Salminger, Sigmund
Author: Fisher, Alexander Publication details: Die Musik in Geschichte und Gegenwart, 2d ed., Personenteil 14:867–8. Kassel: Bärenreiter, 2005. Weblink: www.abebooks.com
Time Management with ‘Twelve-Tone Lizzie’: Dramatic Functions of Meter in a Scene from Elisabeth Lutyens’s Music Drama The Numbered
Author: Laurel Parsons Publication details: Time Management with “Twelve-Tone Lizzie”: Dramatic Functions of Meter in a Scene from Elisabeth Lutyens’s Music Drama “The Numbered”, Theory and Practice 30 (2005): 153–83. Music Theory Society of New York State Weblink: www.jstor.org
Twelve-Tone Compositional Strategies and Poetic Signification in Schönberg’s Four Pieces for Mixed Choir, op. 27
Author: Kurth, Richard Publication details: Symposium Arnold Schönberg’s Brilliant Moves. Arnold Schönberg Center, Vienna
Transcendence and Immanence in the Compositional Fabric of Schönberg’s Moses und Aron
Author: Kurth, Richard Publication details: Symposium Arnold Schönbergs Moses und Aron—Aufgabe des Übersetzens, sponsored by the Wissenschaftskolleg zu Berlin, at the Staatsoper Unter den Linden, Berlin
Journey
Artist: Columbus State University Wind Ensemble Featured Faculty Composer: Dorothy Chang, Sunan Dances Recording details: Summit Records, 2005 Link
Rhythmic Process and Form in Bartók’s ‘Syncopation’
Author: Roeder, John Publication details: College Music Symposium, Vol. 44 (2004), pp. 43-57 Weblink: http://www.jstor.org
Preserving authentic interactive digital artworks: case studies from the InterPARES project
Author: Roeder, John Publication details: International Cultural Heritage Informatics Meeting: Proceedings from ichim04 (Berlin). CD-ROM. Toronto: Archives & Museum Informatics. Weblink: http://www.interpares.org
Landscape and Soundscape: Geomantic Spatial Mapping in Korean Traditional Music
Author: Hesselink, Nathan and Petty, Jonathan Publication details: Journal of Musicological Research 23.3/4:265-88 (2004) Weblink: www.tandfonline.com Abstract: It is known that music perception maps musical parameters against a cognitive template derived from physical spatial perception such that music is experienced in terms of space. Recent research suggests that the spatial dimension of music is gen- eral, but varies according […]
Samul nori as Traditional: Preservation and Innovation in a South Korean Contemporary Percussion Genre
Author: Hesselink, Nathan Publication details: Ethnomusicology 48.3:405-39 (2004) Weblink: www.jstor.org
Music and Religious Identity in Counter-Reformation Augsburg, 1580–1630
Author: Fisher, Alexander Publication details: St. Andrews Studies in Reformation History. Aldershot: Ashgate Publishing, 2004. Weblink: https://www.routledge.com