InstructorsGrant, Andrea | Hermiston, Nancy Jane
|
Piano Pedagogy I: Theory and Studio Management
MUSC 340
keyboard_arrow_downBasic principles of teaching piano. Business aspects of establishing and maintaining a music studio. For Piano Performance majors; open to other Bachelor of Music students by permission of the instructor.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Lecture-Laboratory | Th | 13:00 - 14:30 | Anderson, Leonard |
Piano Pedagogy I: Theory and Studio Management
MUSC 340
keyboard_arrow_downBasic principles of teaching piano. Business aspects of establishing and maintaining a music studio. For Piano Performance majors; open to other Bachelor of Music students by permission of the instructor.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Lecture | Th | 13:00 - 14:30 | Anderson, L. Mark |
Keyboard Harmony and Transposition
MUSC 349
keyboard_arrow_downDesigned for the keyboard performance major and keyboard concentrator in General Studies.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Laboratory | T | 13:00 - 14:00 | Hoy, Patricia |
Keyboard Harmony and Transposition
MUSC 349
keyboard_arrow_downDesigned for the keyboard performance major and keyboard concentrator in General Studies.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Laboratory | T | 13:00 - 14:00 | Hoy, Patricia |
Keyboard Harmony and Transposition
MUSC 349
keyboard_arrow_downDesigned for the keyboard performance major and keyboard concentrator in General Studies.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Laboratory | T | 13:00 - 14:00 | Hoy, Patricia |
Keyboard Harmony and Transposition
MUSC 349
keyboard_arrow_downDesigned for the keyboard performance major and keyboard concentrator in General Studies.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Workshop | T | 13:00 - 14:00 | Wong, Lucas |
Keyboard Harmony and Transposition
MUSC 349
keyboard_arrow_downDesigned for the keyboard performance major and keyboard concentrator in General Studies.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Workshop | Th | 11:00 - 12:00 | Wong, Lucas | Public NotesDesigned for undergraduate keyboard majors; applying keyboard harmony to transposition and improvisation, with or without a score, across multiple genres of music. BMUS keyboard concentrators should join the waitlist, and request support with registration (music.advisor@ubc.ca) |
Large Instrumental Ensemble (Upper Years) - Large Instrumental Ensemble (Upper Years)
MUSC 350A
keyboard_arrow_downSymphony Orchestra, Symphonic Wind Ensemble, or Concert Winds. May be taken twice for credit. Open to students by audition, with credit, as stipulated by their faculties. Restricted to students with 3rd year standing or above. This course is not eligible for Credit/D/Fail grading. Prerequisite: MUSC 150.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_003 | 1 | In-Person | Recitation | T, Th | 16:00 - 19:00 | Girard, Jonathan | |||
| A_004 | 1 | In-Person | Recitation | M, W | 15:00 - 18:00 | Multiple instructors | InstructorsGirard, Jonathan | Maclennan, Scott |
Large Instrumental Ensemble (Upper Years) - Symphony Orchestra
MUSC 350A
keyboard_arrow_downSymphony Orchestra, Symphonic Wind Ensemble, or Concert Winds. May be taken twice for credit. Open to students by audition, with credit, as stipulated by their faculties. Restricted to students with 3rd year standing or above. This course is not eligible for Credit/D/Fail grading. Prerequisite: MUSC 150.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Recitation | T, Th | 16:00 - 19:00 | Girard, Jonathan | Public NotesLarge Instrumental Ensemble - UBC Symphony Orchestra Open only to 3rd and 4th year undergraduate students (see MUSC 150A for 1st and 2nd year registration; 550A for graduate registration). ENSURE YOU'RE REGISTERED IN THE APPROPRIATE COURSE:
May be repeated for credit. Open to other students by audition, with credit, as stipulated by their faculties. While every effort is made to place students in appropriate ensembles based upon audition results, those taking this course as an elective are advised to have an alternate course ready in the unlikely case where an ensemble placement is not available. Entrance by audition each September. For more info: http://music.ubc.ca/student-ensembles IMPORTANT: Consent to Use Image or Recording
|
Large Instrumental Ensemble (Upper Years) - Symphonic Winds Ensemble
MUSC 350B
keyboard_arrow_downSymphony Orchestra, Symphonic Wind Ensemble, or Concert Winds. May be taken twice for credit. Open to students by audition, with credit, as stipulated by their faculties. Restricted to students with 3rd year standing or above. This course is not eligible for Credit/D/Fail grading. Prerequisite: MUSC 150.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details | |||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| B_001 | 1 | In-Person | Recitation | M, T, W, Th | 16:00 - 19:00 | Public NotesLarge Instrumental Ensemble - UBC Symphonic Winds Ensemble Open only to 3rd and 4th year undergraduate students (see MUSC 150B for 1st and 2nd year registration; 550B for graduate registration). ENSURE YOU'RE REGISTERED IN THE APPROPRIATE COURSE:
May be repeated for credit. Open to other students by audition, with credit, as stipulated by their faculties. While every effort is made to place students in appropriate ensembles based upon audition results, those taking this course as an elective are advised to have an alternate course ready in the unlikely case where an ensemble placement is not available. Entrance by audition each September. For more info: http://music.ubc.ca/student-ensembles IMPORTANT: Consent to Use Image or Recording
|
Large Instrumental Ensemble (Upper Years) - Large Instrumental Ensemble (Upper Years)
MUSC 350C
keyboard_arrow_downSymphony Orchestra, Symphonic Wind Ensemble, or Concert Winds. May be taken twice for credit. Open to students by audition, with credit, as stipulated by their faculties. Restricted to students with 3rd year standing or above. This course is not eligible for Credit/D/Fail grading. Prerequisite: MUSC 150.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| C_001 | 1 | In-Person | Recitation | M, W | 18:00 - 20:00 | Chen, Meijun |
Large Instrumental Ensemble (Upper Years) - Concert Winds
MUSC 350C
keyboard_arrow_downSymphony Orchestra, Symphonic Wind Ensemble, or Concert Winds. May be taken twice for credit. Open to students by audition, with credit, as stipulated by their faculties. Restricted to students with 3rd year standing or above. This course is not eligible for Credit/D/Fail grading. Prerequisite: MUSC 150.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| C_001 | 1 | In-Person | Recitation | M, W | 18:00 - 20:00 | Chen, Meijun | Public NotesLarge Instrumental Ensemble - UBC Concert Winds IMPORTANT: Consent to Use Image or Recording
|
History of Medieval Music
MUSC 352
keyboard_arrow_downSacred and secular music, vocal and instrumental. Prerequisite: All of MUSC 120, MUSC 121.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | In-Person | Lecture | M, W | 09:30 - 11:00 | Fisher, Alexander | Public NotesMUSC 352 offers a survey of Western European music during the Middle Ages, from late Antiquity through the beginning of the fifteenth century. Sacred, secular, and instrumental repertories will be studied, with due attention to the relative roles of written and oral traditions. While the course will provide a broad framework for understanding general developments in musical style, selected compositions will also be examined in greater depth. In addition to a midterm and a final examination, students will complete a research paper relating to Medieval music. The textbook for MUSC 352 will be Margot Fassler, Music in the Medieval West, with its accompanying anthology, Anthology for Music in the Medieval West (New York: Norton, 2014). Students MUST be prepared to bring the anthology to each class. Interested students without the listed pre-requiste courses may contact the instructor to request permission to register. |
History of Renaissance Music
MUSC 353
keyboard_arrow_downSacred and secular music, vocal and instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Lecture | M, W | 9:30 - 11:00 | Fisher, Alexander John |
History of Renaissance Music
MUSC 353
keyboard_arrow_downSacred and secular music, vocal and instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Lecture | M, W | 9:30 - 11:00 | Fisher, Alexander John |
Baroque Music
MUSC 354
keyboard_arrow_downPrerequisite: MUSC 121.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | In-Person | Lecture | M, W | 11:00 - 12:30 | Fisher, Alexander |
Romantic Music
MUSC 356
keyboard_arrow_down
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Lecture | T, Th | 9:30 - 11:00 | Vellutini, Claudio |
Romantic Music
MUSC 356
keyboard_arrow_downPrerequisite: MUSC 220.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | In-Person | Lecture | T, Th | 09:30 - 11:00 | Vellutini, Claudio | Public NotesThis course provides an in-depth exploration of different manifestations of Romantic aesthetics in a variety of musical genres from nineteenth-century Europe. We will pay particular attention to how these manifestations relate to the social and ideological conditions that favoured the continuation of some genres (opera, the symphony) and the creation of new ones (the Lied, piano character pieces, etc.) Extensive analysis combined with reading of primary sources and scholarly literature (ca. 50-70 pages weekly) will be a major component of this class. This course will be run as a seminar, and includes substantial discussion sessions on assigned repertory and readings. |
History of Music Since 1900
MUSC 357
keyboard_arrow_down
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Lecture | T, Th | 11:00 - 12:30 | Metzer, David |
History of Jazz
MUSC 358
keyboard_arrow_downJazz styles and their cultural contexts; the relationship of performers and audiences; issues of race and gender; non-Western influences.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Lecture | T, Th | 11:00 - 12:30 | Metzer, David | ||||
| 1W1 | 1 | Waiting List | T, Th | Metzer, David |
History of Jazz
MUSC 358
keyboard_arrow_downJazz styles and their cultural contexts; the relationship of performers and audiences; issues of race and gender; non-Western influences.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Lecture | T, Th | 11:00 - 12:30 | Metzer, David | ||||
| 1W1 | 1 | Waiting List | T, Th | 11:00 - 12:30 | Metzer, David |
History of Jazz
MUSC 358
keyboard_arrow_downJazz styles and their cultural contexts; the relationship of performers and audiences; issues of race and gender; non-Western influences. Prerequisite: MUSC 221.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Lecture | T, Th | 11:00 - 12:30 | Metzer, David | Public NotesThis course explores musical and cultural developments in the history of jazz from the early 20th century to the present day. It emphasizes issues of race and gender, the place of jazz in the commercial music industry, and the relationship between jazz and other genres. Assignments include presentations, listening quizzes, and essays. |
String Chamber Ensembles (Upper Years) - MUSC_V 360 - String Chamber Ensembles (Upper Years)
MUSC 360A
keyboard_arrow_downMay be taken twice for credit. Open to students by audition, with credit, as stipulated by their faculties. Restricted to students with 3rd year standing or above. This course is not eligible for Credit/D/Fail grading. Prerequisite: MUSC 160.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Recitation | M, W, F | 15:00 - 18:00 | Multiple instructors | InstructorsDavis, Ryan | Wood, Jasper |
String Chamber Ensembles (Upper Years) - String Chamber Ensembles (Upper Years)
MUSC 360A
keyboard_arrow_downMay be taken twice for credit. Open to students by audition, with credit, as stipulated by their faculties. Restricted to students with 3rd year standing or above. Prerequisite: MUSC_V 160.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Recitation | M, W, F | 15:00 - 18:00 | Multiple instructors | Public NotesAll BMUS ORIN Strings students must register in MUSC 360A in their upper years. The course focuses on small ensemble combinations (trios, quartets, etc.) which will be formed in September. A regular coaching time will then be assigned to each small ensemble during the indicated hours. Each ensemble should also schedule regular rehearsal time(s) during these hours. For 3rd and 4th year undergraduates (see MUSC 160A for 1st and 2nd year registration; 560A for graduate registration). OPEN TO NON-MUSIC STUDENTS: How do I register for ensembles? For most ensembles an audition is required to secure your place. During the audition you play or sing a prepared piece for the conductor. Auditions for ensembles take place at the beginning of each academic year. https://music.ubc.ca/about/student-ensembles/ InstructorsDavis, Ryan | Wood, Jasper |
String Chamber Ensembles (Upper Years) - MUSC_V 360 - String Chamber Ensembles (Upper Years)
MUSC 360E
keyboard_arrow_downMay be taken twice for credit. Open to students by audition, with credit, as stipulated by their faculties. Restricted to students with 3rd year standing or above. This course is not eligible for Credit/D/Fail grading. Prerequisite: MUSC 160.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| E_001 | 1 | In-Person | Recitation | T | 15:00 - 17:00 | Pearson, Alec |
String Chamber Ensembles (Upper Years) - Guitar Chamber Ensemble
MUSC 360E
keyboard_arrow_downMay be taken twice for credit. Open to students by audition, with credit, as stipulated by their faculties. Restricted to students with 3rd year standing or above. Prerequisite: MUSC_V 160.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| E_001 | 1 | In-Person | Recitation | T | 15:00 - 17:00 | Pearson, Alec | Public NotesFor 3rd and 4th year undergraduates (see MUSC 160E for 1st and 2nd year registration; 560E for graduate registration). OPEN TO NON-MUSIC STUDENTS: How do I register for ensembles? For most ensembles an audition is required to secure your place. During the audition you play or sing a prepared piece for the conductor. Auditions for ensembles take place at the beginning of each academic year. https://music.ubc.ca/about/student-ensembles/ |
Piano Chamber Ensembles (Upper Years) - PIANO CHAM ENSEM
MUSC 361A
keyboard_arrow_downMay be taken twice for credit. Open to other students by audition, with credit, as stipulated by their faculties. Restricted to students with 3rd year standing or above. Prerequisite: MUSC 161.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Lecture | M, W | 15:00 - 18:00 | Multiple instructors | InstructorsChan, Amanda | Sharon, Rena | Weng, Wayne | Wilkins, Miranda Ting Wai Wong | Wong, Lucas |
Piano Chamber Ensembles (Upper Years) - Piano Chamber Ensemble
MUSC 361A
keyboard_arrow_downMay be taken twice for credit. Open to other students by audition, with credit, as stipulated by their faculties. Restricted to students with 3rd year standing or above. Prerequisite: MUSC 161.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Lecture | M, W | 15:00 - 18:00 | Multiple instructors | Public NotesBMUS PIAN students register in MUSC 361A in their upper years. For 3rd and 4th year undergraduates (see MUSC 161A for 1st and 2nd year registration). Applied Performance studies in small chamber music ensembles for piano and other instruments. This course is required for PIAN majors in 3rd and 4th year. Groups will be formed in September by course coordinator, and coaching times will then be assigned during the hours indicated on this schedule. Please keep as many of those specified hours open for 361 as possible in your personal course schedule. In addition to coachings, each ensemble should also schedule regular rehearsal time(s) during these hours. Students registered in MUSC 361A who also wish to register in MUSC 457 (Early Music Ensembles) or MUSC 463 (Contemporary Players) may do so, but will need to contact the Music Advisor (music.advisor@ubc.ca) for a registration override. Students seeking additional chamber ensemble credit may be able to add a separate course number (369) in September, pending approval from the Division. Permission to enroll is not guaranteed for BMUS General Music students with a concentration in Piano. General Music piano concentrators generally take applied Chamber Music only once. However, if they have obtained a minimum grade of 88 in MUSC 161 they may apply for a second year of piano chamber studies. InstructorsWeng, Wayne | Wong, Lucas |
Wind and Percussion Chamber Ensembles (Upper Years) - WIND CHAMB ENS
MUSC 362A
keyboard_arrow_downMay be taken twice for credit. Open to students by audition, with credit, as stipulated by their faculties. Restricted to students with 3rd year standing or above. Prerequisite: MUSC 162.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | In-Person | Recitation | Multiple instructors | InstructorsBortolussi, Paolo | Franch Ballester, Jose |
Wind and Percussion Chamber Ensembles (Upper Years) - Wind Chamber Ensemble
MUSC 362A
keyboard_arrow_downMay be taken twice for credit. Open to students by audition, with credit, as stipulated by their faculties. Restricted to students with 3rd year standing or above. Prerequisite: MUSC 162.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | In-Person | Recitation | Multiple instructors | Public NotesWind Chamber Ensembles Open only to 3rd and 4th year students (see MUSC 162A for 1st and 2nd year registration) OPEN TO NON-MUSIC STUDENTS: How do I register for ensembles? For most ensembles an audition is required to secure your place. During the audition you play or sing a prepared piece for the conductor. Auditions for ensembles take place at the beginning of each academic year. https://music.ubc.ca/about/student-ensembles/ InstructorsBortolussi, Paolo | Franch Ballester, Jose |
Wind and Percussion Chamber Ensembles (Upper Years) - BRASS CHAMB ENS
MUSC 362B
keyboard_arrow_downMay be taken twice for credit. Open to students by audition, with credit, as stipulated by their faculties. Restricted to students with 3rd year standing or above. Prerequisite: MUSC 162.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| B_001 | 1 | In-Person | Recitation | T | 13:00 - 15:00 | Multiple instructors | InstructorsBerkman, Jeremy | Bortolussi, Paolo | Poirier, Andrew |
Wind and Percussion Chamber Ensembles (Upper Years) - Brass Chamber Ensemble
MUSC 362B
keyboard_arrow_downMay be taken twice for credit. Open to students by audition, with credit, as stipulated by their faculties. Restricted to students with 3rd year standing or above. Prerequisite: MUSC 162.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| B_001 | 1 | In-Person | Recitation | T | 13:00 - 15:00 | Whitney, Valerie | Public NotesBrass Chamber Ensembles Open only to 3rd and 4th year students. See MUSC 162B for 1st and 2nd year registration. OPEN TO NON-MUSIC STUDENTS: How do I register for ensembles? For most ensembles an audition is required to secure your place. During the audition you play or sing a prepared piece for the conductor. Auditions for ensembles take place at the beginning of each academic year. https://music.ubc.ca/about/student-ensembles/ |
Wind and Percussion Chamber Ensembles (Upper Years) - WIND CHAM ENS SX
MUSC 362C
keyboard_arrow_downMay be taken twice for credit. Open to students by audition, with credit, as stipulated by their faculties. Restricted to students with 3rd year standing or above. Prerequisite: MUSC 162.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| C_001 | 1 | In-Person | Recitation | F | 15:30 - 17:00 | Nolan, Julia |
Wind and Percussion Chamber Ensembles (Upper Years) - Saxophone Chamber Ensemble
MUSC 362C
keyboard_arrow_downMay be taken twice for credit. Open to students by audition, with credit, as stipulated by their faculties. Restricted to students with 3rd year standing or above. Prerequisite: MUSC 162.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| C_001 | 1 | In-Person | Recitation | F | 15:30 - 17:00 | Nolan, Julia | Public NotesSaxophone Chamber Ensemble Open only to 3rd and 4th year students. See MUSC 162C for 1st and 2nd year registration. OPEN TO NON-MUSIC STUDENTS: How do I register for ensembles? For most ensembles an audition is required to secure your place. During the audition you play or sing a prepared piece for the conductor. Auditions for ensembles take place at the beginning of each academic year. https://music.ubc.ca/about/student-ensembles/ |
Wind and Percussion Chamber Ensembles (Upper Years) - WIND CHAM ENS PC
MUSC 362E
keyboard_arrow_downMay be taken twice for credit. Open to students by audition, with credit, as stipulated by their faculties. Restricted to students with 3rd year standing or above. Prerequisite: MUSC 162.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| E_001 | 1 | In-Person | Recitation | T | 13:00 - 15:30 | Griffiths, Vern |
Wind and Percussion Chamber Ensembles (Upper Years) - Percussion Chamber Ensemble
MUSC 362E
keyboard_arrow_downMay be taken twice for credit. Open to students by audition, with credit, as stipulated by their faculties. Restricted to students with 3rd year standing or above. Prerequisite: MUSC 162.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| E_001 | 1 | In-Person | Recitation | T | 13:00 - 15:30 | Public NotesPercussion Chamber Ensemble. Admission by audition only. Open only to 3rd and 4th year students. See MUSC 162E for 1st and 2nd year registration. OPEN TO NON-MUSIC STUDENTS: How do I register for ensembles? For most ensembles an audition is required to secure your place. During the audition you play or sing a prepared piece for the conductor. Auditions for ensembles take place at the beginning of each academic year. https://music.ubc.ca/about/student-ensembles/ |
Song Repertoire I
MUSC 365
keyboard_arrow_downAn exploration of the solo art song repertoire from 1600 to the Romantic period. Repertoire essential to the performer and teacher will be studied through live and recorded performance with special attention given to poetic content and musical style.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Lecture | F | 14:00 - 15:30 | Grant, Andrea |
Song Repertoire I
MUSC 365
keyboard_arrow_downAn exploration of the solo art song repertoire from 1600 to the Romantic period. Repertoire essential to the performer and teacher will be studied through live and recorded performance with special attention given to poetic content and musical style. Prerequisite: [MUSC221]
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Lecture | F | 14:00 - 15:30 | Grant, Andrea |
University Choral Union (Upper Years) - UBC CHORAL UNION
MUSC 366A
keyboard_arrow_downMay be taken twice for credit. Open to students by audition, with credit, as stipulated by their faculties. Restricted to students with 3rd year standing or above. Prerequisite: MUSC 154.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Recitation | T, Th | 17:00 - 19:00 | Jun, Hyejung |
University Choral Union (Upper Years) - Choral Union
MUSC 366A
keyboard_arrow_downMay be taken twice for credit. Open to students by audition, with credit, as stipulated by their faculties. Restricted to students with 3rd year standing or above. Prerequisite: MUSC 154.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Recitation | T, Th | 17:00 - 19:00 | Jun, Hyejung | Public NotesFor 3rd and 4th year undergraduates (see MUSC 154A for 1st and 2nd year registration; 554A for graduate registration). For most ensembles an audition is required to secure your place. During the audition you play or sing a prepared piece for the conductor. Auditions for ensembles take place at the beginning of each academic year. http://music.ubc.ca/student-ensembles OPEN TO NON-MUSIC STUDENTS: How do I register for ensembles? Please register in the waitlist for the lower-level version of this ensemble. You’ll receive information about the audition process and if you’re admitted, we’ll make sure you’re in the correct ensemble course code. IMPORTANT: Consent to Use Image or Recording
|
Intensive Chamber Ensemble (Upper Years) - Intensive Chamber Ensemble (Lower Years)
MUSC 369A
keyboard_arrow_downIntensive coaching in chamber ensemble for advanced players. Performance of works prepared is expected. May be taken twice for credit. Restricted to students with 3rd year standing or above. Corequisite: One of MUSC 350, MUSC 351, MUSC 359, MUSC 360, MUSC 361, MUSC 362, MUSC 366, MUSC 453, MUSC 456, MUSC 457, MUSC 463, MUSC 466. and permission of the instructor.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_002 | In-Person | Recitation | Multiple instructors | InstructorsHutten, Christina | Weimann, Alexander |
Intensive Chamber Ensemble (Upper Years) - Intensive Chamber Ensemble (Upper Years)
MUSC 369A
keyboard_arrow_downIntensive coaching in chamber ensemble for advanced players. Performance of works prepared is expected. May be taken twice for credit. Restricted to students with 3rd year standing or above. Corequisite: One of MUSC 350, MUSC 351, MUSC 359, MUSC 360, MUSC 361, MUSC 362, MUSC 366, MUSC 453, MUSC 456, MUSC 457, MUSC 463, MUSC 466. and permission of the instructor.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_002 | In-Person | Recitation | |||||||
| A_001 | In-Person | Recitation |
Intensive Chamber Ensemble (Upper Years) - Intensive Chamber Ensemble (Upper Years)
MUSC 369B
keyboard_arrow_downIntensive coaching in chamber ensemble for advanced players. Performance of works prepared is expected. May be taken twice for credit. Restricted to students with 3rd year standing or above. Corequisite: One of MUSC 350, MUSC 351, MUSC 359, MUSC 360, MUSC 361, MUSC 362, MUSC 366, MUSC 453, MUSC 456, MUSC 457, MUSC 463, MUSC 466. and permission of the instructor.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| B_003 | In-Person | Recitation | Berkman, Jeremy |
Intensive Chamber Ensemble (Upper Years) - Intensive Chamber Ensemble (Upper Years)
MUSC 369B
keyboard_arrow_downIntensive coaching in chamber ensemble for advanced players. Performance of works prepared is expected. May be taken twice for credit. Restricted to students with 3rd year standing or above. Corequisite: One of MUSC 350, MUSC 351, MUSC 359, MUSC 360, MUSC 361, MUSC 362, MUSC 366, MUSC 453, MUSC 456, MUSC 457, MUSC 463, MUSC 466. and permission of the instructor.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| B_002 | In-Person | Recitation | |||||||
| B_001 | In-Person | Recitation |
Intensive Chamber Ensemble (Upper Years) - Intensive Chamber Ensemble (Upper Years)
MUSC 369C
keyboard_arrow_downIntensive coaching in chamber ensemble for advanced players. Performance of works prepared is expected. May be taken twice for credit. Restricted to students with 3rd year standing or above. Corequisite: One of MUSC 350, MUSC 351, MUSC 359, MUSC 360, MUSC 361, MUSC 362, MUSC 366, MUSC 453, MUSC 456, MUSC 457, MUSC 463, MUSC 466. and permission of the instructor.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| C_002 | In-Person | Recitation | |||||||
| C_001 | In-Person | Recitation |
Intensive Chamber Ensemble (Upper Years) - Intensive Chamber Ensemble (Upper Years)
MUSC 369D
keyboard_arrow_downIntensive coaching in chamber ensemble for advanced players. Performance of works prepared is expected. May be taken twice for credit. Restricted to students with 3rd year standing or above. Corequisite: One of MUSC 350, MUSC 351, MUSC 359, MUSC 360, MUSC 361, MUSC 362, MUSC 366, MUSC 453, MUSC 456, MUSC 457, MUSC 463, MUSC 466. and permission of the instructor.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| D_002 | In-Person | Recitation | |||||||
| D_001 | In-Person | Recitation |
Music Performance (Secondary) - Keyboard Instrument Private Instruction
MUSC 371A
keyboard_arrow_downPrivate instruction, vocal or instrumental. Prerequisite: One of MUSC 271, MUSC 272, MUSC 281, MUSC 283, MUSC 291, MUSC 292, MUSC 293.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Independent Study | T | 15:30 - 16:30 | Sharon, Rena | Public NotesThis course is for PIAN and GMUS piano students who seek to deepen their understanding and capacities in the realm of sight-reading, applicable for quick-learning, performance collaborations, and teaching skills. Designed as a small group class with individual coachings, it comprises discussion and exploration of the multiple skills engaged when playing piano music at first sight. The class is a supportive and non-competitive environment, blending experiential discoveries of tools and means, reflections on cognitive obstacles, and confidence-building discussions. The weekly sessions build new understanding of piano sight-reading by examining its components separately and combining them with new awareness of its multi-layered process. No pre-req, can be taken in any year. General Studies Piano Concentrators - please contact music.advisor@ubc.ca for registration support. |
Music Performance (Secondary) - SIGHTREADING
MUSC 371S
keyboard_arrow_downPrivate instruction, vocal or instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Lecture | T | 15:30 - 16:30 | Sharon, Rena |
Music Performance (Secondary) - SIGHTREADING
MUSC 371S
keyboard_arrow_downPrivate instruction, vocal or instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Lecture | T | 15:30 - 16:30 | Sharon, Rena |
Music Performance (Secondary) - SIGHTREADING
MUSC 371S
keyboard_arrow_downPrivate instruction, vocal or instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Lecture | T | 15:30 - 16:30 | Sharon, Rena |
Music Performance (Secondary) - Music Performance (Secondary)
MUSC 371S
keyboard_arrow_downPrivate instruction, vocal or instrumental. Prerequisite: One of MUSC 271, MUSC 272, MUSC 281, MUSC 283, MUSC 291, MUSC 292, MUSC 293.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| S_001 | 1 | In-Person | Independent Study | T | 15:30 - 16:30 | Sharon, Rena |
Music Performance (Secondary) - Music Performance (Secondary)
MUSC 372A
keyboard_arrow_downPrivate instruction, vocal or instrumental. Prerequisite: One of MUSC 271, MUSC 272, MUSC 281, MUSC 283, MUSC 291, MUSC 292, MUSC 293.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_700 | Independent Study | Anderson, L. Mark | |||||||
| A_762 | Independent Study | ||||||||
| A_001 | Independent Study |
Music Performance (Concentration) - Music Performance (Concentration)
MUSC 382A
keyboard_arrow_downPrivate instruction, vocal or instrumental. Prerequisite: One of MUSC 271, MUSC 272, MUSC 281, MUSC 283, MUSC 291, MUSC 292, MUSC 293.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_705 | Independent Study | Hamm, Corey | |||||||
| A_700 | Independent Study | Anderson, L. Mark | |||||||
| A_737 | Independent Study | ||||||||
| A_776 | Independent Study | Wilkins, Miranda Ting Wai Wong | |||||||
| A_718 | Independent Study | Szabo, Krisztina | |||||||
| A_762 | Independent Study |
Music Performance (Concentration) - Music Performance (Concentration)
MUSC 382B
keyboard_arrow_downPrivate instruction, vocal or instrumental. Prerequisite: One of MUSC 271, MUSC 272, MUSC 281, MUSC 283, MUSC 291, MUSC 292, MUSC 293.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| B_708 | Independent Study | Raftery, James | |||||||
| B_774 | Independent Study | Throness, Dale |
Music Performance (Concentration) - Music Performance (Concentration)
MUSC 382C
keyboard_arrow_downPrivate instruction, vocal or instrumental. Prerequisite: One of MUSC 271, MUSC 272, MUSC 281, MUSC 283, MUSC 291, MUSC 292, MUSC 293.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| C_712 | Independent Study | ||||||||
| C_703 | Independent Study | Gillham, David |
Music Performance (Concentration) - Music Performance (Concentration)
MUSC 382D
keyboard_arrow_downPrivate instruction, vocal or instrumental. Prerequisite: One of MUSC 271, MUSC 272, MUSC 281, MUSC 283, MUSC 291, MUSC 292, MUSC 293.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| D_766 | Independent Study | ||||||||
| D_726 | Independent Study | ||||||||
| D_756 | Independent Study | ||||||||
| D_739 | Independent Study | ||||||||
| D_745 | Independent Study | Fedoruk, Brenda |
Music Performance (Major) - Music Performance (Major)
MUSC 393B
keyboard_arrow_downPrivate instruction, vocal or instrumental. Prerequisite: One of MUSC 271, MUSC 272, MUSC 281, MUSC 283, MUSC 291, MUSC 292, MUSC 293.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| B_706 | Independent Study | Hermiston, Nancy Jane | |||||||
| B_731 | Independent Study | Barcza, Peter | |||||||
| B_774 | Independent Study | ||||||||
| B_708 | Independent Study | Raftery, James | |||||||
| B_718 | Independent Study | Szabo, Krisztina |
Music Performance (Major) - Music Performance (Major)
MUSC 394A
keyboard_arrow_downPrivate instruction, vocal or instrumental. This course is not eligible for Credit/D/Fail grading. Prerequisite: One of MUSC 271, MUSC 272, MUSC 281, MUSC 283, MUSC 291, MUSC 292, MUSC 293.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_718 | In-Person | Independent Study | Szabo, Krisztina |
Music Performance (Major) - Music Performance (Major)
MUSC 394C
keyboard_arrow_downPrivate instruction, vocal or instrumental. This course is not eligible for Credit/D/Fail grading. Prerequisite: One of MUSC 271, MUSC 272, MUSC 281, MUSC 283, MUSC 291, MUSC 292, MUSC 293.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| C_783 | Independent Study | ||||||||
| C_703 | Independent Study | Gillham, David |
Music Performance (Major) - Music Performance (Major)
MUSC 394D
keyboard_arrow_downPrivate instruction, vocal or instrumental. This course is not eligible for Credit/D/Fail grading. Prerequisite: One of MUSC 271, MUSC 272, MUSC 281, MUSC 283, MUSC 291, MUSC 292, MUSC 293.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| D_768 | Independent Study | ||||||||
| D_750 | Independent Study | ||||||||
| D_761 | Independent Study | Matheson, Alan | |||||||
| D_766 | Independent Study | Nolan, Julia | |||||||
| D_801 | Independent Study | Multiple instructors | InstructorsAnderson, L. Mark | Franch Ballester, Jose |
Music Performance (Major) - GUITAR,ETHN&HIST
MUSC 394E
keyboard_arrow_downPrivate instruction, vocal or instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 795 | 1 | Tutorial | M | 8:00 - 9:00 | Pearson, Alec |
Music Performance (Major) - Music Performance (Major)
MUSC 394E
keyboard_arrow_downPrivate instruction, vocal or instrumental. This course is not eligible for Credit/D/Fail grading. Prerequisite: One of MUSC 271, MUSC 272, MUSC 281, MUSC 283, MUSC 291, MUSC 292, MUSC 293.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| E_795 | Independent Study | Pearson, Alec |
Special Projects - SPECIAL PROJECTS
MUSC 402A
keyboard_arrow_downFor fourth-year students who receive permission of the Director of the School of Music to do advanced studies in their major field.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Directed Studies |
Special Projects - SPECIAL PROJECTS
MUSC 402A
keyboard_arrow_downFor fourth-year students who receive permission of the Director of the School of Music to do advanced studies in their major field.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 951 | 1 | Directed Studies |
Special Projects - SPECIAL PROJECTS
MUSC 402A
keyboard_arrow_downFor fourth-year students who receive permission of the Director of the School of Music to do advanced studies in their major field.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Directed Studies | |||||||
| 002 | 1 | Directed Studies | Vellutini, Claudio | ||||||
| 003 | 1 | Directed Studies | Law, Sin Yan Hedy | ||||||
| 004 | 1 | Directed Studies | |||||||
| 005 | 1 | Directed Studies | Van Handel, Leigh | ||||||
| 006 | 1 | Directed Studies | |||||||
| 007 | 1 | Directed Studies |
Special Projects - SPECIAL PROJECTS
MUSC 402A
keyboard_arrow_downFor fourth-year students who receive permission of the Director of the School of Music to do advanced studies in their major field.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 951 | 1 | Directed Studies |
Special Projects - SPECIAL PROJECTS
MUSC 402A
keyboard_arrow_downFor fourth-year students who receive permission of the Director of the School of Music to do advanced studies in their major field.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Directed Studies |
Special Projects - SPECIAL PROJECTS
MUSC 402B
keyboard_arrow_downFor fourth-year students who receive permission of the Director of the School of Music to do advanced studies in their major field.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 002 | 2 | Directed Studies |
Special Projects - SPECIAL PROJECTS
MUSC 402B
keyboard_arrow_downFor fourth-year students who receive permission of the Director of the School of Music to do advanced studies in their major field.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Directed Studies | Robinson, Dylan | ||||||
| 002 | 2 | Directed Studies | |||||||
| 003 | 1 | Directed Studies |
Special Projects - SPECIAL PROJECTS
MUSC 402B
keyboard_arrow_downFor fourth-year students who receive permission of the Director of the School of Music to do advanced studies in their major field.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 002 | 2 | Directed Studies |
Special Projects - SPECIAL PROJECTS
MUSC 402C
keyboard_arrow_downFor fourth-year students who receive permission of the Director of the School of Music to do advanced studies in their major field.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 003 | 1-2 | Directed Studies |
Special Projects - SPECIAL PROJECTS
MUSC 402C
keyboard_arrow_downFor fourth-year students who receive permission of the Director of the School of Music to do advanced studies in their major field.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 002 | 1-2 | Directed Studies | Hermiston, Nancy Jane | ||||||
| 941 | 1-2 | Directed Studies |
Special Projects - SPECIAL PROJECTS
MUSC 402C
keyboard_arrow_downFor fourth-year students who receive permission of the Director of the School of Music to do advanced studies in their major field.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 003 | 1-2 | Directed Studies |
Special Projects - SPECIAL PROJECTS
MUSC 402C
keyboard_arrow_downFor fourth-year students who receive permission of the Director of the School of Music to do advanced studies in their major field.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 941 | 1-2 | Directed Studies |
Special Projects - SPECIAL PROJECTS
MUSC 402C
keyboard_arrow_downFor fourth-year students who receive permission of the Director of the School of Music to do advanced studies in their major field.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 003 | 1-2 | Directed Studies |
Special Projects - SONGWRITING SEM
MUSC 402D
keyboard_arrow_downFor fourth-year students who receive permission of the Director of the School of Music to do advanced studies in their major field.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Seminar |
Special Projects - SPECIAL PROJECTS
MUSC 402E
keyboard_arrow_downFor fourth-year students who receive permission of the Director of the School of Music to do advanced studies in their major field.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| E_002 | In-Person | Independent Study | Franch Ballester, Jose |
Special Projects - SPECIAL PROJECTS
MUSC 402F
keyboard_arrow_downFor fourth-year students who receive permission of the Director of the School of Music to do advanced studies in their major field.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Project |
Selected Topics in Music - STR-PIAN PRF PRC
MUSC 403A
keyboard_arrow_downSee School of Music schedule for description and prerequisites. Restricted to B. Mus. and B.A. in Music students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details | ||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Seminar | M, T, W | 13:00 - 14:00 | Sharon, Rena |
|
Selected Topics in Music - STR-PIAN PRF PRC
MUSC 403A
keyboard_arrow_downSee School of Music schedule for description and prerequisites. Restricted to B. Mus. and B.A. in Music students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details | ||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Seminar | M, T, W | 13:00 - 14:00 | Sharon, Rena |
|
Selected Topics in Music - STR-PIAN PRF PRC
MUSC 403A
keyboard_arrow_downSee School of Music schedule for description and prerequisites. Restricted to B. Mus. and B.A. in Music students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details | ||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Seminar | M, T, W | 13:00 - 14:00 | Sharon, Rena |
|
Selected Topics in Music - STR-PIAN PRF PRC
MUSC 403A
keyboard_arrow_downSee School of Music schedule for description and prerequisites. Restricted to B. Mus. and B.A. in Music students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details | |||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Seminar | M, T, W | 15:00 - 16:00 | Sharon, Rena |
|
Selected Topics in Music - Interp and Perf; Str/Pian Chamber Music
MUSC 403A
keyboard_arrow_downSee School of Music schedule for description and prerequisites. Restricted to B. Mus. and B.A. in Music students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details | |||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Seminar | M, T, W | 15:00 - 16:00 | Sharon, Rena | Public NotesThis Performance-based Chamber Music course comprises coachings and Group Performance Class in Collaborative Interpretation and Performance Practices in String/Piano Sonatas, Trios, Quartets, and Quintets Repertoire. Through interactive coachings, discussions, and in-class performances, students explore the complex analytical processes, interpersonal skills, artistic practices, and group decisions essential for dynamic interpretive collaboration and powerful co-created performance. Alternating ensemble partners and repertoire are organized by the Class Coordinator. All students attend the weekly two-hour lecture, discussion and ensemble performance class (Tuesdays). As well, they attend alternating one-hour coaching sections (Mondays at 3 pm and/or Wednesdays at 1 pm) as organized by Coordinator. Ensembles will also schedule their own additional rehearsals within those time periods. Students enrolled in this course should not schedule other activities during the Monday and Wednesday coaching hours. Please note: Requests for specific collaborations with additional colleagues may be welcome in some circumstances. This course is blended with MUSC 521D. - 3rd and 4th year BMus PIAN and String Performance majors may enrol with approval of the course instructor and their instrumental teachers. For PIAN majors, completion of MUSC 167 and at least one year of 161A with 90% minimum grade is required. - GMUS Piano 4th year students may contact instructor for permission to register, subject to completion of MUSC 167 and at least one year of 161A with minimum grade of 90, and approvals of course instructor and piano instructor.
