corey hamm

Beyond the Gates: Performances in North America and Asia, a conducting residency, and choral music galore

Corey Hamm and Nicole Ge Li of the Piano and Erhu Project

Corey Hamm and Nicole Ge Li of the Piano and Erhu Project

Dr. Corey Hamm, Professor of Piano, won UBC’s Dorothy Somerset Award for excellence in performance. The award recognizes faculty who have made outstanding contributions to art, music, creative writing, theatre or film. With PEP (Piano and Erhu Project), Dr. Hamm and Nicole Ge Li premiered the full orchestra version of Dr. Dorothy Chang’s double concerto Gateways in Seattle with conductor Julia Tai and Philharmonia Northwest. He also embarked on several tours: a solo piano tour of Asia (Hong Kong, Chonburi, Taipei, Shanghai, Beijing) with masterclasses and lectures, and a debut Atlantic tour with PEP. He performed Prokofiev Piano Concerto No. 3 in Minneapolis with conductor Yuri Ivan, gave three solo recitals with masterclasses in Alberta, and was the pianist for an educational outreach composition program with Vancouver’s Turning Point Ensemble.

In March, Dr. Graeme Langager and the University Singers performed with famed soprano Sarah Brightman at the Queen Elizabeth Theatre in Vancouver.

Dr. Jonathan Girard conducting the Eastman School Symphony Orchestra

Dr. Jonathan Girard conducting the Eastman School Symphony Orchestra

Dr. Jonathan Girard, Director of Orchestral Activities, led the Eastman School Symphony Orchestra in a concert in Kodak Hall in Rochester, New York in February.  The program included Poulenc’s Orchestral Suite from Les Animaux Modeles, Prokofiev’s Piano Concerto No. 3 in C Major (featuring Fantee Jones, piano), and Franck’s Symphony in D Minor. The concert was the culmination of Dr. Girard’s residency as a visiting professor of conducting at Eastman, where he taught the graduate orchestral conducting students of Neil Varon.

Dr. Girard and Dr. Robert Taylor, Professor of Conducting and Ensembles, presented a special session at the College Band Directors National Association Conference. The session, titled “Maestro Media: Harnessing technology in the evolution of the 21st Century ensemble program,” highlighted the cutting-edge technology they are using with conducting courses and large ensembles at UBC.

In March and April, many different works by Dr. Stephen Chatman, Professor of Composition, were performed across North America. Highlights include the Young New Yorkers’ Chorus performance of Time Pieces in New York, Tapestry Choir and York Chamber Ensemble’s performance of Peace in Newmarket, Ontario, and a special performance of Proud Music of the Storm by the Chorale, an oratorio choir of 150 singers from Bryn Mawr and Haverford Colleges in Haverford, Pennsylvania.

School of Music grads win big at OSM Manulife Piano Competition

Carter Johnson

Carter Johnson

School of Music alumnus Carter Johnson (BMus’18) has just won the grand prize in the 2018 Orchestre Symphonique de Montreal (OSM) Manulife Piano Competition, with his outstanding performance of Prokofiev's Concerto No. 3 in C major, Op. 26.

The prize includes a $10,000 scholarship, a performance with the OSM in January 2019, a professional broadcast on Radio-Canada’s ICI Musique, and concert opportunities with the Orford Arts Center, National Arts Center, Northern Arts and Cultural Centre, Newfoundland Symphony Orchestra and YOA Orchestra of the Americas.

Nicole Linaksita

Nicole Linaksita

At the same competition, alumna Nicole Linaksita (BSc/BMus’16) won the Orford Music Prize, a scholarship covering accommodation and tuition for an advanced program at Orford Music in 2019.

During their time at UBC, Johnson studied piano with Prof. Mark Anderson, while Linaksita studied with Prof. Corey Hamm.

Congratulations, Carter and Nicole!

New recordings

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Two new compositions by Professor Keith Hamel — “Touch” and “Corona” — appear on Music4Eyes+Ears, a multimedia project created by pianist Megumi Masaki. The project “explores how sound, image, text and movement can interact in live performance.”

