Dr. Hedy Law’s essay on the female “citoyenne” in 18th-century French opera — including Sapho (1795) by librettist Constance-Marie de Salm and composer Jean-Paul-Gilles Martini — was published this spring in The Opera Quarterly.
This November, Dr. Ève Poudrier presented a talk entitled “The influence of grouping and tempo on subjective metricization” at the Auditory Perception, Cognition, and Action Meeting (APCAM) in Vancouver, British Columbia. The presentation slides are available here.
Dr. David Metzer’s new book, The Ballad in American Popular Music: From Elvis to Beyoncé, was published by Cambridge University Press. It is the first history of the ballad in recent popular music. Prof. Metzer chronicles a musical history of the ballad, looking at how such celebrated singers as Frank Sinatra, Aretha Franklin, Barry Manilow, and Whitney Houston have shaped the genre. He also offers a history of emotions in popular culture, showing how ballads capture the changing ways in which feelings have been understood and experienced. You can listen to Prof. Metzer talk about his book on the School of Music podcast.
Music theorists and editors Dr. Laurel Parsons (MA ’91, Ph.D ’03) and Dr. Brenda Ravenscroft (Ph.D ’93) won the Society for Music Theory’s 2018 award for the Outstanding Multi-Authored Publication for Analytical Essays on Music by Women Composers: Concert Music, 1960-2000 (Oxford University Press, 2016). It is the first of a four-volume series.
Dr. John Roeder gave the keynote address at a conference in London about the operas of Thomas Adès. At the Society for Music Theory annual meeting in November, he also presented papers on music of Chen Yi, and on teaching musical meter.
Dr. Nathan Hesselink gave three talks in the past year: "The Backbeat as Expressive Device in Popular Music," presented at the Annual Meeting of the Society for Music Theory in Vancouver; "Korean Drumming and Cosmology: Music Reflecting and Shaping Local Culture," presented at Lewis and Clark College, Portland, Oregon; and "Radiohead’s OK Computer," presented as part of Rain City Chronicles “The Record Club” Series, Macmillan Space Centre, Vancouver. The Korean translation of his first book on Korean folk drumming, P’ungmul: South Korean Drumming and Dance (University of Chicago), was published by the Academy of Korean Studies.
The School of Music’s Rhythm Research Cluster hosted its first symposium, "Entrainment and the Human-Technology Interface," in September. UBC faculty, students, and guest lecturers together explored the history and nature of interactions between live human agents (performers and composers) and an externalizing and regulating entraining agent (both metronomes and click tracks). The next symposium, titled "Modeling Rhythmic Complexity," will focus on the cognition and production of complex rhythmic structures (such as polyrhythm and syncopation) using tools and methods from fields as diverse as linguistics, music information retrieval, behavioural psychology and neuroscience. It is scheduled for January 2018.
Elizabeth Volpé Bligh published a new article in the November issue of Harp Column.
During his first year at UBC, Dr. Claudio Vellutini was invited to present at the conference London Voices, 1820-1840 hosted by King's College London and at the Rossini 2017 Conference organized by the Rossini Foundation in Pesaro, Italy. He also gave a paper at the Second Transnational Opera Studies Conference in Bern, Switzerland. His article "Opera and Monuments: Verdi's Ernani in Vienna and the Construction of Dynastic Memory" has been accepted for publication and is forthcoming in the Cambridge Opera Journal. In Vancouver, he was a guest of the radio programme Place à l'opéra on Radio Canada), and gave pre-concert talks on Verdi's Macbeth and Otello at the Italian Cultural Institute and at the Vancouver Opera Festival.
Prof. Stephen Chatman published four new books of sheet music: Shine! shine! shine! from A Song of Joys, Dawn of Night, Forever, Remember Me, and O Clap Your Hands. All are available via Morningstar Music.
In May, Dr. Brandon Konoval presented a conference paper for the Canadian Society for the History and Philosophy of Science: "The Disenchanted Flute? Music, Max Weber, and Early Modern Science." He also published an article in Modern Intellectual History: "Between Aristotle and Lucretius: Discourses of Nature and Rousseau's Discours sur l'inégalité."