|
Selected Topics in Music - GENRE & POP MUSC
MUSC 403B
keyboard_arrow_downSee School of Music schedule for description and prerequisites. Restricted to B. Mus. and B.A. in Music students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Seminar | T | 13:00 - 15:30 | Metzer, David | ||||
| 1W1 | 2 | Waiting List | T | 13:00 - 15:30 | Metzer, David |
Selected Topics in Music - GENRE & POP MUSC
MUSC 403B
keyboard_arrow_downSee School of Music schedule for description and prerequisites. Restricted to B. Mus. and B.A. in Music students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Seminar | T | 13:00 - 15:30 | Metzer, David | ||||
| 1W1 | 2 | Waiting List | T | Metzer, David |
Selected Topics in Music - MUSIC&DISABILITY
MUSC 403B
keyboard_arrow_downSee School of Music schedule for description and prerequisites. Restricted to B. Mus. and B.A. in Music students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Seminar | W | 13:00 - 15:30 | Maler, Anabel | ||||
| 1W1 | 2 | Waiting List | W | 13:00 - 15:30 | Maler, Anabel |
Selected Topics in Music - MUSIC&DISABILITY
MUSC 403B
keyboard_arrow_downSee School of Music schedule for description and prerequisites. Restricted to B. Mus. and B.A. in Music students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| B_001 | 2 | In-Person | Seminar | W | 13:00 - 15:30 | Maler, Anabel |
Selected Topics in Music - World Music Analysis
MUSC 403B
keyboard_arrow_downSee School of Music schedule for description and prerequisites. Restricted to B. Mus. and B.A. in Music students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| B_002 | 1 | In-Person | Seminar | Th | 09:00 - 11:30 | Tenzer, Michael | Public NotesTopic: World Music Analysis With MUSC 533B This course combines cultural, structural-analytical, and comparative approaches to a variety of world music traditions, supported by readings, discussion, and transcription-analysis projects. |
Selected Topics in Music - HIST ELC DNC RAV
MUSC 403C
keyboard_arrow_downSee School of Music schedule for description and prerequisites. Restricted to B. Mus. and B.A. in Music students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Lecture | T, Th | 10:00 - 11:30 | Carrabre, M.gillian |
Selected Topics in Music - GENDER MUSC THRY
MUSC 403C
keyboard_arrow_downSee School of Music schedule for description and prerequisites. Restricted to B. Mus. and B.A. in Music students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Lecture | W | 14:00 - 16:30 | Parsons, Laurel | ||||
| 1W1 | 2 | Waiting List | W | 14:00 - 16:30 | Parsons, Laurel |
Selected Topics in Music - GENDER MUSC THRY
MUSC 403C
keyboard_arrow_downSee School of Music schedule for description and prerequisites. Restricted to B. Mus. and B.A. in Music students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| C_001 | 1 | In-Person | Seminar | T, Th | 13:00 - 14:30 | Poudrier, Eve |
Selected Topics in Music - Experiencing Music: An Introduction to Music Psychology
MUSC 403C
keyboard_arrow_downSee School of Music schedule for description and prerequisites. Restricted to B. Mus. and B.A. in Music students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| C_001 | 1 | In-Person | Seminar | T, Th | 13:00 - 14:30 | Poudrier, Eve | Public NotesTopic: Experiencing Music: An Introduction to Music Psychology With MUSC 533C This course is an introduction to the psychology of music with a special emphasis on the perspective of the practicing musician. Topics covered include: origins and functions of music; basic perceptual mechanisms for musical structures; issues related to music acquisition, performing, and composing music; and the relationship between music, emotion, and well-being. This course is open to undergraduate students of all disciplines. Reading music notation and experience in music making are not necessary, but will enhance your learning experience. |
Selected Topics in Music - PERIODICITY
MUSC 403D
keyboard_arrow_downSee School of Music schedule for description and prerequisites. Restricted to B. Mus. and B.A. in Music students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Seminar | M | 13:00 - 15:30 | Multiple instructors | InstructorsRoeder, John Barlow | Tenzer, Michael | |||
| 1W1 | 1 | Waiting List | M | Multiple instructors | InstructorsRoeder, John Barlow | Tenzer, Michael |
Selected Topics in Music - VIDEO GAME MUSIC
MUSC 403D
keyboard_arrow_downSee School of Music schedule for description and prerequisites. Restricted to B. Mus. and B.A. in Music students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Seminar | T, Th | 9:30 - 11:00 | Komaniecki, Robert |
Selected Topics in Music - VIDEO GAME MUSIC
MUSC 403D
keyboard_arrow_downSee School of Music schedule for description and prerequisites. Restricted to B. Mus. and B.A. in Music students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| D_001 | 1 | In-Person | Seminar | M, W | 10:30 - 12:00 | Komaniecki, Robert |
Selected Topics in Music - Analysis of Video Game Music
MUSC 403D
keyboard_arrow_downSee School of Music schedule for description and prerequisites. Restricted to B. Mus. and B.A. in Music students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| D_001 | 1 | In-Person | Seminar | M, W | 10:30 - 12:00 | Komaniecki, Robert | Public NotesTopic: Analysis of Video Game Music With MUSC 533D This course is intended to increase students’ knowledge of the music of video games, with special consideration paid to the analytical techniques in the growing field of ludomusicology, as well as video game history. At the end of the course, students should demonstrate proficiency in a variety of analytical techniques, and possess knowledge of the craft and technologies that are involved in developing music for games of all eras. Students will also be familiar with musical conventions across various genres of video games, and will be expected to play games, emulated or otherwise, on a regular basis. Open to upper-level BMUS and BA Major/Minor in Music students. Other students should contact instructor for permission to register. |
Selected Topics in Music - MUSIC & GENDER
MUSC 403E
keyboard_arrow_downSee School of Music schedule for description and prerequisites. Restricted to B. Mus. and B.A. in Music students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Seminar | M, W | 10:30 - 12:00 | Law, Sin Yan Hedy |
Selected Topics in Music - MUSIC & GENDER
MUSC 403E
keyboard_arrow_downSee School of Music schedule for description and prerequisites. Restricted to B. Mus. and B.A. in Music students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| E_001 | 1 | In-Person | Seminar | M | 08:00 - 09:30 |
Selected Topics in Music - Introduction to Corpus Studies
MUSC 403E
keyboard_arrow_downSee School of Music schedule for description and prerequisites. Restricted to B. Mus. and B.A. in Music students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| E_001 | 2 | In-Person | Seminar | T | 13:00 - 15:30 | Poudrier, Eve | Public NotesTopic: Introduction to Corpus Studies With MUSC 533E In this course, students will engage in reading, discussion, and practical exercises in computer-assisted analysis, with a focus on the Humdrum Toolkit. The course will begin with a review of current methods and issues in corpus studies as well as available corpora. Students will then be introduced to a variety of tools that enable modern scholars to conduct and disseminate music research in a web-based, open-source environment, such as GitHub and Verovio Humdrum Viewer. As students become more fluent with encoding, they will be invited to engage in a collaborative research project. This course is open to students with music experience, including music majors and minors, and students with a strong interest in digital scholarship. Programming experience is not required. |
Selected Topics in Music - ANLYSIS/FILM MUS
MUSC 403F
keyboard_arrow_downSee School of Music schedule for description and prerequisites. Restricted to B. Mus. and B.A. in Music students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Seminar | M | 13:00 - 15:30 | Parsons, Laurel |
Selected Topics in Music - ANLYSIS/FILM MUS
MUSC 403F
keyboard_arrow_downSee School of Music schedule for description and prerequisites. Restricted to B. Mus. and B.A. in Music students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Seminar | M | 13:00 - 15:30 | Parsons, Laurel | ||||
| 1W1 | 1 | Waiting List | M | 13:00 - 15:30 | Parsons, Laurel |
Selected Topics in Music - ANLYSIS/FILM MUS
MUSC 403F
keyboard_arrow_downSee School of Music schedule for description and prerequisites. Restricted to B. Mus. and B.A. in Music students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| F_001 | 1 | In-Person | Seminar | W | 13:00 - 15:30 | Parsons, Laurel |
Selected Topics in Music - Analysis of Film Music
MUSC 403F
keyboard_arrow_downSee School of Music schedule for description and prerequisites. Restricted to B. Mus. and B.A. in Music students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| F_001 | 1 | In-Person | Seminar | W | 13:00 - 15:30 | Parsons, Laurel | Public NotesTopic: Analysis of Film Music With MUSC 533F Analyzing film music requires attention not only to musical structures in isolation, but their functional and expressive roles within the broader visual and narrative structure of an entire film, television episode, or series. Through reading, attentive viewing, and analytical exercises, students will learn to apply their music-theoretical knowledge, aural skills, and film music-specific methodologies in their exploration of music’s powerful impact on the filmic experience |
Selected Topics in Music - ORAL COMPOSITION
MUSC 403G
keyboard_arrow_downSee School of Music schedule for description and prerequisites. Restricted to B. Mus. and B.A. in Music students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Seminar | W, F | 10:00 - 12:00 | Tenzer, Michael |
Selected Topics in Music - FRNCOPHNE SONG IN NA: SOURCES, IDENTITY&ANLYSIS
MUSC 403G
keyboard_arrow_downSee School of Music schedule for description and prerequisites. Restricted to B. Mus. and B.A. in Music students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| G_001 | 2 | In-Person | Seminar | Th | 13:00 - 15:30 | Poudrier, Eve |
Selected Topics in Music - Francophone Song in North America: Québec
MUSC 403G
keyboard_arrow_downSee School of Music schedule for description and prerequisites. Restricted to B. Mus. and B.A. in Music students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| G_001 | 2 | In-Person | Seminar | Th | 13:00 - 15:30 | Poudrier, Eve | Public NotesTopic: Francophone Song in North America: Chansonniers and Québécois Rock With MUSC 533G This course traces the origin and development of the French diaspora in North America through the poetic songs of the singer-songwriter tradition from the 1950s to today. The influence of rock style on this tradition will be explored through the emergence of the concept album (Jean-Pierre Ferland's Jaune and Harmonium's Les cinq saisons), progressive and popular bands (Offenbach, Harmonium, Beau Dommage, Octobre), and rock opera (Pied-de-poule and Starmania). Students are invited to listen, document, translate, and analyse the features of francophone songs, including poetic texts, vocal style, and musical arrangements in their historical and cultural context. This course is open to students of all disciplines. For non-music students who would like to register: please submit a request through this online form: https://musc.air.arts.ubc.ca/regrequest Reading music notation and experience in music making are not necessary, but will enhance your learning experience. Basic skills in French reading/speaking are strongly encouraged. This course may fulfill requirements in other departments; it is the responsibility of the student to contact their department to seek approval. |
Selected Topics in Music - SYMPHONIC LIT
MUSC 403H
keyboard_arrow_downSee School of Music schedule for description and prerequisites. Restricted to B. Mus. and B.A. in Music students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Seminar | Th | 13:00 - 15:30 | Vellutini, Claudio |
Selected Topics in Music - Symphonic Literature
MUSC 403H
keyboard_arrow_downSee School of Music schedule for description and prerequisites. Restricted to B. Mus. and B.A. in Music students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| H_001 | 1 | In-Person | Seminar | Th | 13:00 - 15:30 | Vellutini, Claudio | Public NotesTopic: Symphonic Literature With MUSC 527H This course provides an introduction to the symphonic repertory from the 18th to the present and its history. We will focus on particular formal and technical features of the most representative works, and address such issues as aesthetics, reception, and historiography. The class format consists of a combination of lecture and discussion on assigned readings. Assignments include in-class repertory tests, weekly reading responses, three short written essays, and a book review (for undergraduate students) or final research paper (for graduate students). Graduate students will also be expected to lead class discussion on a regular basis. |
Selected Topics in Music - MUSIC FAITH & CONFLICT IN REFORMATION
MUSC 403I
keyboard_arrow_downSee School of Music schedule for description and prerequisites. Restricted to B. Mus. and B.A. in Music students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| I_001 | 2 | In-Person | Seminar | T | 13:00 - 15:30 | Fisher, Alexander |
Selected Topics in Music - Queer Music
MUSC 403I
keyboard_arrow_downSee School of Music schedule for description and prerequisites. Restricted to B. Mus. and B.A. in Music students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| I_001 | 2 | In-Person | Seminar | T, Th | 11:30 - 13:00 | Metzer, David | Public NotesTopic: Queer Music: Music and the 2SLGBTQIA+ Imagination
The course is open to students in both the School of Music and other programs. Students outside of the School of Music should submit a registration request for assistance in registering for the course. https://musc.air.arts.ubc.ca/regrequest |
Selected Topics in Music - EMPIRICAL AESTHETICS: MUSIC&EMOTIONS
MUSC 403J
keyboard_arrow_downSee School of Music schedule for description and prerequisites. Restricted to B. Mus. and B.A. in Music students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| J_001 | 2 | In-Person | Seminar | T | 13:00 - 15:30 | Poudrier, Eve |
Selected Topics in Music - OPERA & POLITICS
MUSC 403K
keyboard_arrow_downSee School of Music schedule for description and prerequisites. Restricted to B. Mus. and B.A. in Music students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Seminar | F | 9:30 - 12:00 | Vellutini, Claudio |
Selected Topics in Music - AGE OF SCHUTZ
MUSC 403L
keyboard_arrow_downSee School of Music schedule for description and prerequisites. Restricted to B. Mus. and B.A. in Music students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Seminar | T | 13:00 - 15:30 | Fisher, Alexander John |
Selected Topics in Music - MUSC NATIONALISM
MUSC 403L
keyboard_arrow_downSee School of Music schedule for description and prerequisites. Restricted to B. Mus. and B.A. in Music students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Seminar | T | 13:00 - 15:30 | Vellutini, Claudio | ||||
| 1W1 | 1 | Waiting List | T | 13:00 - 15:30 | Vellutini, Claudio |
Selected Topics in Music - 19TH CENT VIENNA
MUSC 403M
keyboard_arrow_downSee School of Music schedule for description and prerequisites. Restricted to B. Mus. and B.A. in Music students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Seminar | W | 13:00 - 15:30 | Vellutini, Claudio |
Selected Topics in Music - SI RHYTHM & MUSC
MUSC 403M
keyboard_arrow_downSee School of Music schedule for description and prerequisites. Restricted to B. Mus. and B.A. in Music students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Seminar | T, Th | 13:30 - 15:00 | Tenzer, Michael | ||||
| 1W1 | 2 | Waiting List | T, Th | 13:30 - 15:00 | Tenzer, Michael |
Selected Topics in Music - Looping for Strings
MUSC 403O
keyboard_arrow_downSee School of Music schedule for description and prerequisites. Restricted to B. Mus. and B.A. in Music students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| O_001 | 2 | In-Person | Seminar | Th | 09:00 - 12:00 | Davis, Ryan | Public NotesTopic: Looping for Strings An exploration of developing new skills with looping technologies, focusing on the fundamentals of looping pedals while emphasizing both rehearsed and improvised music-making. Final project will include performing an original composition. Restricted to string performance majors (violin, viola, cello) in 3rd year standing or above. --- This course has limited enrolment and is designed for students with a strong interest in creative and collaborative music-making. It will bring together a balanced mix of instruments, and no prior experience with looping technologies is necessary! If you're interested, please email the instructor (ryan.davis@ubc.ca) with your primary instrument and a short note about what draws you to the course. Students are encouraged to reach out early, but registration will only be confirmed once approved by the instructor, with a consideration towards instrument balance. |
Selected Topics in Music - ANLYSIS/POP MUSC
MUSC 403P
keyboard_arrow_downSee School of Music schedule for description and prerequisites. Restricted to B. Mus. and B.A. in Music students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Seminar | W | 13:00 - 15:30 | Van Handel, Leigh |
Selected Topics in Music - TXT MUSIC RELAT
MUSC 403R
keyboard_arrow_downSee School of Music schedule for description and prerequisites. Restricted to B. Mus. and B.A. in Music students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Seminar | M | 13:00 - 15:30 | Parsons, Laurel | ||||
| 1W1 | 2 | Waiting List | M | 13:00 - 15:30 | Parsons, Laurel |
Selected Topics in Music - ANALYSIS OF SONATA FORM
MUSC 403R
keyboard_arrow_downSee School of Music schedule for description and prerequisites. Restricted to B. Mus. and B.A. in Music students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| R_001 | 2 | Seminar | M | 13:00 - 15:30 | Parsons, Laurel |
Selected Topics in Music - Analyzing Text-Music Relations
MUSC 403R
keyboard_arrow_downSee School of Music schedule for description and prerequisites. Restricted to B. Mus. and B.A. in Music students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| R_001 | 2 | In-Person | Seminar | W | 13:00 - 15:30 | Parsons, Laurel | Public NotesTopic: Analyzing Text-Music Relations With MUSC 533R In this course, students will explore a range of analytical methodologies designed to deepen their understanding of the relations between music and text. Through readings, analytical exercises, and writing projects, students will gain skills in techniques such as critical/hermeneutic analysis; rhythmic and metric analysis of song lyrics; comparison of multiple settings of a single poem; corpus studies; and cross-cultural analysis. Repertoires will include Western music (e.g. art song, choral music, opera), Cantopop, and African “talking drum” traditions. |
Selected Topics in Music - LANDMRK/SOUNDSCP
MUSC 403T
keyboard_arrow_downSee School of Music schedule for description and prerequisites. Restricted to B. Mus. and B.A. in Music students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Seminar | F | 9:30 - 12:30 | Robinson, Dylan |
Selected Topics in Music - CRITICAL AFFECT
MUSC 403T
keyboard_arrow_downSee School of Music schedule for description and prerequisites. Restricted to B. Mus. and B.A. in Music students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Seminar | M | 10:00 - 13:00 | Robinson, Dylan |
Selected Topics in Music - MUSC THRY PEDGOG
MUSC 403U
keyboard_arrow_downSee School of Music schedule for description and prerequisites. Restricted to B. Mus. and B.A. in Music students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Seminar | Th | 13:00 - 15:30 | Van Handel, Leigh |
Selected Topics in Music - MUSC THRY PEDGOG
MUSC 403U
keyboard_arrow_downSee School of Music schedule for description and prerequisites. Restricted to B. Mus. and B.A. in Music students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Seminar | Th | 13:00 - 15:30 | Van Handel, Leigh |
Selected Topics in Music - MUSC THRY PEDGOG
MUSC 403U
keyboard_arrow_downSee School of Music schedule for description and prerequisites. Restricted to B. Mus. and B.A. in Music students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| U_001 | 1 | In-Person | Seminar | Th | 12:00 - 14:30 | Van Handel, Leigh |
Selected Topics in Music - Analyzing Voice(s)
MUSC 403U
keyboard_arrow_downSee School of Music schedule for description and prerequisites. Restricted to B. Mus. and B.A. in Music students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| U_001 | 2 | In-Person | Seminar | W | 09:30 - 12:00 | Maler, Anabel | Public NotesTopic: Analyzing Voice(s) With MUSC 533U This course takes as its subject both “the voice” and specific voices in the latter half of the twentieth century and up until the present day. In building our understanding of voice(s), we will work from the foundational concept that the voice is “both a set of sonic, material, and literary practices shaped by culturally and historically specific moments and a category invoked in discourse about personal agency, cultural authenticity, and political power” (Weidman 2014). We will explore theoretical foundations for analyzing both the general concept of voice and specific voices through repertoire from both art and vernacular musics of various genres, including avant-garde music, electronic music, rock, metal, indie, and folk. Our readings will include philosophical and psychoanalytic perspectives on voice, music-theoretical foundations for the analysis of vocal music, and musicological explorations of the voice’s historical and cultural contexts. Composers under consideration may include Luciano Berio, Karlheinz Stockhausen, Joan La Barbara, Pauline Oliveros, Bob Dylan, Joni Mitchell, Beyoncé, Adele, Caroline Shaw, and many others. |
Selected Topics in Music - BRASS PEDGOG/REP
MUSC 403V
keyboard_arrow_downSee School of Music schedule for description and prerequisites. Restricted to B. Mus. and B.A. in Music students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Seminar | F | 12:00 - 13:30 | Whitney, Valerie |
Selected Topics in Music - PRFRMNC & RESRCH
MUSC 403W
keyboard_arrow_downSee School of Music schedule for description and prerequisites. Restricted to B. Mus. and B.A. in Music students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Seminar | Th | 10:00 - 12:00 | Ulehla, Julia |
Selected Topics in Music - PRFRMNC & RESRCH
MUSC 403W
keyboard_arrow_downSee School of Music schedule for description and prerequisites. Restricted to B. Mus. and B.A. in Music students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Seminar | Th | 10:00 - 12:00 | Ulehla, Julia |
Selected Topics in Music - PRFRMNC & RESRCH
MUSC 403W
keyboard_arrow_downSee School of Music schedule for description and prerequisites. Restricted to B. Mus. and B.A. in Music students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Seminar | Th | 10:00 - 12:00 | Ulehla, Julia | ||||
| 1W1 | 1 | Waiting List | Th | 10:00 - 12:00 | Ulehla, Julia |
Selected Topics in Music - CRTV PRFMNCE PRC
MUSC 403X
keyboard_arrow_downSee School of Music schedule for description and prerequisites. Restricted to B. Mus. and B.A. in Music students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Seminar | Th | 13:00 - 15:00 | Sharon, Rena |
Selected Topics in Music - CRTV PRFMNCE PRC
MUSC 403X
keyboard_arrow_downSee School of Music schedule for description and prerequisites. Restricted to B. Mus. and B.A. in Music students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Seminar | Th | 13:00 - 15:00 | Multiple instructors | InstructorsSharon, Rena | Thibeault, Marina |
Selected Topics in Music - LANGUAGE & MUSC
MUSC 403Y
keyboard_arrow_downSee School of Music schedule for description and prerequisites. Restricted to B. Mus. and B.A. in Music students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Seminar | Th | 13:00 - 15:30 | Van Handel, Leigh |
Selected Topics in Music - LANGUAGE & MUSC
MUSC 403Y
keyboard_arrow_downSee School of Music schedule for description and prerequisites. Restricted to B. Mus. and B.A. in Music students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Seminar | Th | 13:00 - 15:30 | Van Handel, Leigh | ||||
| 1W1 | 1 | Waiting List | Th | 13:00 - 15:30 | Van Handel, Leigh |
Selected Topics in Music - LANGUAGE & MUSC
MUSC 403Y
keyboard_arrow_downSee School of Music schedule for description and prerequisites. Restricted to B. Mus. and B.A. in Music students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| Y_001 | 2 | Seminar | Th | 13:00 - 15:30 | Van Handel, Leigh |
Selected Topics in Music - JAZZ PIANO ANLYZ
MUSC 403Z
keyboard_arrow_downSee School of Music schedule for description and prerequisites. Restricted to B. Mus. and B.A. in Music students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Seminar | W | 9:30 - 12:00 | Tenzer, Michael | ||||
| 1W1 | 2 | Waiting List | W | 9:30 - 12:00 | Tenzer, Michael |
Composition IV - COMPOSITION IV
MUSC 407C
keyboard_arrow_downContinuation of MUSC 307.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Tutorial | M | 12:00 - 13:00 | Multiple instructors | InstructorsButler, Jennifer | Carrabre, Thomas | Chang Bortolussi, Dorothy | Hamel, Keith | Morlock, Jocelyn |
Composition IV - COMPOSITION IV
MUSC 407C
keyboard_arrow_downContinuation of MUSC 307.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Tutorial | M | 12:00 - 13:00 | Multiple instructors | InstructorsButler, Jennifer | Carrabre, Thomas | Chang Bortolussi, Dorothy | Hamel, Keith |
Composition IV - COMPOSITION IV
MUSC 407C
keyboard_arrow_downContinuation of MUSC 307.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Tutorial | M | 12:00 - 13:00 | Multiple instructors | InstructorsCarrabre, Thomas | Chang Bortolussi, Dorothy | Hamel, Keith | Hwang, Serra |
Composition IV - COMPOSITION IV
MUSC 407C
keyboard_arrow_downContinuation of MUSC 307.
