2018 Faculty 


Rhoslyn Jones
Director of UBC Summer Vocal Workshop, UBC Voice Faculty, Soprano

Canadian soprano Rhoslyn Jones is quickly becoming an important presence on both the Concert and Operatic stages of the world. Described as a “superb singer and artistic presence,” Ms. Jones’ voice is “luscious, and her soul opens forthrightly and generously to the audience.”

Hailed as “The delicious diva” by the 24 Hours New Vancouver, Ms. Jones captivated the audience with her “unforgettably powerful voice” in her very first production of Le Nozze di Figaro. As the Countess, Rhoslyn Jones imparted “a grace and dignity that prevent[ed] her from descending into the mould of the stereotypical wronged woman, and [allowed] her to become a relatable individual for a modern audience. Jones is a joy to watch and reason alone to see the show.”

Ms. Jones began the 2010-2011 season covering the role of Roxane opposite Placido Domingo’s Cyrano de Bergerac at the San Francisco Opera. Also this season, she will debut the role of Mimi in a new production ofLa Boheme at the Pacific Opera Victoria.

The 2009-2010 season found Ms. Jones making her role debut as the Countess in Le Nozze di Figaro withVancouver Opera and a return to Arizona Opera as Musetta in La Boheme. A busy concert singer as well, Rhoslyn sang Rachmaninoff’s The Bells with the Colorado Symphony Orchestra, was the soprano soloist in a concert of arias and duets with the Calgary Philharmonic Orchestra and sang Morgen: A ballet set to a collection of Richard Strauss songs for soprano and orchestra with the New York City Ballet.

In recent seasons, Ms. Jones has appeared as the Countess in Le Nozze di Figaro with Opera Santa Barbara, Musetta in La Boheme with Pittsburgh Opera, Tatyana inEugene Onegin with Vancouver Opera, Donna Anna in Don Giovanni with the Chicago Opera Theater and the title role of Susannah with Arizona Opera. Ms. Jones also created the starring role of Julia Dent Grant in Phillip Glass’s world premiere of Appomattox with the San Francisco Opera opposite Dwayne Croft and Andrew Shore. She has also recently appeared with the Alabama Symphony Orchestra and Anchorage Symphony. In addition to being the Director of the University of British Columbia Summer Vocal Workshop, she is on Faculty at the University of British Columbia in the Vocal Department, and on Faculty at Sonoma State University in California. She is also the founder and director of the new Bay Area Vocal Academy in San Francisco. 

Originally from Aldergrove, B.C., Ms. Jones completed her Undergraduate and Master’s degrees at the University of British Columbia and her Diploma in Opera Performance at the prestigious Curtis Institute of Music in Philadelphia. She also attended the distinguished Summer Festival at Ravinia in 2008 and was a 2004 and 2005 participant in Merola, which led to her selection as an Adler Fellow at the San Francisco Opera from 2006-2007. She currently resides in San Francisco with her husband. 


J. Patrick Raftery
UBC Voice Faculty

J. Patrick Raftery’s professional debut was in 1979 when he sang Schaunard in La Bohemesharing the stage with Luciano Pavarotti. After his years at The Boston Conservatory and The Juilliard School of Music, Mr. Raftery joined the Richard Tucker Music Foundation and C.A.M.I. artists when his career soared and took him to the major opera houses of the world, his debut was at the Metropolitan Opera with Mirella Freni in Manon Lescaut.  In less than a decade he became one of America’s most prominent baritones.

In August 1992, Mr. Raftery gave his first performances as a tenor, at New York’s Avery Fischer Hall in concert performances of Lucio Silla. The 1992/93 season included Erik inDer Fliegende Hollander, Florestan in Fidelio and Max in Jonny Spielt auf, all with the Opera of Leipzig. Immediately, the same company invited him to participate in their 300 year anniversary celebration by singing Grigori/Demitri in the acclaimed production of Boris Godunov by Oscar winning director Istvan Szabo.

Mr. Raftery’s debut at La Scala came in the 1993/94 season’s opening production of Spontini’s La Vestale conducted by Riccardo Muti and recorded live for Sony Classical. That same season Mr. Raftery debuted in quick succession the roles of Parsifal, Samson and Siegmund. The latter in the Frankfurt Opera’s critically acclaimed Ring of Herbert Werneke conducted by Sylvain Cambreling.

