Music and Sound Studies

Logic-Programming Models of Music: A Semiotic Evaluation

Author: Roeder, John Publication details: Music and Science. Seattle: Center for the Creation and Interdisciplinary Study of Music, University of Washington. Pp. 16-36. Weblink: www.mtosmt.org

Pitch and Rhythmic Dramaturgy in Verdi’s Lux æterna

Author: Roeder, John Publication details: 19th-Century Music, Vol. 14, No. 2 (Autumn, 1990), pp. 169-185 Weblink: http://www.jstor.org

A Prolog Program for Music Segmentation

Author: Roeder, John Publication details: Musicus1/2:165-176

Harmonic Implications of Schoenberg’s Observations of Atonal Voice Leading

Author: Roeder, John Publication details: Journal of Music Theory 33, no. 1 (1989): 27-62. Weblink: https://jstor.org

A General-Purpose Object System for Musical Graphics

Author: Roeder, John and Hamel, Keith Publication details: Proceedings of the 1989 International Computer Music Conference. San Francisco: Computer Music Association. Pp. 260 – 263.

A Declarative Model of Atonal Analysis

Author: Roeder, John Publication details: Music Perception: An Interdisciplinary Journal 6, no. 1 (1988): 21-34. Weblink: https://jstor.org Abstract: Most computational models of musical understanding have focused on procedural aspects of analysis, suggesting techniques for parsing, comparing, and transforming various representations of a piece, or adapting discovery procedures of artificially intelligent (AI) inference systems, which plan and […]

Issues of Representation in the Analysis of Atonal Music

Author: Roeder, John Publication details: Proceedings of the First Workshop on Artificial Intelligence and Music, St. Paul, Minnesota. Menlo Park: American Association for Artificial Intelligence (1988): 138 – 147. Abstract: A discussion of analytic knowledge representation (AKR) for atonal music. Argues that “the identity and arrangements of the elements of a score signify clearly the theoretical concepts … […]

Música y Teoria de Grupos Finitos: A Review

Author: Roeder, John Publication details: Perspectives of New Music 25, no. 1/2 (1987): 638-41. Weblink: www.jstor.org