Watch the album trailer

 

Professor Stephen Chatman released Dawn of Night (CMC Centrediscs, 2017), a collaboration with Conductor Hilary Apfelstadt and the University of Toronto’s Macmillan Singers that weds original music with the poetry of Joanna Lilley, Christina Rossetti, Sarah Teasdale, and Tara Wohlberg and others.

Listen to Dawn of Night (Spotify)

 
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Composer and sessional instructor Jocelyn Morlock (MMus’96, DMA’02)’s new album, Halcyon (CMC Centrediscs), features a who’s who of great Canadian musicians, including baritone Tyler Duncan (BMus’98), cellists Ariel Barnes and Joseph Elworthy, conductor Leslie Dala (MMus’96), pianists Corey Hamm and Erika Switzer (BMus’97, MMus’00), vibraphonist Vern Griffiths (BCom’90, BMus’94), violinist Nicholas Write, and soprano Robyn Driedger-Klassen (BMus’00). Morlock’s new piece “Petrichor” appears on Duo Concertante's Incarnation, and her Juno Award-winning composition “My Name Is Amanda Todd” appears on the National Arts Centre’s Life Reflected. 

Listen to Halcyon (Spotify)

 
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Also in December, Sessional lecturer Alan Matheson and Wade Mikkola released the second volume of their Souvenirs project, a collection of jazz interpretations of Finnish composers, on AMK Recordings.

Listen to Souvenirs (Spotify)

 

 

The Vancouver-based saxophone quartet Saxophilia, featuring sessional lecturer Julia Nolan and alumnus Colin MacDonald (BMus ’93), released their debut self-titled album in December on Redshift Records. The album includes compositions by Professor Dorothy Chang, alumnus Peter Hannan (BMus ’75), John Burke, and Colin MacDonald. Listen to Saxophilia (Spotify)


Julia Nolan also appears on Chor Leoni Men’s Choir’s new album, Wandering Heart, on Elektra Women’s Choir’s latest, Your One and Only Life, and on Sea and Sky Ensemble's Chromaticity.

Composer Denis Bedard’s new album, Works for Organ and Other Instruments, features Nolan on saxophone and Katherine Evans, the School of Music’s Manager of Admissions, on trumpet. 

Beyond the Gates

The latest news from School of Music faculty

Dr. Robert Taylor

Dr. Robert Taylor

"Northern Star,” a new composition by Dr. Dorothy Chang, débuted at the Calgary Philharmonic Orchestra in October. Dr. Chang composed the piece as part of a large-scale work for orchestra and dancers, in collaboration with four other composers, Vince Ho, Dinuk Wijeratne, Maxime McKinley, and Derek Charke, along with choreographer Yukichi Hattori. The performance is available online, along with a documentary that includes interviews with the composers.

In November, Vern Griffiths performed as soloist and host in his kids’ show Wall to Wall Percussion with the Toronto Symphony Orchestra. In the coming months, he will perform the same show with the Edmonton Symphony and Calgary Philharmonic.

Prof. Nancy Hermiston received the Honorary Alumni Award for 2017 from Alumni UBC, recognizing her as “a devoted and enthusiastic educator. She has nurtured the development of many promising young singers, and her willingness to share her love of classical music with the wider community has enriched the cultural life of Vancouver.”

Dr. Robert Taylor recently completed a one-week residency at the Singapore American School, where he worked with band students in grades 6–12, provided professional development sessions for music faculty, and guest conducted a program of 13 works with five different ensembles. 

Standing Wave won the 2017 Western Canadian Music Award for Classical Artist/Ensemble of the Year at BreakOut West for their album New Wave. The ensemble includes UBC Music faculty members Vern Griffiths and Christie Reside, as well as alumni Allen Stiles (BMus ’84, MMus ’86) and A.K. Coope (BMus ’90). The recording includes contributions from composer Michael Oesterle (BMus ’92) and producer Will Howie (BMus ’04).

