Alumni Making Waves: An outstanding new book, a (very) modern adaptation of Handel, orchestra news, and more  

This November, Rose-Ellen Nichols (BMus ’05, MMus ’08) performed the role of the Native Mother in Missing, the new Pacific Opera Victoria/City Opera Vancouver co-production that “gives voice to the story of Canada's missing and murdered Indigenous women.” 

Julia Chien (BMus ’14, MMus student) has won the Principal Percussion position with the Saskatoon Symphony Orchestra and the Principal Timpani position with the Kamloops Symphony, while Stephanie Bell (BMus ’14) is the new Second Flute with the Victoria Symphony. Catch Julia at Barnett Hall on Feb. 14th, 2018.

Left to right: Julia Chien, Debi Wong, and Rose-Ellen Nichols

Left to right: Julia Chien, Debi Wong, and Rose-Ellen Nichols

Choral composer Matthew Emery (BMus ’14) has been awarded the University of Toronto’s 2017 William and Phyllis Waters Award. The $25,000 award recognizes “graduating students… who are deemed to have the greatest potential to make an important contribution to the field of music.” 

Debi Wong (BMus ’08) debuted Acis & Galatea: A Gender Liberation Opera, her adaption of the Handel opera, in Vancouver this fall. The production also featured performances by UBC alumni Rachel Fenlon (BMus '10, MMus '12) and Peter Monaghan (BMus '14, MMus '15), with Alan Corbishley (BMus ’98) directing. Debi performs in Barnett Hall on March 7th, 2018 as part of the Wednesday Noon Hour series. 

Music theorists and editors Brenda Ravenscroft (Ph.D ’93) and Laurel Parsons (MA ’91, Ph.D ’03), won the Society for Music Theory’s 2018 award for the Outstanding Multi-Authored Publication for Analytical Essays on Music by Women Composers: Concert Music, 1960-2000 (Oxford University Press, 2016). It is the first of a four-volume series. 

Fiona Blackburn (BMus ’82, BEd (Sec) ’02, MMus ’10) was recently appointed as Conductor of Pacifica Singers, a select vocal ensemble that exists as part of the Vancouver Chamber Choir organization. Fiona's eclectic musical career has included performing as a classically trained soloist and recording artist, teaching voice, adjudicating festivals, conducting choirs, and educating in classrooms.

Natalie Calhoun (BMus ’95) was nominated for an East Coast Music Award as part of the ensemble Atlantic String Machine. Their album, Lost Time, was nominated in the category of Classical Recording of the Year.

Shang Ko (Sunny) Chan (BMus ’16) was named as a finalist in the Shean Strings Competition. The finals were held May 18–20, 2017 in Edmonton, Alberta. 

Nicole Linaksita (BMus ’15) has had a busy few months. She was Guest Artist for Music Without Borders, performed Moszkowski’s Piano Concerto Op. 59 at the Chan Centre for the Performing Arts, and won a Silver Medal and Best Performance of a Canadian Work at the Vancouver International Music Competition. She also performed numerous concerts with Musica Moderna Camerata and others.

In May, world-renowned pianist and former School of Music student Jon Kimura Parker, O.C, received an honorary Doctorate of Lettershonoris causa, from the University of British Columbia in recognition of his countless contributions to the world of classical music. 

Jocelyn Morlock (MMus ’96, DMA ’02) and John Estacio (MMus '91) were among four composers commissioned by the National Arts Centre Orchestra for Life Reflected, an “immersive symphonic experience” that celebrated four exceptional Canadian women. Jocelyn’s piece, “My Name is Amanda Todd” tells the story of the vibrant 15-year-old who, after suffering for years from cyber abuse, spoke out against harassment and bullying on YouTube. For his piece, “I Lost My Talk,” John draws inspiration from the life and work of acclaimed Mi'kmaw elder and poet Rita Joe. Life Reflected premiered in Vancouver in October.  

Violist Sarah Kwok (MMus ’11, DMA student) and percussionist Julia Chien made their debuts with the award-winning Turning Point Ensemble during International World Music Days in November. You can watch their performance here