brenda fedoruk

Beyond the Gates

The latest news from School of Music faculty

Dr. Robert Taylor

Dr. Robert Taylor

"Northern Star,” a new composition by Dr. Dorothy Chang, débuted at the Calgary Philharmonic Orchestra in October. Dr. Chang composed the piece as part of a large-scale work for orchestra and dancers, in collaboration with four other composers, Vince Ho, Dinuk Wijeratne, Maxime McKinley, and Derek Charke, along with choreographer Yukichi Hattori. The performance is available online, along with a documentary that includes interviews with the composers.

In November, Vern Griffiths performed as soloist and host in his kids’ show Wall to Wall Percussion with the Toronto Symphony Orchestra. In the coming months, he will perform the same show with the Edmonton Symphony and Calgary Philharmonic.

Prof. Nancy Hermiston received the Honorary Alumni Award for 2017 from Alumni UBC, recognizing her as “a devoted and enthusiastic educator. She has nurtured the development of many promising young singers, and her willingness to share her love of classical music with the wider community has enriched the cultural life of Vancouver.”

Dr. Robert Taylor recently completed a one-week residency at the Singapore American School, where he worked with band students in grades 6–12, provided professional development sessions for music faculty, and guest conducted a program of 13 works with five different ensembles. 

Standing Wave won the 2017 Western Canadian Music Award for Classical Artist/Ensemble of the Year at BreakOut West for their album New Wave. The ensemble includes UBC Music faculty members Vern Griffiths and Christie Reside, as well as alumni Allen Stiles (BMus ’84, MMus ’86) and A.K. Coope (BMus ’90). The recording includes contributions from composer Michael Oesterle (BMus ’92) and producer Will Howie (BMus ’04).

Turning Point Ensemble

Turning Point Ensemble

As part of World New Music Days, Turning Point Ensemble and Ensemble Contemporain de Montreal (ECM+) performed “Evta,” a new violin concerto by Canadian composer Ana Sokolović, along with works by Bauck, Torio, and Pieniek. The performance featured School of Music Faculty Jeremy Berkman (trombone), Ingrid Chiang (bassoon), and Brenda Fedoruk (flute), as well as alumnus Nick Anderson (horn), and alumni/current students Julia Chien (percussion, BMus ’14) and Sarah Kwok (viola). Watch the performance online

In September, Prof. Terence Dawson was the soloist for a Wednesday Noon Hour performance of Poulenc's "Aubade", with a chamber orchestra comprised of faculty and students, and conducted by Dr. Jonathan Girard. The concert, which also featured Popper's "Requiem for Three Cellos and Piano" (Prof. Eric Wilson, plus DMA students Laine Longton and Oskar Falta) was dedicated to the memory of Prof. Emeritus John Sawyer, and was a celebration of 50 years of concerts in the Music Building. Professor Dawson also sat on the piano jury for the 2017 Federation of Canadian Music Festivals National Competition in Ottawa this summer, where he gave a masterclass. Finally, he was a faculty member at the VSO Summer Institute in Whistler for the third consecutive year.

As a soloist, Dr. Corey Hamm performed Prokofiev's Piano Concerto No. 3 in C major, Op. 26 with the Vancouver Island Symphony, and had engagements with the Vancouver Symphony Orchestra, Nu:BC Collective, Vancouver Chamber Music Society, and Turning Point Ensemble. With PEP (Piano and Erhu Project, with Nicole Li) he presented four World Premieres and three Canadian Premieres at ISCM World New Music Days, and performed at the Shanghai Conservatory. He was a judge for the inaugural Vancouver International Music Competition and Boesendorfer Piano Competition. 

The Juno Connection

Congratulations to Alexander Weimann, Turning Point Ensemble and Musica Intima on their Juno nominations!

Alexander Weimann

Alexander Weimann

Thirst

Thirst

Weimann is the Principal Artist and Director of our Baroque Orchestra Mentorship Program. He’s nominated for Classical Album of the Year: Vocal or Choral Performance with Bach: Magnificat BWV 243, his recording with Arion Baroque Orchestre.

Turning Point Ensemble and Musica Intima are nominated for Classical Composition of the Year for their recording of Ana Sokolović’s “And I need a room to receive five thousand people with raised glasses…or…what a glorious day, the birds are singing ‘halleluia.’” The song appears on the new album Thirst, a collaboration between the two groups released by Redshift Records.

Musica Intima is an internationally renowed vocal chamber group, while Turning Point Ensemble is a large chamber ensemble dedicated to "linking modern and contemporary music to music of our time and other artforms." A number of UBC faculty members and alumni perform in these two boundary-pushing Vancouver-based ensembles and were involved in the recording. Faculty members include:

Karen Wilson (BMus’74) produced the album. Will Howie (BMus’04) was the recording engineer and digital editor.

The Juno Awards will be announced on Sunday, April 2nd. We're keeping our fingers crossed!

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