SYMPOSIUM: "MODELING RHYTHMIC COMPLEXITY"
January 23-26, 2018
This symposium will explore intersecting tools and methodologies from the fields of music information retrieval, computational analysis, and experimental psychology, for application to the study of complex rhythmic structures. The symposium theme relates closely to Dr. Poudrier’s ongoing exploration of how perceptual processes and cognitive limits interact with musical creativity and expression through the use of polyrhythm and polymeter (the superposition of competing rhythms and meters). A computational approach supported with signal processing technology and complemented by behavioural studies would not only allow for the inclusion of music from oral traditions in this study, but also allow for a cross-cultural exploration of the psychological and social mechanisms at play in the creation of meaning through specific compositional techniques.
March 5-9, 2018
A perennial challenge facing scholars of performance analysis is to find ways to conceptualize and analyze the rich reality of a skilled listener's embodied experience. This symposium explores the relationship among microtiming (millisecond-level variations in the duration of conceptually equal rhythmic units), the embodied experience of musical motion, and the representation of rhythmic experience through verbal and visual abstractions. Dodson brings ideas from recent phenomenological and empirical theories of meter to bear on the interpretation of microtiming data and is developing a new type of analytical animation. This work will benefit from engagement with the ethnographic, cognitive, and historical perspectives explored in the other two symposia, and a close encounter with the work of scholars at the leading edge of computational performance analysis and performance science.
SYMPOSIUM: “ENTRAINMENT AND THE HUMAN-TECHNOLOGY INTERFACE"
September 14-15, 2017
This symposium explores strategies for externalizing and regulating an entraining agent: first the invention of clocks, later the metronome, and now click tracks in recordings and live concerts. The symposium supports a research project that builds on recent cognitive studies, exploring the historical and technological motivations for "playing in time," and assessing their impact on our collective engagement with music as a temporal art. Initially the project will focus on musicians and studio producers, but then on the experiences of average listeners and their awareness and appreciation of the human-technology interface.