The credit value for this course will be determined in consultation with the student prior to the registration| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| C_001 | 1-2 | In-Person | Independent Study | M | 12:00 - 13:00 | Multiple instructors | InstructorsButler, Jennifer | Carrabre, T. Patrick | Chang, Dorothy | Hamel, Keith | Top, Siemon Edward |
Composition IV - Composition IV
MUSC 407C
keyboard_arrow_downContinuation of MUSC 307.
The credit value for this course will be determined in consultation with the student prior to the registration| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| C_001 | 1-2 | In-Person | Independent Study | M | 12:00 - 13:00 | Multiple instructors | Public NotesCOMP Majors only. InstructorsButler, Jennifer | Carrabre, T. Patrick | Chang, Dorothy |
Jazz Theory and Arranging - JAZ THRY & ARRAN
MUSC 409D
keyboard_arrow_downJazz scales, chord relationships, substitutions, orchestration, listening, and score analysis. Restricted to B.Mus. and B.A. in Music students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Rehearsal | T, Th | 8:30 - 10:00 | Stride, Frederick |
Jazz Theory and Arranging - JAZ THRY & ARRAN
MUSC 409D
keyboard_arrow_downJazz scales, chord relationships, substitutions, orchestration, listening, and score analysis. Restricted to B.Mus. and B.A. in Music students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Rehearsal | T, Th | 8:30 - 10:00 | Stride, Frederick | ||||
| 1W1 | 1 | Waiting List | T, Th | Stride, Frederick |
Introduction to Schenkerian Analysis
MUSC 410
keyboard_arrow_downThe key concepts of Schenker's theory of tonality. Applications to the analysis of short pieces in various tonal styles, emphasizing clear and correct graphing. Issues of interpretive scope.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Lecture | M | 14:00 - 16:30 | Poudrier, Eve |
Introduction to Schenkerian Analysis
MUSC 410
keyboard_arrow_downThe key concepts of Schenker's theory of tonality. Applications to the analysis of short pieces in various tonal styles, emphasizing clear and correct graphing. Issues of interpretive scope. Prerequisite: MUSC 200.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Seminar | T, Th | 10:00 - 12:00 | Poudrier, Eve | Public NotesTopic: Linear Graphic Analysis With MUSC 500N In this course, we will engage in a practical investigation of Schenkerian concepts and tools through analytical and listening exercises. In the early stages, our focus repertoire will be European keyboard music of the 18th and 19th centuries. We will proceed incrementally, from the analysis of the foreground in small-scale structures and sections to middleground representations of entire works. We will begin the semester with a review of the basic principles of melody, harmonic syntax, and contrapuntal procedures that are essential to conducting linear graphic analysis. As you become more fluent, we will explore adaptations of this analytical approach to other repertoires. |
Analysis of Tonal Music
MUSC 411
keyboard_arrow_downAnalytical approaches that complement Schenkerian analysis, including motivic construction, harmonic rhythm and phrase rhythm, chromaticism and enharmonicism, features of musical form, aspects of structure and hierarchy at the small and large scale.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Lecture | T, Th | 10:00 - 11:30 | Van Handel, Leigh |
Analysis of Tonal Music
MUSC 411
keyboard_arrow_downAnalytical approaches that complement Schenkerian analysis, including motivic construction, harmonic rhythm and phrase rhythm, chromaticism and enharmonicism, features of musical form, aspects of structure and hierarchy at the small and large scale. Prerequisite: MUSC 200.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Seminar | T, Th | 10:00 - 11:30 | Maler, Anabel |
Analysis of Tonal Music
MUSC 411
keyboard_arrow_downAnalytical approaches that complement Schenkerian analysis, including motivic construction, harmonic rhythm and phrase rhythm, chromaticism and enharmonicism, features of musical form, aspects of structure and hierarchy at the small and large scale. Prerequisite: MUSC 200.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 002 | 2 | In-Person | Seminar | M, W | 12:00 - 13:30 | Komaniecki, Robert | Public NotesTopic: Analysis of Tonal Music With MUSC 500A This course will provide students with a survey of analytical techniques as applied to tonal music. The course is organized in such a way that each week will be dedicated to a different topic. Topics include: Opera, German Lieder, Sonata form, Schenkerian analysis, Neo-Riemannian theory, and more. Assessments will be contingent on in-class discussion, reading responses, essays, and a final project. At the end of the course, students will complete a final research project on tonal repertoire of their choosing. Other interested students who do not meet the registration restrictions can contact the instructor to request permission to register. |
Analytical Studies in the Development of Musical Modernism (1860 - 1940)
MUSC 412
keyboard_arrow_downAnalysis of late- and post-romantic works within a theoretical framework that bridges earlier to later works. Assignments in various formats, emphasizing analysis but possibly including composition.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Seminar | T, Th | 9:30 - 11:00 | Van Handel, Leigh |
Analytical Studies in the Development of Musical Modernism (1860 - 1940)
MUSC 412
keyboard_arrow_downAnalysis of late- and post-romantic works within a theoretical framework that bridges earlier to later works. Assignments in various formats, emphasizing analysis but possibly including composition.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Lecture-Seminar | W, F | 13:00 - 14:30 | Parsons, Laurel |
Analytical Studies in the Development of Musical Modernism (1860 - 1940)
MUSC 412
keyboard_arrow_downAnalysis of late- and post-romantic works within a theoretical framework that bridges earlier to later works. Assignments in various formats, emphasizing analysis but possibly including composition. Prerequisite: MUSC 200.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Seminar | W, F | 13:00 - 14:30 | Parsons, Laurel |
Contemporary Art Music: Theory and Analysis
MUSC 413
keyboard_arrow_downA technical approach to the diverse concert-music repertoire since 1950, including orchestral, chamber, solo, and electro-acoustic genres. Applicable theories of pitch and rhythm, with reference to composers' own writings.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Seminar | M, W | 9:30 - 11:00 | Roeder, John Barlow |
Contemporary Art Music: Theory and Analysis
MUSC 413
keyboard_arrow_downA technical approach to the diverse concert-music repertoire since 1950, including orchestral, chamber, solo, and electro-acoustic genres. Applicable theories of pitch and rhythm, with reference to composers' own writings.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Seminar | T, Th | 13:00 - 14:30 | Komaniecki, Robert |
Contemporary Art Music: Theory and Analysis
MUSC 413
keyboard_arrow_downA technical approach to the diverse concert-music repertoire since 1950, including orchestral, chamber, solo, and electro-acoustic genres. Applicable theories of pitch and rhythm, with reference to composers' own writings. Prerequisite: MUSC 300.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Seminar | M, W | 13:00 - 14:30 | Komaniecki, Robert | Public NotesTopic: Post-1945 Analysis With MUSC 500L This course will provide students with a survey of analytical techniques as applied to the various postwar musical idioms in North America. The course is organized in such a way that each week will be dedicated to a different topic. Topics include: Total serialism, musique concrète, spectralism, avant-garde, film composition, and more. Assessments will be contingent on in-class discussion, reading responses, essays, and a final project. At the end of the course, students will complete a final research project on repertoire of their choosing. |
Counterpoint
MUSC 414
keyboard_arrow_downAnalysis and comosition of pieces that rely on the control and development of imitative, polyphonic textures. Models to be taken from one or more European historical repertoires.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Lecture | T, Th | 9:30 - 11:00 | Roeder, John Barlow |
Counterpoint
MUSC 414
keyboard_arrow_downAnalysis and composition of pieces that rely on the control and development of imitative, polyphonic textures. Models to be taken from one or more European historical repertoires.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Lecture | M, W | 9:00 - 10:30 | Maler, Anabel |
Counterpoint
MUSC 414
keyboard_arrow_downAnalysis and composition of pieces that rely on the control and development of imitative, polyphonic textures. Models to be taken from one or more European historical repertoires. Prerequisite: MUSC 200.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Seminar | M | 13:00 - 15:30 | Parsons, Laurel |
Counterpoint
MUSC 414
keyboard_arrow_downAnalysis and composition of pieces that rely on the control and development of imitative, polyphonic textures. Models to be taken from one or more European historical repertoires. Prerequisite: MUSC 200.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 002 | 1 | In-Person | Seminar | M, W | 13:00 - 14:30 | Maler, Anabel | Public NotesTopic: Modal Counterpoint With MUSC 533M This course provides training in writing, improvising, singing, and analyzing 16th-century modal counterpoint in two and three parts. Students will be introduced to theoretical ideas found in Renaissance treatises, which they will apply to repertoire examples and to their own compositions. |
Musical Scoring for Film - FILM MUS SCORING
MUSC 417A
keyboard_arrow_downAddresses the practical aspects of composing music for film through assignments of written scores.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Laboratory | M | 15:00 - 18:00 | Beckett, Hal |
Interactive Performance Systems
MUSC 419
keyboard_arrow_downCollaborative projects developing new connections between sound and gestures in live concert performance or responsive environments using multiple digital technologies. May be repeated once for credit.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Laboratory | W | 18:00 - 21:00 | Multiple instructors | InstructorsHamel, Keith | Pritchard, Robert |
Interactive Performance Systems
MUSC 419
keyboard_arrow_downCollaborative projects developing new connections between sound and gestures in live concert performance or responsive environments using multiple digital technologies. May be repeated once for credit.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Laboratory | W | 18:00 - 21:00 | Multiple instructors | InstructorsHamel, Keith | Pritchard, Robert |
Interactive Performance Systems
MUSC 419
keyboard_arrow_downCollaborative projects developing new connections between sound and gestures in live concert performance or responsive environments using multiple digital technologies. May be repeated once for credit.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Laboratory | W | 18:00 - 21:00 | Multiple instructors | InstructorsHamel, Keith | Pritchard, Robert |
Interactive Performance Systems - Interactive Performance Systems
MUSC 419A
keyboard_arrow_downCollaborative projects developing new connections between sound and gestures in live concert performance or responsive environments using multiple digital technologies. May be repeated once for credit. Prerequisite: MUSC 320.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Workshop | W | 18:00 - 21:00 | Hamel, Keith |
Interactive Performance Systems - Interactive Performance Systems
MUSC 419A
keyboard_arrow_downCollaborative projects developing new connections between sound and gestures in live concert performance or responsive environments using multiple digital technologies. May be repeated once for credit. Prerequisite: MUSC 320.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Workshop | W | 18:00 - 21:00 | Public NotesInteractive Music and Performing Arts Research Training (IMPART). A digital performance ensemble using accelerometers, MIDI controllers, web cams, tablets, etc. for gesture tracking of musicians and dancers, with data controlling audio and video. Each member participates in studio and public performances each semester, gives technical presentations, and assists other members. Course pre-requisite: MUSC 320 or exceptional performance abilities in music, dance, or other performance art. Interested students should join the waitlist, and will need to request permission to register once the instructor is hired and announced. Please stay tuned for updates. |
Music Technology Capstone Project
MUSC 420
keyboard_arrow_downSupervised individual music technology project on an approved topic. Restricted to students in the Minor in Applied Music Technology
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Project | Pritchard, Robert | ||||||
| 002 | 2 | Project | Pritchard, Robert |
Music Technology Capstone Project
MUSC 420
keyboard_arrow_downSupervised individual music technology project on an approved topic. Restricted to students in the Minor in Applied Music Technology
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Project | Multiple instructors | InstructorsHamel, Keith | Pritchard, Robert | |||||
| 002 | 2 | Project | Multiple instructors | InstructorsHamel, Keith | Pritchard, Robert |
Music Technology Capstone Project
MUSC 420
keyboard_arrow_downSupervised individual music technology project on an approved topic. Restricted to students in the Minor in Applied Music Technology
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Project | Multiple instructors | InstructorsHamel, Keith | Pritchard, Robert |
Music Technology Capstone Project
MUSC 420
keyboard_arrow_downSupervised individual music technology project on an approved topic. Restricted to students in the Minor in Applied Music Technology Prerequisite: MUSC 419. And permission of the Instructor.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | In-Person | Independent Study | Hamel, Keith | ||||||
| 002 | In-Person | Independent Study | Hamel, Keith | ||||||
| 003 | In-Person | Independent Study | Hamel, Keith |
Music Technology Capstone Project
MUSC 420
keyboard_arrow_downSupervised individual music technology project on an approved topic. Restricted to students in the Minor in Applied Music Technology Prerequisite: MUSC 419. And permission of the Instructor.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 003 | In-Person | Independent Study | Public NotesMusic Technology Capstone Project - Section for Term 2 This course is only available for students who are already admitted to the Minor in Applied Music Technology. | ||||||
| 002 | In-Person | Independent Study | Public NotesMusic Technology Capstone Project - Section for Term 1 This course is only available for students who are already admitted to the Minor in Applied Music Technology. |
Topics in World Music - Area Studies in Ethnic Musics
MUSC 428D
keyboard_arrow_downThe history, theory, style, organology, and forms of the music of a particular culture in its aesthetic and cultural context. Students should consult the School as to which music culture will be covered in a particular year. May be repeated once for credit if different cultures are covered. Prerequisite: [MUSC328] or instructor's permission.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| D_001 | 1 | In-Person | Lecture | T, Th | 15:30 - 17:00 | Winikoff, Jason |
Topics in World Music - Music of Africa
MUSC 428D
keyboard_arrow_downThe history, theory, style, organology, and forms of the music of a particular culture in its aesthetic and cultural context. Students should consult the School as to which music culture will be covered in a particular year. May be repeated once for credit if different cultures are covered. Prerequisite: [MUSC328] or instructor's permission.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| D_001 | 1 | In-Person | Lecture | T, Th | 11:00 - 12:30 | Gbolonyo, Justice | Public NotesTopic: Music of Africa This course introduces students to music, musicians, and musical contexts of Sub-Saharan Africa. The course is organized around various musical elements such as timbre, rhythm, form, melody, and instrumentation. We will analyze each of these topics by juxtaposing a variety of traditional and popular case studies from eastern, western, central, and southern Africa. Comparing and contrasting these indigenous styles of musicking will allow us to understand both the unifying, pan-African components and unique, localized characteristics of each cultural practice. This will promote a broad understanding of how African music (loosely defined) is conceptualized, composed, and performed. To complement the general overview our survey provides, we will deepen our understanding of the aforementioned musical elements with a unit dedicated to the musical cultures of Zambia. Coursework includes a balance of lecturing, engagement with audiovisual material, and hands-on music making. The course does not require the purchase of any textbook; all materials will be provided by the instructor or made available in the library. It is open to all students and does not require any previous training in music or familiarity with the African continent. This course is designed to both stand on its own and complement the Music of the African Diaspora course. Although MUSC 328 is listed as a pre-requisite, students may take MUSC 428 without a pre-requisite. To get assistance with registration, please contact music.advisor@ubc.ca |
Topics in World Music - MUSIC IN AFRICA
MUSC 428E
keyboard_arrow_downThe history, theory, style, organology, and forms of the music of a particular culture in its aesthetic and cultural context. Students should consult the School as to which music culture will be covered in a particular year. May be repeated once for credit if different cultures are covered.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Seminar | T, Th | 12:30 - 14:00 | Gbolonyo, Justice |
Topics in World Music - MUS/AFR DIASPORA
MUSC 428E
keyboard_arrow_downThe history, theory, style, organology, and forms of the music of a particular culture in its aesthetic and cultural context. Students should consult the School as to which music culture will be covered in a particular year. May be repeated once for credit if different cultures are covered.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Seminar | T, Th | 9:30 - 11:00 | Gbolonyo, Justice |
Topics in World Music - MUS/AFR DIASPORA
MUSC 428E
keyboard_arrow_downThe history, theory, style, organology, and forms of the music of a particular culture in its aesthetic and cultural context. Students should consult the School as to which music culture will be covered in a particular year. May be repeated once for credit if different cultures are covered.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Seminar | T, Th | 9:30 - 11:00 | Gbolonyo, Justice |
Topics in World Music - Music of the African Diaspora
MUSC 428E
keyboard_arrow_downThe history, theory, style, organology, and forms of the music of a particular culture in its aesthetic and cultural context. Students should consult the School as to which music culture will be covered in a particular year. May be repeated once for credit if different cultures are covered. Prerequisite: [MUSC328] or instructor's permission.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| E_001 | 2 | In-Person | Lecture | T, Th | 09:30 - 11:00 | Gbolonyo, Justice |
Topics in World Music - Music of the African Diaspora
MUSC 428E
keyboard_arrow_downThe history, theory, style, organology, and forms of the music of a particular culture in its aesthetic and cultural context. Students should consult the School as to which music culture will be covered in a particular year. May be repeated once for credit if different cultures are covered. Prerequisite: [MUSC328] or instructor's permission.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| E_001 | 2 | In-Person | Lecture | T, Th | 09:30 - 11:00 | Gbolonyo, Justice | Public NotesTopic: Music of the African Diaspora This course explores the musical cultures of the African Diaspora, tracing intersecting and multi- directional movements of people, music, and cultures across the oceanic divide between Africa, Europe, and the Americas. The course examines the central role that music has played in the construction of social identities and movements, from the era of the transatlantic slave trade to the present day. The courses guiding questions include: what specific cultural practices survived the Middle Passage, and how were they transformed in the New World? Why did these practices develop into sacred traditions such as spirituals, Santeria, Candombl?nd into many secular popular cultures, many of which have evolved into powerful global genres, such as blues, jazz, reggae, rumba, samba, rap and hip hop? In the 20th and 21st century, how have people (including Africans, people of African descent, and marginalized populations without direct historical links to Africa) mobilized certain musics of the African Diaspora as practices of resilience and resistance to slavery, imperialism, and segregation? Students are not required to have a trained musical background. There is no required textbook. All required readings and listening will be provided. Although MUSC 328 is listed as a pre-requisite, students may take MUSC 428 without a pre-requisite. To get assistance with registration, please contact music.advisor@ubc.ca |
Major Composers - VERDI'S OPERAS
MUSC 430B
keyboard_arrow_downThe musical works of no more than two significant composers will be examined. Specific topics will be announced; may be repeated for credit.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Seminar | F | 9:30 - 12:00 | Vellutini, Claudio |
Major Composers - MONTEVERDI
MUSC 430F
keyboard_arrow_downThe musical works of no more than two significant composers will be examined. Specific topics will be announced; may be repeated for credit.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Seminar | T | 13:00 - 15:30 | Fisher, Alexander John |
Major Composers - Verdi's Operas
MUSC 430K
keyboard_arrow_downThe musical works of no more than two significant composers will be examined. Specific topics will be announced; may be repeated for credit. Prerequisite: All of MUSC 120, MUSC 121, MUSC 220, MUSC 221.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| K_001 | 2 | In-Person | Lecture | Th | 13:00 - 15:30 | Vellutini, Claudio | Public NotesTopic: Verdi's Operas With MUSC 532K This course provides a comprehensive introduction to Verdi’s operas and their manifold historical and cultural ramifications. Our approach will be both analytical, focusing in particular on formal and dramaturgical aspects of some of Verdi’s most representative works, as well as centered around specific themes and issues (biography and myth-making, aesthetics, politics, reception, performance practice, contemporary staging). In addition to listening to operas attentively with a score, students will study primary sources (letters, 19th-century newspaper reports and interviews, archival documents), as well as scholarly literature on selected topics. The class format consists of a combination of lecture and discussion on assigned opera excerpts and readings. Assignments include weekly reading responses, short take-home essays, and book review (undergraduate students) or a final research paper (graduate students). Graduate students are also expected to lead class discussions on a regular basis. |
Accompanying on the Harpsichord II
MUSC 433
keyboard_arrow_downContinuation of MUSC 333 with emphasis on more advanced continuo and obbligato techniques.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Lecture | M | 10:30 - 12:00 | Weimann, Alexander |
Accompanying on the Harpsichord II
MUSC 433
keyboard_arrow_downContinuation of MUSC 333 with emphasis on more advanced continuo and obbligato techniques.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Lecture | M | 10:30 - 12:00 | Weimann, Alexander |
Accompanying on the Harpsichord II
MUSC 433
keyboard_arrow_downContinuation of MUSC 333 with emphasis on more advanced continuo and obbligato techniques.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Lecture | M | 10:30 - 12:00 | Weimann, Alexander |
Accompanying on the Harpsichord II
MUSC 433
keyboard_arrow_downContinuation of MUSC 333 with emphasis on more advanced continuo and obbligato techniques. Prerequisite: [MUSC333]
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Workshop | M | 10:30 - 12:00 | Weimann, Alexander |
Accompanying on the Harpsichord II
MUSC 433
keyboard_arrow_downContinuation of MUSC_V 333 with emphasis on more advanced continuo and obbligato techniques. Prerequisite: MUSC_V 333.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Workshop | M | 10:30 - 12:00 | Weimann, Alexander | Public NotesRestricted to BMUS students. Final approval of enrolment is subject to approval of instructor, Head of the Keyboard Division, and the Director. For questions about this course, students are welcome to contact Keyboard Division Head Mark Anderson or Professor Alexander Weimann. https://music.ubc.ca/people/ Please join the waitlist, and reach out to music.advisor@ubc.ca for details on steps to register. |
Opera Theatre Techniques II
MUSC 436
keyboard_arrow_downAdvanced studies in acting, movement, gesture, dance and stage combat. Emphasis on communication and the art of singing and acting recitative in foreign languages.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Lecture | M, W | 13:00 - 15:00 | Hermiston, Nancy Jane |
Opera Theatre Techniques II
MUSC 436
keyboard_arrow_downAdvanced studies in acting, movement, gesture, dance and stage combat. Emphasis on communication and the art of singing and acting recitative in foreign languages.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Lecture | M, W | 13:00 - 15:00 | Hermiston, Nancy Jane |
Opera Theatre Techniques II
MUSC 436
keyboard_arrow_downAdvanced studies in acting, movement, gesture, dance and stage combat. Emphasis on communication and the art of singing and acting recitative in foreign languages.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Lecture | M, W | 13:00 - 15:00 | Hermiston, Nancy Jane |
Opera Theatre Techniques II
MUSC 436
keyboard_arrow_downAdvanced studies in acting, movement, gesture, dance and stage combat. Emphasis on communication and the art of singing and acting recitative in foreign languages.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Recitation | M, W | 13:00 - 15:00 | Hermiston, Nancy Jane |
Opera Theatre Techniques II
MUSC 436
keyboard_arrow_downAdvanced studies in acting, movement, gesture, dance and stage combat. Emphasis on communication and the art of singing and acting recitative in foreign languages.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Recitation | M, W | 13:00 - 15:00 | Hermiston, Nancy Jane | Public NotesRestricted to BMUS. All others should contact Prof. Nancy Hermiston for permission to register (nancy.hermiston@ubc.ca). |
Opera Workshop II - OPERA WORKSHOP 2
MUSC 439C
keyboard_arrow_downA continuation of MUSC 339.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details | ||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Studio | M, T, W, Th | 12:00 - 15:30 | Hermiston, Nancy Jane |
|
Opera Workshop II - OPERA WORKSHOP 2
MUSC 439C
keyboard_arrow_downA continuation of MUSC 339.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details | ||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Studio | M, T, W, Th | 12:00 - 15:30 | Hermiston, Nancy Jane |
|
Opera Workshop II - OPERA WORKSHOP 2
MUSC 439C
keyboard_arrow_downA continuation of MUSC 339.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details | ||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Studio | M, T, W, Th | 12:00 - 15:30 | Multiple instructors | InstructorsGrant, Andrea | Hermiston, Nancy Jane
|
Opera Workshop II - OPERA WORKSHOP 2
MUSC 439C
keyboard_arrow_downA continuation of MUSC 339.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details | |||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| C_001 | 1-2 | In-Person | Workshop | M, T, W | 16:00 - 19:00 | Multiple instructors | InstructorsGrant, Andrea | Hermiston, Nancy Jane
|
Opera Workshop II - Opera Workshop II
MUSC 439C
keyboard_arrow_downA continuation of MUSC 339.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details | |||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| C_001 | 1-2 | In-Person | Workshop | M, T, W, Th | 13:00 - 16:00 | Multiple instructors | Public NotesRestricted to BMUS. All others should contact Prof. Nancy Hermiston for permission to register (nancy.hermiston@ubc.ca). InstructorsGrant, Andrea | Hermiston, Nancy Jane
|
Piano Pedagogy II: Applications
MUSC 440
keyboard_arrow_downTeaching musical concepts and keyboard skills; observation of group and private lessons; supervised practicum. For Piano Performance majors; open to other Bachelor of Music students by permission of the instructor.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Lecture-Laboratory | Th | 13:00 - 14:30 | Anderson, Leonard |
Piano Pedagogy II: Applications
MUSC 440
keyboard_arrow_downTeaching musical concepts and keyboard skills; observation of group and private lessons; supervised practicum. For Piano Performance majors; open to other Bachelor of Music students by permission of the instructor.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Lecture-Laboratory | Th | 13:00 - 14:30 | Anderson, Leonard |
Piano Pedagogy II: Applications
MUSC 440
keyboard_arrow_downTeaching musical concepts and keyboard skills; observation of group and private lessons; supervised practicum. For Piano Performance majors; open to other Bachelor of Music students by permission of the instructor. Recommended pre-requisite: MUSC 340.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Lecture | Th | 13:00 - 14:30 | Anderson, L. Mark |
Piano Pedagogy II: Applications
MUSC 440
keyboard_arrow_downTeaching musical concepts and keyboard skills; observation of group and private lessons; supervised practicum. For Piano Performance majors; open to other Bachelor of Music students by permission of the instructor. Recommended pre-requisite: MUSC 340.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Lecture | Th | 13:00 - 14:30 | Anderson, L. Mark | Public NotesOffered in even odd years (alternates with 340). |
Vocal Techniques
MUSC 441
keyboard_arrow_downA study of the scientific principles related to vocal performance: acoustical, physiological and psychological. Restricted to B.Mus. students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Lecture | Th | 9:00 - 11:00 | Raftery, James |
Vocal Techniques
MUSC 441
keyboard_arrow_downA study of the scientific principles related to vocal performance: acoustical, physiological and psychological. Restricted to B.Mus. students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Lecture | Th | 9:00 - 11:00 | Raftery, James |
Vocal Techniques
MUSC 441
keyboard_arrow_downA study of the scientific principles related to vocal performance: acoustical, physiological and psychological. Restricted to B.Mus. students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Recitation | Th | 09:00 - 11:00 | Raftery, James Patrick | Public NotesA study of the principles related to vocal performance, and vocal pedagogy. |
Song Interpretation - SONG INTERPRET
MUSC 442C
keyboard_arrow_downSurvey of the literature for voice with keyboard accompaniment, with emphasis on performance problems. Open to piano and voice majors, and to others by permission of instructor. May be repeated once for credit.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Lecture | F | 15:30 - 18:00 | Sharon, Rena |
Song Interpretation - SONG INTERPRET
MUSC 442C
keyboard_arrow_downInterpretation and performance practice of Art Song repertoire for voice and piano collaborations. Restricted to MMus and BMus in Piano Performance, Opera, Voice Performance, and students in the Diploma in Collaborative Piano Studies program.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Lecture | F | 15:30 - 18:00 | Sharon, Rena |
Song Interpretation - SONG INTERPRET
MUSC 442C
keyboard_arrow_downInterpretation and performance practice of Art Song repertoire for voice and piano collaborations. Restricted to MMus and BMus in Piano Performance, Opera, Voice Performance, and students in the Diploma in Collaborative Piano Studies program.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Lecture | F | 15:30 - 18:00 | Sharon, Rena |
Song Interpretation - SONG INTERPRET
MUSC 442C
keyboard_arrow_downInterpretation and performance practice of Art Song repertoire for voice and piano collaborations. Restricted to MMus and BMus in Piano Performance, Opera, Voice Performance, and students in the Diploma in Collaborative Piano Studies program.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| C_001 | 1 | In-Person | Workshop | F | 15:30 - 18:00 | Sharon, Rena |
Song Interpretation - Song Interpretation
MUSC 442C
keyboard_arrow_downInterpretation and performance practice of Art Song repertoire for voice and piano collaborations. Restricted to MMus and BMus in Piano Performance, Opera, Voice Performance, and students in the Diploma in Collaborative Piano Studies program.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| C_001 | 1 | In-Person | Workshop | F | 15:30 - 18:00 | Sharon, Rena | Public NotesOpen to 3rd and 4th year BMUS students in Voice, Opera, Piano Performance with 149/249 pre-requisite or similar transfer credits. 3rd and 4th year General Studies (GMUS) students may enroll by permission of instructor. In-depth study of Art Song interpretation and performance practice. The course has two components: 1) intensive coachings for duos 2) a monthly performance class with all participants. Students will select their own repertoire interests in diverse languages and stylistic eras. Emphasis is on the fusion of poetry and musical content, dramatic text-recitation, collaborative partnership and rehearsal skill-building, traditional and alternative performance practice. Those with interests in art song theatre techniques may create/perform staged works. Pre-formed singer-piano teams are strongly encouraged, but not required. Maximum number of participants: 8 singers, 4-8 pianists. The course will include weekly rehearsals, plus scheduled coachings and in-class performances during the year. Public performances will be encouraged. While duo coachings are in a private studio setting, participants are invited to audit at any time. |