Turning Point Ensemble

Turning Point Ensemble

As part of World New Music Days, Turning Point Ensemble and Ensemble Contemporain de Montreal (ECM+) performed “Evta,” a new violin concerto by Canadian composer Ana Sokolović, along with works by Bauck, Torio, and Pieniek. The performance featured School of Music Faculty Jeremy Berkman (trombone), Ingrid Chiang (bassoon), and Brenda Fedoruk (flute), as well as alumnus Nick Anderson (horn), and alumni/current students Julia Chien (percussion, BMus ’14) and Sarah Kwok (viola). Watch the performance online

In September, Prof. Terence Dawson was the soloist for a Wednesday Noon Hour performance of Poulenc's "Aubade", with a chamber orchestra comprised of faculty and students, and conducted by Dr. Jonathan Girard. The concert, which also featured Popper's "Requiem for Three Cellos and Piano" (Prof. Eric Wilson, plus DMA students Laine Longton and Oskar Falta) was dedicated to the memory of Prof. Emeritus John Sawyer, and was a celebration of 50 years of concerts in the Music Building. Professor Dawson also sat on the piano jury for the 2017 Federation of Canadian Music Festivals National Competition in Ottawa this summer, where he gave a masterclass. Finally, he was a faculty member at the VSO Summer Institute in Whistler for the third consecutive year.

As a soloist, Dr. Corey Hamm performed Prokofiev's Piano Concerto No. 3 in C major, Op. 26 with the Vancouver Island Symphony, and had engagements with the Vancouver Symphony Orchestra, Nu:BC Collective, Vancouver Chamber Music Society, and Turning Point Ensemble. With PEP (Piano and Erhu Project, with Nicole Li) he presented four World Premieres and three Canadian Premieres at ISCM World New Music Days, and performed at the Shanghai Conservatory. He was a judge for the inaugural Vancouver International Music Competition and Boesendorfer Piano Competition. 

New recordings

Contemporary chamber music ensemble Standing Wave released their latest album, New Wave, on Redshift Records this January. The album features School of Music lecturers Christie Reside (flutes) and Vern Griffiths (percussion). The album includes compositions by Michael Oesterle (BMus'92) and was recorded and produced by Will Howie (BMus'04).
 

 

Redshift Records' brand-new compliation, Redshift XVfeatures works by Prof. Keith Hamel, alumnus Benton Roark (MMus'07, DMA'13). With performances by School of Music ensemble-in-residence PEP (Piano and Erhu Project) as well as Standing Wave and Saxophilia. Performers include Corey Hamm (piano), Paolo Bortolussi (flute), Christie Reside (flute), Vern Griffiths (percussion), Julia Nolan (soprano sax), and Mark Takeshi MacGregor (DMA'12) (flute).

 
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In 2016 Chrystal Records released Double Concertos for Violin and Clarinet, part of their "Making of a Medium" series, which features Prof. Stephen Chatman's 20-minute concerto in four movements for clarinet, violin, and orchestra. One reviewer describes the piece as "a joyous, rhapsodic work that lives up to its putative subject matter." 

 
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In 2016, the chamber duo Couloir — featuring UBC lecturer Heidi Krutzen (harp) and Ariel Barnes (cello) — teamed up with composers James B. Maxwell and Nico Muhly to release Maxwell Muhly & Couloir, a recording that features "gossamer, glacial sonorities as well as aggressive, pounding rhythmic structures, all bound together over the course of an epic sonic journey."

In October Couloir won a Western Canadian Music Award for Classical Music Artist/Ensemble of the Year.

 

In March, Dálava — the award-winning duo of Ph.D. student Julia Ulehla (vocals) and Aram Bajakian (guitar) — released The Book of Transfigurations, a new album of Moravian folk songs channeled through 21st century jazz, world, and post-rock music. The Georgia Straight calls it "astonishing music."

 
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Also in March, composer Matthew Emery (BMus'14) released Sing Your Song, an album of choral works performed by Amabile Choirs of London, Canada and released on the Canadian Music Centre's Centrediscs label. 

Amabile’s performances and Emery’s writing "question and challenge the human spirit and exemplify why Canadian choral music is renowned around the world."