New Research and Publications

Prof. John Roeder and Assistant Prof. Claudio Vellutini

Prof. John Roeder and Assistant Prof. Claudio Vellutini

Prof. Nathan Hesselink recently spoke at two universities as a Distinguished Speaker for the Association of Asian Studies Lecture Series and presented talks at two international conferences. He gave the lecture “Korean Drumming and Cosmology: Music Reflecting and Shaping Local Culture" at Mt. Allison University (New Brunswick, Canada) and the University of California-Davis (U.S.A.); and he presented "Cross-Cultural Resonance in the Cadential Hemiola” at the Fifth International Conference on Analytical Approaches to World Music in Thessaloniki, Greece, and "Cultural Legacy, Transmission, and Future Prospects for Gochang Nongak" at the 2018 World Forum for Intangible Cultural Heritage in Jeonju, South Korea.

Prof. John Roeder gave three keynote addresses in 2018: at the Analytical Approaches to World Music conference in Thessaloniki, Greece; at the Rocky Mountain Music Scholars conference in Tucson, AZ; and at the Meter Symposium 3 in Sydney, Australia. This summer Prof. Roeder gave lectures at the East China Normal University in Shanghai, and at the 2018 Perspectives on Chinese Contemporary Music Conference, sponsored by the Harvard Shanghai Center.

Dr. Claudio Vellutini has been awarded an Insight Development Grant for his research project “Entangled Histories: Opera and Cultural Networks between Vienna and the Italian States, 1815-1848.” Recently, he presented two conference papers on topics related to this project: “Opera Networks between Vienna and the Italian States: Domenico Barbaja and Der Freischütz” at the 20th Biennial International Conference on Nineteenth-Century Music; and "Donizetti's Italianità and Viennese Publishers" at the third conference of the international research network Re-Imagining Italianità: Opera and Musical Culture in Transnational Perspective.

Prof. Stephen Chatman published two new compositions: “Life Has Loveliness,” a work for SATB choirs and piano, and “Six Preludes” for alto saxophone and piano.

Dr. Ève Poudrier published “Tapping to Carter: Mensural Determinacy in Complex Rhythmic Sequences" in Empirical Musicology Review. The article investigate the influence of style-specific expertise on musicians' ability to find the beat in a passage from Elliott Carter's 90+ for piano (1994).

Sessional lecturer Dr. Maria Virginia Acuña received an SSHRC postdoctoral fellowship for her project, “Cultural Transfer in Mid-Eighteenth-Century Spain: The Italian Castrato in Madrid.” With Susan Lewis, she co-authored a book, Claudio Monteverdi: A Research and Information Guide. She also published two peer-reviewed articles: “Love Conquers All: Cupid, Philip V, and the Allegorical Zarzuela during the War of the Spanish Succession (1701–16),” in Eighteenth-Century Music (March 2018), and “Sobbing Cupids, Lamenting Lovers, and Weeping Nymphs in the Early Zarzuela: Calderón de la Barca’s El laurel de Apolo(1657) and Durón and Navas’s Apolo y Dafne (ca. 1700)” in Bulletin of the Comediantes (2017).

Dr. Brandon Konoval published “Pythagorean Pipe Dreams? Vincenzo Galilei, Marin Mersenne, and the Pneumatic Mysteries of the Pipe Organ” in Perspectives on Science (February 2018), and “Is the Essay Dead? Research and Writing in the Humanities at a Research-Intensive University" in Higher Education Review (50th Anniversary Issue, Spring-Summer 2018).

Harpist and adjunct professor Elizabeth Volpé Bligh published “Cracking the Nutcracker,” a new article in Harp Column about the ballet’s iconic harp part.