Establishing a Career in Music
MUSC 444
keyboard_arrow_downBest practices of the contemporary busines of music, focussing on understanding present market conditions, and on targeting specific opportunities through grant-writing, resums, press kits, publicity, recordings, and marketing. Restricted to fourth-year B.Mus. students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Seminar | M, W | 9:30 - 11:00 | Carrabre, Thomas |
Establishing a Career in Music
MUSC 444
keyboard_arrow_downBest practices of the contemporary busines of music, focussing on understanding present market conditions, and on targeting specific opportunities through grant-writing, resums, press kits, publicity, recordings, and marketing. Restricted to fourth-year B.Mus. students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Seminar | M, W | 9:30 - 11:00 | Carrabre, Thomas |
Establishing a Career in Music
MUSC 444
keyboard_arrow_downBest practices of the contemporary business of music, focusing on understanding present market conditions, and on targeting specific opportunities through grant-writing, resums, press kits, publicity, recordings, and marketing. Restricted to fourth-year B.Mus. students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | In-Person | Seminar | M, W | 09:30 - 11:00 | Bortolussi, Paolo |
Establishing a Career in Music
MUSC 444
keyboard_arrow_downBest practices of the contemporary business of music, focusing on understanding present market conditions, and on targeting specific opportunities through grant-writing, resums, press kits, publicity, recordings, and marketing. Restricted to fourth-year B.Mus. students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | In-Person | Seminar | M, W | 09:30 - 11:00 | Bortolussi, Paolo | Public NotesWith MUSC 532J Best practices of the contemporary business of music, focusing on understanding present market conditions, and on targeting specific opportunities through grant-writing, resume press kits, publicity, recordings, and marketing. Restricted to fourth-year B.Mus. students. |
Graduating Essay
MUSC 449
keyboard_arrow_down
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Lecture |
Graduating Essay
MUSC 449
keyboard_arrow_down
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Lecture |
Graduating Essay
MUSC 449
keyboard_arrow_down
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Lecture |
University Singers (Upper Years) - UBC SINGERS
MUSC 453A
keyboard_arrow_downMay be taken twice for credit. Open to students by audition, with credit, as stipulated by their faculties. Restricted to students with 3rd year standing or above. This course is not eligible for Credit/D/Fail grading. Prerequisite: MUSC 153.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Recitation | M, W, Th | 13:00 - 15:00 | Langager, Graeme |
|
University Singers (Upper Years) - University Singers
MUSC 453A
keyboard_arrow_downMay be taken twice for credit. Open to students by audition, with credit, as stipulated by their faculties. Restricted to students with 3rd year standing or above. Prerequisite: MUSC_V 153.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Recitation | M, W, Th | 13:00 - 15:00 | Jun, Hyejung | Public NotesFor 3rd and 4th year undergraduates (see MUSC 153A for 1st and 2nd year registration; 553A for graduate registration). For most ensembles an audition is required to secure your place. During the audition you play or sing a prepared piece for the conductor. Auditions for ensembles take place at the beginning of each academic year. http://music.ubc.ca/student-ensembles OPEN TO NON-MUSIC STUDENTS: How do I register for ensembles? Please register in the waitlist for the lower-level version of this ensemble. You’ll receive information about the audition process and if you’re admitted, we’ll make sure you’re in the correct ensemble course code. IMPORTANT: Consent to Use Image or Recording
|
History of Opera I
MUSC 454
keyboard_arrow_downThe development of opera between 1600 and 1800.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Lecture | M, W | 9:30 - 11:00 | Law, Sin Yan Hedy |
History of Opera I
MUSC 454
keyboard_arrow_downThe development of opera between 1600 and 1800.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Lecture | M, W | 9:00 - 10:30 | Law, Sin Yan Hedy |
History of Opera I
MUSC 454
keyboard_arrow_downThe development of opera between 1600 and 1800. Prerequisite: All of MUSC 121, MUSC 220.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | In-Person | Lecture | T | 11:00 - 12:30 | Vellutini, Claudio |
History of Opera I
MUSC 454
keyboard_arrow_downThe development of opera between 1600 and 1800. Prerequisite: All of MUSC 121, MUSC 220.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | In-Person | Lecture | M, W | 09:00 - 10:30 | Law, Hedy | Public NotesOffered in odd academic years (alternates with 455). |
History of Opera II
MUSC 455
keyboard_arrow_downThe development of opera between 1800 and the present.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Lecture | M, W | 8:30 - 10:00 | Vellutini, Claudio |
History of Opera II
MUSC 455
keyboard_arrow_downThe development of opera between 1800 and the present. Prerequisite: All of MUSC 220, MUSC 221.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 002 | 1 | In-Person | Lecture | T, Th | 11:00 - 12:30 | Vellutini, Claudio |
|
Vocal Chamber Ensembles (Upper Years) - ORIANA
MUSC 456A
keyboard_arrow_downMay be taken twice for credit. Open to students by audition, with credit, as stipulated by their faculties. Restricted to students with 3rd year standing or above. This course is not eligible for Credit/D/Fail grading. Prerequisite: MUSC 156.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Recitation | Th | 19:00 - 21:30 | Multiple instructors | InstructorsJun, Hyejung | Langager, Graeme |
Vocal Chamber Ensembles (Upper Years) - Oriana
MUSC 456A
keyboard_arrow_downMay be taken twice for credit. Open to students by audition, with credit, as stipulated by their faculties. Restricted to students with 3rd year standing or above. Prerequisite: MUSC_V 156.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Recitation | Th | 19:00 - 21:30 | Public NotesFor 3rd and 4th year undergraduates (see MUSC 156A for 1st and 2nd year registration; 556A for graduate registration). For most ensembles an audition is required to secure your place. During the audition you play or sing a prepared piece for the conductor. Auditions for ensembles take place at the beginning of each academic year. http://music.ubc.ca/student-ensembles OPEN TO NON-MUSIC STUDENTS: How do I register for ensembles? Please register in the waitlist for the lower-level version of this ensemble. You’ll receive information about the audition process and if you’re admitted, we’ll make sure you’re in the correct ensemble course code. IMPORTANT: Consent to Use Image or Recording
|
Vocal Chamber Ensembles (Upper Years) - VOX
MUSC 456B
keyboard_arrow_downMay be taken twice for credit. Open to students by audition, with credit, as stipulated by their faculties. Restricted to students with 3rd year standing or above. This course is not eligible for Credit/D/Fail grading. Prerequisite: MUSC 156.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| B_001 | 1 | In-Person | Recitation | Th | 19:00 - 21:30 | Multiple instructors | InstructorsJun, Hyejung | Langager, Graeme |
Vocal Chamber Ensembles (Upper Years) - Vox
MUSC 456B
keyboard_arrow_downMay be taken twice for credit. Open to students by audition, with credit, as stipulated by their faculties. Restricted to students with 3rd year standing or above. Prerequisite: MUSC_V 156.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| B_001 | 1 | In-Person | Recitation | Th | 19:00 - 21:30 | Public NotesFor 3rd and 4th year undergraduates (see MUSC 156B for 1st and 2nd year registration; 556B 002 for graduate registration). For most ensembles an audition is required to secure your place. During the audition you play or sing a prepared piece for the conductor. Auditions for ensembles take place at the beginning of each academic year. http://music.ubc.ca/student-ensembles OPEN TO NON-MUSIC STUDENTS: How do I register for ensembles? Please register in the waitlist for the lower-level version of this ensemble. You’ll receive information about the audition process and if you’re admitted, we’ll make sure you’re in the correct ensemble course code. IMPORTANT: Consent to Use Image or Recording
|
Vocal Chamber Ensembles (Upper Years) - VOCAL CHBR ENSMB
MUSC 456C
keyboard_arrow_downMay be taken twice for credit. Open to students by audition, with credit, as stipulated by their faculties. Restricted to students with 3rd year standing or above. This course is not eligible for Credit/D/Fail grading. Prerequisite: MUSC 156.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| C_001 | 1 | In-Person | Recitation | M, W | 16:30 - 18:00 | Multiple instructors | InstructorsJun, Hyejung | Langager, Graeme |
Vocal Chamber Ensembles (Upper Years) - Chamber Choir
MUSC 456C
keyboard_arrow_downMay be taken twice for credit. Open to students by audition, with credit, as stipulated by their faculties. Restricted to students with 3rd year standing or above. Prerequisite: MUSC_V 156.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| C_001 | 1 | In-Person | Recitation | M, W | 16:30 - 18:00 | Jun, Hyejung | Public NotesFor 3rd and 4th year undergraduates (see MUSC 156C for 1st and 2nd year registration; 556C 003 for graduate registration). For most ensembles an audition is required to secure your place. During the audition you play or sing a prepared piece for the conductor. Auditions for ensembles take place at the beginning of each academic year. http://music.ubc.ca/student-ensembles OPEN TO NON-MUSIC STUDENTS: How do I register for ensembles? Please register in the waitlist for the lower-level version of this ensemble. You’ll receive information about the audition process and if you’re admitted, we’ll make sure you’re in the correct ensemble course code. IMPORTANT: Consent to Use Image or Recording
|
Early Music Ensemble (Upper Years) - EARLY MUSIC ENS
MUSC 457A
keyboard_arrow_downPerformance of early Western instrumental and vocal ensemble music. May be taken twice for credit. Open to students by audition, with credit, as stipulated by their faculties. Restricted to students with 3rd year standing or above. This course is not eligible for Credit/D/Fail grading. Prerequisite: MUSC 157.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Recitation | M, W | 13:00 - 15:00 | Multiple instructors | InstructorsHutten, Christina | Weimann, Alexander |
Early Music Ensemble (Upper Years) - EARLY MUSIC ENS
MUSC 457A
keyboard_arrow_downPerformance of early Western instrumental and vocal ensemble music. May be taken twice for credit. Open to students by audition, with credit, as stipulated by their faculties. Restricted to students with 3rd year standing or above. Prerequisite: MUSC_V 157.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Recitation | M, W | 13:00 - 15:00 | Multiple instructors | Public NotesIncludes a variety of ensembles performing music of the Medieval, Renaissance, and Baroque periods. Includes the Baroque Orchestra Mentorship Programme, in partnership with Early Music Vancouver and the Pacific Baroque Orchestra. Students rehearse two hours per week. Alternative rehearsal times may be organized if necessary. For registration conflicts, please contact the instructor. For 3rd and 4th year undergraduates (see MUSC 157A for 1st and 2nd year registration; 557A for graduate registration). NON-MUSIC STUDENTS with relevant skill, knowledge, and experience may request permission of the instructor to register. An audition will be required at the beginning of term. Additional information regarding auditions can be found here: https://music.ubc.ca/about/student-ensembles/ IMPORTANT: Consent to Use Image or Recording
InstructorsHutten, Christina | Weimann, Alexander |
Contemporary Players (Upper Years) - Contemporary Players (Upper Years)
MUSC 463A
keyboard_arrow_downPerformance of contemporary music. An ensemble of variable size, including both instrumentalists and singers, will be formed to present several concerts of 20th-century music during the academic year. May be taken twice for credit. Restricted to students with 3rd year standing or above. Prerequisite: MUSC 163.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Recitation | M, W, F | 14:00 - 15:00 | Bortolussi, Paolo |
Contemporary Players (Upper Years) - Contemporary Players (Upper Years)
MUSC 463A
keyboard_arrow_downPerformance of contemporary music. An ensemble of variable size, including both instrumentalists and singers, will be formed to present several concerts of 20th-century music during the academic year. May be taken twice for credit. Restricted to students with 3rd year standing or above. Prerequisite: MUSC 163.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Recitation | M, W, F | 14:00 - 15:00 | Bortolussi, Paolo | Public NotesFor 3rd and 4th year undergraduates (see MUSC 163A for 1st and 2nd year registration; MUSC 563A for graduate students). This course is open to students by audition, and there are no pre-requisite courses. All students must be available for all three (3) weekly rehearsals throughout the entire year. OPEN TO NON-MUSIC STUDENTS: How do I register for ensembles? For most ensembles an audition is required to secure your place. During the audition you play or sing a prepared piece for the conductor. Auditions for ensembles take place at the beginning of each academic year. https://music.ubc.ca/about/student-ensembles/ IMPORTANT: Consent to Use Image or Recording
|
Jazz Ensemble (Upper Years) - Jazz Ensemble (Upper Years)
MUSC 464A
keyboard_arrow_downPerformance techniques and repertoire. May be taken twice for credit. Restricted to students with 3rd year standing or above. Prerequisite: MUSC 164.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Recitation | T | 20:00 - 22:00 | Henriques, Benjamin |
Jazz Ensemble (Upper Years) - Jazz Ensemble (Upper Years)
MUSC 464A
keyboard_arrow_downPerformance techniques and repertoire. May be taken twice for credit. Restricted to students with 3rd year standing or above. Prerequisite: MUSC 164.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Recitation | T | 20:00 - 22:00 | Public NotesFor 3rd and 4th year undergraduates (see MUSC 164A for 1st and 2nd year registration; MUSC 564A for graduate students). OPEN TO NON-MUSIC STUDENTS: How do I register for ensembles? For most ensembles an audition is required to secure your place. During the audition you play or sing a prepared piece for the conductor. Auditions for ensembles take place at the beginning of each academic year. https://music.ubc.ca/about/student-ensembles/ IMPORTANT: Consent to Use Image or Recording
|
Song Repertoire II
MUSC 465
keyboard_arrow_downA sequel to MUSC 365, exploring the solo art song repertoire from the Romantic era to the present.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Lecture | F | 14:00 - 15:30 | Epp, Richard Arthur |
Song Repertoire II
MUSC 465
keyboard_arrow_downA sequel to MUSC 365, exploring the solo art song repertoire from the Romantic era to the present.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Lecture | F | 14:00 - 15:30 | Grant, Andrea |
Song Repertoire II
MUSC 465
keyboard_arrow_downA sequel to MUSC 365, exploring the solo art song repertoire from the Romantic era to the present. Prerequisite: [MUSC221]
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Lecture | F | 14:00 - 15:30 | Grant, Andrea | Public NotesOffered in odd academic years only (alternates with MUSC 365). For BMUS students only. |
World Music Ensembles (Upper Years) - CHIN INSTRMTL EN
MUSC 466A
keyboard_arrow_downTraining on traditional instruments and their techniques, with emphasis on ensemble performance. Different sections focus on the music of different cultures, e.g., Bali, China, Ghana, Korea. May be taken twice for credit. Restricted to students with 3rd year standing or above. Prerequisite: MUSC 165.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Recitation | T, Th | 13:30 - 15:00 | Multiple instructors | InstructorsWong, Gloria Ngar-yan | Yu, Zhimin |
World Music Ensembles (Upper Years) - Chinese Instrumental Ensemble
MUSC 466A
keyboard_arrow_downTraining on traditional instruments and their techniques, with emphasis on ensemble performance. Different sections focus on the music of different cultures, e.g., Bali, China, Ghana, Korea. May be taken twice for credit. Restricted to students with 3rd year standing or above. Prerequisite: MUSC 165.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Recitation | T, Th | 13:30 - 15:00 | Multiple instructors | Public NotesChinese Instrumental Ensemble For 3rd and 4th year undergraduates (see MUSC 165A for 1st and 2nd year registration; MUSC 565A for graduate students). For most ensembles an audition is required to secure your place. During the audition you play or sing a prepared piece for the conductor. Auditions for ensembles take place at the beginning of each academic year. http://music.ubc.ca/student-ensembles OPEN TO NON-MUSIC STUDENTS: How do I register for ensembles? Please register in the waitlist for the lower-level version of this ensemble. You’ll receive information about the audition process and if you’re admitted, we’ll make sure you’re in the correct ensemble course code. IMPORTANT: Consent to Use Image or Recording
InstructorsWong, Gloria Ngar-yan | Yu, Zhimin |
World Music Ensembles (Upper Years) - BALINESE GAMELAN
MUSC 466B
keyboard_arrow_downTraining on traditional instruments and their techniques, with emphasis on ensemble performance. Different sections focus on the music of different cultures, e.g., Bali, China, Ghana, Korea. May be taken twice for credit. Restricted to students with 3rd year standing or above. Prerequisite: MUSC 165.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| B_001 | 1 | In-Person | Recitation | W, F | 13:00 - 15:00 | Multiple instructors | InstructorsOka, I Putu Swaryandana Ichi | Tenzer, Michael |
World Music Ensembles (Upper Years) - Balinese Gamelan Ensemble
MUSC 466B
keyboard_arrow_downTraining on traditional instruments and their techniques, with emphasis on ensemble performance. Different sections focus on the music of different cultures, e.g., Bali, China, Ghana, Korea. May be taken twice for credit. Restricted to students with 3rd year standing or above. Prerequisite: MUSC 165.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| B_001 | 1 | In-Person | Recitation | W, F | 13:00 - 15:00 | Multiple instructors | Public NotesBalinese Gamelan Ensemble For 3rd and 4th year undergraduates (see MUSC 165B for 1st and 2nd year registration; MUSC 565B for graduate students). OPEN TO NON-MUSIC STUDENTS: The gamelan is open to all without audition. IMPORTANT: Consent to Use Image or Recording
InstructorsOka, I Putu Swaryandana Ichi | Tenzer, Michael |
World Music Ensembles (Upper Years) - Korean Drumming Ensemble
MUSC 466C
keyboard_arrow_downTraining on traditional instruments and their techniques, with emphasis on ensemble performance. Different sections focus on the music of different cultures, e.g., Bali, China, Ghana, Korea. May be taken twice for credit. Restricted to students with 3rd year standing or above. Prerequisite: MUSC 165.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| C_001 | 1 | In-Person | Recitation | T, Th | 15:30 - 17:00 | Hesselink, Nathan | Public NotesKorean Drumming Ensemble For 3rd and 4th year undergraduates (see MUSC 165C for 1st and 2nd year registration; MUSC 565C for graduate students). OPEN TO NON-MUSIC STUDENTS: How do I register for ensembles? The course is open to all without audition. This course represents the year-long practical study of the Korean tradition of folk drumming and dance known as p’ungmul. Composed of a core set of two gongs (soe/kkwaenggwari) and ching) and two drums (changgo and puk), the instruments are either held in the hand or are strapped to the body and played while the performers dance. In this class we will learn in the traditional manner, integrating the use of our voices (oral mnemonics), our hands (gong/drum strokes), and our bodies (dance). The course culminates in a public performance at the end of the school year. IMPORTANT: Consent to Use Image or Recording
|
World Music Ensembles (Upper Years) - AFRICAN MUS/DANC
MUSC 466D
keyboard_arrow_downTraining on traditional instruments and their techniques, with emphasis on ensemble performance. Different sections focus on the music of different cultures, e.g., Bali, China, Ghana, Korea. May be taken twice for credit. Restricted to students with 3rd year standing or above. Prerequisite: MUSC 165.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| D_001 | 1 | In-Person | Recitation | T, Th | 17:30 - 19:00 | Gbolonyo, Justice |
World Music Ensembles (Upper Years) - African Music and Dance Ensemble
MUSC 466D
keyboard_arrow_downTraining on traditional instruments and their techniques, with emphasis on ensemble performance. Different sections focus on the music of different cultures, e.g., Bali, China, Ghana, Korea. May be taken twice for credit. Restricted to students with 3rd year standing or above. Prerequisite: MUSC 165.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| D_001 | 1 | In-Person | Recitation | T, Th | 17:30 - 19:00 | Gbolonyo, Justice | Public NotesAfrican Music & Dance Ensemble For 3rd and 4th year undergraduates (see MUSC 165D for 1st and 2nd year registration; MUSC 565D for graduate students). OPEN TO NON-MUSIC STUDENTS: How do I register for ensembles? The course is open to all without audition. This course/ensemble introduces drumming techniques, dances and other artistic expressions of Africa. Through the instruments, the voice, the dance movements and other visual art forms and paraphernalia, this class/ensemble brings to the stage a unique African theatrical experience. The course/ensemble may be repeated for credit. It will include public performances (concerts and lecture demonstrations). Also as a practical way of preparing for the main concert, students may be requested to participate in other performances on or off campus as the need may arise. IMPORTANT: Consent to Use Image or Recording
|
Interdisciplinary Projects - INTRDIS PROJECTS
MUSC 469A
keyboard_arrow_downGroup projects and workshops with students majoring in other creative arts.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Rehearsal | T | 10:00 - 13:00 | Robinson, Dylan |
Interdisciplinary Projects - Interdisciplinary Projects
MUSC 469A
keyboard_arrow_downGroup projects and workshops with students majoring in other creative arts. Prerequisite: Permission of instructor. Credit will be granted for only one of MUSC 469 or THTR 469 or VISA 469 or CRWR 440. Equivalency: THTR 469, VISA 469, CRWR 440
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Seminar | W | 12:00 - 14:00 | Multiple instructors | InstructorsNicholson, Cecily | Robinson, Dylan |
Music Performance (Concentration) - Music Performance (Concentration)
MUSC 481A
keyboard_arrow_downPrivate instruction, vocal or instrumental. Prerequisite: One of MUSC 371, MUSC 372, MUSC 381, MUSC 382, MUSC 383, MUSC 391, MUSC 392, MUSC 393, MUSC 394.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_737 | Independent Study | Chan, Amanda |
Music Performance (Concentration) - Music Performance (Concentration)
MUSC 481D
keyboard_arrow_downPrivate instruction, vocal or instrumental. Prerequisite: One of MUSC 371, MUSC 372, MUSC 381, MUSC 382, MUSC 383, MUSC 391, MUSC 392, MUSC 393, MUSC 394.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| D_804 | Independent Study | Anderson, L. Mark |
Music Performance (Concentration) - Music Performance (Concentration)
MUSC 482A
keyboard_arrow_downPrivate instruction, vocal or instrumental. Prerequisite: One of MUSC 371, MUSC 372, MUSC 381, MUSC 382, MUSC 383, MUSC 391, MUSC 392, MUSC 393, MUSC 394.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_700 | Independent Study | Anderson, L. Mark | |||||||
| A_776 | Independent Study | Wilkins, Miranda Ting Wai Wong |
Music Performance (Concentration) - Music Performance (Concentration)
MUSC 482B
keyboard_arrow_downPrivate instruction, vocal or instrumental. Prerequisite: One of MUSC 371, MUSC 372, MUSC 381, MUSC 382, MUSC 383, MUSC 391, MUSC 392, MUSC 393, MUSC 394.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| B_748 | Independent Study | Gaetanne, Marisa | |||||||
| B_731 | Independent Study | Barcza, Peter |
Music Performance (Concentration) - Music Performance (Concentration)
MUSC 482C
keyboard_arrow_downPrivate instruction, vocal or instrumental. Prerequisite: One of MUSC 371, MUSC 372, MUSC 381, MUSC 382, MUSC 383, MUSC 391, MUSC 392, MUSC 393, MUSC 394.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| C_728 | Independent Study | ||||||||
| C_712 | Independent Study |
Music Performance (Major) - VOICE
MUSC 492B
keyboard_arrow_downPrivate instruction, vocal or instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 774 | 1-2 | Tutorial | Throness, Dale |
Music Performance (Major) - Music Performance (Major)
MUSC 494C
keyboard_arrow_downPrivate instruction, vocal or instrumental. This course is not eligible for Credit/D/Fail grading. Prerequisite: One of MUSC 371, MUSC 372, MUSC 381, MUSC 382, MUSC 383, MUSC 391, MUSC 392, MUSC 393, MUSC 394.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| C_703 | In-Person | Independent Study | Bang, Jae-won |
Advanced Musical Analysis - ADV MUSICAL ANLY
MUSC 500A
keyboard_arrow_down
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Seminar | T, Th | 10:00 - 11:30 | Van Handel, Leigh |
Advanced Musical Analysis - Advanced Musical Analysis
MUSC 500A
keyboard_arrow_downRecommended pre-requisite: one of MUSC 410, MUSC 411, MUSC 412, MUSC 413. This course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Seminar | T, Th | 10:00 - 11:30 | Maler, Anabel |
Advanced Musical Analysis - Analysis of Tonal Music
MUSC 500A
keyboard_arrow_downRecommended pre-requisite: one of MUSC_V 410, MUSC_V 411, MUSC_V 412, MUSC_V 413.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_002 | 2 | In-Person | Seminar | M, W | 12:00 - 13:30 | Komaniecki, Robert | Public NotesTopic: Analysis of Tonal Music With MUSC 411 This course will provide students with a survey of analytical techniques as applied to tonal music. The course is organized in such a way that each week will be dedicated to a different topic. Topics include: Opera, German Lieder, Sonata form, Schenkerian analysis, Neo-Riemannian theory, and more. Assessments will be contingent on in-class discussion, reading responses, essays, and a final project. At the end of the course, students will complete a final research project on tonal repertoire of their choosing. Other interested students who do not meet the registration restrictions can contact the instructor to request permission to register. |
Advanced Musical Analysis - MUSICL MODERNISM
MUSC 500B
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| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 002 | 1 | Seminar | T, Th | 9:30 - 11:00 | Van Handel, Leigh |
Advanced Musical Analysis - MUSICL MODERNISM
MUSC 500B
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| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Lecture | W, F | 13:00 - 14:30 | Parsons, Laurel |
Advanced Musical Analysis - Advanced Musical Analysis
MUSC 500B
keyboard_arrow_downRecommended pre-requisite: one of MUSC 410, MUSC 411, MUSC 412, MUSC 413. This course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| B_001 | 2 | Seminar | W, F | 13:00 - 14:30 | Parsons, Laurel |
Advanced Musical Analysis - CON ART MUSC:T&A
MUSC 500C
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| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Lecture | M, W | 9:30 - 11:00 | Roeder, John Barlow |
Advanced Musical Analysis - POST-1945 ANLY
MUSC 500C
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| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Lecture | T, Th | 13:00 - 14:30 | Komaniecki, Robert |
Advanced Musical Analysis - SCHENKERIAN ANLS
MUSC 500D
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| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Seminar | M | 14:00 - 16:30 | Poudrier, Eve |
Advanced Musical Analysis - Post-1945 Analysis
MUSC 500L
keyboard_arrow_downRecommended pre-requisite: one of MUSC_V 410, MUSC_V 411, MUSC_V 412, MUSC_V 413.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| L_001 | 1 | In-Person | Seminar | M, W | 13:00 - 14:30 | Komaniecki, Robert | Public NotesTopic: Post-1945 Analysis With MUSC 413 This course will provide students with a survey of analytical techniques as applied to the various postwar musical idioms in North America. The course is organized in such a way that each week will be dedicated to a different topic. Topics include: Total serialism, musique concrète, spectralism, avant-garde, film composition, and more. Assessments will be contingent on in-class discussion, reading responses, essays, and a final project. At the end of the course, students will complete a final research project on repertoire of their choosing.. Students should have completed MUSC 300 (or the equivalent), and be familiar with set theory. |
Advanced Musical Analysis - Linear Graphic Analysis
MUSC 500N
keyboard_arrow_downRecommended pre-requisite: one of MUSC_V 410, MUSC_V 411, MUSC_V 412, MUSC_V 413.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| N_001 | 1 | In-Person | Seminar | T, Th | 10:00 - 12:00 | Poudrier, Eve | Public NotesTopic: Linear Graphic Analysis With MUSC 410 In this course, we will engage in a practical investigation of Schenkerian concepts and tools through analytical and listening exercises. In the early stages, our focus repertoire will be European keyboard music of the 18th and 19th centuries. We will proceed incrementally, from the analysis of the foreground in small-scale structures and sections to middleground representations of entire works. We will begin the semester with a review of the basic principles of melody, harmonic syntax, and contrapuntal procedures that are essential to conducting linear graphic analysis. As you become more fluent, we will explore adaptations of this analytical approach to other repertoires. |
Topics in the History of Music Theory - HIST MUSC THRY
MUSC 503A
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| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Seminar | M | 13:00 - 15:30 | Konoval, Michael Brandon |
Theories of Non-Tonal Pitch Relationships
MUSC 504
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| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Seminar | M | 14:00 - 16:30 | Roeder, John Barlow |
Readings in Orchestral Repertoire
MUSC 506
keyboard_arrow_downStandard repertoire for orchestral instrumentalists.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | F | 9:30 - 11:00 | Girard, Jonathan |
Readings in Orchestral Repertoire
MUSC 506
keyboard_arrow_downStandard repertoire for orchestral instrumentalists.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | F | 9:30 - 11:00 | Girard, Jonathan |
Readings in Orchestral Repertoire
MUSC 506
keyboard_arrow_downStandard repertoire for orchestral instrumentalists.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | F | 9:30 - 11:00 | Girard, Jonathan |
Readings in Orchestral Repertoire - Readings in Orchestral Repertoire
MUSC 506A
keyboard_arrow_downStandard repertoire for orchestral instrumentalists. This course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Recitation | F | 09:30 - 11:00 | Girard, Jonathan |
Readings in Orchestral Repertoire - Readings in Orchestral Repertoire
MUSC 506A
keyboard_arrow_downStandard repertoire for orchestral instrumentalists.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Recitation | F | 09:30 - 11:00 | Girard, Jonathan | Public NotesWith MUSC 305 and MUSC 606 IMPORTANT: Consent to Use Image or Recording
|
Composition - COMPOSITION
MUSC 507C
keyboard_arrow_downThe composition of original music for conventional instruments and/or electronic media.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Tutorial | M | 12:00 - 13:00 | Multiple instructors | InstructorsButler, Jennifer | Carrabre, Thomas | Chang Bortolussi, Dorothy | Hamel, Keith | Morlock, Jocelyn |
Composition - COMPOSITION
MUSC 507C
keyboard_arrow_downThe composition of original music for conventional instruments and/or electronic media.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Tutorial | M | 12:00 - 13:00 | Multiple instructors | InstructorsButler, Jennifer | Carrabre, Thomas | Chang Bortolussi, Dorothy | Hamel, Keith |
Composition - COMPOSITION
MUSC 507C
keyboard_arrow_downThe composition of original music for conventional instruments and/or electronic media.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Tutorial | M | 12:00 - 13:00 | Multiple instructors | InstructorsCarrabre, Thomas | Chang Bortolussi, Dorothy | Hamel, Keith | Hwang, Serra |
Composition - COMPOSITION
MUSC 507C
keyboard_arrow_downThe composition of original music for conventional instruments and/or electronic media. This course is not eligible for Credit/D/Fail grading.