Mr. Raftery participated in The Royal Opera House at Covent Garden’s world premier of Alexander Goehr’s opera Arianna, Siegmund in Seattle’s Ring , Erik in a new Der Fliegende Hollander for the Canadian Opera Company (Toronto), Andrei Kovanski in Kovanschina for The Hamburg State Opera and the world premier of Salammbo for The Paris Opera.

Mr. Raftery has been Tristan for the Operas of Meiningen, Nancy and The Croatian National Theater of Zagreb. The 2004/2005 season found Mr. Raftery’s role debut as Othello for the opera of Syracuse and a filming of his Siegmund for a DVD of Wagner’s Ring for the Opera of Liege.

The 2006/2007 season found Mr. Raftery reviving Othello for the Opera of Budapest, Sergei in the Lady MacBeth of Mtsensk and Siegmund for Oper Wiesbaden and Eisenstein for a new production of Die Fledermaus in Toulouse. Mr. Raftery joined the University of Toronto Faculty of Music as a voice instructor in the fall of 2007. Since joining the faculty at University of Toronto Mr. Raftery has sung for the Pacific Opera Victoria (William Marshall in Regina of Mark Blitzstein and Monsieur Taupe in Capriccio of Richard Strauss). In 2013 Mr. Raftery made his role and house debut with the Opera de Marseille as Aegisth in Richard Strauss‘ Elektra.


Dale Throness
UBC Faculty Vocal Teacher

Lyric Baritone Dale Throness, a native of Grande Prairie, Alberta, received his early musical training in Winnipeg and subsequently obtained his Master of Music in Voice Performance at the University of British Columbia. Post-graduate studies were undertaken at the Vancouver Academy of Music and the Britten Pears School for Advanced Musical Studies in Aldeburgh England. He has sung a number of operatic roles including the title role in Mozart’s Don Giovanni under director David Walsh, and Marcello in La Boheme with conductor Tyrone Patterson and the Okanagan Symphony Orchestra for Viva Musica in Kelowna.

Recent Concert engagements include performing with the Vancouver Symphony Orchestra in their Tea and Trumpets series and a concert of Brahms’ lieder for their Brahms Festival, and performances of the Brahms and Faure Requiems.  He has also sung Carmina Burana on a number of occasions, including a performance at the Orpheum Theatre under conductor Kazuyoshi Akiyama. In addition to his performing schedule, Mr. Throness is on the voice faculties of the University of British Columbia and Kwantlen College.


Jonathan Beyer
Guest Vocal Teacher

Jonathan Beyer is a baritone who has performed with several opera companies including the Metropolitan Opera, Teatro Petruzzelli, Oper Frankfurt, Pittsburgh Opera, Dallas Opera, Opera Company of Philadelphia, Florida Grand Opera, Boston Lyric Opera, Austin Lyric Opera, Chicago Opera Theater, Opera de Montreal, Opera Theater of Saint Louis, Fort Worth Opera, Royal Opera of Oman, Chicago Lyric Opera, Hong Kong Opera, Hawaii Opera Theater, Opera Santa Barbara, Lyrique-en-mer, Opera Grand Rapids, Knoxville Opera, Anchorage Opera, The Chautauqua Institution, Tanglewood Music Center, Accademia Verdiana, and Teatro di Verdi. He performs a wide variety of repertoire including Marcello in LA BOHEME, Figaro in BARBIERE DI SIVIGLIA, Malatesta in DON PASQUALE, Papageno in DIE ZAUBERFLOTE, Count Almaviva in LE NOZZE DI FIGARO, Escamillo in CARMEN and Richard Nixon in NIXON IN CHINA. He has also appeared with the Chicago Symphony, Philadelphia Orchestra, Munich Philharmonic, Pittsburgh Symphony, Fort Worth Symphony, Indianapolis Symphony, Netherlands Radio Orchestra, American Symphony, Castleton Festival, Chatam Baroque, Lansing Symphony, Baton Rouge Symphony, Vermont Symphony, Southwest Michigan Symphony, the Erie Philharmonic and the Festival at Aix-en-Provence.

