Music and Sound Studies

‘The Formation of Namsadang (Korean Itinerant Performer) Troupes’: Chapter One A Study of Namsadang Troupes

Translated, edited, and with an Introduction by: Hesselink, Nathan Publication details: Acta Koreana 9.2:31-57 (2006) Weblink: www.earticle.net

La conservazione a lungo termine dell’autenticitá di composizioni digitali interattive: la ricerce di InterPARES 2

Author: Roeder, John and Duranti, Luciana Publication details: Archivi e Computer 15/3: 45-62 Weblink: http://www.interpares.org

Introduction

Author: Hesselink, Nathan Publication details: Wagner’s Lexical Tonality, Jonathan Petty, i-iii. Lewiston, NY: Edwin Mellen Press, 2005 Weblink: www.amazon.com Abstract: This book re-theorizes Wagner’s post-Opera and Drama tonal language in the linguistic terms in which the composer himself conceived and executed the “Ring of the Nibelung and Parsifal”. Topics include Wagner’s lexical use of key; the composition of […]

Salminger, Sigmund

Salminger, Sigmund

  Author: Fisher, Alexander Publication details: Die Musik in Geschichte und Gegenwart, 2d ed., Personenteil 14:867–8. Kassel: Bärenreiter, 2005. Weblink: www.abebooks.com

Rhythmic Process and Form in Bartók’s ‘Syncopation’

Author: Roeder, John Publication details: College Music Symposium, Vol. 44 (2004), pp. 43-57 Weblink: http://www.jstor.org

Preserving authentic interactive digital artworks: case studies from the InterPARES project

Author: Roeder, John Publication details: International Cultural Heritage Informatics Meeting: Proceedings from ichim04 (Berlin). CD-ROM. Toronto: Archives & Museum Informatics. Weblink: http://www.interpares.org

Landscape and Soundscape: Geomantic Spatial Mapping in Korean Traditional Music

Author: Hesselink, Nathan and Petty, Jonathan Publication details: Journal of Musicological Research 23.3/4:265-88 (2004) Weblink: www.tandfonline.com Abstract: It is known that music perception maps musical parameters against a cognitive template derived from physical spatial perception such that music is experienced in terms of space. Recent research suggests that the spatial dimension of music is gen- eral, but varies according […]

Samul nori as Traditional: Preservation and Innovation in a South Korean Contemporary Percussion Genre

Author: Hesselink, Nathan Publication details: Ethnomusicology 48.3:405-39 (2004) Weblink: www.jstor.org

Music and Religious Identity in Counter-Reformation Augsburg, 1580–1630

Music and Religious Identity in Counter-Reformation Augsburg, 1580–1630

Author: Fisher, Alexander Publication details: St. Andrews Studies in Reformation History. Aldershot: Ashgate Publishing, 2004. Weblink:  https://www.routledge.com