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Tra ragione e pazzia: Saggi di esegesi, storiografia e drammaturgia musicale in onore di Fabrizio Della Seta
Author: Vellutini, Claudio Publication details: In Tra ragione e pazzia: Saggi di esegesi, storiografia e drammaturgia musicale in onore di Fabrizio Della Seta, ed. by Federica Rovelli, Claudio Vellutini, Cecilia Panti, 656. Pisa: ETS, 2021 Weblink: www.edizioniets.com
The cognitive and affective correlates of rhythmic complexity
Authors: Poudrier, Ève, Sapp, C.S., Shanahan, D Publication details: ICMPC ESCOM 2021: Connectivity and diversity in music cognition, 28-31 July 2021 Weblink: https://drive.google.com/file/d/1hCtYDdTHfb3Txo2ryT1ZS2JzL8tT5I6U/view and https://www.youtube.com/watch?v=A8lk36AlfPY Abstract: The goal of the present study is to identify the cognitive and affective correlates of rhythmic complexity. Specifically, we hypothesize that there is a relationship between the structural features that […]
Lacrumae Divae Virginis et Joannis in Christum a cruce depositum (Tears of the Blessed Virgin and John at the Deposition of Christ from the Cross)
Editor: Fisher, Alexander Score: Lacrumae Divae Virginis et Joannis in Christum a cruce depositum (Tears of the Blessed Virgin and John at the Deposition of Christ from the Cross) by Gregor Aichinger Publication details: A-R Editions, Inc. Weblink: https://www.areditions.com/ Abstract: The Lacrumae Divae Virginis et Joannis in Christum a cruce depositum (Tears of the Blessed […]
Interactions of Folk Melody and Transformational (Dis)continuities in Chen Yi’s Ba Ban (1999)
Author: Roeder, John Publication details: Music Theory Online, Vol. 26 No. 3, 2020 Weblink: https://www.mtosmt.org/ Abstract: Chen Yi’s Ba Ban (1999) for solo piano, like many works of Western-trained Chinese composers, situates fragments of evocative traditional folk melody within a post-tonal discourse that is well described by transformation theory. The eponymous folk tune that it […]
“The Influence of Rate and Accentuation on Subjective Rhythmization”
Author: Poudrier, Ève Publication details: Music Perception: An Interdisciplinary Journal (2020) 38 (1): 27–45. Weblink: https://online.ucpress.edu/ Abstract: The parsing of undifferentiated tone sequences into groups of qualitatively distinct elements is one of the earliest rhythmic phenomena to have been investigated experimentally (Bolton, 1894). The present study aimed to replicate and extend these findings through online […]
Athletes in the Practice Room: A guide for musicians modelled on the mental training of elite athletes
Author: Thibeault, Marina Publication details: Journal of the American Viola Society, Volume 37, Number 1. Source: http://www.americanviolasociety.org/Resources/Journal/Journal.php
English Songs à la Française
Artists: Tyler Duncan (BMus’98) and Erika Switzer (BMus’97, MMus’00) Recording details: Baritone Tyler Duncan and pianist Erika Switzer join forces in a brilliant recital of English songs, written by French composers. Duncan and Switzer have been leading figures in the world of art song, and share a deep connection to songs of the Romantic period, […]
Art Song Pedagogy and Performance Practice: Re-envisioning the Realm in the 21st Century
Author: Sharon, Rena Publication details: The Routledge Companion to Interdisciplinary Studies in Singing, Volume II: Education. Edited by Helga R. Gudmundsdottir, Carol Beynon, Karen Ludke, Annabel J. Cohen. Weblink: https://www.routledge.com/ Abstract: The Routledge Companion to Interdisciplinary Studies in Singing, Volume II: Education examines the many methods and motivations for vocal pedagogy, promoting singing not just as […]
Piano and Erhu Project Vol. 3
Artists: Corey Hamm and Nicole Ge Li Featured UBC composer: Stephen Chatman Remember Me, Forever Recording details: Redshift Records, released June 5, 2020 Link
In The Key of the World
Artist: Vancouver Inter-Cultural Orchestra Featured Faculty Composer: Dorothy Chang, Lost and Found Recording details: In the Key of the World is the Vancouver Inter-Cultural Orchestra’s first full-length instrumental album. It features music by Canadian composers Dorothy Chang, John Oliver, Moshe Denburg, and Farshid Samandari, performed by an ensemble of 28 musicians playing instruments from a wide range […]