Mr. Beyer was a National Finalist in the Metropolitan Opera National Council Competition. He was the 1st Place Winner at the Marian Anderson Prize for Emerging Classical Artists. He has also won the Geroge London Foundation, Sullivan Foundation, McCammon Competition, San Antonio Opera Competition, Irma M. Cooper Competition, Violetta DuPont Competition, Rochester’s Classical Idol, American Prize for Art Song and Opera, New Jersey Verismo Competition, Philadelphia Orchestra’s Greenfield Competition, Astral Artist Auditions, Philadelphia Career Advancement Award, The American Prize in both Operatic and Art Song Divisions, Pittsburgh Concert Society Auditions, SAI Competition, American Opera Society Competition, the Union League Civic and Arts Foundation Competition, and the Bel Canto Foundation. He has also received awards from the Sullivan Foundation, Gerda Lissner Foundation, Jensen Foundation, Solti Foundation, Loren L. Zachary, Irene Dalis, Liederkranz, Charles Lynam Competitions, Licia Albanese Puccini Foundation, Orpheus Competition, National Opera Association, Anna Sosenko Foundation, Shreveport Singer of the Year, Mario Lanza Foundation, Paris Opera, Annapolis Opera, New Jersey Opera, Dresden Opera, NATS, Giulio Gari Foundation, Palm Beach Opera, Jose Iturbi, Liederkranz and Neue Stimmen competitions.

An avid recitalist, Mr. Beyer has performed in recital with Craig Rutenberg, Mikael Eliasen, Kristin Okerlund, Martin Katz and Brian Zeger.  He has given recitals through the Vocal Arts Society, Marilyn Horne Foundation, Carnegie Hall Foundation, Philadelphia Chamber Music Society, Chicago Cultural Center, Judith Raskin Foundation, Bertlesmann Foundation, Huntsville Chamber Music Guild, Pittsburgh Concert Society, Over the Rainbow Foundation, Astral Artists, the Ravinia Festival, Lorin Maazel’s Chateauville Foundation and the Marian Anderson Foundation.  He has degrees from the Curtis Institute of Music and the Chicago College of Performing Arts at Roosevelt University.


Sarah Bowker
Pianist and Coach

Sarah Bowker began her musical studies in Harare, Zimbabwe and continued her studies in Ottawa and Vancouver.  Her principal teachers have included Jane Coop, Sandra Webster and Sandra Cooke.  The recipient of numerous awards and scholarships at local, provincial and national levels of competition, Ms. Bowker has also received scholarships to study at the Adamant School of Music in Vermont, the Bowdoin Summer Music Festival in Brunswick, Maine, the Banff Centre for the Arts, and the University of British Columbia where she received her Bachelor’s and Master’s degrees in piano performance.  She has been broadcast on Vermont Public Radio and was featured on Capitol News in Georgetown, Guyana.  During her time in Vancouver, Ms. Bowker performed frequently as a chamber musician and collaborative pianist, was the music director of multiple churches, and was also active as a piano and theory teacher.  Currently residing in London, Ontario, Ms. Bowker continues her life as an active musician and teacher.


Lyndsey Britten
Choreographer/Movement Teacher

Based in Vancouver, Lyndsey began her dance training at the age of two. She has trained at places such as Goh Ballet, American Ballet Theatre, and Caulfield School of Dance, where she reached her RAD Advanced 2. Also active as a choreographer, her work was most recently seen in Play On Word’s Bonnie & Clyde, Odeum Theatre Society’s production of Mary Poppins, and can be seen again this summer in Fighting Chance Productions’ Heathers. Lyndsey also works with several high schools and community centres, most notably as Gleneagle Secondary School’s choreographer since 2010. A versatile performer, select credits include: Dance Captain/Cassandra in Cats (FCP), Female Swing/Ensemble for Hairspray (TUTS), and Follies Girl/Featured Tap Dancer in Crazy For You (Gateway Theatre), which won the 2015 Ovation Award for Outstanding Tap Ensemble. Translating her passion for performance into education, Lyndsey was the Assistant Choreographer for the Theatre Under the Stars Youth Summer Intensive, and applied there the same philosophy she applies to all her teaching: to instill a love of dance while building a solid foundation through technique and an understanding of the body.


