international women's day

Success stories for International Women's Day

It’s International Women's Day! Let’s pause to celebrate the incredible women who have graduated from the School of Music over the years. Here are recent profiles of just a few of the musicians, composers, producers, and other alumni from the School:

Dr. Laurel Parsons and Dr. Brenda Ravenscroft

Dr. Brenda Ravenscroft, left, and Dr. Laurel Parsons, right

Dr. Brenda Ravenscroft, left, and Dr. Laurel Parsons, right

 “There’s so much wonderful music that you learn in university. Not to take anything away from that, but once you start looking for music by women, or people who are not white men, in particular because classical music is such a Eurocentric discipline, it really becomes shocking to see how narrow that representation of composers really is... we wanted to change that.”

–Dr. Laurel Parsons (MA’91, PhD’03) talks about Analytical Essays on Music by Women Composers, the award-winning book she co-edited with Dr. Brenda Ravenscroft (PhD’93) which tackles the problem of representation in the Western musical canon.

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Hildegard Westerkamp and Kiran Bhumber

Kiran Bhumber (left) and Hildegard Westerkamp (right)

Kiran Bhumber (left) and Hildegard Westerkamp (right)

“Listen to where your passion is located, where your skill is located and how that resonates with which part of society. Trust your own ears, trust your own inclination on, especially for women, where your interests lie.”

– Pioneering sound ecologist Hildegard Westerkamp (BMus'72) and up-and-coming composer, producer, and performer Kiran Bhumber (BMus’14) discuss tech, gender, and “trusting your inner voice”

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Suzanne Windsor-Liscombe

Suzanne Windsor-Liscombe

Suzanne Windsor-Liscombe

“I used to play for ballets, musicals, sing in choir, direct things, teach, go to concerts. All of that was just completely washed out when I couldn’t hear anymore. I think composition saved me…. More than anything else I’ve done in music, this makes me the proudest.”

– Musician and educator Suzanne Windsor-Liscombe (BMus’80, DipEd’91, MEd’92, EdD’14) talks about how she lost her hearing and found her true calling — as a composer of children’s operas

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Awards, fellowships, and new albums

Jocelyn Morlock

Jocelyn Morlock

2018 was a great year all around for our alumni and faculty. Here are some more stories worth celebrating:

Composer and instructor Jocelyn Morlock (MMus’96, DMA’02) won Classical Composer of Year at the 2018 Western Canadian Music Awards, a Juno Award for Best Classical Composition for her orchestral work, “My Name Is Amanda Todd,” and the Jan V. Matejcek New Classical Music Award from SOCAN (Society of Composers, Authors and Music Publishers of Canada).

UBC Opera director Prof. Nancy Hermiston was inducted into the British Columbia Entertainment Hall of Fame and also received the Faculty of Arts 2017-18 Dean of Arts Award, the most prestigious award that the Faculty bestows on a colleague, in recognition of her outstanding contributions to creative research, teaching, and service to UBC and the broader community. As part of the award, she was bestowed with the title of Professor Emerita.

Pianist Nicole Linaksita (BSc/BMus’16) won the Orford Music Prize, a scholarship covering accommodation and tuition for an advanced program at Orford Music in 2019. Her other prizes this year include the Tom Cuff Award for Best Performance of a Canadian Work; the Linda Stobbe Memorial Award as the winner of the National Piano Class; and the Marilyn Wiwcharuk Memorial Scholarship for the Outstanding Performance at the Vancouver Kiwanis Festival. She also won first prize in the Senior Category at the Vancouver Metropolitan Orchestra’s Clef Concerto Competition and will be playing with the VMO next season.

Simone Osborne

Simone Osborne

Soprano Simone Osborne (DMPS'09) released her debut album, Simone Osborne: Live in Concert with Anne Larlee, and was nominated for the 2018 Dora Mavor Moore Award for Outstanding Performance – Female (Opera Division) for her role as Adina in The Elixir of Love with the Canadian Opera Company.

Music theorist Antares Boyle (PhD’18) was awarded the prestigious 2018 SMT-40 Dissertation Fellowship from the Society for Music Theory.  Her dissertation project, “Formation and Process in Repetitive Post-Tonal Music,” theorizes how musical segments, processes, and larger forms arise in recent post-tonal works that feature extensive varied repetition. Dr. Boyle completed her dissertation in August and is now teaching at the University of Northern Colorado.

Mezzo soprano Simran Claire (BMus'18, current MMus student) won a position with the Glimmerglass Ensemble and will begin performing with the ensemble in June 2019.