Reference and Mosaic Form in Peter-Jan Wagemanss Opera Legende
Author: Top, Edward Publication details: Reference and Mosaic Form in Peter-Jan Wagemanss Opera Legende, Deel 59, No. 2 (2009), pp. 157-184 (28 pages) Weblink: Koninklijke Vereniging voor Nederlandse Muziekgeschiedenis (KVNM)
Expectation and Treatment of Dissonance in Wolfgang Rihm’s Third String Quartet
Author: Top, Edward Publication details: Dutch Journal of Music Theory 14, no. 3 (2009): 143-54. Weblink: https://lup.be Abstract: In his Third String Quartet, as in many of his works, composer Wolfgang Rihm demonstrates his fascination with the unexpected. It appears that in order for expectation to be thwarted, a passionate, though highly sophisticated level of […]
Different Stones
Featured UBC Faculty Artist: Jennifer Butler composer Track 3. Sky Redshift Music: redshiftmusicsociety.bandcamp.com/album/different-stones Released: May 2nd, 2009 CREDITS Performers: Mark Takeshi McGregor, flutes www.marktakeshimcgregor.com Producers: Emma Lain and Mark Takeshi McGregor Studio manager: Chris Segnitz Engineer: Emma Lain Assistant Engineer: Ramsés Ramírez Digital Editing: Emma Lain, Ina Nikolow and John D.S. Adams Mastering: John D.S. Adams Recorded at: […]
Gestures and Pathways in György Kurtág’s Kafka Fragments, op. 24
Author: Kurth, Richard Publication details: School of Music, University of Washington, 16 January 2009
Edition of Anton Holzner, Viretum pierium
Author: Fisher, Alexander Publication details: (Munich: Nikolaus Heinrich, 1621). Recent Researches in the Music of the Baroque Era 156. Madison, Wisc.: A-R Editions, 2009. Weblink: https://www.areditions.com
Archivists meet Artists: InterPARES Insights into Authenticity
Author: Roeder, John Publication details: Art, Conservation, and Authenticities: Material, Concept, Context, ed. Erma Hermens and Tina Fiske, 227-234. London: Archetype Publications Weblink: http://www.interpares.org
‘Yŏngdong Nongak’: Mountains, Music, and the SamulNori Canon
Author: Hesselink, Nathan Publication details: Acta Koreana 12.1:1-26 (2009) Weblink: www.earticle.net
A Transformational Space Structuring the Counterpoint in Adès’s “Auf dem Wasser zu singen”
Author: Roeder, John Publication details: Music Theory Online 15/1 Weblink: http://www.mtosmt.org Abstract: The third movement of Thomas Adès’s string quartet Arcadiana features a complex, free textural counterpoint that seems resistant to the transformational analysis of the common sort that focuses, as does motivic analysis, on a small family of structured objects. However, by choosing a suitable space of […]
Review of Michael Cherlin, Schoenberg’s Musical Imagination
Author: Kurth, Richard Publications detail: Journal of the American Musicological Society 62/1: 243-252 Weblink: http://www.jstor.org.ezproxy.library.ubc.ca/stable/10.1525/jams.2009.62.1.243
Local polymetric structures in Elliott Carter’s 90+ for piano (1994)
Author: Poudrier, Ève Publication details: Modernist legacy: Essays on new music, edited by Björn Heile, Aldershot, 205-223. England: Ashgate, 2009. Weblink: https://taylorfrancis.com Abstract: At the heart of early musical modernism was a desire to face the challenges of a rapidly changing way of life brought about by scientific discoveries, technological advances and industrialization with radically new forms […]