Tina Chang
Pianist and Coach

Vancouver pianist and coach Tina Chang has appeared in many recitals throughout Canada and the United States.  Currently on the music staff at Vancouver Opera as répétiteur and coach, she was most recently assistant conductor with the company’s production of Nico Muhly’s Dark Sisters.  Past engagements include music directorship with Fear No Opera in Victoria, and as pianist and coach with the Atelier lyrique at the Opéra de Montréal.  She has toured with the Vancouver Opera in Schools’ (VOIS) performances of Cinderella (La Cenerentola) and Jack Pine where she was pianist and music director while on the road.  Teaching experiences include being a coach at the Opera Program at University of British Columbia and a faculty position at Dalhousie University where she coached students of various musical disciplines and taught 2nd year Keyboard Skills.

Engagements in the United States include a position as assistant coach to Glimmerglass Opera Festival’s productions of Ariadne auf Naxos and Madama Butterfly in upstate New York.  Tina has also served as coach and répétiteur at Mill City Summer Opera in Minneapolis for its production of Rossini’s Barber of Seville. as well as the pianist and music director for the San Diego Opera Ensemble where she coached and performed with young professional singers from all over the United States.  Past summer festival participation include a fellowship at the Aspen Opera Theatre Center of the Aspen Music Festival, Music Academy of the West, SongFest and Vancouver International Song Institute (VISI).  Tina has served as staff pianist at the Summer Vocal Academy for the Victoria Conservatory of Music, as well as the Interlochen Center for the Arts during their summer session, where she coached various operetta scenes, was rehearsal pianist for multiple choirs and ensemble pianist with the Interlochen Philharmonic.

Born in Taiwan, Tina immigrated to Vancouver, Canada with her family when she was nine.  She completed her undergraduate degree in music at the University of British Columbia and from there, she went on to complete her Master of Music degree in Collaborative Piano at the University of Minnesota.  Her principal teachers include Timothy Lovelace, Kenneth Broadway and Alice Enns.


Judith Forst
Guest Vocal Teacher

Canadian born mezzo-soprano Judith Forst has been highly acclaimed for her operatic and concert performances throughout North America and in Europe in many of the world’s most prestigious theaters which have included the Metropolitan Opera, San Francisco Opera, Bavarian State Opera, Munich, Netherlands Opera, Dallas Opera, Washington Opera, Vancouver Opera, and the Santa Fe Opera among many others.

Judith Forst began the 2009-2010 season with her return to the Lyric Opera of Chicago for Katya Kabanova.  She also made her debut at Houston Grand Opera as Mrs. Grose in The Turn of the Screw and returned in the spring as The Countess in Pique Dame.  2010-2011 engagements included the world premiere of Lillian Alling with Vancouver Opera as well as the world premiere of The Inventor for Calgary Opera.  She was also heard as Herodias in Salome for L’ Opera de Montreal.  2011-2012 engagements included Salome at the Manitoba Opera, The Rape of Lucretia at Houston Grand Opera and The Inventor at Vancouver Symphony. In the 2012-2013 season she returned to Vancouver Opera in Pirates of Penzance,  to Canadian Opera Company in Dialogues des Carmelites among other engagements. Engagements for the 2013/2014 season include a return to the Metropolitan Opera in Two Boys.

During the 2008-2009 season Judith Forst appeared with as Mrs. Grose in Britten’s The Turn of the Screw with Portland Opera, and returned to Vancouver Opera as Herodias in Salome.  Other recent engagements for Ms Forst have included Salome at Dallas Opera and Vancouver Opera and the world premiere of Transit of Venus for Manitoba Opera.  She has appeared in concert with the Vancouver Symphonyand at the Santa Fe Opera as Mme de la Haltiere in Massenet’s Cendrillon, in Vancouver in Jenufa and in the Calgary premiere of Heggie’s Dead Man Walking.  She made her debut at the Lyric Opera of Chicago as Herodias during the 2006-2007 season, and also returned to the Metropolitan Opera as the Kostelnicka in Jenufa.

In 2006 she made her debut at the Teatro alla Scala in Milan as the Kabinicha in Janacek’s Katya Kabanova.  Recognized as one of Canada’s most distinguished artists, she has been honored with the Order of Canada.

Judith Forst is now most identified with roles such as the Kostelnicka in Janacek’s Jenufa, Klytemnestra in Strauss’s Elektra, Herodias in Salome and Mme de Croissy in Poulenc’s Dialogues des Carmelites, the Countess in Tchaikovsky’s The Queen of Spades, Augusta Tabor in Moore’s The Ballad of Baby Doe, the Baroness in Barber’s Vanessa and the Witch in Hansel und Gretel.  Prior to expanding into this repertoire, she had sung a repertoire of extraordinary versatility and one which encompassed virtually all styles and periods and which has extended into the soprano repertoire as well.

