Verdi beyond Verdi
Author: Vellutini, Claudio Publication details: Cambridge Opera Journal 25, no. 3 (2013): 319-28 Weblink: http://academia.edu
Potentiel polymétrique et réalisation dans l’œuvre d’Elliott Carter: Ébauche d’une approche analytique multivalente
Author: Poudrier, Ève Publication details: Hommage à Elliott Carter, edited by Max Noubel, 147-174. France: Editions Delatour, 2013.
Detecting perturbations in polyrhythms: Effects of complexity and attentional strategies
Author: Fidali, B. C., Poudrier, Ève, Repp, B. H. Publication details: Psychological Research 77, no. 2 (2011): 183-95. Weblink: http://cogsys.sites.olt.ubc.ca Abstract: Jones et al. in Journal of Experimental Psychology Human Perception and Performance 21:293–307, 1995, showed that a temporal perturbation is easier to detect in a 3:2 polyrhythm than in a single-stream isochronous baseline condition if the two isochronous […]
Review of Maria Semi, Music as a Science of Mankind in Eighteenth-Century Britain
Author: Konoval, Brandon Publication details: Isis 104, no. 3 (2013): 621-22. Weblink: http://academia.edu
Multiple temporalities: Speeds, beat cues, and beat tracking in Carter’s instrumental music
Author: Poudrier, Ève Presentation details: Joint Conference of the American Musicological Society (AMS), Society for Music Theory (SMT), and Society for Ethnomusicology (SEM), New Orleans (LA), 3 November 2012 Weblink: http://indiana.edu Abstract: In the music of Elliott Carter, multiple temporalities usually involve the simultaneous presence of contrasting speeds and beat structures made tangible through the use of different […]
The Expressive Plasticity of Arnold Schoenberg’s Third String Quartet, op. 30
Author: Kurth, Richard Publication details: Lecture-recital with the Lafayette String Quartet. School of Music, University of Victoria
‘The matter of human cooperation’ in Carter’s mature style
Author: Roeder, John Publication details: Elliott Carter Studies, edited by Marguerite Boland and John Link, 110-137. Cambridge: Cambridge University Press, 2012. Weblink: http://www.cambridge.org Abstract: Over the course of an astonishingly long career, Elliott Carter has engaged with many musical developments of the twentieth and now twenty-first centuries – from his early neo-classic music of the interwar period, to […]
Taking Culture Seriously: Democratic Music and its Transformative Potential in South Korea
Author: Hesselink, Nathan Publication details: The World of Music: Readings in Ethnomusicology, ed. Max Peter Baumann, 670-701. Intercultural Music Studies 17. Berlin: Verlag für Wissenschaft und Bildung, 2012. Weblink: https://worldcat.org
Identity and Genre in Gamelan Gong Kebyar: An Analytical Study of Gabor
Author: Roeder, John and Tenzer, Michael Publication details: Music Theory Spectrum 34, no. 1 (2012): 78-122. Weblink: http://www.jstor.org Abstract: Gabor is a piece for Balinese gamelan gong kebyar that deploys concurrent textural layers moving at different speeds, organized around a slow melody measured by recurring patterns of gong strokes. The melody, drumming, gong patterns, layer figuration, and tempo vary throughout the […]
One Fusion Among Many: Merging Bali, India and the West through Modernism
Author: Tenzer, Michael Publication details: Circuit 21, no. 2 (2011): 77–100. Weblink: https://erudit.org Abstract: The relationship between world music traditions and modernist art music in the European tradition is often explored in composers’ musical fusions, but the motivations and aesthetics of such works often receive less notice than those grounded in post-modern (minimalist, popular music) approaches. In […]