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Chartreuse
Artists: Jasper Wood violin, David Riley piano Recording Details: Max Frank Music, October 2012 Link
Magnificat
Composer: Stephen Chatman Ensembles: UBC Symphony Orchestra University Singers Conductors: Jonathan Girard and Graeme Langager Recording details: CMC Centrediscs, 2012 Link
Ravel, Shostakovich & Ives: Piano Trios
Ensemble: Triple Forte Artists: Jasper Wood violin, Yegor Dyachkov cello, David Jalbert piano Recording Details: ATMA Classique, August 2012 Link
‘The matter of human cooperation’ in Carter’s mature style
Author: Roeder, John Publication details: Elliott Carter Studies, edited by Marguerite Boland and John Link, 110-137. Cambridge: Cambridge University Press, 2012. Weblink: http://www.cambridge.org Abstract: Over the course of an astonishingly long career, Elliott Carter has engaged with many musical developments of the twentieth and now twenty-first centuries – from his early neo-classic music of the interwar period, to […]
It Will Not Change – Stephen Chatman
Composer: Stephen Chatman Ensemble: University of Michigan Chamber Choir, Jerry Blackstone director Work: It Will Not Change (2011) Recording details: Live recording. Premiere: April 3, 2012, Ann Arbor, Michigan.
The Columbia Sessions
Artists: Christopher Creviston, saxophone; Hannah Gruber, piano Featured Faculty Composer: Dorothy Chang, Two Preludes Recording details: Albany Records Link
Earth Songs
Composer: Stephen Chatman Ensembles: CBC Radio Orchestra, University Singers UBC Music Artists: Eric Wilson, Julia Nolan, Patricia Hoy Recording details: CMC Centrediscs, 2012 Link
Due North – Stephen Chatman Choral Works
Composer: Stephen Chatman Ensemble: Vancouver Chamber Choir Conductor: John Washburn Recording details: CMC Centrediscs, 2012 Link
Taking Culture Seriously: Democratic Music and its Transformative Potential in South Korea
Author: Hesselink, Nathan Publication details: The World of Music: Readings in Ethnomusicology, ed. Max Peter Baumann, 670-701. Intercultural Music Studies 17. Berlin: Verlag für Wissenschaft und Bildung, 2012. Weblink: https://worldcat.org
Identity and Genre in Gamelan Gong Kebyar: An Analytical Study of Gabor
Author: Roeder, John and Tenzer, Michael Publication details: Music Theory Spectrum 34, no. 1 (2012): 78-122. Weblink: http://www.jstor.org Abstract: Gabor is a piece for Balinese gamelan gong kebyar that deploys concurrent textural layers moving at different speeds, organized around a slow melody measured by recurring patterns of gong strokes. The melody, drumming, gong patterns, layer figuration, and tempo vary throughout the […]