La conservazione a lungo termine dell’autenticitá di composizioni digitali interattive: la ricerce di InterPARES 2
Author: Roeder, John and Duranti, Luciana Publication details: Archivi e Computer 15/3: 45-62 Weblink: http://www.interpares.org
Introduction
Author: Hesselink, Nathan Publication details: Wagner’s Lexical Tonality, Jonathan Petty, i-iii. Lewiston, NY: Edwin Mellen Press, 2005 Weblink: www.amazon.com Abstract: This book re-theorizes Wagner’s post-Opera and Drama tonal language in the linguistic terms in which the composer himself conceived and executed the “Ring of the Nibelung and Parsifal”. Topics include Wagner’s lexical use of key; the composition of […]
What Does Science Have to Do with Music?
Author: Konoval, Brandon Publication details: Annals of Science 2005 Weblink: http://www.academia.edu
Salminger, Sigmund
Author: Fisher, Alexander Publication details: Die Musik in Geschichte und Gegenwart, 2d ed., Personenteil 14:867–8. Kassel: Bärenreiter, 2005. Weblink: www.abebooks.com
Time Management with ‘Twelve-Tone Lizzie’: Dramatic Functions of Meter in a Scene from Elisabeth Lutyens’s Music Drama The Numbered
Author: Laurel Parsons Publication details: Time Management with “Twelve-Tone Lizzie”: Dramatic Functions of Meter in a Scene from Elisabeth Lutyens’s Music Drama “The Numbered”, Theory and Practice 30 (2005): 153–83. Music Theory Society of New York State Weblink: www.jstor.org
Twelve-Tone Compositional Strategies and Poetic Signification in Schönberg’s Four Pieces for Mixed Choir, op. 27
Author: Kurth, Richard Publication details: Symposium Arnold Schönberg’s Brilliant Moves. Arnold Schönberg Center, Vienna
Transcendence and Immanence in the Compositional Fabric of Schönberg’s Moses und Aron
Author: Kurth, Richard Publication details: Symposium Arnold Schönbergs Moses und Aron—Aufgabe des Übersetzens, sponsored by the Wissenschaftskolleg zu Berlin, at the Staatsoper Unter den Linden, Berlin
Journey
Artist: Columbus State University Wind Ensemble Featured Faculty Composer: Dorothy Chang, Sunan Dances Recording details: Summit Records, 2005 Link
Rhythmic Process and Form in Bartók’s ‘Syncopation’
Author: Roeder, John Publication details: College Music Symposium, Vol. 44 (2004), pp. 43-57 Weblink: http://www.jstor.org
Preserving authentic interactive digital artworks: case studies from the InterPARES project
Author: Roeder, John Publication details: International Cultural Heritage Informatics Meeting: Proceedings from ichim04 (Berlin). CD-ROM. Toronto: Archives & Museum Informatics. Weblink: http://www.interpares.org