Schoenberg’s Notes on Coherence: Theory or Prolegomena to the Twelve-Tone Method?
Author: Kurth, Richard Publication details: Theory and Practice 20: 177-192 Weblink: www.jstor.org
Schubert’s Der Doppelgänger: Reflections and Doubles-Entendues
Author: Kurth, Richard Publication details: Music Colloquium Series, University of Western Ontario, London, Ontario
Voice Leading as Transformation
Author: Roeder, John Publication details: Musical Transformation and Musical Intuition: Essays in Honor of David Lewin. Ed. Raphael Atlas and Michael Cherlin. Roxbury, MA: Ovenbird Press. Pp. 41-58. Weblink: https://books.google.ca
Interacting Pulse Streams in Schoenberg’s Atonal Polyphony
Author: Roeder, John Publication details: Music Theory Spectrum, Vol. 16, No. 2 (Autumn, 1994), pp. 231-249 Weblink: http://www.jstor.org
Formal Functions of Hypermeter in the Dies iræ of Verdi’s Messa da Requiem
Author: Roeder, John Publication details: Theory and Practice, Vol. 19 (1994), pp. 83-104 Weblink: http://www.jstor.org
An Introduction to the Music of Milton Babbitt by Andrew Mead (review-article)
Author: Kurth, Richard Publication details: Integral 8: 147-182 Weblink: www.jstor.org
Kouta and Karaoke in Modern Japan: A Blurring of the Distinction between Umgangsmusik and Darbietungsmusik
Author: Hesselink, Nathan Publication details: British Journal of Ethnomusicology 3:49-61 (1994) Weblink: www.jstor.org
Schoenberg and Combinatoriality: Another Perspective
November 1993. “Schoenberg and Combinatoriality: Another Perspective.” Annual Meeting of the Society for Music Theory. Montreal. Author: Kurth, Richard Publication details: Annual Meeting of the Society for Music Theory. Montreal
A MaMuTh Achievement” [Review of Guerino Mazzola’s Geometrie der Töne and Gruppen und Kategorien in der Musik]
Author: Roeder, John Publication details: Perspectives of New Music 31/2: 294-312 Weblink: www.jstor.org
Toward a Semiotic Evaluation of Music Analyses
Author: Roeder, John Publication details: Music Theory Online 0.5: 1-22. Weblink: www.mtosmt.org Abstract: Eco’s theory of codes provides the basis for analyzing the structure of meaning in three contrasting types of music- analytical representation.An evaluation of the pitch-class- integer code highlights the essential arbitrariness of the links between music and mathematics.Graphical representations of music are also evaluated with reference […]