Judith Forst began her career at the Metropolitan Opera when, after her participation in the Metropolitan Opera National Council Auditions, General Manager Sir Rudolf Bing immediately offered her a contract with the company. Her first roles at the Metropolitan included Preziosilla in La Forza del Destino, Stephano in Romeo et Juliette and Siebel in Faust and she has returned to the Metropolitan regularly all through her career for roles such as Donna Elvira in Don Giovanni under James Levine, Giulietta in Les Contes d’Hoffmann, Countess Adelaide in Arabella, and the Kabinicha in Katya Kabanova. After her firs seasons at the Metropolitan, Forst was soon heard at most of the operatic theaters in North America inroles such as Dorabella in Cosi Fan tutte, Rosina in Il Babiere di Siviglia, the title role in La Cenerentola,  Adalgisa in Norma Charlotte in Werther, Octavian in Der Rosenkavalier and Bizet’s Carmen.  She made her Seattle Opera debut as Giovanna Seymour in Anna Bolena and subsquently appeared in this role opposite Dame Joan Sutherland in San Francisco, Toronto, Detroit, Washington, DC and in New York where the concert was also televised as part of the “Live from Lincoln Center” series. Forst made her European debut in Paris in 1985 in a concert performance of Hoffmann and her Munich debut as Preziosilla in La Forza del Destino. She made her London debut in the spring of 1992 in the British premiere of Rossini’s Ermione and starred as the Composer in a new production of Ariadne auf Naxos at the English National Opera in 1994.


Jason Ferrante
Guest Vocal Teacher

American tenor Jason Ferrante earned his Master and Bachelor of Music degrees from The Juilliard School where he studied with legendary vocal pedagogue Beverley Peck Johnson and was the recipient of the Alice Tully Voice Scholarship. (1993-2000) Ferrante’s professional training included two Summers as a Filene Young Artist at Wolf Trap where he twice received a Shouse Grant (2005, 2006), two Summers as an opera fellow at Tanglewood (2000, 2001) and three Summers as a member of the Aspen Opera Theater Center. (1996, 1998, 1999)

Praised by Opera News for “singing up a stylish storm” and for getting “the gold star for trills”, Ferrante has appeared in over 70 opera productions and in concert on five continents including performances at New York City Opera, Wolf Trap, Teatro Comunale di Bologna, Teatro Comunale Luciano Pavarotti, Wexford Festival. Tanglewood, Kennedy Center, Ravinia, Juilliard, Guangzhou Opera House,Boston Symphony Orchestra, Alice Tully Hall, Bard Festival, Florida Grand Opera, and with opera companies in Atlanta, Madison, Arizona, Indianapolis, Kentucky, Omaha, Orlando, Palm Beach, Eugene, Dayton, Annapolis, Syracuse, Birmingham, and Boston.

Ferrante has sung with some of the world’s leading conductors including Ozawa, Rudel, Conlon, Slatkin, Nelsons, Maazel, Zinman and Lord. He can be heard on recordings of Meyerbeer’s Les Huguenots and Chabrier’s Le Roi Malgré Lui with the American Symphony Orchestra. He has been heard on PBS, NPR, NHK in Japan, WNYC, WQXR and In 2002, he was a panelist on the Metropolitan Opera Quiz . Ferrante has written for the Juilliard Journal. He has taught and given masterclasses with schools and young artists programs around the U.S.

Ferrante’s students are singing around the world with opera companies including the Met, Covent Garden, English National Opera, Santa Fe, San Francisco, Opera Theatre of St. Louis, Glimmerglass and Wolf Trap. They have been winners in competitions including Operalia, Met National Council, Zachary Foundation, Sullivan Awards, the George London Foundation and members of young artists programs and students at major conservatories and universities. This season, Ferrante is serving as vocal consultant and voice teacher at the Young Artists Programs at Arizona Opera, Nashville Opera and Florida Grand Opera. In 2015, he is a national panelist and guest master teacher for YoungArts. In addition to his active performing and teaching schedule, Ferrante maintains a limited number of private studio hours in Miami and New York City.