The credit value for this course will be determined in consultation with the student prior to the registration| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| C_001 | 1-2 | In-Person | Independent Study | M | 12:00 - 13:00 | Multiple instructors | InstructorsButler, Jennifer | Carrabre, T. Patrick | Chang, Dorothy | Hamel, Keith | Top, Siemon Edward |
Composition - COMPOSITION
MUSC 507C
keyboard_arrow_downThe composition of original music for conventional instruments and/or electronic media.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| C_001 | 1-2 | In-Person | Independent Study | M | 12:00 - 13:00 | Multiple instructors | Public NotesRestricted to COMP students only. InstructorsButler, Jennifer | Carrabre, T. Patrick | Chang, Dorothy |
Composition - COMPOSITION
MUSC 508C
keyboard_arrow_downA continuation of MUSC 507.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Tutorial | M | 12:00 - 13:00 | Multiple instructors | InstructorsButler, Jennifer | Carrabre, Thomas | Chang Bortolussi, Dorothy | Hamel, Keith | Morlock, Jocelyn |
Composition - COMPOSITION
MUSC 508C
keyboard_arrow_downA continuation of MUSC 507.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Tutorial | M | 12:00 - 13:00 | Multiple instructors | InstructorsButler, Jennifer | Carrabre, Thomas | Chang Bortolussi, Dorothy | Hamel, Keith |
Composition - COMPOSITION
MUSC 508C
keyboard_arrow_downA continuation of MUSC 507.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Tutorial | M | 12:00 - 13:00 | Multiple instructors | InstructorsCarrabre, Thomas | Chang Bortolussi, Dorothy | Hamel, Keith | Hwang, Serra |
Composition - Composition
MUSC 508C
keyboard_arrow_downA continuation of MUSC 507. This course is not eligible for Credit/D/Fail grading. Prerequisite: [MUSC507]
The credit value for this course will be determined in consultation with the student prior to the registration| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| C_001 | 1-2 | In-Person | Independent Study | M | 12:00 - 13:00 | Multiple instructors | InstructorsButler, Jennifer | Carrabre, T. Patrick | Chang, Dorothy | Hamel, Keith | Top, Siemon Edward |
Composition - Composition
MUSC 508C
keyboard_arrow_downA continuation of MUSC_V 507. Prerequisite: MUSC_V 507.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| C_001 | 1-2 | In-Person | Independent Study | M | 12:00 - 13:00 | Multiple instructors | Public NotesRestricted to COMP students only. InstructorsButler, Jennifer | Carrabre, T. Patrick | Chang, Dorothy |
Advanced Orchestration and Arranging - ADV ORCHESTRATON
MUSC 509B
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| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Tutorial | Th | 13:00 - 15:00 | Hamel, Keith |
Advanced Orchestration and Arranging - ADV ORCHESTRATON
MUSC 509B
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| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Tutorial | Th | 13:00 - 15:00 | Hamel, Keith |
Advanced Orchestration and Arranging - ADV ORCHESTRATON
MUSC 509B
keyboard_arrow_down
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Tutorial | Th | 13:00 - 15:00 | Hamel, Keith |
Advanced Orchestration and Arranging - ADV ORCHESTRATON
MUSC 509B
keyboard_arrow_downThis course is not eligible for Credit/D/Fail grading.
The credit value for this course will be determined in consultation with the student prior to the registration| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| B_001 | 2 | In-Person | Seminar | T | 13:00 - 15:00 | Chang, Dorothy |
Advanced Orchestration and Arranging - Advanced Orchestration
MUSC 509B
keyboard_arrow_down
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| B_001 | 1 | In-Person | Seminar | T | 13:00 - 15:00 | Chang, Dorothy | Public NotesAn advanced composition course focused on contemporary orchestration techniques |
Directed Individual Studies - INDIVDL STUDIES
MUSC 512A
keyboard_arrow_downApproval by the Director, School of Music, is required.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Tutorial | |||||||
| 003 | 1-2 | Tutorial |
Directed Individual Studies - INDIVDL STUDIES
MUSC 512A
keyboard_arrow_downApproval by the Director, School of Music, is required.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Tutorial | |||||||
| 003 | 1-2 | Tutorial |
Directed Individual Studies - INDIVDL STUDIES
MUSC 512A
keyboard_arrow_downApproval by the Director, School of Music, is required.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Tutorial |
Directed Individual Studies - INDIVDL STUDIES
MUSC 512A
keyboard_arrow_downApproval by the Director, School of Music, is required. This course is not eligible for Credit/D/Fail grading.
The credit value for this course will be determined in consultation with the student prior to the registration| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_003 | In-Person | Independent Study |
Directed Individual Studies - Directed Individual Studies
MUSC 512A
keyboard_arrow_downApproval by the Director, School of Music, is required.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_004 | In-Person | Independent Study |
Directed Individual Studies - INDIVDL STUDIES
MUSC 512B
keyboard_arrow_downApproval by the Director, School of Music, is required.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 002 | 2 | Tutorial |
Directed Individual Studies - INDIVDL STUDIES
MUSC 512B
keyboard_arrow_downApproval by the Director, School of Music, is required.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 951 | 1-2 | Tutorial | Tenzer, Michael |
Directed Individual Studies - INDIVDL STUDIES
MUSC 512B
keyboard_arrow_downApproval by the Director, School of Music, is required.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 002 | 2 | Tutorial |
Directed Individual Studies - INDIVDL STUDIES
MUSC 512B
keyboard_arrow_downApproval by the Director, School of Music, is required.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 002 | 2 | Tutorial |
Directed Individual Studies - INDIVDL STUDIES
MUSC 512B
keyboard_arrow_downApproval by the Director, School of Music, is required. This course is not eligible for Credit/D/Fail grading.
The credit value for this course will be determined in consultation with the student prior to the registration| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| B_002 | In-Person | Independent Study | Maler, Anabel |
Directed Individual Studies - INDIVDL STUDIES
MUSC 512C
keyboard_arrow_downApproval by the Director, School of Music, is required.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 003 | 1-2 | Tutorial | |||||||
| 004 | 2 | Tutorial | Hermiston, Nancy Jane |
Directed Individual Studies - INDIVDL STUDIES
MUSC 512C
keyboard_arrow_downApproval by the Director, School of Music, is required.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 003 | 1-2 | Tutorial | |||||||
| 004 | 2 | Tutorial | Hermiston, Nancy Jane |
Directed Individual Studies - INDIVDL STUDIES
MUSC 512C
keyboard_arrow_downApproval by the Director, School of Music, is required.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 003 | 1-2 | Tutorial |
Directed Individual Studies - INDIVDL STUDIES
MUSC 512C
keyboard_arrow_downApproval by the Director, School of Music, is required. This course is not eligible for Credit/D/Fail grading.
The credit value for this course will be determined in consultation with the student prior to the registration| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| C_001 | 1-2 | In-Person | Independent Study | M | 07:00 - 07:30 |
Directed Individual Studies - ADV CHORAL COND
MUSC 512D
keyboard_arrow_downApproval by the Director, School of Music, is required.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Tutorial | W | 13:00 - 14:00 | Langager, Graeme |
Directed Individual Studies - ADV CHORAL COND
MUSC 512D
keyboard_arrow_downApproval by the Director, School of Music, is required.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Tutorial | Langager, Graeme |
Directed Individual Studies - ADV CHORAL COND
MUSC 512D
keyboard_arrow_downApproval by the Director, School of Music, is required.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Tutorial | Langager, Graeme |
Directed Individual Studies - ADV CHORAL COND
MUSC 512D
keyboard_arrow_downApproval by the Director, School of Music, is required. This course is not eligible for Credit/D/Fail grading.
The credit value for this course will be determined in consultation with the student prior to the registration| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| D_001 | 1 | In-Person | Independent Study | W | 12:00 - 14:00 | Langager, Graeme |
Directed Individual Studies - Advanced Choral Conducting
MUSC 512D
keyboard_arrow_downApproval by the Director, School of Music, is required.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| D_001 | 1 | In-Person | Independent Study | W | 12:00 - 14:00 | Public NotesIndividual Studies: Advanced Choral Conducting. For all other students, please contact instructor for permission to register. |
Directed Individual Studies - DOCT THESIS PREP
MUSC 512E
keyboard_arrow_downApproval by the Director, School of Music, is required.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Tutorial | |||||||
| 010 | 1 | Tutorial | |||||||
| 020 | 2 | Tutorial |
Directed Individual Studies - DOCT THESIS PREP
MUSC 512E
keyboard_arrow_downApproval by the Director, School of Music, is required.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 941 | 1-2 | Tutorial |
Directed Individual Studies - DOCT THESIS PREP
MUSC 512E
keyboard_arrow_downApproval by the Director, School of Music, is required.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Tutorial | |||||||
| 010 | 1 | Tutorial |
Directed Individual Studies - DOCT THESIS PREP
MUSC 512E
keyboard_arrow_downApproval by the Director, School of Music, is required.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 941 | 1-2 | Tutorial |
Directed Individual Studies - DOCT THESIS PREP
MUSC 512E
keyboard_arrow_downApproval by the Director, School of Music, is required.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Tutorial |
Directed Individual Studies - DOCT THESIS PREP
MUSC 512E
keyboard_arrow_downApproval by the Director, School of Music, is required.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 941 | 1-2 | Tutorial |
Directed Individual Studies - DOCT THESIS PREP
MUSC 512E
keyboard_arrow_downApproval by the Director, School of Music, is required. This course is not eligible for Credit/D/Fail grading.
The credit value for this course will be determined in consultation with the student prior to the registration| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| E_001 | In-Person | Independent Study | |||||||
| E_010 | In-Person | Independent Study |
Directed Individual Studies - DOCT THESIS PREP
MUSC 512E
keyboard_arrow_downApproval by the Director, School of Music, is required. This course is not eligible for Credit/D/Fail grading.
The credit value for this course will be determined in consultation with the student prior to the registration| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| E_941 | In-Person | Independent Study |
Directed Individual Studies - Doctoral Thesis Preparation
MUSC 512E
keyboard_arrow_downApproval by the Director, School of Music, is required.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| E_001 | In-Person | Independent Study | Public NotesDoctoral Thesis Prep course All PhD and DMA students should register in this course every term until advancement to candidacy. |
Introduction to Music Research - INTRO MUSIC RES
MUSC 520A
keyboard_arrow_downPrincipal resources of the research library.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Seminar | M, W | 13:00 - 14:00 | Law, Sin Yan Hedy |
Introduction to Music Research - INTRO MUSIC RES
MUSC 520A
keyboard_arrow_downPrincipal resources of the research library.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Seminar | M, W | 9:00 - 10:00 | Law, Sin Yan Hedy |
Introduction to Music Research - INTRO MUSIC RES
MUSC 520A
keyboard_arrow_downPrincipal resources of the research library.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Seminar | M, W | 9:00 - 10:00 | Law, Sin Yan Hedy |
Introduction to Music Research - Introduction to Music Research
MUSC 520A
keyboard_arrow_downPrincipal resources of the research library. This course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | In-Person | Seminar | |||||||
| A_002 | 2 | In-Person | Seminar | M, W | 09:00 - 10:00 | Law, Hedy |
Introduction to Music Research - Introduction to Music Research
MUSC 520A
keyboard_arrow_downPrincipal resources of the research library.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Seminar | M, W | 09:00 - 10:00 | Law, Hedy | Public NotesStudents are required to submit a writing sample in order to confirm placement in this course. Please sign up on the waitlist for now, and you'll receive an email with more information. MUSC 520A introduces MMus and DMA students to the fundamentals of doing music history research at the graduate level. Students begin this semester by learning the principle of Academic Honesty at UBC, and they practice putting it to use in all of their writing assignments. In keeping with this principle, students learn how to think critically through the music research process and use the UBC library system's research resources. Students learn how to conduct music research about one composition by a significant composer in the Western Art music tradition, how to collect reliable information using standard music research resources, including Oxford Music Online, standard research engines and databases for music research, categories of sources, including primary and secondary sources, monographs, collections of essays, and dissertations. Students will also learn the standard components in a music research paper: crafting a thesis, citing sources in footnotes using the Notes-and-Bibliography Style of the Chicago Manual of Style, using evidence to support a claim, structuring an essay, incorporating musical examples and illustrations, using tables to present research findings, providing supplementary materials in appendixes, and creating a bibliography in the Chicago style. By the end of this course, students will be able to apply these skills and knowledge to the research and writing of their music research papers of 2,500-3,000 words (or eight to ten double-spaced pages). |
Seminar in Performance Practices - STR-PIAN PRF PRC
MUSC 521D
keyboard_arrow_downStudies in the theoretical and practical problems of musical interpretation.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details | ||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Seminar | M, T, W | 13:00 - 14:00 | Sharon, Rena |
|
Seminar in Performance Practices - STR-PIAN PRF PRC
MUSC 521D
keyboard_arrow_downStudies in the theoretical and practical problems of musical interpretation.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details | ||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Seminar | M, T, W | 13:00 - 14:00 | Sharon, Rena |
|
Seminar in Performance Practices - STR-PIAN PRF PRC
MUSC 521D
keyboard_arrow_downStudies in the theoretical and practical problems of musical interpretation.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details | ||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Seminar | M, T, W | 13:00 - 14:00 | Sharon, Rena |
|
Seminar in Performance Practices - STR-PIAN PRF PRC
MUSC 521D
keyboard_arrow_downStudies in the theoretical and practical problems of musical interpretation. This course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details | |||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| D_001 | 1 | In-Person | Seminar | M, T, W | 15:00 - 16:00 | Sharon, Rena |
|
Seminar in Performance Practices - Interp and Perf; Str/Pian Chamber Music
MUSC 521D
keyboard_arrow_downStudies in the theoretical and practical problems of musical interpretation.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details | |||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| D_001 | 1 | In-Person | Seminar | M, T, W | 15:00 - 16:00 | Sharon, Rena | Public NotesRequired for all 1st year MMus String and Piano students, and available as an elective for DMA Piano and String students. This is recommended for graduate students in these divisions who are interested in professional trajectories that include Chamber Music performance. This performance-based course explores String/Piano Sonatas, Trios, Quartets, and Quintets repertoire. course has two components: Group Discussion and Performance Class on Tuesdays, and alternating Coaching sessions on Monday or Wednesday afternoons. Through interactive coachings, discussions, and in-class performances, students explore the complex analytical processes, interpersonal skills, artistic practices, and group decisions essential for dynamic interpretive collaboration and powerful co-created performance. Alternating ensemble partners and repertoire are organized by the Class Coordinator. All students attend a weekly two-hour lecture, discussion and ensemble performance class (Tuesdays). As well, they attend alternating one-hour coaching sections (Mondays at 3 pm and/or Wednesdays at 1 pm) as organized by Coordinator. Ensembles also schedule their own additional rehearsals within those time periods. Students enrolled in this course should not schedule other activities during the Monday and Wednesday coaching hours. Please note: Requests for specific collaborations with additional colleagues may be welcome in some circumstances.
|
Seminar in Renaissance Music - MUSC/REFORM ERA
MUSC 524B
keyboard_arrow_downThis course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| B_001 | 2 | In-Person | Seminar | T | 13:00 - 15:30 | Fisher, Alexander |
Seminar in Baroque Music - MONTEVERDI
MUSC 525F
keyboard_arrow_down
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Seminar | T | 13:00 - 15:30 | Fisher, Alexander John |
Seminar in Baroque Music - AGE OF SCHUTZ
MUSC 525L
keyboard_arrow_down
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Seminar | T | 13:00 - 15:30 | Fisher, Alexander John |
Seminar in Baroque Music - MUSC NATIONALISM
MUSC 525L
keyboard_arrow_down
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Seminar | T | 13:00 - 15:30 | Vellutini, Claudio | ||||
| 1W1 | 1 | Waiting List | T | 13:00 - 15:30 | Vellutini, Claudio |
Seminar in Nineteenth-Century Music - SYMPHONIC LIT
MUSC 527H
keyboard_arrow_down
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Seminar | Th | 13:00 - 15:30 | Vellutini, Claudio |
Seminar in Nineteenth-Century Music - Symphonic Literature
MUSC 527H
keyboard_arrow_down
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| H_001 | 1 | In-Person | Seminar | Th | 13:00 - 15:30 | Vellutini, Claudio | Public NotesTopic: Symphonic Literature With MUSC 403H This course provides an introduction to the symphonic repertory from the 18th to the present and its history. We will focus on particular formal and technical features of the most representative works, and address such issues as aesthetics, reception, and historiography. The class format consists of a combination of lecture and discussion on assigned readings. Assignments include in-class repertory tests, weekly reading responses, three short written essays, and a book review (for undergraduate students) or final research paper (for graduate students). Graduate students will also be expected to lead class discussion on a regular basis. |
Seminar in Music Since 1900 - Sound Writing
MUSC 528A
keyboard_arrow_downThis course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Seminar | W | 12:00 - 14:00 | Multiple instructors | InstructorsNicholson, Cecily | Robinson, Dylan |
Introduction to Ethnomusicology - INTRO/ETHNOMUSC
MUSC 529T
keyboard_arrow_downPreliminary studies in the discipline of ethnomusicology, with an emphasis on history and orientations.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Seminar | W | 9:30 - 12:00 | Tenzer, Michael |
Introduction to Ethnomusicology - INTRO/ETHNOMUSC
MUSC 529T
keyboard_arrow_downPreliminary studies in the discipline of ethnomusicology, with an emphasis on history and orientations.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Seminar | W | 9:30 - 12:00 | Tenzer, Michael |
Introduction to Ethnomusicology - INTRO/ETHNOMUSC
MUSC 529T
keyboard_arrow_downPreliminary studies in the discipline of ethnomusicology, with an emphasis on history and orientations. This course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| T_001 | 1 | In-Person | Seminar | T | 13:00 - 15:30 | Tenzer, Michael |
Introduction to Ethnomusicology - An Exploration of Music and Sound Studies
MUSC 529T
keyboard_arrow_downPreliminary studies in the discipline of ethnomusicology, with an emphasis on history and orientations.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| T_001 | 1 | In-Person | Seminar | T | 10:00 - 12:30 | Hesselink, Nathan | Public NotesThis course will introduce students to seminal readings in Music and Sound Studies, an umbrella designation that spans and integrates the fields of musicology, ethnomusicology, music theory, music psychology, digital scholarship, computer-assisted music research, sound studies, and indigenous knowledge systems. Such research includes—but is not limited to—work on music/sound/gesture created by humans, the non-human animal world, nature, and technology as found in performance, play, cognition, composition, artistic display, archival documents, and historical/cultural/religious/scientific thought. |
Topics in Ethnomusicology - ETHNO & REPRSNTN
MUSC 530A
keyboard_arrow_downTopics involving methodology and fieldwork in non-Western traditions. Topics will vary and students should consult the School as to areas of focus in any given term.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Seminar | W | 9:30 - 12:00 | Tenzer, Michael |
Topics in Ethnomusicology - Music of South Asia
MUSC 530B
keyboard_arrow_downTopics involving methodology and fieldwork in non-Western traditions. Topics will vary and students should consult the School as to areas of focus in any given term. This course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| B_001 | 2 | In-Person | Seminar | Th | 13:00 - 15:30 | Peiris, Eshantha |
Topics in Ethnomusicology - ORAL COMPOSITION
MUSC 530C
keyboard_arrow_downTopics involving methodology and fieldwork in non-Western traditions. Topics will vary and students should consult the School as to areas of focus in any given term.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Seminar | W, F | 10:00 - 12:00 | Tenzer, Michael |
Topics in Ethnomusicology - RTH/TIME AFR MUS
MUSC 530D
keyboard_arrow_downTopics involving methodology and fieldwork in non-Western traditions. Topics will vary and students should consult the School as to areas of focus in any given term.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Seminar | W | 15:00 - 17:00 | Gbolonyo, Justice |
Seminar in Ethnomusicology - SEM ETHNMUSCOLGY
MUSC 531B
keyboard_arrow_downResearch studies in selected areas or regions of world music cultures. May be repeated to a maximum of 12 credits if different topics are covered.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Seminar | T | 10:00 - 12:30 | Hesselink, Nathan |
Seminar in Ethnomusicology - RHYTHM POP MUSC
MUSC 531B
keyboard_arrow_downResearch studies in selected areas or regions of world music cultures. May be repeated to a maximum of 12 credits if different topics are covered.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Seminar | T | 10:00 - 12:30 | Hesselink, Nathan | ||||
| 1W1 | 1 | Waiting List | T | 10:00 - 12:30 | Hesselink, Nathan |
Seminar in Ethnomusicology - Korean Drumming in Theory and Practice
MUSC 531B
keyboard_arrow_downResearch studies in selected areas or regions of world music cultures. May be repeated to a maximum of 12 credits if different topics are covered. This course is not eligible for Credit/D/Fail grading. Prerequisite: [MUSC529]
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| B_002 | 2 | In-Person | Seminar | W | 10:00 - 12:30 | Hesselink, Nathan |
Advanced Studies in Music History and Musicology - VERDI'S OPERAS
MUSC 532D
keyboard_arrow_downResearch seminar on a core or emerging topic in music history or musicology. May be repeated to a maximum of 12 credits if different topics are covered.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Seminar | F | 9:30 - 12:00 | Vellutini, Claudio |
Advanced Studies in Music History and Musicology - MUSIC & GENDER
MUSC 532E
keyboard_arrow_downResearch seminar on a core or emerging topic in music history or musicology. May be repeated to a maximum of 12 credits if different topics are covered.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Seminar | M, W | 10:30 - 12:00 | Law, Sin Yan Hedy |
Advanced Studies in Music History and Musicology - GENRE & POP MUSC
MUSC 532I
keyboard_arrow_downResearch seminar on a core or emerging topic in music history or musicology. May be repeated to a maximum of 12 credits if different topics are covered.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Seminar | T | 13:00 - 15:30 | Metzer, David | ||||
| 1W1 | 2 | Waiting List | T | 13:00 - 15:30 | Metzer, David |
Advanced Studies in Music History and Musicology - GENRE & POP MUSC
MUSC 532I
keyboard_arrow_downResearch seminar on a core or emerging topic in music history or musicology. May be repeated to a maximum of 12 credits if different topics are covered.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Seminar | T | 13:00 - 15:30 | Metzer, David | ||||
| 1W1 | 2 | Waiting List | T | Metzer, David |
Advanced Studies in Music History and Musicology - GENRE & POP MUSC
MUSC 532I
keyboard_arrow_downResearch seminar on a core or emerging topic in music history or musicology. May be repeated to a maximum of 12 credits if different topics are covered.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 1W1 | 2 | Waiting List | T | 13:00 - 15:30 | Metzer, David |
Advanced Studies in Music History and Musicology - Queer Music
MUSC 532I
keyboard_arrow_downResearch seminar on a core or emerging topic in music history or musicology. May be repeated to a maximum of 12 credits if different topics are covered.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| I_001 | 2 | In-Person | Seminar | T, Th | 11:30 - 13:00 | Metzer, David | Public NotesTopic: Queer Music: Music and the 2SLGBTQIA+ Imagination With MUSC 403I This course explores how music has captured and shaped the experiences of queer people. It follows queer musical creativity across a range of expressive, sonic, and spatial topics. Class discussions involve how songs have enriched emotional moments of queer joy, tears, tenderness, and rage. The course also considers how music has enlivened spaces for queer dancing and celebration, from the intimate Black and Tan parties of the 1920s to today’s clubs. In addition, songs have built connections--between queer musicians and listeners across time as well as between queer and non-queer listeners. These conversations reveal how music has long offered a way of affirming queer identities and imagining queer futures. A wide range of genres is discussed: pop, hip hop, electronic music, rock, folk, blues, jazz, country, and classical. The emphasis is on English-language music of North America, although other musical and cultural traditions are also presented. Course materials are drawn from music and queer scholarly sources as well as popular culture media, like press articles and podcasts. Assignments include compiling playlists, essays and podcasts dealing with particular issues, and listening quizzes. The class welcomes students with diverse musical backgrounds. The ability to read musical notation is not required; all relevant musical concepts are introduced in class. The course is open to students in both the School of Music and other programs. Students outside of the School of Music should submit a registration request for assistance in registering for the course. https://ubc.ca1.qualtrics.com/jfe/form/SV_bC8hPwIgm9fecPs |
Advanced Studies in Music History and Musicology - CAREER IN MUSIC
MUSC 532J
keyboard_arrow_downResearch seminar on a core or emerging topic in music history or musicology. May be repeated to a maximum of 12 credits if different topics are covered.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Seminar | M, W | 9:30 - 11:00 | Carrabre, Thomas |
Advanced Studies in Music History and Musicology - CAREER IN MUSIC
MUSC 532J
keyboard_arrow_downResearch seminar on a core or emerging topic in music history or musicology. May be repeated to a maximum of 12 credits if different topics are covered.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Seminar | M, W | 9:30 - 11:00 | Carrabre, Thomas |
Advanced Studies in Music History and Musicology - CAREER IN MUSIC
MUSC 532J
keyboard_arrow_downResearch seminar on a core or emerging topic in music history or musicology. May be repeated to a maximum of 12 credits if different topics are covered. This course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| J_001 | 2 | In-Person | Seminar | M, W | 09:30 - 11:00 | Bortolussi, Paolo |
Advanced Studies in Music History and Musicology - Establishing a Career in Music
MUSC 532J
keyboard_arrow_downResearch seminar on a core or emerging topic in music history or musicology. May be repeated to a maximum of 12 credits if different topics are covered.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| J_001 | 2 | In-Person | Seminar | M, W | 09:30 - 11:00 | Bortolussi, Paolo | Public NotesTopic: Establishing a Career in Music With MUSC 444 Best practices of the contemporary business of music, focusing on understanding present market conditions, and on targeting specific opportunities through grant-writing, resume press kits, publicity, recordings, and marketing. |
Advanced Studies in Music History and Musicology - OPERA & POLITICS
MUSC 532K
keyboard_arrow_downResearch seminar on a core or emerging topic in music history or musicology. May be repeated to a maximum of 12 credits if different topics are covered.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Seminar | F | 9:30 - 12:00 | Vellutini, Claudio |
Advanced Studies in Music History and Musicology - Verdi's Operas
MUSC 532K
keyboard_arrow_downResearch seminar on a core or emerging topic in music history or musicology. May be repeated to a maximum of 12 credits if different topics are covered.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| K_001 | 2 | In-Person | Seminar | Th | 13:00 - 15:30 | Vellutini, Claudio | Public NotesTopic: Verdi's Operas With MUSC 430K This course provides a comprehensive introduction to Verdi’s operas and their manifold historical and cultural ramifications. Our approach will be both analytical, focusing in particular on formal and dramaturgical aspects of some of Verdi’s most representative works, as well as centered around specific themes and issues (biography and myth-making, aesthetics, politics, reception, performance practice, contemporary staging). In addition to listening to operas attentively with a score, students will study primary sources (letters, 19th-century newspaper reports and interviews, archival documents), as well as scholarly literature on selected topics. The class format consists of a combination of lecture and discussion on assigned opera excerpts and readings. Assignments include weekly reading responses, short take-home essays, and book review (undergraduate students) or a final research paper (graduate students). Graduate students are also expected to lead class discussions on a regular basis. |
Advanced Studies in Music History and Musicology - 19TH CENT VIENNA
MUSC 532M
keyboard_arrow_downResearch seminar on a core or emerging topic in music history or musicology. May be repeated to a maximum of 12 credits if different topics are covered.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Seminar | W | 13:00 - 15:30 | Vellutini, Claudio |
Advanced Studies in Music History and Musicology - SI RHYTHM & MUSC
MUSC 532M
keyboard_arrow_downResearch seminar on a core or emerging topic in music history or musicology. May be repeated to a maximum of 12 credits if different topics are covered.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Seminar | T, Th | 13:30 - 15:00 | Tenzer, Michael | ||||
| 1W1 | 2 | Waiting List | T, Th | 13:30 - 15:00 | Tenzer, Michael |
Advanced Studies in Music History and Musicology - LANDMRK/SOUNDSCP
MUSC 532T
keyboard_arrow_downResearch seminar on a core or emerging topic in music history or musicology. May be repeated to a maximum of 12 credits if different topics are covered.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Seminar | F | 9:30 - 12:30 | Robinson, Dylan |
Advanced Studies in Music History and Musicology - CRITICAL AFFECT
MUSC 532T
keyboard_arrow_downResearch seminar on a core or emerging topic in music history or musicology. May be repeated to a maximum of 12 credits if different topics are covered.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Seminar | M | 10:00 - 13:00 | |||||
| 1W1 | 2 | Waiting List | M | 10:00 - 13:00 | Robinson, Dylan |
Advanced Studies in Music History and Musicology - BRASS PEDGOG/REP
MUSC 532V
keyboard_arrow_downResearch seminar on a core or emerging topic in music history or musicology. May be repeated to a maximum of 12 credits if different topics are covered.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Seminar | F | 12:00 - 13:30 | Whitney, Valerie |
Advanced Studies in Music History and Musicology - PRFRMNC & RESRCH
MUSC 532W
keyboard_arrow_downResearch seminar on a core or emerging topic in music history or musicology. May be repeated to a maximum of 12 credits if different topics are covered.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Seminar | Th | 10:00 - 12:00 | Ulehla, Julia | ||||
| 1W1 | 2 | Seminar | Th | 10:00 - 12:00 |
Advanced Studies in Music History and Musicology - PRFRMNC & RESRCH
MUSC 532W
keyboard_arrow_downResearch seminar on a core or emerging topic in music history or musicology. May be repeated to a maximum of 12 credits if different topics are covered.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Seminar | Th | 10:00 - 12:00 | Ulehla, Julia |
Advanced Studies in Music History and Musicology - PRFRMNC & RESRCH
MUSC 532W
keyboard_arrow_downResearch seminar on a core or emerging topic in music history or musicology. May be repeated to a maximum of 12 credits if different topics are covered.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Seminar | Th | 10:00 - 12:00 | Ulehla, Julia | ||||
| 1W1 | 1 | Waiting List | Th | 10:00 - 12:00 | Ulehla, Julia |
Advanced Studies in Music History and Musicology - CRTV PRFMNCE PRC
MUSC 532X
keyboard_arrow_downResearch seminar on a core or emerging topic in music history or musicology. May be repeated to a maximum of 12 credits if different topics are covered.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Seminar | Th | 13:00 - 15:00 | Sharon, Rena |
Advanced Studies in Music History and Musicology - CRTV PRFMNCE PRC
MUSC 532X
keyboard_arrow_downResearch seminar on a core or emerging topic in music history or musicology. May be repeated to a maximum of 12 credits if different topics are covered.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Seminar | Th | 13:00 - 15:00 | Multiple instructors | InstructorsSharon, Rena | Thibeault, Marina |
Advanced Studies in Music Theory - CONTEMP MUS THRY
MUSC 533A
