Composer: Stephen Chatman
Publisher: Galaxy Music Corporation
Rossini’s Operas in Vienna and the Politics of Translation, 1816-1822
Author: Vellutini, Claudio
Publication details: Rossini 2017, edited by Ilaria Narici, Emilio Sala, Emanuele Senici, and Benjamin Walton. Pesaro: Fondazione Rossini (forthcoming 2018).
Interpreting Italian Singing in London (and Elsewhere)
Author: Vellutini, Claudio
Publication details: London Voices, 1820-1840, edited by Roger Parker and Susan Rutherford. Chicago and London: The University of Chicago Press (forthcoming 2019).
Donizetti, Vienna, Cosmopolitanism
Author: Vellutini, Claudio
Publication details: Journal of the American Musicological Society 73, no. 1 (forthcoming 2020).
Reference and Mosaic Form in Peter-Jan Wagemans’ Opera Legende
Author: Top, Edward
Publication details: Tijdschrift Van De Koninklijke Vereniging Voor Nederlandse Muziekgeschiedenis 59, no. 2 (2009): 157-84.
Six Preludes
Tapping to Carter: Mensural Determinacy in Complex Rhythmic Sequences
Author: Poudrier, Ève
Publication details: Empirical Musicology Review 12, no. 3-4 (2018): 277-315.
The Soundscapes of 16th-Century Munich
Author: Fisher, Alexander
Presentation details: Presented at the Medieval and Renaissance Music Conference, Maynooth, Ireland, 7 July 2018.
Opera and Monuments: Verdi’s Ernani in Vienna and the Construction of Dynastic Memory
Author: Vellutini, Claudio
Publication details: Cambridge Opera Journal 29, no. 2 (2017): 215-39.
Sobbing Cupids, Lamenting Lovers, and Weeping Nymphs in the Early Zarzuela: Calderón de la Barca’s El laurel de Apolo (1657) and Durón and Navas’s Apolo y Dafne (ca. 1700)
Is the Essay Dead? Research and Writing in the Humanities at a Research-Intensive University
Author: Konoval, Brandon
Publication details: University Higher Education Review 50 no. 2 (spring/summer 2018): 53-85.
Comparing Musical Cycles Across the World
Author: Roeder, John
Publication details: Presented at the Eastman Theory Colloquium at the Eastman School of Music in Rochester, New York, 30 March 2018.
Comparing Musical Cycles Across the World
Author: Roeder, John
Publication details: Presented at the 2018 Rocky Mountain Music Scholars Conference in Tucson, Arizona, 24 March 2018
Sounds and Silences: Reflections on Sound, History, and Religious Culture in Early Modern Germany
Author: Fisher, Alexander
Presentation details: Presented at the symposium The Limits of Aurality, Vancouver, 23 March 2018.
Ballads: A History of Emotions in Popular Culture
Author: Metzer, David
Publication details: Presented at South By Southwest (SXSW) in Austin, Texas, 17 March 2018.
Musicalische Friedens-Freud: The Westphalian Peace and Music in Protestant Nuremberg
Author: Fisher, Alexander
Presentation details: Presented at Rethinking Europe: War and Peace in the Early Modern German Lands, triennial meeting of Frühe Neuzeit Interdiziplinär, St. Louis, 10 March 2018.
Fanny Tacchinardi-Persiani, Carlo Balocchino, and Italian Opera Business in Vienna, Paris, and London (1837-1845)
Author: Vellutini, Claudio
Publication details: Cambridge Opera Journal 30, no. 1 (forthcoming, 2018).
Love Conquers All: Cupid, Philip V, and the Allegorical Zarzuela during the War of the Spanish Succession (1701–16)
Shattering the Lightning: Bells and Magic in Reformation Germany
Author: Fisher, Alexander
Presentation details: Presented as part of the series Worlds of Wonder, Green College, University of British Columbia, 14 February 2018.
“Pythagorean Pipe Dreams? Vincenzo Galilei, Marin Mersenne, and the Pneumatic Mysteries of the Pipe Organ”
Author: Konoval, Brandon
Publication details: Perspectives on Science 26, no. 1