Suspended Tonalities in Schönberg’s Twelve-Tone Compositions
Author: Kurth, Richard Publication details: Journal of the Arnold Schönberg Center 3: 239-265 Download: PDF
Pulse Streams and Problems of Grouping and Metrical Dissonance in Bartók’s “With Drums and Pipes”
Author: Roeder, John Publication details: Music Theory Online 7, no. 1 (2001) Weblink: http://mtosmt.org Abstract: Polyphony has many interesting rhythmic properties that do not obtain in textures that are modeled by most rhythmic theories. This paper invokes the concept of pulse streams to demonstrate how phenomenal accent and grouping are organized in a extended two-voice polyphony by Bartók […]
“Set” (2000 words); “Interval Class” (400 words); “Pitch Class” (250 words)
Author: Roeder, John Publication details: New Grove Dictionary of Music and Musicians, 2d ed. London: Macmillan Reference, Ltd. Weblink: Pitch Class: https://oxfordmusiconline.com Interval Class: https://oxfordmusiconline.com Set: https://oxfordmusiconline.com
Contemporary Directions: Korean Folk Music Engaging the Twentieth Century and Beyond
Editor: Hesselink, Nathan Publication details: Korea Research Monograph 27. Berkeley: University of California Press Weblink: https://muse.jhu.edu
On the Road with ‘Och’ae Chilgut’: Stages in the Development of Korean Percussion Band Music and Dance
Author: Hesselink, Nathan Publication details: Contemporary Directions: Korean Folk Music Engaging the Twentieth Century and Beyond, ed. Nathan Hesselink, 54-75. Berkeley: University of California Press, 2001 Weblink: www.amazon.com
‘P’ungmul is Played with Your Heel!’: Dance as a Determinant of Rhythmic Construct in Korean Percussion Band Music/Dance
Author: Hesselink, Nathan Publication details: Music and Culture 4:99-110 (2001)
A Partition-Lattice Model of Prolongation and Progression in Twelve-Tone Music
Author: Kurth, Richard Publication details: Annual Meeting of the Society for Music Theory. Toronto.
Suspended Tonalities in Schönberg’s Twelve-Tone Compositions
Author: Kurth, Richard Publication details: Symposium Arnold Schönberg in Berlin. Arnold Schönberg Center, Vienna
Pierrot’s Cave: Representation, Reverberation, Radiance
Author: Kurth, Richard Publication details: Schoenberg and Words: The Modernist Years, ed. Charlotte Cross and Russell Berman. New York: Garland Press, pp. 203-241. Weblink: https://books.google.ca/books?id=c7TTh2HdbjcC&pg=PA169&lpg=PA169&dq=Schoenberg+and+words+the+modernist+years&source=bl&ots=izP4VTap9Y&sig=wnsagfYXPXUjyYMzXqUKELKqiX8&hl=en&sa=X&ved=0ahUKEwil_8Dg86LRAhVD1mMKHRdRCsUQ6AEIJjAC#v=onepage&q=Schoenberg%20and%20words%20the%20modernist%20years&f=false
Moments of Closure: Thoughts on the Suspension of Tonality in Schoenberg’s Fourth Quartet and String Trio
Author: Kurth, Richard Publication details: Music of My Future. The Schoenberg Quartets and Trio, ed. Reinhold Brinkmann and Christoph Wolff. Cambridge, Massachusetts: Harvard University Press, 139-160 Weblink: http://www.hup.harvard.edu/catalog.php?isbn=9780964031715