keyboard_arrow_downResearch seminar on a core or emerging topic in music theory. May be repeated to a maximum of 12 credits if different topics are covered.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Seminar | F | 13:00 - 15:30 | Roeder, John Barlow |
Advanced Studies in Music Theory - RHYTHM COGNITION
MUSC 533A
keyboard_arrow_downResearch seminar on a core or emerging topic in music theory. May be repeated to a maximum of 12 credits if different topics are covered.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Seminar | W | 13:00 - 15:30 | Van Handel, Leigh |
Advanced Studies in Music Theory - Readings in Contemporary Music Theory
MUSC 533A
keyboard_arrow_downResearch seminar on a core or emerging topic in music theory. May be repeated to a maximum of 12 credits if different topics are covered.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 2 | In-Person | Seminar | F | 13:00 - 15:30 | Van Handel, Leigh | Public NotesTopic: Readings in Contemporary Music Theory |
Advanced Studies in Music Theory - MUSIC&DISABILITY
MUSC 533B
keyboard_arrow_downResearch seminar on a core or emerging topic in music theory. May be repeated to a maximum of 12 credits if different topics are covered.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Seminar | W | 13:00 - 15:30 | Maler, Anabel | ||||
| 1W1 | 2 | Waiting List | W | 13:00 - 15:30 | Maler, Anabel |
Advanced Studies in Music Theory - MUSIC&DISABILITY
MUSC 533B
keyboard_arrow_downResearch seminar on a core or emerging topic in music theory. May be repeated to a maximum of 12 credits if different topics are covered. This course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| B_001 | 2 | In-Person | Seminar | W | 13:00 - 15:30 | Maler, Anabel |
Advanced Studies in Music Theory - World Music Analysis
MUSC 533B
keyboard_arrow_downResearch seminar on a core or emerging topic in music theory. May be repeated to a maximum of 12 credits if different topics are covered.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| B_002 | 1 | In-Person | Seminar | Th | 09:00 - 11:30 | Tenzer, Michael | Public NotesTopic: World Music Analysis With MUSC 403B This course combines cultural, structural-analytical, and comparative approaches to a variety of world music traditions, supported by readings, discussion, and transcription-analysis projects. |
Advanced Studies in Music Theory - GENDER MUSC THRY
MUSC 533C
keyboard_arrow_downResearch seminar on a core or emerging topic in music theory. May be repeated to a maximum of 12 credits if different topics are covered.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Seminar | W | 14:00 - 16:30 | Parsons, Laurel | ||||
| 1W1 | 2 | Waiting List | W | 14:00 - 16:30 | Parsons, Laurel |
Advanced Studies in Music Theory - Experiencing Music: An Introduction to Music Psychology
MUSC 533C
keyboard_arrow_downResearch seminar on a core or emerging topic in music theory. May be repeated to a maximum of 12 credits if different topics are covered.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| C_001 | 1 | In-Person | Seminar | T, Th | 13:00 - 14:30 | Poudrier, Eve | Public NotesTopic: Experiencing Music: An Introduction to Music Psychology With MUSC 403C This course is an introduction to the psychology of music with a special emphasis on the perspective of the practicing musician. Topics covered include: origins and functions of music; basic perceptual mechanisms for musical structures; issues related to music acquisition, performing, and composing music; and the relationship between music, emotion, and well-being. This course is open to undergraduate students of all disciplines. Reading music notation and experience in music making are not necessary, but will enhance your learning experience. |
Advanced Studies in Music Theory - PERIODICITY
MUSC 533D
keyboard_arrow_downResearch seminar on a core or emerging topic in music theory. May be repeated to a maximum of 12 credits if different topics are covered.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Seminar | M | 13:00 - 15:30 | Multiple instructors | InstructorsRoeder, John Barlow | Tenzer, Michael | |||
| 1W1 | 1 | Waiting List | M | Multiple instructors | InstructorsRoeder, John Barlow | Tenzer, Michael |
Advanced Studies in Music Theory - VIDEO GAME MUSIC
MUSC 533D
keyboard_arrow_downResearch seminar on a core or emerging topic in music theory. May be repeated to a maximum of 12 credits if different topics are covered.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Seminar | T, Th | 9:30 - 11:00 | Komaniecki, Robert |
Advanced Studies in Music Theory - VIDEO GAME MUSIC
MUSC 533D
keyboard_arrow_downResearch seminar on a core or emerging topic in music theory. May be repeated to a maximum of 12 credits if different topics are covered. This course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| D_001 | 1 | In-Person | Seminar | M, W | 10:30 - 12:00 | Komaniecki, Robert |
Advanced Studies in Music Theory - Analysis of Video Game Music
MUSC 533D
keyboard_arrow_downResearch seminar on a core or emerging topic in music theory. May be repeated to a maximum of 12 credits if different topics are covered.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| D_001 | 1 | In-Person | Seminar | M, W | 10:30 - 12:00 | Komaniecki, Robert | Public NotesTopic: Analysis of Video Game Music With MUSC 403D This course is intended to increase students’ knowledge of the music of video games, with special consideration paid to the analytical techniques in the growing field of ludomusicology, as well as video game history. At the end of the course, students should demonstrate proficiency in a variety of analytical techniques, and possess knowledge of the craft and technologies that are involved in developing music for games of all eras. Students will also be familiar with musical conventions across various genres of video games, and will be expected to play games, emulated or otherwise, on a regular basis. Open to all graduate students in Music. Other students should contact instructor for permission to register. |
Advanced Studies in Music Theory - EMPIRICAL AESTHETICS: MUSIC&EMOTIONS
MUSC 533E
keyboard_arrow_downResearch seminar on a core or emerging topic in music theory. May be repeated to a maximum of 12 credits if different topics are covered. This course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| E_001 | 2 | In-Person | Seminar | T | 13:00 - 15:30 | Poudrier, Eve |
Advanced Studies in Music Theory - Introduction to Corpus Studies
MUSC 533E
keyboard_arrow_downResearch seminar on a core or emerging topic in music theory. May be repeated to a maximum of 12 credits if different topics are covered.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| E_001 | 2 | In-Person | Seminar | T | 13:00 - 15:30 | Poudrier, Eve | Public NotesTopic: Introduction to Corpus Studies With MUSC 403E In this course, students will engage in reading, discussion, and practical exercises in computer-assisted analysis, with a focus on the Humdrum Toolkit. The course will begin with a review of current methods and issues in corpus studies as well as available corpora. Students will then be introduced to a variety of tools that enable modern scholars to conduct and disseminate music research in a web-based, open-source environment, such as GitHub and Verovio Humdrum Viewer. As students become more fluent with encoding, they will be invited to engage in a collaborative research project. This course is open to students with music experience, including music majors and minors, and students with a strong interest in digital scholarship. Programming experience is not required. |
Advanced Studies in Music Theory - ANLYSIS/FILM MUS
MUSC 533F
keyboard_arrow_downResearch seminar on a core or emerging topic in music theory. May be repeated to a maximum of 12 credits if different topics are covered.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Seminar | M | 13:00 - 15:30 | Parsons, Laurel |
Advanced Studies in Music Theory - ANLYSIS/FILM MUS
MUSC 533F
keyboard_arrow_downResearch seminar on a core or emerging topic in music theory. May be repeated to a maximum of 12 credits if different topics are covered.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Seminar | M | 13:00 - 15:30 | Parsons, Laurel | ||||
| 1W1 | 1 | Waiting List | M | 13:00 - 15:30 | Parsons, Laurel |
Advanced Studies in Music Theory - ANLYSIS/FILM MUS
MUSC 533F
keyboard_arrow_downResearch seminar on a core or emerging topic in music theory. May be repeated to a maximum of 12 credits if different topics are covered. This course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| F_001 | 1 | In-Person | Seminar | W | 13:00 - 15:30 | Parsons, Laurel |
Advanced Studies in Music Theory - Analysis of Film Music
MUSC 533F
keyboard_arrow_downResearch seminar on a core or emerging topic in music theory. May be repeated to a maximum of 12 credits if different topics are covered.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| F_001 | 1 | In-Person | Seminar | W | 13:00 - 15:30 | Parsons, Laurel | Public NotesTopic: Analysis of Film Music With MUSC 403F Analyzing film music requires attention not only to musical structures in isolation, but their functional and expressive roles within the broader visual and narrative structure of an entire film, television episode, or series. Through reading, attentive viewing, and analytical exercises, students will learn to apply their music-theoretical knowledge, aural skills, and film music-specific methodologies in their exploration of music’s powerful impact on the filmic experience |
Advanced Studies in Music Theory - FRNCOPHNE SONG IN NA: SOURCES, IDENTITY&ANLYSIS
MUSC 533G
keyboard_arrow_downResearch seminar on a core or emerging topic in music theory. May be repeated to a maximum of 12 credits if different topics are covered. This course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| G_001 | 2 | In-Person | Seminar | Th | 13:00 - 15:30 | Poudrier, Eve |
Advanced Studies in Music Theory - Francophone Song in North America: Québec
MUSC 533G
keyboard_arrow_downResearch seminar on a core or emerging topic in music theory. May be repeated to a maximum of 12 credits if different topics are covered.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| G_001 | 2 | In-Person | Seminar | Th | 13:00 - 15:30 | Poudrier, Eve | Public NotesTopic: Francophone Song in North America: Chansonniers and Québécois Rock With MUSC 403G This course traces the origin and development of the French diaspora in North America through the poetic songs of the singer-songwriter tradition from the 1950s to today. The influence of rock style on this tradition will be explored through the emergence of the concept album (Jean-Pierre Ferland's Jaune and Harmonium's Les cinq saisons), progressive and popular bands (Offenbach, Harmonium, Beau Dommage, Octobre), and rock opera (Pied-de-poule and Starmania). Students are invited to listen, document, translate, and analyse the features of francophone songs, including poetic texts, vocal style, and musical arrangements in their historical and cultural context. This course is open to students of all disciplines. Reading music notation and experience in music making are not necessary, but will enhance your learning experience. Basic skills in French reading/speaking are strongly encouraged. This course may fulfill requirements in other departments; it is the responsibility of the student to contact their department to seek approval. |
Advanced Studies in Music Theory - JAZZ PIANO ANLYZ
MUSC 533H
keyboard_arrow_downResearch seminar on a core or emerging topic in music theory. May be repeated to a maximum of 12 credits if different topics are covered.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Seminar | W | 9:30 - 12:00 | Tenzer, Michael |
Advanced Studies in Music Theory - INTNSV CTPT
MUSC 533J
keyboard_arrow_downResearch seminar on a core or emerging topic in music theory. May be repeated to a maximum of 12 credits if different topics are covered.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Seminar | T, Th | 11:00 - 12:00 | Roeder, John Barlow |
|
Advanced Studies in Music Theory - COUNTERPOINT
MUSC 533J
keyboard_arrow_downResearch seminar on a core or emerging topic in music theory. May be repeated to a maximum of 12 credits if different topics are covered.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Seminar | M, W | 9:00 - 10:30 | Maler, Anabel | ||||
| 1W1 | 2 | Waiting List | M, W | 9:00 - 10:30 | Maler, Anabel |
Advanced Studies in Music Theory - Modal Counterpoint
MUSC 533M
keyboard_arrow_downResearch seminar on a core or emerging topic in music theory. May be repeated to a maximum of 12 credits if different topics are covered.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| M_002 | 1 | In-Person | Seminar | M, W | 13:00 - 14:30 | Maler, Anabel | Public NotesTopic: Modal Counterpoint With MUSC 414 This course provides training in writing, improvising, singing, and analyzing 16th-century modal counterpoint in two and three parts. Students will be introduced to theoretical ideas found in Renaissance treatises, which they will apply to repertoire examples and to their own compositions. |
Advanced Studies in Music Theory - ANLYSIS/POP MUSC
MUSC 533P
keyboard_arrow_downResearch seminar on a core or emerging topic in music theory. May be repeated to a maximum of 12 credits if different topics are covered.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Seminar | W | 13:00 - 15:30 | Van Handel, Leigh |
Advanced Studies in Music Theory - TXT MUSIC RELAT
MUSC 533R
keyboard_arrow_downResearch seminar on a core or emerging topic in music theory. May be repeated to a maximum of 12 credits if different topics are covered.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Seminar | M | 13:00 - 15:30 | Parsons, Laurel | ||||
| 1W1 | 2 | Waiting List | M | 13:00 - 15:30 | Parsons, Laurel |
Advanced Studies in Music Theory - TXT MUSIC RELAT
MUSC 533R
keyboard_arrow_downResearch seminar on a core or emerging topic in music theory. May be repeated to a maximum of 12 credits if different topics are covered. This course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| R_001 | 2 | In-Person | Seminar | M | 13:00 - 15:30 | Parsons, Laurel |
Advanced Studies in Music Theory - Analyzing Text-Music Relations
MUSC 533R
keyboard_arrow_downResearch seminar on a core or emerging topic in music theory. May be repeated to a maximum of 12 credits if different topics are covered.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| R_001 | 2 | In-Person | Seminar | W | 13:00 - 15:30 | Parsons, Laurel | Public NotesTopic: Analyzing Text-Music Relations With MUSC 403R In this course, students will explore a range of analytical methodologies designed to deepen their understanding of the relations between music and text. Through readings, analytical exercises, and writing projects, students will gain skills in techniques such as critical/hermeneutic analysis; rhythmic and metric analysis of song lyrics; comparison of multiple settings of a single poem; corpus studies; and cross-cultural analysis. Repertoires will include Western music (e.g. art song, choral music, opera), Cantopop, and African “talking drum” traditions. |
Advanced Studies in Music Theory - MUSC THRY PEDGOG
MUSC 533U
keyboard_arrow_downResearch seminar on a core or emerging topic in music theory. May be repeated to a maximum of 12 credits if different topics are covered.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Seminar | Th | 13:00 - 15:30 | Van Handel, Leigh |
Advanced Studies in Music Theory - MUSC THRY PEDGOG
MUSC 533U
keyboard_arrow_downResearch seminar on a core or emerging topic in music theory. May be repeated to a maximum of 12 credits if different topics are covered.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Seminar | Th | 13:00 - 15:30 | Van Handel, Leigh |
Advanced Studies in Music Theory - MUSC THRY PEDGOG
MUSC 533U
keyboard_arrow_downResearch seminar on a core or emerging topic in music theory. May be repeated to a maximum of 12 credits if different topics are covered. This course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| U_001 | 1 | In-Person | Seminar | Th | 12:00 - 14:30 | Van Handel, Leigh |
Advanced Studies in Music Theory - Analyzing Voice(s)
MUSC 533U
keyboard_arrow_downResearch seminar on a core or emerging topic in music theory. May be repeated to a maximum of 12 credits if different topics are covered.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| U_001 | 2 | In-Person | Seminar | W | 09:30 - 12:00 | Maler, Anabel | Public NotesTopic: Analyzing Voice(s) With MUSC 403U This course takes as its subject both “the voice” and specific voices in the latter half of the twentieth century and up until the present day. In building our understanding of voice(s), we will work from the foundational concept that the voice is “both a set of sonic, material, and literary practices shaped by culturally and historically specific moments and a category invoked in discourse about personal agency, cultural authenticity, and political power” (Weidman 2014). We will explore theoretical foundations for analyzing both the general concept of voice and specific voices through repertoire from both art and vernacular musics of various genres, including avant-garde music, electronic music, rock, metal, indie, and folk. Our readings will include philosophical and psychoanalytic perspectives on voice, music-theoretical foundations for the analysis of vocal music, and musicological explorations of the voice’s historical and cultural contexts. Composers under consideration may include Luciano Berio, Karlheinz Stockhausen, Joan La Barbara, Pauline Oliveros, Bob Dylan, Joni Mitchell, Beyoncé, Adele, Caroline Shaw, and many others. |
Advanced Studies in Music Theory - LANGUAGE & MUSC
MUSC 533Y
keyboard_arrow_downResearch seminar on a core or emerging topic in music theory. May be repeated to a maximum of 12 credits if different topics are covered.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Seminar | Th | 13:00 - 15:30 | Van Handel, Leigh |
Advanced Studies in Music Theory - LANGUAGE & MUSC
MUSC 533Y
keyboard_arrow_downResearch seminar on a core or emerging topic in music theory. May be repeated to a maximum of 12 credits if different topics are covered.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Seminar | Th | 13:00 - 15:30 | Van Handel, Leigh | ||||
| 1W1 | 1 | Waiting List | Th | 13:00 - 15:30 | Van Handel, Leigh |
Advanced Studies in Music Theory - LANGUAGE & MUSC
MUSC 533Y
keyboard_arrow_downResearch seminar on a core or emerging topic in music theory. May be repeated to a maximum of 12 credits if different topics are covered. This course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| Y_001 | 2 | Seminar | Th | 13:00 - 15:30 | Van Handel, Leigh |
Art Song: Interpretation, Collaboration, and Performance
MUSC 535
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| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Seminar | F | 13:00 - 15:00 | Sharon, Rena |
Art Song: Interpretation, Collaboration, and Performance
MUSC 535
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| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Seminar | F | 13:00 - 15:00 | Sharon, Rena |
Art Song: Interpretation, Collaboration, and Performance
MUSC 535
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| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Seminar | F | 13:00 - 15:00 | Sharon, Rena |
Art Song: Interpretation, Collaboration, and Performance
MUSC 535
keyboard_arrow_downThis course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Workshop | F | 13:00 - 15:00 | Sharon, Rena |
Art Song: Interpretation, Collaboration, and Performance
MUSC 535
keyboard_arrow_down
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | In-Person | Workshop | F | 13:00 - 15:00 | Sharon, Rena | Public NotesFor Masters degree pianists, this course must be taken in the second year of study. All others may take it at any point in their degree. Song Interpretation 1:00-3:00 Fridays. Open to MMus and DMA Voice, Opera, Piano Performance. Diploma students may be eligible with permission of the instructor. An in-depth study of Art Song interpretation and performance practice. The course has two components: 1) intensive private coachings for duos 2) a monthly performance class with all participants. Students will select their own repertoire interests - song cycles, thematic recital programming, contemporary repertoire, diverse languages and stylistic eras. Emphasis is on the fusion of poetry and musical content, dramatic text-recitation, collaborative partnership and rehearsal skill-building, traditional and alternative performance practice. Those with interests in art song theatre techniques may create/perform staged works. There may be occasional guest instructors for group classes. Maximum number of participants: 8 singers, 4-8 pianists. The course will include weekly rehearsals, two 1-hour coachings per month, and multiple in-class and other performances during the year. |
Seminar in the Literature of Opera - SEM LIT OF OPERA
MUSC 537C
keyboard_arrow_downSpecial topics related to the bibliography, history, repertoire and pedagogy of operatic music.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Seminar | T | 11:00 - 13:00 | Raftery, James |
Seminar in the Literature of Opera - Seminar in the Literature of Opera
MUSC 537C
keyboard_arrow_downSpecial topics related to the bibliography, history, repertoire and pedagogy of operatic music. This course is not eligible for Credit/D/Fail grading. Prerequisite: [MUSC221, MUSC301, MUSC454, MUSC455, MUSC520]
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| C_001 | 1-2 | In-Person | Seminar | T | 11:00 - 13:00 | Raftery, James |
Seminar in the Literature of Opera - Seminar in the Literature of Opera
MUSC 537C
keyboard_arrow_downSpecial topics related to the bibliography, history, repertoire and pedagogy of operatic music. This course is not eligible for Credit/D/Fail grading. Prerequisite: [MUSC221, MUSC301, MUSC454, MUSC455, MUSC520]
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| C_001 | 1-2 | In-Person | Seminar | T | 11:00 - 13:00 | Raftery, James |
Staging and Directing Opera - STAGE&DRCT OPERA
MUSC 538C
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| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Seminar | T | 11:00 - 13:00 | Hermiston, Nancy Jane |
Staging and Directing Opera - STAGE&DRCT OPERA
MUSC 538C
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| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Seminar | T | 11:00 - 13:00 | Hermiston, Nancy Jane |
Staging and Directing Opera - Staging and Directing Opera
MUSC 538C
keyboard_arrow_downPrerequisite: Permission of instructor is required.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| C_001 | 1-2 | In-Person | Workshop | T | 11:00 - 13:00 | Hermiston, Nancy Jane |
Opera Production - OPERA PRODUCTION
MUSC 539C
keyboard_arrow_downStylistic and technical studies and participation in the production of opera performances. May be repeated for credit, in accordance with program requirements.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details | ||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | M, T, W, Th | 12:00 - 15:30 | Hermiston, Nancy Jane |
|
Opera Production - OPERA PRODUCTION
MUSC 539C
keyboard_arrow_downStylistic and technical studies and participation in the production of opera performances. May be repeated for credit, in accordance with program requirements.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details | ||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | M, T, W, Th | 12:00 - 15:30 | Hermiston, Nancy Jane |
|
Opera Production - OPERA PRODUCTION
MUSC 539C
keyboard_arrow_downStylistic and technical studies and participation in the production of opera performances. May be repeated for credit, in accordance with program requirements.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details | ||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | M, T, W, Th | 12:00 - 15:30 | Multiple instructors | InstructorsGrant, Andrea | Hermiston, Nancy Jane
|
Opera Production - OPERA PRODUCTION
MUSC 539C
keyboard_arrow_downStylistic and technical studies and participation in the production of opera performances. May be repeated for credit, in accordance with program requirements. This course is not eligible for Credit/D/Fail grading. Prerequisite: MUSC439
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details | |||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| C_001 | 1-2 | In-Person | Recitation | M, T, W | 16:00 - 19:00 | Multiple instructors | InstructorsGrant, Andrea | Hermiston, Nancy Jane
|
Opera Production - Opera Production
MUSC 539C
keyboard_arrow_downStylistic and technical studies and participation in the production of opera performances. May be repeated for credit, in accordance with program requirements. Prerequisite: MUSC_V 439.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details | ||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| C_001 | 1-2 | In-Person | Recitation | M, T, W, Th | 16:00 - 19:00 | Multiple instructors | Public NotesFor MMUS & DMPS Opera students. For others, the course may be open to special audit. InstructorsGrant, Andrea | Hermiston, Nancy Jane
|
Seminar in Conducting and Repertoire I - CHOR COND&REP I
MUSC 544A
keyboard_arrow_downAdvanced study of conducting techniques and of representative major compositions and literature (earlier historical periods). Emphasis on knowledge and conducting skills that can communicate a thorough understanding of genre, idiom, form, texture, and style, in rehearsal and performance.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Seminar | Multiple instructors | InstructorsJun, Hyejung | Langager, Graeme |
Seminar in Conducting and Repertoire I - CHOR COND&REP I
MUSC 544A
keyboard_arrow_downAdvanced study of conducting techniques and of representative major compositions and literature (earlier historical periods). Emphasis on knowledge and conducting skills that can communicate a thorough understanding of genre, idiom, form, texture, and style, in rehearsal and performance.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Seminar | M | 10:00 - 12:00 |
Seminar in Conducting and Repertoire I - CHOR COND&REP I
MUSC 544A
keyboard_arrow_downAdvanced study of conducting techniques and of representative major compositions and literature (earlier historical periods). Emphasis on knowledge and conducting skills that can communicate a thorough understanding of genre, idiom, form, texture, and style, in rehearsal and performance. This course is not eligible for Credit/D/Fail grading. Prerequisite: Restricted to M.Mus. Conducting (Choral, Orchestral, Wind) or permission of the instructor.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Seminar | M | 12:00 - 14:00 | Multiple instructors | InstructorsJun, Hyejung | Langager, Graeme |
Seminar in Conducting and Repertoire I - ORCH COND&REP I
MUSC 544B
keyboard_arrow_downAdvanced study of conducting techniques and of representative major compositions and literature (earlier historical periods). Emphasis on knowledge and conducting skills that can communicate a thorough understanding of genre, idiom, form, texture, and style, in rehearsal and performance.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Seminar | Girard, Jonathan |
Seminar in Conducting and Repertoire I - ORCH COND&REP I
MUSC 544B
keyboard_arrow_downAdvanced study of conducting techniques and of representative major compositions and literature (earlier historical periods). Emphasis on knowledge and conducting skills that can communicate a thorough understanding of genre, idiom, form, texture, and style, in rehearsal and performance.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Seminar | Girard, Jonathan |
Seminar in Conducting and Repertoire I - Orchestral Conducting & Repertoire I
MUSC 544B
keyboard_arrow_downAdvanced study of conducting techniques and of representative major compositions and literature (earlier historical periods). Emphasis on knowledge and conducting skills that can communicate a thorough understanding of genre, idiom, form, texture, and style, in rehearsal and performance. Prerequisite: Restricted to M.Mus. Conducting (Choral, Orchestral, Wind) or permission of the instructor.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| B_001 | In-Person | Seminar | Girard, Jonathan |
Seminar in Conducting and Repertoire I - WIND COND&REP I
MUSC 544C
keyboard_arrow_downAdvanced study of conducting techniques and of representative major compositions and literature (earlier historical periods). Emphasis on knowledge and conducting skills that can communicate a thorough understanding of genre, idiom, form, texture, and style, in rehearsal and performance.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Seminar | Th | 13:30 - 15:30 | Taylor, Robert |
Seminar in Conducting and Repertoire I - WIND COND&REP I
MUSC 544C
keyboard_arrow_downAdvanced study of conducting techniques and of representative major compositions and literature (earlier historical periods). Emphasis on knowledge and conducting skills that can communicate a thorough understanding of genre, idiom, form, texture, and style, in rehearsal and performance.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Seminar | Th | 13:30 - 15:30 | Taylor, Robert |
Seminar in Conducting and Repertoire II - CHOR COND&REP II
MUSC 545A
keyboard_arrow_downAdvanced study of conducting techniques and of representative major compositions and literature (later historical periods). Emphasis on knowledge and conducting skills that can communicate a thorough understanding of genre, idiom, form, texture, and style, in rehearsal and performance.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Seminar | M | 12:00 - 14:00 | Langager, Graeme |
Seminar in Conducting and Repertoire II - CHOR COND&REP II
MUSC 545A
keyboard_arrow_downAdvanced study of conducting techniques and of representative major compositions and literature (later historical periods). Emphasis on knowledge and conducting skills that can communicate a thorough understanding of genre, idiom, form, texture, and style, in rehearsal and performance.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Seminar | Multiple instructors | InstructorsJun, Hyejung | Langager, Graeme |
Seminar in Conducting and Repertoire II - Choral Conducting and Repertoire II
MUSC 545A
keyboard_arrow_downAdvanced study of conducting techniques and of representative major compositions and literature (later historical periods). Emphasis on knowledge and conducting skills that can communicate a thorough understanding of genre, idiom, form, texture, and style, in rehearsal and performance. Prerequisite: Restricted to M.Mus. Conducting (Choral, Orchestral, Wind) or permission of the instructor.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Seminar | M | 12:00 - 14:00 | Jun, Hyejung |
Seminar in Conducting and Repertoire II - ORCH COND&REP II
MUSC 545B
keyboard_arrow_downAdvanced study of conducting techniques and of representative major compositions and literature (later historical periods). Emphasis on knowledge and conducting skills that can communicate a thorough understanding of genre, idiom, form, texture, and style, in rehearsal and performance.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Seminar | Girard, Jonathan |
Seminar in Conducting and Repertoire II - ORCH COND&REP II
MUSC 545B
keyboard_arrow_downAdvanced study of conducting techniques and of representative major compositions and literature (later historical periods). Emphasis on knowledge and conducting skills that can communicate a thorough understanding of genre, idiom, form, texture, and style, in rehearsal and performance.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Seminar | Girard, Jonathan |
Seminar in Conducting and Repertoire II - ORCH COND&REP II
MUSC 545B
keyboard_arrow_downAdvanced study of conducting techniques and of representative major compositions and literature (later historical periods). Emphasis on knowledge and conducting skills that can communicate a thorough understanding of genre, idiom, form, texture, and style, in rehearsal and performance. Prerequisite: Restricted to M.Mus. Conducting (Choral, Orchestral, Wind) or permission of the instructor.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| B_001 | In-Person | Seminar | Girard, Jonathan |
Seminar in Conducting and Repertoire II - WIND COND&REP II
MUSC 545C
keyboard_arrow_downAdvanced study of conducting techniques and of representative major compositions and literature (later historical periods). Emphasis on knowledge and conducting skills that can communicate a thorough understanding of genre, idiom, form, texture, and style, in rehearsal and performance.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Seminar | Th | 13:30 - 15:30 | Taylor, Robert |
Seminar in Conducting and Repertoire II - WIND COND&REP II
MUSC 545C
keyboard_arrow_downAdvanced study of conducting techniques and of representative major compositions and literature (later historical periods). Emphasis on knowledge and conducting skills that can communicate a thorough understanding of genre, idiom, form, texture, and style, in rehearsal and performance. Prerequisite: Restricted to M.Mus. Conducting (Choral, Orchestral, Wind) or permission of the instructor.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| C_001 | 1 | In-Person | Seminar | M | 08:00 - 10:00 |
Master's Thesis - MASTERS THESIS
MUSC 549A
keyboard_arrow_down
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Thesis | Multiple instructors | InstructorsChan, Amanda | Gillham, David | Griffiths, Vern | Hoy, Patricia | Jarrett, Michael | Langager, Graeme | Reside, Christie | Whitney, Valerie | |||||
| 002 | 1 | Thesis | |||||||
| 003 | 2 | Thesis | |||||||
| 004 | 1-2 | Thesis | Multiple instructors | InstructorsChang Bortolussi, Dorothy | Hamel, Keith | Morlock, Jocelyn |
Master's Thesis - MASTERS THESIS
MUSC 549A
keyboard_arrow_down
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 941 | 1-2 | Thesis | |||||||
| 942 | 1-2 | Thesis | |||||||
| 971 | 2 | Thesis |
Master's Thesis - MASTERS THESIS
MUSC 549A
keyboard_arrow_down
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Thesis | Whitney, Valerie | ||||||
| 002 | 1 | Thesis | |||||||
| 003 | 2 | Thesis | |||||||
| 004 | 1-2 | Thesis | Multiple instructors | InstructorsChang Bortolussi, Dorothy | Hamel, Keith | Morlock, Jocelyn |
Master's Thesis - MASTERS THESIS
MUSC 549A
keyboard_arrow_down
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 941 | 1-2 | Thesis | |||||||
| 942 | 1-2 | Thesis | |||||||
| 971 | 2 | Thesis |
Master's Thesis - MASTERS THESIS
MUSC 549A
keyboard_arrow_down
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Thesis | |||||||
| 002 | 1 | Thesis | |||||||
| 003 | 2 | Thesis | |||||||
| 004 | 1-2 | Thesis | Multiple instructors | InstructorsChang Bortolussi, Dorothy | Hamel, Keith | Morlock, Jocelyn |
Master's Thesis - MASTERS THESIS
MUSC 549A
keyboard_arrow_down
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 941 | 1-2 | Thesis |
Master's Thesis - MASTERS THESIS
MUSC 549A
keyboard_arrow_downThis course is not eligible for Credit/D/Fail grading.
The credit value for this course will be determined in consultation with the student prior to the registration| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | In-Person | Thesis |
Master's Thesis - MASTERS THESIS
MUSC 549A
keyboard_arrow_downThis course is not eligible for Credit/D/Fail grading.
