The Art of Cadence in Schönberg’s Fourth Quartet: Metric Discourse or Dialectic?
Author: Kurth, Richard Publication details: Journal of the Arnold Schönberg Center 4: 245-270 Download: PDF
Modernization, Urbanization, and the Re-emergence of the Professional Korean Folk Musician
Author: Hesselink, Nathan Publication details: Han’guk ŭmaksa hakpo [Journal of the Society for Korean Historico-Musicology] 29:519-49 (2002)
Narratives of Middle Eastern Music History
Author: Fisher, Alexander and Dr. Virginia Danielson Publication details: The Middle East, 15–27. The Garland Encyclopedia of World Music 6. New York: Routledge Reference, 2002. Weblink: https://www.routledge.com/The-Garland-Encyclopedia-of-World-Music-The-Middle-East/Danielson-Reynolds-Marcus/
Song, Confession, and Criminality: Trial Records as Sources for Popular Musical Culture in Early Modern Europe
Author: Fisher, Alexander Publication details: Journal of Musicology 18, no. 4 (Fall 2001): 616–57 Weblink: http://www.jstor.org/stable/10.1525/jm.2001.18.4.616 Abstract In the late 16th and early 17th centuries, the city government of Augsburg, Germany, struggled to maintain religious peace as the confessional boundaries between its Catholic and Protestant communities hardened. As tensions gradually rose, city officials feared and scrutinized the disruptive […]
Rhythmic and Metric Aspects of the Art of Cadence in Schönberg’s Fourth Quartet, op. 37
Author: Kurth, Richard Publication details: Symposium Arnold Schönberg in America. Arnold Schönberg Center, Vienna
Suspended Tonalities in Schönberg’s Twelve-Tone Compositions
Author: Kurth, Richard Publication details: Journal of the Arnold Schönberg Center 3: 239-265 Download: PDF
Pulse Streams and Problems of Grouping and Metrical Dissonance in Bartók’s “With Drums and Pipes”
Author: Roeder, John Publication details: Music Theory Online 7, no. 1 (2001) Weblink: http://mtosmt.org Abstract: Polyphony has many interesting rhythmic properties that do not obtain in textures that are modeled by most rhythmic theories. This paper invokes the concept of pulse streams to demonstrate how phenomenal accent and grouping are organized in a extended two-voice polyphony by Bartók […]
“Set” (2000 words); “Interval Class” (400 words); “Pitch Class” (250 words)
Author: Roeder, John Publication details: New Grove Dictionary of Music and Musicians, 2d ed. London: Macmillan Reference, Ltd. Weblink: Pitch Class: https://oxfordmusiconline.com Interval Class: https://oxfordmusiconline.com Set: https://oxfordmusiconline.com
Contemporary Directions: Korean Folk Music Engaging the Twentieth Century and Beyond
Editor: Hesselink, Nathan Publication details: Korea Research Monograph 27. Berkeley: University of California Press Weblink: https://muse.jhu.edu
On the Road with ‘Och’ae Chilgut’: Stages in the Development of Korean Percussion Band Music and Dance
Author: Hesselink, Nathan Publication details: Contemporary Directions: Korean Folk Music Engaging the Twentieth Century and Beyond, ed. Nathan Hesselink, 54-75. Berkeley: University of California Press, 2001 Weblink: www.amazon.com