Dr. Lynne Morrow
Guest Teacher and Conductor

Dr. Lynne Morrow is the Music Director of Pacific Edge Voices. She and Pacific Edge Voices (then called Pacific Mozart Ensemble) received Grammy nominations in 2006 for the recording of Leonard Bernstein’s Mass with Kent Nagano in Berlin. In 2010, the group’s long-time collaboration with Dave Brubeck (including many world premieres) led to the release of “Dave Brubeck: Songs of Praise” with Dorian Recordings. A second recording of Brubeck’s music, “Brubeck and American Poets,” was recorded in December 2011.

Lynne Morrow became Music Director of the Oakland Symphony Chorus in 2005. During her tenure, the scope of the chorus has expanded to include contemporary, international and neglected works along with traditional choral repertoire. She conducts the Chorus’ workshop performances of major works and a Spring Messiah, hosts summer choral outreach “Sing-Ins” and prepares the chorus for work with Oakland East Bay Symphony as well as regional community and youth orchestras with which Oakland Symphony Chorus collaborates, such as the Oakland Symphony Youth Orchestra, Young People’s Symphony Orchestra and California Symphony.

Lynne Morrow received a Grammy nomination for her work with the Pacific Mozart Ensemble, with whom she has also recorded two CD’s of Dave Brubeck’s choral music. Since 2001, she has directed the Voice and Opera/Music Theatre Programs at Sonoma State University. Morrow also gives lectures for the regional San Francisco Opera Guilds, most recently on the premiere of “Dolores Claiborne.” Dr. Morrow strives for a visceral connection to music, presenting works from every corner of the musical arts in fresh ways, to reach the widest possible audiences.

Lynne will lead the Oakland Symphony Chorus on a June 2015 tour to Vienna, Prague and Budapest, performing Mozart, Haydn and American music. In January 2012 she co-conducted Oakland East Bay Symphony, Oakland Symphony Chorus and Oakland Youth Orchestra in a sold-out performance of Orff’s “Carmina Burana.”

In 2013, Lynne Morrow worked with Richard Harrell to create Heroes’ Voices, a multifaceted project that produces 6- to 8-week workshops where Veterans sing and create poetry and the spoken word.  Heroes’ Voices also provides guitar lessons for Veterans, after which they can receive a free guitar.  The programs are produced in Menlo Park and Yountville.  A bluegrass jam session also occurs in Fremont.

Cambria Records will soon release the first recording of the choral works of California composer, Elinor Remick Warren, featuring Dr. Morrow’s ensemble, Quanta Chorale. This disc will showcase exciting and challenging repertoire for mixed and women’s chorus.

Dr. Morrow also directs the Voice and Opera/Music Theatre programs at Sonoma State University and has been a frequent assistant conductor with Festival Opera. Her Quantum Opera Theatre co-presented (with Berkeley West Edge Opera) the premiere of “Caliban Dreams,” an operatic sequel to “The Tempest.” She’s a familiar figure in the Bay Area where she hosted the Stern Grove Music Festival for many years. Dr. Morrow attended Indiana University-Bloomington for graduate studies in Opera Coaching and Choral Conducting. She counts among her mentors and teachers, Michael Morgan, Richard Grant, Imre Pallo, Jan Harrington, Carmen Tellez, Brian Breeding and Robert Porco.

Dr. Morrow is on the Education Committee of the National Academy of Recording Arts and Sciences (NARAS), most known for celebrating and honoring musical achievements through the Grammy awards. Dr. Morrow enjoys creating a visceral connection to music—presenting works from every corner of the musical arts in fresh ways to reach the widest possible audiences.


Stephanie Nakagawa
Vocal Teacher

Soprano, Stephanie Nakagawa, has a voice that is “as clear as-a-bell and soaring.”

Stephanie has been a Gerdine Young Artist with the Opera Theatre of Saint Louis and a member of their Opera on the Go program. She has won numerous awards including the Western Canada District – Metropolitan Opera National Council Auditions and the BC Provincial Festival of the Performing Arts. Stephanie is the music director and conductor of Ensemble Etoile, a women’s chamber choir that will be touring the Okanagan this year. She also has a busy private voice studio and her students have won numerous awards at festivals and RCM exams.

