Toward a Semiotic Evaluation of Music Analyses
Author: Roeder, John Publication details: Music Theory Online 0.5: 1-22. Weblink: www.mtosmt.org Abstract: Eco’s theory of codes provides the basis for analyzing the structure of meaning in three contrasting types of music- analytical representation.An evaluation of the pitch-class- integer code highlights the essential arbitrariness of the links between music and mathematics.Graphical representations of music are also evaluated with reference […]
Row-Structure, Rhythm, Register, Voice-Leading, and Form in Schoenberg: A Well-Turned Phrase
Author: Kurth, Richard Publication details: New England Conference of Music Theorists. Brandeis University, Boston
Mosaic Polyphony: Formal Balance, Imbalance, and Phrase Formation in the Prelude of Schoenberg’s Suite, Op.25
Author: Kurth, Richard Publication details: Music Theory Spectrum 14/2: 188-208 Weblink: www.jstor.org
Mosaic-Rhythm Analysis and Schoenberg’s Twelve-Tone Rhetoric
Author: Kurth, Richard Publication details: Joint Meeting of the Music Theory Society of New York State and the Arnold Schoenberg Institute. Columbia University, New York City
Logic-Programming Models of Music: A Semiotic Evaluation
Author: Roeder, John Publication details: Music and Science. Seattle: Center for the Creation and Interdisciplinary Study of Music, University of Washington. Pp. 16-36. Weblink: www.mtosmt.org
Pitch and Rhythmic Dramaturgy in Verdi’s Lux æterna
Author: Roeder, John Publication details: 19th-Century Music, Vol. 14, No. 2 (Autumn, 1990), pp. 169-185 Weblink: http://www.jstor.org
A Prolog Program for Music Segmentation
Author: Roeder, John Publication details: Musicus1/2:165-176
Harmonic Implications of Schoenberg’s Observations of Atonal Voice Leading
Author: Roeder, John Publication details: Journal of Music Theory 33, no. 1 (1989): 27-62. Weblink: https://jstor.org
A General-Purpose Object System for Musical Graphics
Author: Roeder, John and Hamel, Keith Publication details: Proceedings of the 1989 International Computer Music Conference. San Francisco: Computer Music Association. Pp. 260 – 263.
A Declarative Model of Atonal Analysis
Author: Roeder, John Publication details: Music Perception: An Interdisciplinary Journal 6, no. 1 (1988): 21-34. Weblink: https://jstor.org Abstract: Most computational models of musical understanding have focused on procedural aspects of analysis, suggesting techniques for parsing, comparing, and transforming various representations of a piece, or adapting discovery procedures of artificially intelligent (AI) inference systems, which plan and […]