Author: Hesselink, Nathan
Publication details: Korea Journal 38.3:292-326 (1998)
From Solo to Section
Author: Volpé Bligh, Elizabeth
Publication details: Harp Column
Weblink: www.harpcolumn.com
Kurtág’s Aphoristic Reflex: Constellations of Poetic and Vocal Presence in the Attila József Fragments
Author: Kurth, Richard
Publication details: Musicological Conference on the 90th Birthday of György Kurtág. Institute for Musicology, Research Centre for the Humanities, Hungarian Academy of Sciences, Budapest
Dual Portrait, in Fragments: György Kurtág’s Attila József Fragments for Solo Soprano, op. 20
Author: Kurth, Richard
Publication details: Department of Music, University of Hong Kong
Discipline and Pianist: Foucault and the Genealogy of the Étude
Author: Konoval, Brandon
Publication details: Foucault on the Arts and Letters: Perspectives for the Twenty-First Century
Weblink: http://www.academia.edu
Verdi on Stage: Notes on Five Recent Productions
Author: Vellutini, Claudio
Publication details: Nineteenth-Century Music Review 13/2 (2016), 392-400
Weblink: https://www.cambridge.org
Superposition in Saariaho's 'The claw of the magnolia….'
Author: Roeder, John
Publication details: Analytical Essays on Music by Women Composers: Concert Music, 1960-2000, ed. Laurel Parsons and Brenda Ravenscroft, 156-175. New York: Oxford University Press.
Weblink: https://global.oup.com/academic/product/analytical-essays-on-music-by-women-composers-concert-music-1960-2000-9780190236885?cc=ca&lang=en&
Performed Listening: Aesthetic Experience, Musical Imagination, Propulsion, and Elasticity
Author: Kurth, Richard
Publication details: Department of Music, Chinese University of Hong Kong
Two Harps Are Better Than One
Author: Volpé Bligh, Elizabeth
Publication details: Harp Column
Weblink: https://www.harpcolumn.com
Cracking the Nutcracker
Author: Volpé Bligh, Elizabeth
Publication details: Harp Column
Weblink: https://www.harpcolumn.com
Defining temporal multiplicity in American popular music, 1950-2000: A case study in macroanalysis using multiple bibliographic databases
Author: Poudrier, Ève and Castonguay, Rémi
Presentation details: Current Musicology 50th Anniversary Conference, Columbia University, New York (NY), 29 March 2015
The influence of tempo on subjective metricization
Author: Poudrier, Ève
Presentation details: New England Sequencing and Timing (NEST), University of Massachusetts, Amherst (MA), 7 March 2015
Defining temporal multiplicity: Models, challenges, and prospects
Author: Poudrier, Ève
Presentation details: Doctoral Colloquium Series, Schulich School of Music, McGill University, Montreal (QC), 20 March 2015
Thesaurus litaniarium: The Symbolism and Practice of Musical Litanies in Counter-Reformation Germany
Author: Fisher, Alexander
Publication details: Early Music History 34 (2015): 45-95
Weblink: https://www.cambridge.org
Early Voices in SamulNori’s Historical Record
Author: Hesselink, Nathan
Publication details: SamulNori: Korean Percussion for a Contemporary World, by Keith Howard, 76-86. Surrey, UK: Ashgate (SOAS Musicology Series), 2015.
Weblink: www.routledge.com
Meditations on Objective Aesthetics in World Music
Author: Tenzer, Michael
Publications details: Ethnomusicology, 59/1: 1–30
Weblink: http://www.jstor.org/stable/10.5406/ethnomusicology.59.1.0001
Download: PDF
Compositional Flora and Fauna in Anton Webern’s song “Gleich und Gleich,” op. 12 no. 4
Author: Kurth, Richard
Publication details: Vancouver International Song Institute
Mission: Impossible
Author: Volpé Bligh, Elizabeth
Publication details: Harp Column
Weblink: https://www.harpcolumn.com
Advice—How Can I Get Better at Counting?
Author: Volpé Bligh, Elizabeth
Publication details: Harp Column
Weblink: https://www.harpcolumn.com
Rhythmic Play, Compositional Intent, and Communication in Rock Music
Author: Hesselink, Nathan
Publication details: Popular Music (forthcoming), 2014
Weblink: https://www.cambridge.org