Acoustic Alloy
Ensemble: Vancouver Brass Collective Featured UBC Alumni: Jaelem Bhate (conductor, artistic director, and featured composer), Matheus Moraes (trumpet), Albert Wu (horn), Emily Daily (horn), Maddie Davis (horn), Tyrell Loster (horn), Alan Li (tuba), Jacob Kryger (percussion), Kaiya Gazley (percussion) Recording/mix engineer: Vince Renaud Recording details: As an alloy is a metal of combinations, so too is […]
Space fantasy: Nagaoka Shusei’s contributions to Afrofuturist visual culture
Author: Nathan Hesselink Publication details: Hesselink, Nathan. 2024. “ Space Fantasy: Nagaoka Shusei’s Contributions to Afrofuturist Visual Culture.” The Journal of American Culture 00(0): 1–20. https://doi.org/10.1111/jacc.13598.
Confraternities, Congregations and Aural Culture in Counter-Reformation Germany
Author: Alexander Fisher Publication details: In Listening to Confraternities: Spaces for Performance, Patronage and Urban Musical Experience, edited by Tess Knighton, 272–304. Leiden: Brill, 2024. Weblink: https://doi.org/10.1163/9789004702776_012 Abstract: The fate of confraternities in post-Reformation Germany was profoundly shaped by the history of religious division. On the eve of the Reformation, major cities like Cologne and Augsburg […]
Seeing Voices: Analyzing Sign Language Music
Author: Anabel Maler Publication details: Oxford University Press, Oxford Studies in Music Theory Weblink: https://global.oup.com/academic/product/seeing-voices-9780197601976?cc=ca&lang=en& Abstract: First monograph-length analytical study of sign language music Introduces and explicates the concepts of a singing signing voice, sign language melody, sign language rhythm and meter, and meaning in sign language music Includes interviews with Deaf musicians that have […]
Winterreise
Featured UBC Alumni: Rachel Fenlon, soprano and piano Label: Orchid Classics Recording/mix engineer: Carl Talbot Recording details: It is a dream come true to put my debut record out into the world, and for that record to be Schubert’s Winterreise. Since I began singing, at 17 years old, I never quite understood why it wasn’t acceptable to […]
Edita Gruberová’s Wig: Belcanto Revival and Staging Practices at the Turn of the 21st Century
Arthor: Vellutini, Claudio Publication details: Edita Gruberová’s Wig: Belcanto Revival and Staging Practices at the Turn of the 21st Century, Belcanto: Tradition and Fascination Today, edited by Isolde Schmid-Reiter and Aviel Cahn (Regensburg: ConBrio, 2024), pp. 167-187. Details: Internationally renowned scholars and artists reflect on Belcanto from different angles rooted in research and practice and […]
Humour in late Debussy: multiple perspectives on “Douze études”
Author: Wong, Lucas Publication details: WONG, LUCAS. “Humour in Late Debussy: Multiple Perspectives on ‘Douze Études.’” The Musical Times 157, no. 1935 (2016): 77–98. http://www.jstor.org/stable/44862507.
Where Waters Meet
Artists: UBC Music PhD student Sherryl Sewepagaham, composer; Canadian Chamber Choir Release date: September 2024 Description (from Canadian Chamber Choir website): Where Waters Meet is an Indigenous/settler partnership built on friendship, deep respect and admiration, and the desire to communicate through our shared sung medium. It is a culmination of several joint projects in different […]
Listeners’ Perceived Emotions in Musical Excerpts with Ordered vs. Randomized Pitch and Register
Author: Poudrier, Ève, Bell, Bryan, Lee, Jason Yin Hei, and Sapp, Craig Stuart Publication details: 2023 4th International Symposium on the Internet of Sounds, Pisa, Italy, 2023, pp. 1-9. IEEE. Weblink: https://doi.org/10.1109/IEEECONF59510.2023.10335484 Abstract: The current study investigates the influence of pitch and register (ordered vs. randomized) on listeners’ ratings of five emotional dimensions (mood, energy, movement, […]
Listener’s perceived emotions in synthetic vs. human performance of rhythmically complex musical excerpts
Authors: Poudrier, Ève, Bell, B. J., Lee, J. Y. H., Sapp, C.S. Publication details: Proceedings of the 16th International Conference on Computer Music and Multidisciplinary Research (CMMR 2023), 13–15 November 2023, Tokyo, Japan, pp. 599–610. CMMR 2023 & Laboratory PRISM, Marseille, France. Weblink: https://doi.org/10.5281/zenodo.10076248 Abstract: Research on listeners’ perceived emotions in music draws on human and synthetic […]