Author: Konoval, Brandon
Publications details: Modern Intellectual History 16, no. 1 (2019): 217-49.
Maestro Media: Harnessing technology in the evolution of the 21st Century ensemble program
Author: Taylor, Robert and Girard, Jonathan
Publication details: Presented at College Band Directors National Association Conference at Arizona State University, Tempe, AZ, 21 February, 2019.
Life Has Loveliness
Rossini’s Operas in Vienna and the Politics of Translation, 1816-1822
Author: Vellutini, Claudio
Publication details: Rossini 2017, edited by Ilaria Narici, Emilio Sala, Emanuele Senici, and Benjamin Walton. Pesaro: Fondazione Rossini (forthcoming 2018).
Interpreting Italian Singing in London (and Elsewhere)
Author: Vellutini, Claudio
Publication details: London Voices, 1820-1840, edited by Roger Parker and Susan Rutherford. Chicago and London: The University of Chicago Press (forthcoming 2019).
Donizetti, Vienna, Cosmopolitanism
Author: Vellutini, Claudio
Publication details: Journal of the American Musicological Society 73, no. 1 (forthcoming 2020).
Reference and Mosaic Form in Peter-Jan Wagemans’ Opera Legende
Author: Top, Edward
Publication details: Tijdschrift Van De Koninklijke Vereniging Voor Nederlandse Muziekgeschiedenis 59, no. 2 (2009): 157-84.
Six Preludes
Repeated Borrowing: The Case of “Es ist genug”
Author: Metzer, David
Publications details: Journal of the American Musicological Society 71, no. 3 (2018): 703-748.
Rossini's German Singers (Vienna, ca. 1817-1825)
Author: Vellutini, Claudio
Publication details: Presented at Beethoven und Rossini in ihrer Epoche at University for Music and Dance, Cologne, Germany, 10 November 2018.
Tapping to Carter: Mensural Determinacy in Complex Rhythmic Sequences
Author: Poudrier, Ève
Publication details: Empirical Musicology Review 12, no. 3-4 (2018): 277-315.
Racing Ahead: Race-ing Queer Music Scholarship
The Soundscapes of 16th-Century Munich
Author: Fisher, Alexander
Presentation details: Presented at the Medieval and Renaissance Music Conference, Maynooth, Ireland, 7 July 2018.
Opera and Monuments: Verdi’s Ernani in Vienna and the Construction of Dynastic Memory
Author: Vellutini, Claudio
Publication details: Cambridge Opera Journal 29, no. 2 (2017): 215-39.
Sobbing Cupids, Lamenting Lovers, and Weeping Nymphs in the Early Zarzuela: Calderón de la Barca’s El laurel de Apolo (1657) and Durón and Navas’s Apolo y Dafne (ca. 1700)
Is the Essay Dead? Research and Writing in the Humanities at a Research-Intensive University
Author: Konoval, Brandon
Publication details: University Higher Education Review 50 no. 2 (spring/summer 2018): 53-85.
Comparing Musical Cycles Across the World
Author: Roeder, John
Publication details: Presented at the Eastman Theory Colloquium at the Eastman School of Music in Rochester, New York, 30 March 2018.
Comparing Musical Cycles Across the World
Author: Roeder, John
Publication details: Presented at the 2018 Rocky Mountain Music Scholars Conference in Tucson, Arizona, 24 March 2018
Sounds and Silences: Reflections on Sound, History, and Religious Culture in Early Modern Germany
Author: Fisher, Alexander
Presentation details: Presented at the symposium The Limits of Aurality, Vancouver, 23 March 2018.
Ballads: A History of Emotions in Popular Culture
Author: Metzer, David
Publication details: Presented at South By Southwest (SXSW) in Austin, Texas, 17 March 2018.