Stephanie’s stage credits include Susanna (Le nozze di Figaro), Vixen (The Cunning Little Vixen), Gretel (Hansel & Gretel), Adele (Die Fledermaus), Amy (Little Women), Musetta (La Bohème), Zerlina (Don Giovanni), and Miss Wordsworth (Albert Herring). She has sung with many ensembles including the Aspen Music Festival, Vancouver Symphony Orchestra, Indiana University Opera Theater, Bard on the Beach, UBC Opera, Westcoast Symphony, Oberlin in Italy, Prince George Symphony, and the North Bohemian Philharmonic (Czech Republic).

In concert, Stephanie has sung as a soloist in The Messiah with the Okanagan Symphony Orchestra, Mozart’s Grand Mass in C with the AURA Chamber Choir and Vivace Chorale, Ginastera’sCantata para América Mágica at the Aspen Music Festival, Vancouver Opera’s Pacific Rim Concerts, Paul Chihara’s Amatsu Kaze with the IU New Music Ensemble, and Mozart’s Requiem with the IU Chamber Orchestra.

Stephanie was awarded the UBC Medal upon her B.Mus graduation and holds a Master’s degree from Indiana University. She also holds ARCT Performance Diplomas in both piano and voice and is the winner of the Voice Gold Medal from the Royal Conservatory of Music. Stephanie has also been awarded the UBC Wesbrook Scholar, Johann Strauss Foundation Scholarship, BC Arts Council Award, Canada Millennium Scholarship, Jeunes Ambassadeurs Lyriques Laureate, and the BMO National Scholarship. Stephanie has studied under the tutelage of Nancy Hermiston, Carol Vaness, and Costanza Cuccaro, and is currently pursuing her doctorate at UBC. 


Carol Wong
Pianist and Coach

Carol Wong enjoys a flourishing career following recent performances at Carnegie’s Zankel and Weill Halls, the Wednesday at One Series at Alice Tully Hall (New York), the Kennedy Center, the Kreeger Museum (Washington, DC), the California Center for the Arts (San Diego), the Krannert Center (Illinois), the Pro Arte Musical (Puerto Rico), the Gardner Museum (Boston) and live broadcasts on WXQR in NYC, K-Mozart in Los Angeles and on NPR’s Performance Today. Highlights from the previous seasons included California’s Herbst Theater (San Francisco), the Lobero Theatre (Santa Barbara), the Annenberg Theater (Palm Springs), the Kravis Center (West Palm Beach) and a special performance for the U.S. Members of Congress under the auspices of Sony Music in Puerto Rico. In the summer of 2009, Ms. Wong taught Masterclasses at Orvieta Musica, a music festival in Italy. She was also invited to perform and teach for an underserved community in Hilo, Hawaii. The following October, Carol was personally invited by Marilyn Horne to perform in a tour celebrating the famed mezzo-soprano’s 75th Birthday. The tour included stops in Italy, Croatia, Greece, and Turkey. The summer of 2008 was eventful for Carol – in August, Ms. Wong was awarded the Sing for Hope Grant, an organization that maintains a roster of world-class artists who donate time and talent to the humanitarian causes that inspire them. Carol produced the concert “Songs of Words Left Unsaid,” which was hosted by renowned mezzo-soprano Susan Graham and featured Metropolitan Opera performers such as soprano Susanna Philips mezzo Isabel Leonard, tenor Joseph Kaiser and baritone Luca Pisaroni. In July 2008, Ms. Wong was one of the only 50 people invited to the Arctic Expedition for Climate Action, sponsored by National Geographic, and made into a documentary. Guest included President Jimmy Carter and his wife Rosalyn, Ted Turner, Madeline Albright, Chevy Chase, Google founder Larry Page. Her 2008 tout also included concerts in Leipzig, Germany, Oslo, Norway, Istanbul, Turkey and Lima, Peru. Ms. Wong is frequently invited to prestigious music festivals such as the Ravinia Festival where she gave the premiere of Jake Heggie’s “Here and Gone” (2005), the Aspen Music Festival, the Sarasota Music Festival, the Banff Festival,  the Cleveland Art Song Festival, the Britten-Pears Festival in England, and the Beaux Arts Festival in Fontainebleau, France, where she won a distinction award in Piano. A committed teacher, Carol is a senior examiner at the Royal Conservatory of Music in Toronto, and taught at Rutgers University in New Brunswick, New Jersey. Ms. Wong is also the winner of many awards including the 2005 Juilliard Honors Recital, the 2005 Canadian Aldeburgh Foundation Award, and the 2004 Irene Diamond Award. In 2003, Ms. Wong won the Marilyn Horne Foundation Award Competition and was also chosen as the first pianist to receive the Laureate Award from the Music Academy of the West. Ms. Wong was also a frequent winner of the Canadian competition circuit, including the Canadian Music Competition in Montreal. Ms. Wong grew up in Vancouver, British Columbis and made her concerto debut at age 11 with the Vancouver Philharmonic. She earned her Master of Music Degree in Piano Performance from Indiana University under the tutelage of Menahem Pressler. Ms. Wong was granted her Doctor of Musical Arts Degree in Piano Performance from Rutgers University, and she completed her Artist Diploma at the prestigious Juilliard School.  