The credit value for this course will be determined in consultation with the student prior to the registration| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_941 | In-Person | Thesis |
Master's Thesis - Master's Thesis - Composition
MUSC 549A
keyboard_arrow_down
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_004 | In-Person | Thesis | Multiple instructors | InstructorsButler, Jennifer | Carrabre, T. Patrick | Chang, Dorothy | |||||
| A_001 | In-Person | Thesis |
Large Instrumental Ensemble - LARGE INST ENSEM
MUSC 550A
keyboard_arrow_downSymphony Orchestra or Wind Ensemble. Open only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details | |||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | Multiple instructors | InstructorsGirard, Jonathan | Taylor, Robert | ||||||||||||||||||||
| T01 | 1-2 | Rehearsal | T, Th | 16:00 - 19:00 | Multiple instructors | InstructorsGirard, Jonathan | Taylor, Robert | ||||||||||||||||||
| T02 | 1-2 | Rehearsal | M, T, W, Th | 16:00 - 19:00 | Multiple instructors | InstructorsGirard, Jonathan | Taylor, Robert
|
Large Instrumental Ensemble - LARGE INST ENSEM
MUSC 550A
keyboard_arrow_downSymphony Orchestra or Wind Ensemble. Open only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details | |||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | S | 16:00 - 19:00 | Multiple instructors | InstructorsBhate, Jaelem | Girard, Jonathan | Taylor, Robert | ||||||||||||||||||
| T01 | 1-2 | Rehearsal | T, Th | 16:00 - 19:00 | Multiple instructors | InstructorsBhate, Jaelem | Girard, Jonathan | Taylor, Robert | ||||||||||||||||||
| T02 | 1-2 | Rehearsal | M, T, W, Th | 16:00 - 19:00 | Multiple instructors | InstructorsBhate, Jaelem | Girard, Jonathan | Taylor, Robert
|
Large Instrumental Ensemble - LARGE INST ENSEM
MUSC 550A
keyboard_arrow_downSymphony Orchestra or Wind Ensemble. Open only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details | |||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | Multiple instructors | InstructorsGirard, Jonathan | Taylor, Robert | ||||||||||||||||||||
| T01 | 1-2 | Rehearsal | T, Th | 16:00 - 19:00 | Multiple instructors | InstructorsGirard, Jonathan | Taylor, Robert | ||||||||||||||||||
| T02 | 1-2 | Rehearsal | M, T, W, Th | 16:00 - 19:00 | Multiple instructors | InstructorsGirard, Jonathan | Swaryandana Ichi Oka, Putu | Taylor, Robert
|
Large Instrumental Ensemble - Large Instrumental Ensemble
MUSC 550A
keyboard_arrow_downSymphony Orchestra or Wind Ensemble. Open only to graduate students. This course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_004 | 1 | In-Person | Recitation | M, W | 15:00 - 18:00 | Multiple instructors | InstructorsGirard, Jonathan | Maclennan, Scott | ||
| A_003 | 1 | In-Person | Recitation | T, Th | 16:00 - 19:00 | Girard, Jonathan |
Large Instrumental Ensemble - Large Instrumental Ensemble
MUSC 550A
keyboard_arrow_downSymphony Orchestra or Wind Ensemble. Open only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Recitation | T, Th | 16:00 - 19:00 | Girard, Jonathan | Public NotesLarge Instrumental Ensemble - UBC Symphony Orchestra Open only to graduate students (see MUSC 150A for 1st and 2nd year registration; MUSC 350A for 3rd and 4th year registration). ENSURE YOU'RE REGISTERED IN THE APPROPRIATE COURSE:
May be repeated for credit. Open to other students by audition, with credit, as stipulated by their faculties. While every effort is made to place students in appropriate ensembles based upon audition results, those taking this course as an elective are advised to have an alternate course ready in the unlikely case where an ensemble placement is not available. Entrance by audition each September. For more info: http://music.ubc.ca/student-ensembles IMPORTANT: Consent to Use Image or Recording
|
Large Instrumental Ensemble - Large Instrumental Ensemble
MUSC 550B
keyboard_arrow_downSymphony Orchestra or Wind Ensemble. Open only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details | |||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| B_001 | 1 | In-Person | Recitation | M, T, W, Th | 15:00 - 18:00 | Public NotesLarge Instrumental Ensemble - UBC Symphonic Winds Ensemble Open only to graduate students (see MUSC 150B for 1st and 2nd year registration; MUSC 350B for 3rd and 4th year registration). ENSURE YOU'RE REGISTERED IN THE APPROPRIATE COURSE:
May be repeated for credit. Open to other students by audition, with credit, as stipulated by their faculties. While every effort is made to place students in appropriate ensembles based upon audition results, those taking this course as an elective are advised to have an alternate course ready in the unlikely case where an ensemble placement is not available. Entrance by audition each September. For more info: http://music.ubc.ca/student-ensembles IMPORTANT: Consent to Use Image or Recording
|
Large Instrumental Ensemble - LARGE INST ENSEM
MUSC 550C
keyboard_arrow_downSymphony Orchestra or Wind Ensemble. Open only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | M, W | 18:00 - 20:00 | Amarshi, Imran |
Large Instrumental Ensemble - LARGE INST ENSEM
MUSC 550C
keyboard_arrow_downSymphony Orchestra or Wind Ensemble. Open only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | M, W | 18:00 - 20:00 | Multiple instructors | InstructorsBhate, Jaelem | Taylor, Robert |
Large Instrumental Ensemble - LARGE INST ENSEM
MUSC 550C
keyboard_arrow_downSymphony Orchestra or Wind Ensemble. Open only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | M, W | 18:00 - 20:00 | Bhate, Jaelem |
Large Instrumental Ensemble - Large Instrumental Ensemble
MUSC 550C
keyboard_arrow_downSymphony Orchestra or Wind Ensemble. Open only to graduate students. This course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| C_001 | 1 | In-Person | Recitation | M, W | 18:00 - 20:00 | Chen, Meijun |
Large Instrumental Ensemble - Large Instrumental Ensemble
MUSC 550C
keyboard_arrow_downSymphony Orchestra or Wind Ensemble. Open only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| C_001 | 1 | In-Person | Recitation | M, W | 18:00 - 20:00 | Chen, Meijun | Public NotesLarge Instrumental Ensemble - UBC Concert Winds Open only to graduate students (see MUSC 150C for 1st and 2nd year registration; MUSC 350C for 3rd and 4th year registration) Open to non-music majors and secondary concentrators who are performers on woodwinds, brass, or percussion. Open to other students by audition, with credit, as stipulated by their faculties. May be repeated for credit. The ensemble rehearses MW 6-8:00 and makes four performances each year, with the majority of concerts taking place in the Chan Centre. While every effort is made to place students in appropriate ensembles based upon audition results, those taking this course as an elective are advised to have an alternate course ready in the unlikely case where an ensemble placement is not available. Entrance by audition each September. For more info: https://music.ubc.ca/about/student-ensembles/ IMPORTANT: Consent to Use Image or Recording
|
University Singers
MUSC 553
keyboard_arrow_downOpen only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | M, W, Th | 13:00 - 15:00 | Langager, Graeme |
|
University Singers
MUSC 553
keyboard_arrow_downOpen only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | M, W, Th | 13:00 - 15:00 | Langager, Graeme |
|
University Singers
MUSC 553
keyboard_arrow_downOpen only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | M, W, Th | 13:00 - 15:00 | Langager, Graeme |
|
University Singers - University Singers
MUSC 553A
keyboard_arrow_downOpen only to graduate students. This course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Recitation | M, W, Th | 13:00 - 15:00 | Langager, Graeme |
|
University Singers - University Singers
MUSC 553A
keyboard_arrow_downOpen only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details | |||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Recitation | M, W, Th | 15:00 - 16:30 | Jun, Hyejung | Public NotesFor graduate students (see MUSC 453A for 3rd and 4th year undergraduate; see MUSC 153A for 1st and 2nd year undergraduates). OPEN TO NON-MUSIC STUDENTS: How do I register for ensembles? For most ensembles an audition is required to secure your place. During the audition you play or sing a prepared piece for the conductor. Auditions for ensembles take place at the beginning of each academic year. Additional information regarding auditions can be found here: https://music.ubc.ca/about/student-ensembles/
|
University Choral Union
MUSC 554
keyboard_arrow_downOpen only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | T, Th | 17:00 - 19:00 | Langager, Graeme |
University Choral Union
MUSC 554
keyboard_arrow_downOpen only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | T, Th | 17:00 - 19:00 | Multiple instructors | InstructorsJun, Hyejung | Langager, Graeme |
University Choral Union
MUSC 554
keyboard_arrow_downOpen only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | T, Th | 17:00 - 19:00 | Jun, Hyejung |
University Choral Union - University Choral Union
MUSC 554A
keyboard_arrow_downOpen only to graduate students. This course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Recitation | T, Th | 17:00 - 19:00 | Jun, Hyejung |
University Choral Union - University Choral Union
MUSC 554A
keyboard_arrow_downOpen only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Recitation | T, Th | 17:00 - 19:00 | Jun, Hyejung | Public NotesFor graduate students (see MUSC 454A for 3rd and 4th year undergraduates; see MUSC 154A for 1st and 2nd year undergraduates). |
Vocal Chamber Ensemble
MUSC 556
keyboard_arrow_downOpen only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | Th | 19:00 - 21:30 | Langager, Graeme | ||||
| 002 | 1-2 | Rehearsal | Th | 19:00 - 21:30 | Langager, Graeme | ||||
| 003 | 1-2 | Rehearsal | M, W | 16:30 - 18:00 | Langager, Graeme |
Vocal Chamber Ensemble
MUSC 556
keyboard_arrow_downOpen only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | Th | 19:00 - 21:30 | Langager, Graeme | ||||
| 002 | 1-2 | Rehearsal | Th | 19:00 - 21:30 | Langager, Graeme | ||||
| 003 | 1-2 | Rehearsal | M, W | 16:30 - 18:00 | Langager, Graeme |
Vocal Chamber Ensemble
MUSC 556
keyboard_arrow_downOpen only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | Th | 19:00 - 21:30 | Multiple instructors | InstructorsJun, Hyejung | Langager, Graeme | |||
| 002 | 1-2 | Rehearsal | Th | 19:00 - 21:30 | Multiple instructors | InstructorsJun, Hyejung | Langager, Graeme | |||
| 003 | 1-2 | Rehearsal | M, W | 16:30 - 18:00 | Multiple instructors | InstructorsJun, Hyejung | Langager, Graeme |
Vocal Chamber Ensemble - ORIANA
MUSC 556A
keyboard_arrow_downOpen only to graduate students. This course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Recitation | Th | 19:00 - 21:30 | Multiple instructors | InstructorsJun, Hyejung | Langager, Graeme |
Vocal Chamber Ensemble - Oriana
MUSC 556A
keyboard_arrow_downOpen only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Recitation | Th | 19:00 - 21:30 | Public NotesOriana For graduate students (see MUSC 456A for 3rd and 4th year undergraduate; see MUSC 156A for 1st and 2nd year undergraduates). OPEN TO NON-MUSIC STUDENTS: How do I register for ensembles? For most ensembles an audition is required to secure your place. During the audition you play or sing a prepared piece for the conductor. Auditions for ensembles take place at the beginning of each academic year. Additional information regarding auditions can be found here: https://music.ubc.ca/about/student-ensembles/ |
Vocal Chamber Ensemble - VOX
MUSC 556B
keyboard_arrow_downOpen only to graduate students. This course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| B_001 | 1 | In-Person | Recitation | Th | 19:00 - 21:30 | Multiple instructors | InstructorsJun, Hyejung | Langager, Graeme |
Vocal Chamber Ensemble - Vox
MUSC 556B
keyboard_arrow_downOpen only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| B_001 | 1 | In-Person | Recitation | Th | 19:00 - 21:30 | Public NotesVox For graduate students (see MUSC 456B for 3rd and 4th year undergraduate; see MUSC 156B for 1st and 2nd year undergraduates). OPEN TO NON-MUSIC STUDENTS: How do I register for ensembles? For most ensembles an audition is required to secure your place. During the audition you play or sing a prepared piece for the conductor. Auditions for ensembles take place at the beginning of each academic year. Additional information regarding auditions can be found here: https://music.ubc.ca/about/student-ensembles/ |
Vocal Chamber Ensemble - VOCAL CHBR ENSMB
MUSC 556C
keyboard_arrow_downOpen only to graduate students. This course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| C_001 | 1 | In-Person | Recitation | M, W | 16:30 - 18:00 | Multiple instructors | InstructorsJun, Hyejung | Langager, Graeme |
Vocal Chamber Ensemble - Chamber Choir
MUSC 556C
keyboard_arrow_downOpen only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| C_001 | 1 | In-Person | Recitation | M, W | 16:30 - 18:00 | Jun, Hyejung | Public NotesChamber Choir For 1st and 2nd year undergraduates (see MUSC 456C for 3rd and 4th year registration; 556C 003 for graduate registration). OPEN TO NON-MUSIC STUDENTS: How do I register for ensembles? For most ensembles an audition is required to secure your place. During the audition you play or sing a prepared piece for the conductor. Auditions for ensembles take place at the beginning of each academic year. Additional information regarding auditions can be found here: https://music.ubc.ca/about/student-ensembles/ |
Early Music Ensemble
MUSC 557
keyboard_arrow_downOpen only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | M, W | 13:00 - 15:00 | Multiple instructors | InstructorsFisher, Alexander John | Weimann, Alexander |
Early Music Ensemble
MUSC 557
keyboard_arrow_downOpen only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | M, W | 13:00 - 15:00 | Multiple instructors | InstructorsFisher, Alexander John | Hutten, Christina | Weimann, Alexander |
Early Music Ensemble
MUSC 557
keyboard_arrow_downOpen only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | M, W | 12:00 - 13:00 | Hutten, Christina |
|
Early Music Ensemble - Early Music Ensemble
MUSC 557A
keyboard_arrow_downOpen only to graduate students. This course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Recitation | M, W | 13:00 - 15:00 | Multiple instructors | InstructorsHutten, Christina | Weimann, Alexander |
Early Music Ensemble - Early Music Ensemble
MUSC 557A
keyboard_arrow_downOpen only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Recitation | M, W | 13:00 - 15:00 | Multiple instructors | Public NotesIncludes a variety of ensembles performing music of the Medieval, Renaissance, and Baroque periods. Includes the Baroque Orchestra Mentorship Programme, in partnership with Early Music Vancouver and the Pacific Baroque Orchestra. Coaches: Alex Weimann, Chloe Meyers, Natalie Mackie, and others TBA. Students rehearse two hours per week. Alternative rehearsal times may be organized if necessary. For registration conflicts, please contact the instructor. NON-MUSIC STUDENTS with relevant skill, knowledge, and experience may request permission of the instructor to register. An audition will be required at the beginning of term. InstructorsHutten, Christina | Weimann, Alexander |
University Chamber Strings
MUSC 559
keyboard_arrow_downOpen only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | M, F | 16:00 - 18:00 | Wilson, Eric |
University Chamber Strings
MUSC 559
keyboard_arrow_downOpen only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | M, F | 16:00 - 18:00 | Wilson, Eric |
University Chamber Strings
MUSC 559
keyboard_arrow_downOpen only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | M, F | 16:00 - 18:00 | Wilson, Eric |
String Chamber Ensembles - STR CHAMB ENS
MUSC 560A
keyboard_arrow_downOpen only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | M, W, F | 15:00 - 18:00 | Multiple instructors | InstructorsGillham, David | Thibeault, Marina | Wilson, Eric | Wood, Jasper |
String Chamber Ensembles - STR CHAMB ENS
MUSC 560A
keyboard_arrow_downOpen only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | M, W, F | 15:00 - 18:00 | Multiple instructors | InstructorsGillham, David | Thibeault, Marina | Wilson, Eric | Wood, Jasper |
String Chamber Ensembles - STR CHAMB ENS
MUSC 560A
keyboard_arrow_downOpen only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | M, W, F | 15:00 - 18:00 | Multiple instructors | InstructorsGillham, David | Wilson, Eric | Wood, Jasper |
String Chamber Ensembles - STR CHAMB ENS
MUSC 560A
keyboard_arrow_downOpen only to graduate students. This course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Recitation | M, W, F | 15:00 - 18:00 | Multiple instructors | InstructorsDavis, Ryan | Wood, Jasper |
String Chamber Ensembles - String Chamber Ensemble
MUSC 560A
keyboard_arrow_downOpen only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Recitation | M, W, F | 15:00 - 18:00 | Multiple instructors | Public NotesGraduate Strings ORIN students register in MUSC 560A. The course focuses on small ensemble combinations (trios, quartets, etc.) which will be formed in September. A regular coaching time will then be assigned to each small ensemble during the indicated hours. Each ensemble should also schedule regular rehearsal time(s) during these hours. OPEN TO NON-MUSIC STUDENTS: How do I register for ensembles? For most ensembles an audition is required to secure your place. During the audition you play or sing a prepared piece for the conductor. Auditions for ensembles take place at the beginning of each academic year. https://music.ubc.ca/about/student-ensembles/ InstructorsDavis, Ryan | Wood, Jasper |
String Chamber Ensembles - GUITAR CHMBR ENS
MUSC 560E
keyboard_arrow_downOpen only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | T | 15:00 - 17:00 | Pearson, Alec |
String Chamber Ensembles - GUITAR CHMBR ENS
MUSC 560E
keyboard_arrow_downOpen only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | T | 15:00 - 17:00 | Pearson, Alec |
String Chamber Ensembles - GUITAR CHMBR ENS
MUSC 560E
keyboard_arrow_downOpen only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | T | 15:00 - 17:00 | Pearson, Alec |
String Chamber Ensembles - GUITAR CHMBR ENS
MUSC 560E
keyboard_arrow_downOpen only to graduate students. This course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| E_001 | 1 | In-Person | Recitation | T | 15:00 - 17:00 | Pearson, Alec |
String Chamber Ensembles - Guitar Chamber Ensemble
MUSC 560E
keyboard_arrow_downOpen only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| E_001 | 1 | In-Person | Recitation | T | 15:00 - 17:00 | Pearson, Alec | Public NotesGuitar Chamber Ensemble Open only to graduate students. See MUSC 160E for 1st and 2nd year registration; MUSC 360E for 3rd and 4th year registration) MMUS Guitar students - please reach out to music.advisor@ubc.ca for support with registration. OPEN TO NON-MUSIC STUDENTS: How do I register for ensembles? For most ensembles an audition is required to secure your place. During the audition you play or sing a prepared piece for the conductor. Auditions for ensembles take place at the beginning of each academic year. https://music.ubc.ca/about/student-ensembles/ |
Piano Chamber Ensembles - PIANO CHAMB ENS
MUSC 561A
keyboard_arrow_downOpen only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | M, W | 15:00 - 18:00 | Multiple instructors | InstructorsDawson, Terence | Fung, David | Hoy, Patricia | Mares, Michelle | Sharon, Rena | Wilkins, Miranda Ting Wai Wong |
Piano Chamber Ensembles - PIANO CHAMB ENS
MUSC 561A
keyboard_arrow_downOpen only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | M, W | 15:00 - 18:00 | Multiple instructors | InstructorsAnderson, Leonard | Dawson, Terence | Fung, David | Hamm, Corey | Sharon, Rena | Wilkins, Miranda Ting Wai Wong |
Piano Chamber Ensembles - PIANO CHAMB ENS
MUSC 561A
keyboard_arrow_downOpen only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | M, W | 15:00 - 18:00 | Multiple instructors | InstructorsAnderson, Leonard | Dawson, Terence | Fung, David | Sharon, Rena | Wilkins, Miranda Ting Wai Wong |
Piano Chamber Ensembles - Piano Chamber Ensembles
MUSC 561A
keyboard_arrow_downOpen only to graduate students. This course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Recitation | M, W | 15:00 - 18:00 | Multiple instructors | InstructorsChan, Amanda | Sharon, Rena | Weng, Wayne | Wilkins, Miranda Ting Wai Wong | Wong, Lucas |
Piano Chamber Ensembles - Piano Chamber Ensembles
MUSC 561A
keyboard_arrow_downOpen only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Recitation | M, W | 15:00 - 18:00 | Sharon, Rena | Public NotesSmall chamber music ensembles for piano and other instruments are formed in September, and regular coaching times will be assigned during the hours indicated on this schedule (alternative times may be possible as needed to accommodate all ensemble members). Please keep as many of the specified hours available as possible in your personal course schedule. In addition to coachings, each ensemble should also schedule regular rehearsal time(s) during these hours. Students needing additional chamber ensemble credit and related hours may be able to register for additional credit in September, pending approval from the Division. Please note, in general, MMus 1st year pianists should not enrol in 561 in the same year as 521D. If there are specific reasons for taking those courses synchronously, please contact Prof. Rena Sharon for consultation prior to registration. rena.sharon@ ubc.ca DMA students interested in professional chamber music trajectories are encouraged to register for 561 in each year so as to build repertoire experience. Song Interpretation 535 and/or 521D Chamber Music and Performance Practice are also recommended. DMA students preparing their Chamber Music required recitals are strongly recommended to enrol in 561 during that year, with approval of principal piano professor. Please contact Prof. Sharon to discuss protocols and content of the course if you are not already familiar with its protocols. rena.sharon@ubc.ca |
Wind and Percussion Chamber Ensembles - WIND CHAMB ENS
MUSC 562A
keyboard_arrow_downOpen only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | Multiple instructors | InstructorsFranch Ballester, Jose | Nolan, Julia |
Wind and Percussion Chamber Ensembles - WIND CHAMB ENS
MUSC 562A
keyboard_arrow_downOpen only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | Franch Ballester, Jose |
Wind and Percussion Chamber Ensembles - WIND CHAMB ENS
MUSC 562A
keyboard_arrow_downOpen only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | Franch Ballester, Jose |
Wind and Percussion Chamber Ensembles - WIND CHAMB ENS
MUSC 562A
keyboard_arrow_downOpen only to graduate students. This course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | In-Person | Recitation | Multiple instructors | InstructorsBortolussi, Paolo | Franch Ballester, Jose |
Wind and Percussion Chamber Ensembles - Wind Chamber Ensemble
MUSC 562A
keyboard_arrow_downOpen only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | In-Person | Recitation | Multiple instructors | Public NotesWoodwind Chamber Ensembles Open only to graduate students. See MUSC 162A for 1st and 2nd year registration; MUSC 362A for 3rd and 4th year registration. OPEN TO NON-MUSIC STUDENTS: How do I register for ensembles? For most ensembles an audition is required to secure your place. During the audition you play or sing a prepared piece for the conductor. Auditions for ensembles take place at the beginning of each academic year. https://music.ubc.ca/about/student-ensembles/ InstructorsBortolussi, Paolo | Franch Ballester, Jose |
Wind and Percussion Chamber Ensembles - BRASS CHAMB ENS
MUSC 562B
keyboard_arrow_downOpen only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | T, Th | 13:00 - 15:00 | Multiple instructors | InstructorsBerkman, Jeremy | Whitney, Valerie |
Wind and Percussion Chamber Ensembles - BRASS CHAMB ENS
MUSC 562B
keyboard_arrow_downOpen only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | T, Th | 13:00 - 15:00 | Whitney, Valerie |
Wind and Percussion Chamber Ensembles - BRASS CHAMB ENS
MUSC 562B
keyboard_arrow_downOpen only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | T | 13:00 - 15:00 | Whitney, Valerie |
Wind and Percussion Chamber Ensembles - BRASS CHAMB ENS
MUSC 562B
keyboard_arrow_downOpen only to graduate students. This course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| B_001 | 1 | In-Person | Recitation | T | 13:00 - 15:00 | Multiple instructors | InstructorsBerkman, Jeremy | Bortolussi, Paolo | Poirier, Andrew |
Wind and Percussion Chamber Ensembles - Brass Chamber Ensemble
MUSC 562B
keyboard_arrow_downOpen only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| B_001 | 1 | In-Person | Recitation | T | 13:00 - 15:00 | Whitney, Valerie | Public NotesBrass Chamber Ensembles Open only to graduate students. See MUSC 162B for 1st and 2nd year registration; MUSC 362B for 3rd and 4th year registration) OPEN TO NON-MUSIC STUDENTS: How do I register for ensembles? For most ensembles an audition is required to secure your place. During the audition you play or sing a prepared piece for the conductor. Auditions for ensembles take place at the beginning of each academic year. https://music.ubc.ca/about/student-ensembles/ |
Wind and Percussion Chamber Ensembles - WIND CHAM ENS SX
MUSC 562C
keyboard_arrow_downOpen only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | F | 15:30 - 17:00 | Nolan, Julia |
Wind and Percussion Chamber Ensembles - WIND CHAM ENS SX
MUSC 562C
keyboard_arrow_downOpen only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | F | 15:30 - 17:00 | Nolan, Julia |
Wind and Percussion Chamber Ensembles - WIND CHAM ENS SX
MUSC 562C
keyboard_arrow_downOpen only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | F | 15:30 - 17:00 | Nolan, Julia |
Wind and Percussion Chamber Ensembles - WIND CHAM ENS SX
MUSC 562C
keyboard_arrow_downOpen only to graduate students. This course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| C_001 | 1 | In-Person | Recitation | F | 15:30 - 17:00 | Nolan, Julia |
Wind and Percussion Chamber Ensembles - Saxophone Chamber Ensemble
MUSC 562C
keyboard_arrow_downOpen only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| C_001 | 1 | In-Person | Recitation | F | 15:30 - 17:00 | Nolan, Julia | Public NotesSaxophone Chamber Ensembles Open only to graduate students. See MUSC 162C for 1st and 2nd year registration; MUSC 362C for 3rd and 4th year registration) OPEN TO NON-MUSIC STUDENTS: How do I register for ensembles? For most ensembles an audition is required to secure your place. During the audition you play or sing a prepared piece for the conductor. Auditions for ensembles take place at the beginning of each academic year. https://music.ubc.ca/about/student-ensembles/ |
Wind and Percussion Chamber Ensembles - WIND CHAM ENS PC
MUSC 562E
keyboard_arrow_downOpen only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | T | 13:00 - 15:30 | Griffiths, Vern |
Wind and Percussion Chamber Ensembles - WIND CHAM ENS PC
MUSC 562E
keyboard_arrow_downOpen only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | T | 13:00 - 15:30 | Griffiths, Vern |
Wind and Percussion Chamber Ensembles - WIND CHAM ENS PC
MUSC 562E
keyboard_arrow_downOpen only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | T | 13:00 - 15:30 | Griffiths, Vern |
Wind and Percussion Chamber Ensembles - WIND CHAM ENS PC
MUSC 562E
keyboard_arrow_downOpen only to graduate students. This course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| E_001 | 1 | In-Person | Recitation | T | 13:00 - 15:30 | Griffiths, Vern |
Wind and Percussion Chamber Ensembles - Percussion Chamber Ensemble
MUSC 562E
keyboard_arrow_downOpen only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| E_001 | 1 | In-Person | Recitation | T | 13:00 - 15:30 | Public NotesPercussion Chamber Ensembles Open only to graduate students. See MUSC 162E for 1st and 2nd year registration; MUSC 362E for 3rd and 4th year registration) OPEN TO NON-MUSIC STUDENTS: How do I register for ensembles? For most ensembles an audition is required to secure your place. During the audition you play or sing a prepared piece for the conductor. Auditions for ensembles take place at the beginning of each academic year. https://music.ubc.ca/about/student-ensembles/ |
Contemporary Players
MUSC 563
keyboard_arrow_downOpen only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | M, W, F | 14:00 - 15:00 | Bortolussi, Paolo |
Contemporary Players
MUSC 563
keyboard_arrow_downOpen only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | M, W, F | 14:00 - 15:00 | Bortolussi, Paolo | ||||
| 1W1 | 1-2 | Waiting List | M, W, F | Bortolussi, Paolo |
Contemporary Players
MUSC 563
keyboard_arrow_downOpen only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | M, W, F | 14:00 - 15:00 | Bortolussi, Paolo |
Contemporary Players - Contemporary Players
MUSC 563A
keyboard_arrow_downOpen only to graduate students. This course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Recitation | M, W, F | 14:00 - 15:00 | Bortolussi, Paolo |
Contemporary Players - Contemporary Players
MUSC 563A
keyboard_arrow_downOpen only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Recitation | M, W, F | 14:00 - 15:00 | Bortolussi, Paolo | Public NotesOpen only to graduate students. See MUSC 163 for 1st and 2nd year registration; MUSC 463 for 3rd and 4th year registration) OPEN TO NON-MUSIC STUDENTS: How do I register for ensembles? For most ensembles an audition is required to secure your place. During the audition you play or sing a prepared piece for the conductor. Auditions for ensembles take place at the beginning of each academic year. https://music.ubc.ca/about/student-ensembles/ |
Jazz Ensemble
MUSC 564
keyboard_arrow_downOpen only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | T | 19:30 - 21:30 | Stride, Frederick |
Jazz Ensemble
MUSC 564
keyboard_arrow_downOpen only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | T | 19:30 - 21:30 | Stride, Frederick | ||||
| 002 | 1-2 | Rehearsal | T | 20:00 - 22:00 | Esson, Dennis |
Jazz Ensemble
MUSC 564
keyboard_arrow_downOpen only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | T | 20:00 - 22:00 | Henriques, Benjamin |
Jazz Ensemble - Jazz Ensemble
MUSC 564A
keyboard_arrow_downOpen only to graduate students. This course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Recitation | T | 20:00 - 22:00 | Henriques, Benjamin |
Jazz Ensemble - Jazz Ensemble
MUSC 564A
keyboard_arrow_downOpen only to graduate students.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Recitation | T | 20:00 - 22:00 | Public NotesOpen only to graduate students. See MUSC 164 for 1st and 2nd year registration; 464 for 3rd and 4th year registration. OPEN TO NON-MUSIC STUDENTS: How do I register for ensembles? For most ensembles an audition is required to secure your place. During the audition you play or sing a prepared piece for the conductor. Auditions for ensembles take place at the beginning of each academic year. https://music.ubc.ca/about/student-ensembles/ |
World Music Ensembles - CHIN INSTRMTL EN
MUSC 565A
keyboard_arrow_downTraining on traditional instruments and their techniques, with emphasis on ensemble performance. Different sections focus on the music of different cultures, e.g., Bali, China, Ghana, Korea.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | T, Th | 13:30 - 15:00 | Wong, Gloria Ngar-yan |
World Music Ensembles - CHIN INSTRMTL EN
MUSC 565A
keyboard_arrow_downTraining on traditional instruments and their techniques, with emphasis on ensemble performance. Different sections focus on the music of different cultures, e.g., Bali, China, Ghana, Korea.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | T, Th | 13:30 - 15:00 | Multiple instructors | InstructorsWong, Gloria Ngar-yan | Yu, Zhimin |
World Music Ensembles - CHIN INSTRMTL EN
MUSC 565A
keyboard_arrow_downTraining on traditional instruments and their techniques, with emphasis on ensemble performance. Different sections focus on the music of different cultures, e.g., Bali, China, Ghana, Korea.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | T, Th | 13:30 - 15:00 | Multiple instructors | InstructorsWong, Gloria Ngar-yan | Yu, Zhimin |
World Music Ensembles - CHIN INSTRMTL EN
MUSC 565A
