Elliott Carter: A centennial portrait in letters and documents

Author: Poudrier, Ève Publication details: Journal of the Society for American Music (2010) Volume 4, Number 1. Pp. 104–110 Weblink: https://www.cambridge.org

Vincent d’Indy’s theory of rhythm in the Cours de composition musicale (1902-1950): Sources, Reception, and Legacy

Author: Poudrier, Ève Presentation details: Joint Conference of the American Musicological Society (AMS) and Society for Music Theory (SMT), Nashville (TN), 7 November 2008

Dimensions of Parody in Pierrot Lunaire

Author: Kurth, Richard Publication details: Department of Music, Yale University

Networks of Reference in Schoenberg’s Three Piano Pieces, Op. 11

Author: Kurth, Richard Publication details: West Coast Conference of Music Theory and Analysis. University of Utah, Salt Lake City

Review of Franck Jedrzejewski’s Mathematical Theory of Music

Author: Roeder, John Publication details: Journal of Mathematics and Music 1/3: 191-198 Weblink: http://www.tandfonline.com

SamulNori, Wŏn-Pang-Kak, and Cosmological Didacticism

Author: Hesselink, Nathan Publication details: Yearbook for Traditional Music 39:140-61 (2007) Weblink: www.jstor.org

Pungmul and Samulnori

Author: Hesselink, Nathan Publication details: Music of Korea, ed. Byong Won Lee and Yongshik Lee, 93-104. Korean Musicology Series 1. Seoul: National Center for Korean Traditional Performing Arts, 2007

‘Per mia particolare devotione’: Orlando di Lasso’s Lagrime di San Pietro and Jesuit Spirituality in Counter-Reformation Munich

‘Per mia particolare devotione’: Orlando di Lasso’s Lagrime di San Pietro and Jesuit Spirituality in Counter-Reformation Munich

Author: Fisher, Alexander Publication details: Journal of the Royal Musical Association 132 (2007): 167–220 Weblink: http://www.jstor.org