Publications

Interacting Pulse Streams in Schoenberg’s Atonal Polyphony

Author: Roeder, John Publication details: Music Theory Spectrum, Vol. 16, No. 2 (Autumn, 1994), pp. 231-249 Weblink: http://www.jstor.org

Formal Functions of Hypermeter in the Dies iræ of Verdi’s Messa da Requiem

Author: Roeder, John Publication details: Theory and Practice, Vol. 19 (1994), pp. 83-104 Weblink: http://www.jstor.org

An Introduction to the Music of Milton Babbitt by Andrew Mead (review-article)

Author: Kurth, Richard Publication details: Integral 8: 147-182 Weblink: www.jstor.org

Kouta and Karaoke in Modern Japan: A Blurring of the Distinction between Umgangsmusik and Darbietungsmusik

Author: Hesselink, Nathan Publication details: British Journal of Ethnomusicology 3:49-61 (1994) Weblink: www.jstor.org

Schoenberg and Combinatoriality: Another Perspective

November 1993. “Schoenberg and Combinatoriality: Another Perspective.” Annual Meeting of the Society for Music Theory. Montreal. Author: Kurth, Richard Publication details: Annual Meeting of the Society for Music Theory. Montreal

A MaMuTh Achievement” [Review of Guerino Mazzola’s Geometrie der Töne and Gruppen und Kategorien in der Musik]

Author: Roeder, John Publication details: Perspectives of New Music 31/2: 294-312 Weblink: www.jstor.org

Toward a Semiotic Evaluation of Music Analyses

Author: Roeder, John Publication details: Music Theory Online 0.5: 1-22. Weblink: www.mtosmt.org Abstract: Eco’s theory of codes provides the basis for analyzing the structure of meaning in three contrasting types of music- analytical representation.An evaluation of the pitch-class- integer code highlights the essential arbitrariness of the links between music and mathematics.Graphical representations of music are also evaluated with reference […]