Geneviene Wong
Pianist and Coach

Geneviene Wong Jen-Pei graduated from the Royal Conservatoire of Scotland (formerly known as Royal Scottish Academy of Music and Drama (RSAMD), Scotland with First Class Honours in 1999 and received the “Rhona Reid Scholarship” to pursue the MMus (Performance) in Piano Accompaniment with Jean Hutchison. Upon completion of the Masters, she was awarded the “Broadwood Junior Fellowship for Piano Accompaniment” at the RSAMD.

She is a keen chamber musician and won several prizes whilst at the RSAMD, including the “John D Miles Lieder Prize” (with Nozomi Yamada), “British Reserve Insurance Prize for Early Music”, “Ian D Watt Prize for String and Piano Duo”, and “Alex Menzies Memorial Fund for Piano Accompaniment”. She also participated in many solo and accompaniment masterclasses with, among others, Dennis Lee, Malcolm Martineau, Dmitri Alexeev, Bernard D’Ascoli, John Streets, Roger Vignoles and the King’s Consort.

In Glasgow, she accompanied the Glasgow Youth Choir and the Glasgow Philharmonic Male Voice Choir, performing in various venues throughout Britain, Germany and the Czech Republic and was actively involved in the community music scene in Britain as a member of the ‘Scottish Council for Music in Hospitals’ and the ‘Live Music Now!’ scheme, an outreach programme founded by the late Lord Yehudi Menuhin. She has also accompanied various instrumentalists and singers in recitals throughout Britain, Thailand, Brunei and Malaysia including the prestigious Edinburgh Fringe Festival and represented the RSAMD in the Europe Day concert series organized by the European Parliament.

She taught piano and piano accompaniment in several universities in Malaysia and free-lanced as an accompanist. She also dabbles in choral arrangements and has had her arrangements performed by several local choirs, including the Young KL Singers, the KL Children’s Choir and the Dithyrambic Choir as well as international choirs such as the Trinity Choir from Australia. She has performed with the Malaysian Philharmonic Orchestra on several occasions playing piano, celesta and synthesizer.

From 2007 to 2013, she was the programme coordinator for the Pro-Musica Workshop in Malaysia and the Winter Journey Workshop in Thailand (a weeklong workshop and series of masterclasses held annually for young professional singers and accompanists conducted by teachers from the Flanders Opera Studio in Belgium).

She moved to Canada in 2013 and is currently based in Langley, BC Canada and works with the Vancouver City Singers and the Stella Maris Concert Choir. She also freelances as an accompanist for and maintains a private piano studio.


Past Faculty have included:

  • Christopher Atwood – Diction Coach
  • Gordon Bintner – Guest Masterclass Teacher
  • Nicola Davies – Pianist and Coach
  • Robin Eder-Warren - Guest Yoga Instructor
  • Richard Epp – Guest Coach/Conductor
  • Rachel Fenlon – Pianist and Coach
  • Gordon Gerrard – Guest Coach/Conductor
  • Suzanne Klukas - Pianist and Coach
  • Melanie Krueger – Vocal Teacher
  • Heidi Melton – Guest Teacher
  • Alison Nystrom - Guest Teacher
  • Simone Osborne – Director, Teacher, and Administrator
  • Perry Price – Vocal Teacher
  • Rick Tae - Acting Teacher
  • Heather Thomson-Price - Voice Teacher
  • Todd Wedge – Guest Teacher
  • Deborah Wong - Guest Acting Teacher/Director of Scenes
  • Geneviene Wong - Pianist and Coach