Introduction
Author: Hesselink, Nathan Publication details: Wagner’s Lexical Tonality, Jonathan Petty, i-iii. Lewiston, NY: Edwin Mellen Press, 2005 Weblink: www.amazon.com Abstract: This book re-theorizes Wagner’s post-Opera and Drama tonal language in the linguistic terms in which the composer himself conceived and executed the “Ring of the Nibelung and Parsifal”. Topics include Wagner’s lexical use of key; the composition of […]
Salminger, Sigmund
Author: Fisher, Alexander Publication details: Die Musik in Geschichte und Gegenwart, 2d ed., Personenteil 14:867–8. Kassel: Bärenreiter, 2005. Weblink: www.abebooks.com
Time Management with ‘Twelve-Tone Lizzie’: Dramatic Functions of Meter in a Scene from Elisabeth Lutyens’s Music Drama The Numbered
Author: Laurel Parsons Publication details: Time Management with “Twelve-Tone Lizzie”: Dramatic Functions of Meter in a Scene from Elisabeth Lutyens’s Music Drama “The Numbered”, Theory and Practice 30 (2005): 153–83. Music Theory Society of New York State Weblink: www.jstor.org
Journey
Artist: Columbus State University Wind Ensemble Featured Faculty Composer: Dorothy Chang, Sunan Dances Recording details: Summit Records, 2005 Link
Rhythmic Process and Form in Bartók’s ‘Syncopation’
Author: Roeder, John Publication details: College Music Symposium, Vol. 44 (2004), pp. 43-57 Weblink: http://www.jstor.org
Preserving authentic interactive digital artworks: case studies from the InterPARES project
Author: Roeder, John Publication details: International Cultural Heritage Informatics Meeting: Proceedings from ichim04 (Berlin). CD-ROM. Toronto: Archives & Museum Informatics. Weblink: http://www.interpares.org
Landscape and Soundscape: Geomantic Spatial Mapping in Korean Traditional Music
Author: Hesselink, Nathan and Petty, Jonathan Publication details: Journal of Musicological Research 23.3/4:265-88 (2004) Weblink: www.tandfonline.com Abstract: It is known that music perception maps musical parameters against a cognitive template derived from physical spatial perception such that music is experienced in terms of space. Recent research suggests that the spatial dimension of music is gen- eral, but varies according […]
Samul nori as Traditional: Preservation and Innovation in a South Korean Contemporary Percussion Genre
Author: Hesselink, Nathan Publication details: Ethnomusicology 48.3:405-39 (2004) Weblink: www.jstor.org
Music and Religious Identity in Counter-Reformation Augsburg, 1580–1630
Author: Fisher, Alexander Publication details: St. Andrews Studies in Reformation History. Aldershot: Ashgate Publishing, 2004. Weblink: https://www.routledge.com
José Maceda and the Paradoxes of Modern Composition in Southeast Asia
Author: Tenzer, Michael Publication details: Ethnomusicology 47/1: 93-120 Weblink: http://www.jstor.org