Dr. John Roeder presented two conference papers recently: “Formative processes of durational projection in 'free rhythm' world music” at the Fourth International Analytical Approaches to World Music Conference in New York last June; and “Durational process and affect in a Papua New Guinea song” at the SMT World Music Analysis interest group meeting, in Vancouver in November. Dr. Roeder also published "Superposition in Saariaho's 'The claw of the magnolia….'" in Analytical Essays on Music by Women Composers: Concert Music, 1960-2000, ed. Laurel Parsons and Brenda Ravenscroft, 156-175. New York: Oxford University Press.
Drs. Alan Dodson, Nathan Hesselink and Ève Poudrier were awarded a grant from the Grants for Catalyzing Research Clusters: Performing & Creative Arts for a series of three symposium on the theme “Exploring Musical Time” during the academic year 2017-2018. The newly formed Rhythm Research Cluster brings together the research interests of six UBC faculty members (including Drs. Richard Kurth, John Roeder, and Michael Tenzer) in the fields of music theory and ethnomusicology that converge on the study of musical time and the production and experience of musical rhythm, timing, and periodicity. The first symposium on “Entrainment and the Human-Technology Interface” is planned to take place in September 2017; stay tuned for more details in the next issue!
Dr. Brandon Konoval published a chapter entitled "Discipline and Pianist: Foucault and the Genealogy of the Etude" in Foucault on the Arts and Letters: Perspectives for the Twenty-First Century (Rowman & Littlefield, October 2016). In July, he presented a paper at St. Anne's College, Oxford, "Pythagorean Pipe Dreams? Ratios of Pipe Scaling from Vincenzo Galilei through Marin Mersenne," for the international conference in early modern science, Scientiae. In December, he was a panelist at the Peter Wall Institute for Advanced Studies for 'Foucault on the Arts and Letters.'
Sessional lecturer Elizabeth Volpé Bligh published “From Solo to Section,” a new article in Harp Column magazine about the role of harpists in an orchestra.
Dr. Stephen Chatman published three new educational books for piano at part of Canticle Publishing’s “Mix and Match” series. His compositions offer “an array of stylistically varied pieces, all paired with harmonically rich duets” for beginning students to learn from.
Sessional lecturer James Palmer published “Humorous Script Oppositions in Classical Instrumental Music,” an article about humour in the works of Joseph Haydn, Michael Haydn, and Mozart, in the latest issue of Music Theory Online.