Research Area

Listen, I Love You

Listen, I Love You

Composer: Stephen Chatman Text author: Sara Teasdale Publisher: E.C. Schirmer Music Co. Abstract: The opening lines, “Listen, I love you. Do not turn your face / Nor touch me” reflect the somber feelings encompassing Sara Teasdale’s poem. Paired voices initially express contrapuntal melodic lines enhanced by underlying harmony and slow syncopation in the piano accompaniment. The middle and […]

Love Me

Love Me

Composer: Stephen Chatman Text author: Sara Teasdale Publisher: E.C. Schirmer Music Co. Abstract: This setting of Sara Teasdale’s whimsical poem pertaining to a brown-thrush, love, and kisses emulates the meaning, strict rhythm, rhyme, and strophic structure of the text. The soft rolled chords of the harp-like piano accompaniment highlight the lilting 6/8-meter, folk-like melody, and consistent homophonic choral […]

The Mystery

The Mystery

Composer: Stephen Chatman Text author: Sara Teasdale Publisher: E.C. Schirmer Music Co. Abstract: This expressive setting of Sara Teadale’s poem The Mystery, which depicts deep lasting love, begins with a unison melody, supported by modulating harmonies in the piano accompaniment, and evolves toward four-part voices. The middle section, featuring rising vocal lines in imitative counterpoint, precedes a return to the […]

How Many Kinds of Rhythm Are There?

Author: Tenzer, Michael Publication details: The Philosophy of Rhythm: Aesthetics, Music, Poetics, edited by Peter Cheyne, Andy Hamilton, and Max Paddison, 199-215. New York: Oxford, 2019. Weblink: https://oxfordscholarship.com Abstract: The universe of possible rhythms comprises a timescape with a timescape embedded within it; that is, the full complement of rhythms that can be imagined engulfs […]

Musicalische Friedens-Freud: the Westphalian Peace and Music in Protestant Nuremberg

Musicalische Friedens-Freud: the Westphalian Peace and Music in Protestant Nuremberg

  Author: Fisher, Alexander Publication details: Rethinking Europe: War and Peace in the Early Modern German Lands, edited by Gerhild Scholz Williams, Sigrun Haude and Christian Schneider, 277-99. Chloe 48. Leiden: Brill, 2019.  Weblink: https://go.exlibris.link/FYz6Jw52

Timely Negotiations: Formative Interactions in Cyclic Duets

Author: Roeder, John Publication details: Analytical Approaches to World Music 7, no. 1 (2019) Weblink: https://aawmjournal.com Abstract: Susanne Fürniss’s (2006) magisterial survey of Aka polyphony analyzes a remarkable duet in which each singer draws material from a regularly repeating cycle but varies it on the fly to complement her partner’s likewise varying repetitions. This texture […]

Naming and Singing the Psalter in Counter-Reformation Germany

Naming and Singing the Psalter in Counter-Reformation Germany

  Author: Fisher, Alexander Publication details: In Names and Naming in Early Modern Germany, edited by Joel F. Harrington and Marjorie Elizabeth Plummer, 87-108. New York, Oxford: Berghahn, 2019.  Weblink: https://go.exlibris.link/tH46cDHx

That’s All It Does: Steve Reich and Balinese Gamelan

Author: Tenzer, Michael Publication details: Rethinking Reich, edited by Sumanth Gopinath and Pwyll ap Siôn, 303-322. New York: Oxford University Press, 2019. Weblink: https://oxfordscholarship.com Abstract: Though integral to his formation as a composer, Steve Reich’s studies of Balinese gamelan have been overlooked. In part this is because of a certain redundancy: features of Balinese overlap […]

Maestro Media: Harnessing technology in the evolution of the 21st Century ensemble program

Author: Taylor, Robert and Girard, Jonathan Publication details: Presented at College Band Directors National Association Conference at Arizona State University, Tempe, AZ, 21 February, 2019. Abstract: Technology can facilitate collaborative learning, raise performance standards, and increase external visibility immensely. We will discuss strategies for using virtual learning enhance learning and expand creative potential. Whether a […]