La conservazione a lungo termine dell’autenticitá di composizioni digitali interattive: la ricerce di InterPARES 2

Author: Roeder, John and Duranti, Luciana Publication details: Archivi e Computer 15/3: 45-62 Weblink: http://www.interpares.org

Introduction

Author: Hesselink, Nathan Publication details: Wagner’s Lexical Tonality, Jonathan Petty, i-iii. Lewiston, NY: Edwin Mellen Press, 2005 Weblink: www.amazon.com Abstract: This book re-theorizes Wagner’s post-Opera and Drama tonal language in the linguistic terms in which the composer himself conceived and executed the “Ring of the Nibelung and Parsifal”. Topics include Wagner’s lexical use of key; the composition of […]

What Does Science Have to Do with Music?

Author: Konoval, Brandon Publication details: Annals of Science 2005 Weblink: http://www.academia.edu

Twelve-Tone Compositional Strategies and Poetic Signification in Schönberg’s Four Pieces for Mixed Choir, op. 27

Author: Kurth, Richard Publication details: Symposium Arnold Schönberg’s Brilliant Moves. Arnold Schönberg Center, Vienna

Transcendence and Immanence in the Compositional Fabric of Schönberg’s Moses und Aron

Author: Kurth, Richard Publication details: Symposium Arnold Schönbergs Moses und Aron—Aufgabe des Übersetzens, sponsored by the Wissenschaftskolleg zu Berlin, at the Staatsoper Unter den Linden, Berlin

Rhythmic Process and Form in Bartók’s ‘Syncopation’

Author: Roeder, John Publication details: College Music Symposium, Vol. 44 (2004), pp. 43-57 Weblink: http://www.jstor.org

Preserving authentic interactive digital artworks: case studies from the InterPARES project

Author: Roeder, John Publication details: International Cultural Heritage Informatics Meeting: Proceedings from ichim04 (Berlin). CD-ROM. Toronto: Archives & Museum Informatics. Weblink: http://www.interpares.org

Landscape and Soundscape: Geomantic Spatial Mapping in Korean Traditional Music

Author: Hesselink, Nathan and Petty, Jonathan Publication details: Journal of Musicological Research 23.3/4:265-88 (2004) Weblink: www.tandfonline.com Abstract: It is known that music perception maps musical parameters against a cognitive template derived from physical spatial perception such that music is experienced in terms of space. Recent research suggests that the spatial dimension of music is gen- eral, but varies according […]