keyboard_arrow_downTraining on traditional instruments and their techniques, with emphasis on ensemble performance. Different sections focus on the music of different cultures, e.g., Bali, China, Ghana, Korea. This course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Recitation | T, Th | 13:30 - 15:00 | Multiple instructors | InstructorsWong, Gloria Ngar-yan | Yu, Zhimin |
World Music Ensembles - Chinese Instrumental Ensemble
MUSC 565A
keyboard_arrow_downTraining on traditional instruments and their techniques, with emphasis on ensemble performance. Different sections focus on the music of different cultures, e.g., Bali, China, Ghana, Korea.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Recitation | T, Th | 13:30 - 15:00 | Multiple instructors | Public NotesCHINESE INSTRUMENTAL ENSEMBLE Students do not need to know how to play a Chinese instrument to join this ensemble. Non music students, please contact the instructor in advance for an interview to assess your suitability for this class. InstructorsWong, Gloria Ngar-yan | Yu, Zhimin |
World Music Ensembles - BALINSE GAMLN EN
MUSC 565B
keyboard_arrow_downTraining on traditional instruments and their techniques, with emphasis on ensemble performance. Different sections focus on the music of different cultures, e.g., Bali, China, Ghana, Korea.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | W, F | 13:00 - 15:00 | Tenzer, Michael |
World Music Ensembles - BALINSE GAMLN EN
MUSC 565B
keyboard_arrow_downTraining on traditional instruments and their techniques, with emphasis on ensemble performance. Different sections focus on the music of different cultures, e.g., Bali, China, Ghana, Korea.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | W, F | 13:00 - 15:00 | Tenzer, Michael |
World Music Ensembles - BALINSE GAMLN EN
MUSC 565B
keyboard_arrow_downTraining on traditional instruments and their techniques, with emphasis on ensemble performance. Different sections focus on the music of different cultures, e.g., Bali, China, Ghana, Korea.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | W, F | 13:00 - 15:00 | Multiple instructors | InstructorsSwaryandana Ichi Oka, Putu | Tenzer, Michael |
World Music Ensembles - BALINSE GAMLN EN
MUSC 565B
keyboard_arrow_downTraining on traditional instruments and their techniques, with emphasis on ensemble performance. Different sections focus on the music of different cultures, e.g., Bali, China, Ghana, Korea. This course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| B_001 | 1 | In-Person | Recitation | W, F | 13:00 - 15:00 | Multiple instructors | InstructorsOka, I Putu Swaryandana Ichi | Tenzer, Michael |
World Music Ensembles - Balinese Gamelan Ensemble
MUSC 565B
keyboard_arrow_downTraining on traditional instruments and their techniques, with emphasis on ensemble performance. Different sections focus on the music of different cultures, e.g., Bali, China, Ghana, Korea.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| B_001 | 1 | In-Person | Recitation | W, F | 13:00 - 15:00 | Multiple instructors | Public NotesBALINESE GAMELAN ENSEMBLE For graduate students (see MUSC 165B for 1st and 2nd year registration, 466B for 3rd and 4th year registration). OPEN TO NON-MUSIC STUDENTS: The gamelan is open to all without audition.Max enrolment of 6 students, with permission from the instructor. InstructorsOka, I Putu Swaryandana Ichi | Tenzer, Michael |
World Music Ensembles - Korean Drumming Ensemble
MUSC 565C
keyboard_arrow_downTraining on traditional instruments and their techniques, with emphasis on ensemble performance. Different sections focus on the music of different cultures, e.g., Bali, China, Ghana, Korea.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| C_001 | 1 | In-Person | Recitation | T, Th | 15:30 - 17:00 | Hesselink, Nathan | Public NotesKorean Drumming Ensemble For graduate students (see MUSC 165D for 1st and 2nd year registration; 466D for 3rd and 4th year registration). OPEN TO NON-MUSIC STUDENTS: How do I register for ensembles? The course is open to all without audition. This course represents the year-long practical study of the Korean tradition of folk drumming and dance known as p’ungmul. Composed of a core set of two gongs (soe/kkwaenggwari) and ching) and two drums (changgo and puk), the instruments are either held in the hand or are strapped to the body and played while the performers dance. In this class we will learn in the traditional manner, integrating the use of our voices (oral mnemonics), our hands (gong/drum strokes), and our bodies (dance). The course culminates in a public performance at the end of the school year." |
World Music Ensembles - AFRICAN MUS/DANC
MUSC 565D
keyboard_arrow_downTraining on traditional instruments and their techniques, with emphasis on ensemble performance. Different sections focus on the music of different cultures, e.g., Bali, China, Ghana, Korea.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | T, Th | 17:30 - 19:00 | Gbolonyo, Justice |
World Music Ensembles - AFRICAN MUS/DANC
MUSC 565D
keyboard_arrow_downTraining on traditional instruments and their techniques, with emphasis on ensemble performance. Different sections focus on the music of different cultures, e.g., Bali, China, Ghana, Korea.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | T, Th | 17:30 - 19:00 | Gbolonyo, Justice |
World Music Ensembles - AFRICAN MUS/DANC
MUSC 565D
keyboard_arrow_downTraining on traditional instruments and their techniques, with emphasis on ensemble performance. Different sections focus on the music of different cultures, e.g., Bali, China, Ghana, Korea.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | T, Th | 17:30 - 19:00 | Gbolonyo, Justice |
World Music Ensembles - AFRICAN MUS/DANC
MUSC 565D
keyboard_arrow_downTraining on traditional instruments and their techniques, with emphasis on ensemble performance. Different sections focus on the music of different cultures, e.g., Bali, China, Ghana, Korea. This course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| D_001 | 1 | In-Person | Recitation | T, Th | 17:30 - 19:00 | Gbolonyo, Justice |
World Music Ensembles - African Music and Dance Ensemble
MUSC 565D
keyboard_arrow_downTraining on traditional instruments and their techniques, with emphasis on ensemble performance. Different sections focus on the music of different cultures, e.g., Bali, China, Ghana, Korea.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| D_001 | 1 | In-Person | Recitation | T, Th | 17:30 - 19:00 | Gbolonyo, Justice | Public NotesAFRICAN MUSIC & DANCE ENSEMBLE For graduate students (see MUSC 165D for 1st and 2nd year registration; 466D for 3rd and 4th year registration). OPEN TO NON-MUSIC STUDENTS: How do I register for ensembles? The course is open to all without audition. This course/ensemble introduces drumming techniques, dances and other artistic expressions of Africa. Through the instruments, the voice, the dance movements and other visual art forms and paraphernalia, this class/ensemble brings to the stage a unique African theatrical experience. The course/ensemble may be repeated for credit. It will include public performances (concerts and lecture demonstrations). Also as a practical way of preparing for the main concert, students may be requested to participate in other performances on or off campus as the need may arise. |
Intensive Specialized Chamber Ensemble - INT SPC CHMB ENS
MUSC 569A
keyboard_arrow_downIntensive coaching.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Rehearsal | |||||||
| 002 | 2 | Rehearsal | Multiple instructors | InstructorsGillham, David | Langager, Graeme | Stride, Frederick | Taylor, Robert | Wilson, Eric |
Intensive Specialized Chamber Ensemble - INT SPC CHMB ENS
MUSC 569A
keyboard_arrow_downIntensive coaching.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Rehearsal | |||||||
| 002 | 2 | Rehearsal |
Intensive Specialized Chamber Ensemble - INT SPC CHMB ENS
MUSC 569A
keyboard_arrow_downIntensive coaching.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Rehearsal | |||||||
| 002 | 2 | Rehearsal |
Intensive Specialized Chamber Ensemble - INT SPC CHMB ENS
MUSC 569A
keyboard_arrow_downIntensive coaching. This course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | In-Person | Recitation | Davis, Ryan |
Intensive Specialized Chamber Ensemble - INT SPC CHMB ENS
MUSC 569B
keyboard_arrow_downIntensive coaching.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Rehearsal | Girard, Jonathan | ||||||
| 002 | 2 | Rehearsal | Multiple instructors | InstructorsNolan, Julia | Stride, Frederick | Wilson, Eric |
Intensive Specialized Chamber Ensemble - INT SPC CHMB ENS
MUSC 569B
keyboard_arrow_downIntensive coaching.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Rehearsal | |||||||
| 002 | 2 | Rehearsal |
Intensive Specialized Chamber Ensemble - INT SPC CHMB ENS
MUSC 569B
keyboard_arrow_downIntensive coaching.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Rehearsal | |||||||
| 002 | 2 | Rehearsal |
Intensive Specialized Chamber Ensemble - INT SPC CHMB ENS
MUSC 569C
keyboard_arrow_downIntensive coaching.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Rehearsal |
Intensive Specialized Chamber Ensemble - INT SPC CHMB ENS
MUSC 569C
keyboard_arrow_downIntensive coaching.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Rehearsal | |||||||
| 002 | 2 | Rehearsal |
Intensive Specialized Chamber Ensemble - INT SPC CHMB ENS
MUSC 569C
keyboard_arrow_downIntensive coaching.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Rehearsal | |||||||
| 002 | 2 | Rehearsal |
Intensive Specialized Chamber Ensemble - INT SPC CHMB ENS
MUSC 569D
keyboard_arrow_downIntensive coaching.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Rehearsal | |||||||
| 002 | 2 | Rehearsal |
Intensive Specialized Chamber Ensemble - INT SPC CHMB ENS
MUSC 569D
keyboard_arrow_downIntensive coaching.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1 | Rehearsal | |||||||
| 002 | 2 | Rehearsal |
Intensive Specialized Chamber Ensemble - INT SPC CHMB ENS
MUSC 569E
keyboard_arrow_downIntensive coaching. This course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| E_002 | In-Person | Recitation | Davis, Ryan |
Music Performance (Major) - VOICE
MUSC 591B
keyboard_arrow_downPrivate instruction, vocal or instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 002 | 1-2 | Tutorial | Multiple instructors | InstructorsBarcza, Peter | Gaetanne, Marisa | Hermiston, Nancy Jane | Raftery, James | Szabo, Christine | Throness, Dale |
Music Performance (Major) - VOICE
MUSC 591B
keyboard_arrow_downPrivate instruction, vocal or instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 002 | 1-2 | Tutorial | Hermiston, Nancy Jane |
Music Performance (Major) - VOICE
MUSC 591B
keyboard_arrow_downPrivate instruction, vocal or instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 002 | 1-2 | Tutorial | M | 8:00 - 9:00 | Multiple instructors | InstructorsGaetanne, Marisa | Lee, Helen Chen | Szabo, Krisztina | Throness, Dale |
Music Performance (Major) - GUITAR,ETHN&HIST
MUSC 591E
keyboard_arrow_downPrivate instruction, vocal or instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 2 | Tutorial |
Music Performance (Major) - GUITAR,ETHN&HIST
MUSC 592E
keyboard_arrow_downPrivate instruction, vocal or instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Lecture |
Music Performance (Major) - KEYBOARD INST'S
MUSC 593A
keyboard_arrow_downPrivate instruction, vocal or instrumental. May be repeated for credit, in accordance with program requirements.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Tutorial | Hamm, Corey |
Music Performance (Major) - KEYBOARD INST'S
MUSC 593A
keyboard_arrow_downPrivate instruction, vocal or instrumental. May be repeated for credit, in accordance with program requirements.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Tutorial | Multiple instructors | InstructorsDawson, Terence | Hamm, Corey |
Music Performance (Major) - KEYBOARD INST'S
MUSC 593A
keyboard_arrow_downPrivate instruction, vocal or instrumental. May be repeated for credit, in accordance with program requirements.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Tutorial | Multiple instructors | InstructorsDawson, Terence | Hamm, Corey |
Music Performance (Major) - VOICE
MUSC 593B
keyboard_arrow_downPrivate instruction, vocal or instrumental. May be repeated for credit, in accordance with program requirements.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 002 | 1-2 | Tutorial | Multiple instructors | InstructorsBarcza, Peter | Gaetanne, Marisa | Hermiston, Nancy Jane | Lee, Helen Chen | Raftery, James | Szabo, Christine | Throness, Dale |
Music Performance (Major) - VOICE
MUSC 593B
keyboard_arrow_downPrivate instruction, vocal or instrumental. May be repeated for credit, in accordance with program requirements.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 002 | 1-2 | Tutorial | Hermiston, Nancy Jane |
Music Performance (Major) - VOICE
MUSC 593B
keyboard_arrow_downPrivate instruction, vocal or instrumental. May be repeated for credit, in accordance with program requirements.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 002 | 1-2 | Tutorial | S | 20:30 - 21:30 | Multiple instructors | InstructorsBarcza, Peter | Gaetanne, Marisa | Hermiston, Nancy Jane | Raftery, James | Szabo, Krisztina | Throness, Dale |
Music Performance (Major) - STRING INST'S
MUSC 593C
keyboard_arrow_downPrivate instruction, vocal or instrumental. May be repeated for credit, in accordance with program requirements.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 003 | 1-2 | Tutorial | Multiple instructors | InstructorsGillham, David | Thibeault, Marina | Wilson, Eric | Wood, Jasper |
Music Performance (Major) - STRING INST'S
MUSC 593C
keyboard_arrow_downPrivate instruction, vocal or instrumental. May be repeated for credit, in accordance with program requirements.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 003 | 1-2 | Tutorial | Multiple instructors | InstructorsWilson, Eric | Wood, Jasper |
Music Performance (Major) - STRING INST'S
MUSC 593C
keyboard_arrow_downPrivate instruction, vocal or instrumental. May be repeated for credit, in accordance with program requirements.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 003 | 1-2 | Tutorial | S | 17:30 - 18:30 | Multiple instructors | InstructorsGillham, David | Thibeault, Marina | Wilson, Eric |
Music Performance (Major) - WIND,BRASS&PERC
MUSC 593D
keyboard_arrow_downPrivate instruction, vocal or instrumental. May be repeated for credit, in accordance with program requirements.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 004 | 1-2 | Tutorial | Multiple instructors | InstructorsAnderson, Michelle | Chiang, Ingrid | Franch Ballester, Jose | Knopp, Larry | Maclellan, Peder | Nolan, Julia | Reside, Christie | Wendel, Brian |
Music Performance (Major) - WIND,BRASS&PERC
MUSC 593D
keyboard_arrow_downPrivate instruction, vocal or instrumental. May be repeated for credit, in accordance with program requirements.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 004 | 1-2 | Tutorial |
Music Performance (Major) - WIND,BRASS&PERC
MUSC 593D
keyboard_arrow_downPrivate instruction, vocal or instrumental. May be repeated for credit, in accordance with program requirements.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 004 | 1-2 | Tutorial | M | 8:00 - 9:00 | Multiple instructors | InstructorsFranch Ballester, Jose | Jarrett, Michael | Knopp, Larry | Maclellan, Peder | Nolan, Julia | Reside, Christie | Whitney, Valerie |
Music Performance (Major) - GUITAR,ETHN&HIST
MUSC 593E
keyboard_arrow_downPrivate instruction, vocal or instrumental. May be repeated for credit, in accordance with program requirements.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 005 | 1-2 | Tutorial | Wood, Jasper |
Music Performance (Major) - GUITAR,ETHN&HIST
MUSC 593E
keyboard_arrow_downPrivate instruction, vocal or instrumental. May be repeated for credit, in accordance with program requirements.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 005 | 1-2 | Tutorial | Wood, Jasper |
Music Performance (Major) - GUITAR,ETHN&HIST
MUSC 593E
keyboard_arrow_downPrivate instruction, vocal or instrumental. May be repeated for credit, in accordance with program requirements.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 005 | 1-2 | Tutorial | S | 16:30 - 17:30 | Pearson, Alec |
Music Performance (Major) - CHORAL CONDUCTNG
MUSC 593F
keyboard_arrow_downPrivate instruction, vocal or instrumental. May be repeated for credit, in accordance with program requirements.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Tutorial | Langager, Graeme |
Music Performance (Major) - CHORAL CONDUCTNG
MUSC 593F
keyboard_arrow_downPrivate instruction, vocal or instrumental. May be repeated for credit, in accordance with program requirements.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Tutorial | Langager, Graeme |
Music Performance (Major) - CHORAL CONDUCTNG
MUSC 593F
keyboard_arrow_downPrivate instruction, vocal or instrumental. May be repeated for credit, in accordance with program requirements.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Tutorial | Jun, Hyejung |
Music Performance (Major) - ORCH CONDUCTING
MUSC 593G
keyboard_arrow_downPrivate instruction, vocal or instrumental. May be repeated for credit, in accordance with program requirements.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Tutorial | Girard, Jonathan | ||||||
| 760 | 1-2 | Tutorial | Maclellan, Peder |
Music Performance (Major) - ORCH CONDUCTING
MUSC 593G
keyboard_arrow_downPrivate instruction, vocal or instrumental. May be repeated for credit, in accordance with program requirements.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Tutorial | Girard, Jonathan | ||||||
| 760 | 1-2 | Tutorial | Maclellan, Peder |
Music Performance (Major) - ORCH CONDUCTING
MUSC 593G
keyboard_arrow_downPrivate instruction, vocal or instrumental. May be repeated for credit, in accordance with program requirements.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Tutorial | Girard, Jonathan |
Music Performance (Major) - WIND CONDUCTING
MUSC 593H
keyboard_arrow_downPrivate instruction, vocal or instrumental. May be repeated for credit, in accordance with program requirements.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Tutorial | T | 13:00 - 15:00 | Taylor, Robert |
Music Performance (Major) - WIND CONDUCTING
MUSC 593H
keyboard_arrow_downPrivate instruction, vocal or instrumental. May be repeated for credit, in accordance with program requirements.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Tutorial | T | 13:00 - 15:00 | Taylor, Robert |
Music Performance (Major) - WIND CONDUCTING
MUSC 593H
keyboard_arrow_downPrivate instruction, vocal or instrumental. May be repeated for credit, in accordance with program requirements.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Tutorial | Taylor, Robert |
Music Performance (Major) - Voice Private Instruction
MUSC 594B
keyboard_arrow_downPrivate instruction, vocal or instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| B_718 | In-Person | Independent Study | Szabo, Krisztina | ||||||
| B_731 | In-Person | Independent Study | Barcza, Peter |
Readings in Orchestral Repertoire
MUSC 606
keyboard_arrow_downContinuation of MUSC 506.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | F | 9:30 - 11:00 | Girard, Jonathan |
Readings in Orchestral Repertoire
MUSC 606
keyboard_arrow_downContinuation of MUSC 506.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | F | 9:30 - 11:00 | Girard, Jonathan |
Readings in Orchestral Repertoire
MUSC 606
keyboard_arrow_downContinuation of MUSC 506.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Rehearsal | F | 9:30 - 11:00 | Girard, Jonathan |
Readings in Orchestral Repertoire - Readings in Orchestral Repertoire
MUSC 606A
keyboard_arrow_downContinuation of MUSC 506. This course is not eligible for Credit/D/Fail grading.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Recitation | F | 09:30 - 11:00 | Girard, Jonathan |
Readings in Orchestral Repertoire - Readings in Orchestral Repertoire
MUSC 606A
keyboard_arrow_downContinuation of MUSC_V 506.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| A_001 | 1 | In-Person | Recitation | F | 09:30 - 11:00 | Girard, Jonathan | Public NotesWith 305 and 506 |
Composition - COMPOSITION
MUSC 607C
keyboard_arrow_downFurther study for doctoral candidates in Composition.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Tutorial | M | 12:00 - 13:00 | Multiple instructors | InstructorsButler, Jennifer | Carrabre, Thomas | Chang Bortolussi, Dorothy | Hamel, Keith | Morlock, Jocelyn |
Composition - COMPOSITION
MUSC 607C
keyboard_arrow_downFurther study for doctoral candidates in Composition.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Tutorial | M | 12:00 - 13:00 | Multiple instructors | InstructorsButler, Jennifer | Carrabre, Thomas | Chang Bortolussi, Dorothy | Hamel, Keith |
Composition - COMPOSITION
MUSC 607C
keyboard_arrow_downFurther study for doctoral candidates in Composition.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Tutorial | M | 12:00 - 13:00 | Multiple instructors | InstructorsCarrabre, Thomas | Chang Bortolussi, Dorothy | Hamel, Keith | Hwang, Serra |
Composition - COMPOSITION
MUSC 607C
keyboard_arrow_downFurther study for doctoral candidates in Composition. This course is not eligible for Credit/D/Fail grading.
The credit value for this course will be determined in consultation with the student prior to the registration| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| C_001 | 1-2 | In-Person | Independent Study | M | 12:00 - 13:00 | Multiple instructors | InstructorsButler, Jennifer | Carrabre, T. Patrick | Chang, Dorothy | Hamel, Keith | Top, Siemon Edward |
Composition - COMPOSITION
MUSC 607C
keyboard_arrow_downFurther study for doctoral candidates in Composition.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| C_001 | 1-2 | In-Person | Independent Study | M | 12:00 - 13:00 | Multiple instructors | Public NotesWith 107C, 207C, 307C, 407C, 507C, 508C. InstructorsButler, Jennifer | Carrabre, T. Patrick | Chang, Dorothy |
Ph.D. Dissertation or D.M.A. Thesis
MUSC 649
keyboard_arrow_down
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Thesis | |||||||
| 002 | 1 | Thesis | |||||||
| 003 | 2 | Thesis | |||||||
| 004 | 1-2 | Thesis | Multiple instructors | InstructorsCarrabre, Thomas | Chang Bortolussi, Dorothy | Hamel, Keith | Morlock, Jocelyn |
Ph.D. Dissertation or D.M.A. Thesis
MUSC 649
keyboard_arrow_down
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 941 | 1-2 | Thesis | |||||||
| 942 | 1-2 | Thesis | |||||||
| 971 | 2 | Thesis |
Ph.D. Dissertation or D.M.A. Thesis
MUSC 649
keyboard_arrow_down
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Thesis | |||||||
| 002 | 1 | Thesis | |||||||
| 003 | 2 | Thesis | |||||||
| 004 | 1-2 | Thesis | Multiple instructors | InstructorsCarrabre, Thomas | Chang Bortolussi, Dorothy | Hamel, Keith | Morlock, Jocelyn |
Ph.D. Dissertation or D.M.A. Thesis
MUSC 649
keyboard_arrow_down
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 941 | 1-2 | Thesis | |||||||
| 942 | 1-2 | Thesis | |||||||
| 971 | 2 | Thesis |
Ph.D. Dissertation or D.M.A. Thesis
MUSC 649
keyboard_arrow_down
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Thesis | |||||||
| 002 | 1 | Thesis | |||||||
| 003 | 2 | Thesis | |||||||
| 004 | 1-2 | Thesis | Multiple instructors | InstructorsCarrabre, Thomas | Chang Bortolussi, Dorothy | Hamel, Keith | Morlock, Jocelyn |
Ph.D. Dissertation or D.M.A. Thesis
MUSC 649
keyboard_arrow_down
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 941 | 1-2 | Thesis |
Ph.D. Dissertation or D.M.A. Thesis
MUSC 649
keyboard_arrow_downFundamental materials and processes of music - rhythmic, melodic, textural and harmonic - and how they create small-scale structures in a variety of styles. Compositional and analytical applications.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | In-Person | Thesis |
Ph.D. Dissertation or D.M.A. Thesis
MUSC 649
keyboard_arrow_down| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 941 | In-Person | Thesis |
Ph.D. Dissertation or D.M.A. Thesis
MUSC 649
keyboard_arrow_down
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | In-Person | Thesis | Public NotesDoctoral Thesis All PhD and DMA students should register in this course every term after advancement to candidacy and until completion of the degree. | ||||||
| 004 | In-Person | Thesis | Public NotesThis course is for DMA Composition students who have already advanced to candidacy. |
Music Performance (Major) - KEYBOARD INST'S
MUSC 692A
keyboard_arrow_downPrivate instruction, vocal or instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Tutorial | Anderson, Leonard |
Music Performance (Major) - KEYBOARD INST'S
MUSC 692A
keyboard_arrow_downPrivate instruction, vocal or instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Tutorial | Multiple instructors | InstructorsDawson, Terence | Hamm, Corey |
Music Performance (Major) - KEYBOARD INST'S
MUSC 692A
keyboard_arrow_downPrivate instruction, vocal or instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Tutorial |
Music Performance (Major) - VOICE
MUSC 693B
keyboard_arrow_downPrivate instruction, vocal or instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 002 | 1-2 | Tutorial | Multiple instructors | InstructorsHermiston, Nancy Jane | Raftery, James | |||||
| 731 | 1-2 | Tutorial | Multiple instructors | InstructorsBarcza, Peter | Hermiston, Nancy Jane |
Music Performance (Major) - VOICE
MUSC 693B
keyboard_arrow_downPrivate instruction, vocal or instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 002 | 1-2 | Tutorial | Hermiston, Nancy Jane | ||||||
| 731 | 1-2 | Tutorial | Multiple instructors | InstructorsBarcza, Peter | Hermiston, Nancy Jane |
Music Performance (Major) - VOICE
MUSC 693B
keyboard_arrow_downPrivate instruction, vocal or instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 002 | 1-2 | Tutorial | Th | 12:30 - 13:30 | |||||
| 731 | 1-2 | Tutorial | Multiple instructors | InstructorsBarcza, Peter | Hermiston, Nancy Jane |
Music Performance (Major) - STRING INST'S
MUSC 693C
keyboard_arrow_downPrivate instruction, vocal or instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 003 | 1-2 | Tutorial | Multiple instructors | InstructorsFriedman, Kenneth | Thibeault, Marina | Wilson, Eric |
Music Performance (Major) - STRING INST'S
MUSC 693C
keyboard_arrow_downPrivate instruction, vocal or instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 003 | 1-2 | Tutorial | Multiple instructors | InstructorsWilson, Eric | Wood, Jasper |
Music Performance (Major) - STRING INST'S
MUSC 693C
keyboard_arrow_downPrivate instruction, vocal or instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 003 | 1-2 | Tutorial |
Music Performance (Major) - WIND,BRASS&PERC
MUSC 693D
keyboard_arrow_downPrivate instruction, vocal or instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 004 | 1-2 | Tutorial | Multiple instructors | InstructorsBortolussi, Paolo | Cole, Roger | Franch Ballester, Jose |
Music Performance (Major) - WIND,BRASS&PERC
MUSC 693D
keyboard_arrow_downPrivate instruction, vocal or instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 004 | 1-2 | Tutorial |
Music Performance (Major) - WIND,BRASS&PERC
MUSC 693D
keyboard_arrow_downPrivate instruction, vocal or instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 004 | 1-2 | Tutorial | M | 9:00 - 10:00 |
Music Performance (Major) - KEYBOARD INST'S
MUSC 694A
keyboard_arrow_downPrivate instruction, vocal or instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Tutorial | Multiple instructors | InstructorsAnderson, Leonard | Fung, David |
Music Performance (Major) - KEYBOARD INST'S
MUSC 694A
keyboard_arrow_downPrivate instruction, vocal or instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Tutorial | Multiple instructors | InstructorsDawson, Terence | Hamm, Corey |
Music Performance (Major) - KEYBOARD INST'S
MUSC 694A
keyboard_arrow_downPrivate instruction, vocal or instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Tutorial |
Music Performance (Major) - VOICE
MUSC 694B
keyboard_arrow_downPrivate instruction, vocal or instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 002 | 1-2 | Tutorial | Barcza, Peter |
Music Performance (Major) - VOICE
MUSC 694B
keyboard_arrow_downPrivate instruction, vocal or instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 002 | 1-2 | Tutorial | Hermiston, Nancy Jane |
Music Performance (Major) - VOICE
MUSC 694B
keyboard_arrow_downPrivate instruction, vocal or instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 002 | 1-2 | Tutorial | M | 8:00 - 9:00 |
Music Performance (Major) - STRING INST'S
MUSC 694C
keyboard_arrow_downPrivate instruction, vocal or instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 003 | 1-2 | Tutorial | Multiple instructors | InstructorsThibeault, Marina | Wood, Jasper |
Music Performance (Major) - STRING INST'S
MUSC 694C
keyboard_arrow_downPrivate instruction, vocal or instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 003 | 1-2 | Tutorial | Multiple instructors | InstructorsWilson, Eric | Wood, Jasper |
Music Performance (Major) - STRING INST'S
MUSC 694C
keyboard_arrow_downPrivate instruction, vocal or instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 003 | 1-2 | Tutorial |
Music Performance (Major) - WIND,BRASS&PERC
MUSC 694D
keyboard_arrow_downPrivate instruction, vocal or instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 004 | 1-2 | Tutorial | Multiple instructors | InstructorsKnopp, Larry | Orson, Beth | Reside, Christie |
Music Performance (Major) - WIND,BRASS&PERC
MUSC 694D
keyboard_arrow_downPrivate instruction, vocal or instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 004 | 1-2 | Tutorial |
Music Performance (Major) - WIND,BRASS&PERC
MUSC 694D
keyboard_arrow_downPrivate instruction, vocal or instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 004 | 1-2 | Tutorial | M | 10:00 - 11:00 |
Music Performance (Major) - KEYBOARD INST'S
MUSC 695A
keyboard_arrow_downPrivate instruction, vocal or instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Tutorial | Multiple instructors | InstructorsAnderson, Leonard | Hamm, Corey |
Music Performance (Major) - KEYBOARD INST'S
MUSC 695A
keyboard_arrow_downPrivate instruction, vocal or instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Tutorial | Multiple instructors | InstructorsDawson, Terence | Hamm, Corey |
Music Performance (Major) - KEYBOARD INST'S
MUSC 695A
keyboard_arrow_downPrivate instruction, vocal or instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 001 | 1-2 | Tutorial |
Music Performance (Major) - VOICE
MUSC 695B
keyboard_arrow_downPrivate instruction, vocal or instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 002 | 1-2 | Tutorial | Multiple instructors | InstructorsBarcza, Peter | Raftery, James |
Music Performance (Major) - VOICE
MUSC 695B
keyboard_arrow_downPrivate instruction, vocal or instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 002 | 1-2 | Tutorial | Hermiston, Nancy Jane |
Music Performance (Major) - VOICE
MUSC 695B
keyboard_arrow_downPrivate instruction, vocal or instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 002 | 1-2 | Tutorial | F | 15:00 - 16:00 |
Music Performance (Major) - STRING INST'S
MUSC 695C
keyboard_arrow_downPrivate instruction, vocal or instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 003 | 1-2 | Tutorial | Wilson, Eric |
Music Performance (Major) - STRING INST'S
MUSC 695C
keyboard_arrow_downPrivate instruction, vocal or instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 003 | 1-2 | Tutorial | Multiple instructors | InstructorsWilson, Eric | Wood, Jasper |
Music Performance (Major) - STRING INST'S
MUSC 695C
keyboard_arrow_downPrivate instruction, vocal or instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 003 | 1-2 | Tutorial | T | 12:30 - 13:30 |
Music Performance (Major) - WIND,BRASS&PERC
MUSC 695D
keyboard_arrow_downPrivate instruction, vocal or instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 004 | 1-2 | Tutorial | Multiple instructors | InstructorsFranch Ballester, Jose | Knopp, Larry |
Music Performance (Major) - WIND,BRASS&PERC
MUSC 695D
keyboard_arrow_downPrivate instruction, vocal or instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 004 | 1-2 | Tutorial |
Music Performance (Major) - WIND,BRASS&PERC
MUSC 695D
keyboard_arrow_downPrivate instruction, vocal or instrumental.
| Section | Term | Delivery Mode | Format | Day(s) | Time(s) | Instructor(s) | Syllabus | Details Data | Details |
|---|---|---|---|---|---|---|---|---|---|
| 004 | 1-2 | Tutorial | M | 9:00 - 10:00 |