Harmonic Implications of Schoenberg’s Observations of Atonal Voice Leading
Author: Roeder, John Publication details: Journal of Music Theory 33, no. 1 (1989): 27-62. Weblink: https://jstor.org
A General-Purpose Object System for Musical Graphics
Author: Roeder, John and Hamel, Keith Publication details: Proceedings of the 1989 International Computer Music Conference. San Francisco: Computer Music Association. Pp. 260 – 263.
A Declarative Model of Atonal Analysis
Author: Roeder, John Publication details: Music Perception: An Interdisciplinary Journal 6, no. 1 (1988): 21-34. Weblink: https://jstor.org Abstract: Most computational models of musical understanding have focused on procedural aspects of analysis, suggesting techniques for parsing, comparing, and transforming various representations of a piece, or adapting discovery procedures of artificially intelligent (AI) inference systems, which plan and […]
Issues of Representation in the Analysis of Atonal Music
Author: Roeder, John Publication details: Proceedings of the First Workshop on Artificial Intelligence and Music, St. Paul, Minnesota. Menlo Park: American Association for Artificial Intelligence (1988): 138 – 147. Abstract: A discussion of analytic knowledge representation (AKR) for atonal music. Argues that “the identity and arrangements of the elements of a score signify clearly the theoretical concepts … […]
Música y Teoria de Grupos Finitos: A Review
Author: Roeder, John Publication details: Perspectives of New Music 25, no. 1/2 (1987): 638-41. Weblink: www.jstor.org