Preserving authentic interactive digital artworks: case studies from the InterPARES project
Author: Roeder, John Publication details: International Cultural Heritage Informatics Meeting: Proceedings from ichim04 (Berlin). CD-ROM. Toronto: Archives & Museum Informatics. Weblink: http://www.interpares.org
Landscape and Soundscape: Geomantic Spatial Mapping in Korean Traditional Music
Author: Hesselink, Nathan and Petty, Jonathan Publication details: Journal of Musicological Research 23.3/4:265-88 (2004) Weblink: www.tandfonline.com Abstract: It is known that music perception maps musical parameters against a cognitive template derived from physical spatial perception such that music is experienced in terms of space. Recent research suggests that the spatial dimension of music is gen- eral, but varies according […]
Samul nori as Traditional: Preservation and Innovation in a South Korean Contemporary Percussion Genre
Author: Hesselink, Nathan Publication details: Ethnomusicology 48.3:405-39 (2004) Weblink: www.jstor.org
Music and Religious Identity in Counter-Reformation Augsburg, 1580–1630
Author: Fisher, Alexander Publication details: St. Andrews Studies in Reformation History. Aldershot: Ashgate Publishing, 2004. Weblink: https://www.routledge.com
José Maceda and the Paradoxes of Modern Composition in Southeast Asia
Author: Tenzer, Michael Publication details: Ethnomusicology 47/1: 93-120 Weblink: http://www.jstor.org
Kil kunak ch’ilch’ae (Seven-Stroke Road Military Music) Rhythmic Pattern: P’ungmul and the Bridging of the North-South Divide
Author: Hesselink, Nathan Publication details: Tongyang ŭmak [Asian Music] 25:111-27 (2003)
The Craft of Hybrid Composition: Meter, Tonality, and Grouping in Michael Torke’s ‘Adjustable Wrench’
Author: Roeder, John Publication details: Perspectives of New Music 41/2: 120-158. Weblink: https://www.jstor.org
Beat-Class Modulation in Steve Reich’s Music
Author: Roeder, John Publication details: Music Theory Spectrum 25/2: 275 – 304 Weblink: http://www.jstor.org Abstract: A beat-class model of rhythm, employed by Cohn and others to analyze textural form in Steve Reich’s early phase-shifting compositions, is here enlarged to embrace the concepts of beat-class “tonic” and “mode,” defined formally by analogy to pitch-class tonality. Using these concepts, analyses […]
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“Fugger” [family of bankers and music patrons]
Author: Fisher, Alexander Publication details: Die Musik in Geschichte und Gegenwart, 2d ed., Personenteil 7:246–52. Kassel: Bärenreiter, 2002. Weblink: www.abebooks.com
Edition of Rudolph di Lasso, Virginalia Eucharistica
Author: Fisher, Alexander Publication details: (Munich: Nikolaus Heinrich, 1615). Recent Researches in the Music of the Baroque Era 114. Madison, Wisc.: A-R Editions, 2002. Weblink: https://www.areditions.com